MEMOIR AS SIGNPOST: WRITING AT THE INTERSECTION OF ANCIENT FAITH AND CONTEMPORARY CULTURE Research and Analysis Supporting the Creation of BACK TO CANAAN: A PARABLE BY MEGAN J. ROBINSON SENIOR CREATIVE PROJECT submitted to the Individualized Studies Program in fulfillment of the requirements for the degree BACHELOR OF INDIVIDUALIZED STUDIES in RELIGIOUS AND CULTURAL STUDIES COMMITTEE MEMBERS: Dr. Catherine E. Saunders, Faculty Advisor Ms. Andrea B. Ruffner, Reader GEORGE MASON UNIVERSITY FAIRFAX, VIRGINIA DECEMBER 2006 ©2006 MEGAN J. ROBINSON ALL RIGHTS RESERVED PLEASE DIRECT ALL CORRESPONDENCE TO:
[email protected] TABLE OF CONTENTS MEMOIR AS SIGNPOST Introduction 5 Rumors 8 Foreshadows: Evangelicalism as Clue Evangelical Publishing: A Blueprint for Faith Glimpses 14 Elements: Seeing a Story Elements: Reaching Into a Story Elements: Transformed By a Story Epiphanies 18 Theology: Foundation and Structure Wonder: The Open Door Narrative: Exploring the Cathedral Parable: Room to Grow Conclusion 28 Works Cited 30 Appendix A: Two Literary Models or Approaches 34 BACK TO CANAAN: A PARABLE Ur – Haran – Egypt 38 Barrenness Illumination Other Gods Altars and Plagues Long Day’s Journey Notes 62 INTRODUCTION Blueprints and cathedrals, at first glance, have little to do with creative writing. Yet, the word “cathedral” evokes spirituality, and thus provides an image that enables a discussion of how to approach writing on spiritual issues. In his analysis of the contemporary evangelical publishing industry, scholar Abram Van Engen explores how a writer should, or can, approach and produce literature from a Christian perspective. He proposes that, in the current market niche occupied by the evangelical publishing industry, audience and market demands have created a narrowly delineated “blueprint” model shaping a specific style and content of acceptable religious/spiritual literature, a model to which others less “mainstream” within the evangelical sub-culture react.