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ROSMERSHOLM by Henrik Ibsen the Studio Join Us If you enjoy theatre, why not join us and benefit from membership: ✓ Half price personal tickets for Questors productions* ✓ Discounted Guest tickets when you bring friends to Questors productions* ✓ Children's FREE tickets t ✓ Opportunities to be actively involved in our productions ✓ Opportunity to audition to join our company of actors ✓ Exclusive or discounted training courses ✓ Access to iQ- the members-only website: members.questors.org.uk ✓ Access to exclusive news on iQ and email newsletter ✓ Receive the regular programme leaflet ✓ Membership of The Grapevine Club ✓ Special invitations, events and offers not available to the public ✓ Ticket reservation facility (conditions apply) ✓ Voting rights in the company *Reduced prices exclude certain events. t under 18, excludes certain events, maximum four per event. Must be collected at the performance and accompanied by the member. Getting the most from your membership We have a wide range of opportunities for you to become, actively involved front-of­ house or backstage. Volunteer help is always needed for selling programmes or stewarding, and training is provided if you'd like to work in Box Office w_ith our computerised system. To meet members in a social setting, volunteer to help behind the Grapevine bar. Backstage staff including stage managers, prop makers, set builders, sound and lighting designers and operators, painters, wardrobe and costume and set designers are always welcomed; whatever your skills, we'll find a place for you. We also have courses for those wishing to direct. The Questors has a high standard of acting and, to maintain this, everyone wanting to act must first take an audition. These are held every month - call the Theatre Office for details of forthcoming auditions. The Questors Youth Theatre - QYT Our Youth Theatre, QYT, runs weekly drama classes for all ages from 6 to 18. Younger groups meet on Saturday mornings and older ages at weekday teatime. There's often a waiting list for membership, so put your name down now! Details are online at questors.org.uk/qyt. Programme: Nigel Bamford & Anne Gilmour The Questors Theatre Theatre Office: 020 8567 0011 12 Mattock Lane, Ealing, W5 5BQ Box Office: 020 8567 5184 Registered Charity No. 207516 Email: [email protected]. uk designed and printed by The Questers Theatre Fields at The Questors Fields at The Questors serves Italian coffee, fine teas, hearty meals and handmade cakes, and is the perfect spot for a pre­ theatre meal or intermission ice-cream. Order interval drinks before the show to beat the crowds. Regular opening hours: Monday to Saturday, 9:00 am to 7:30 pm Also open before and during the interval of all Judi Dench Playhouse evening and matinee performances. Find Fields on Facebook. The Grapevine Bar The Grapevine is our friendly club bar open to Members and Friends of The Questors Theatre and their guests, as well as audience members on show nights. The club is open seven nights a week and Sunday lunchtimes, and is managed and staffed entirely by volunteers. We are the proud holders of a Cask Marque award for the quality of our real ales, we appear in the 2019 edition of The Good Beer Guide and we are CAMRA West Middlesex Club of the Year. A choice of at least three real ales is usually available, including Fuller's London Pride. We also provide a range of draught lagers and ciders, as well as wines and spirits - all at very ROSMERSHOLM reasonable prices. by Henrik Ibsen Opening Hours: 7:00 pm - 10:30 pm (Sunday - Wednesday) 7:00 pm - 11 :00 pm (Thursday - Saturday) The Studio Sunday lunchtime: midday - 2:30 pm 22 February - 2 March 2019 See questors.org.uk/grapevine for more details. Fields and the Grapevine accept payments by card . ROSMERSHOLM The Works of Henrik Ibsen Rosmersholm is one of Ibsen's most pessimistic analyses of modernity. This is a world in which even the best men and women can't find a way to have liveable relationships, a world in which the deepest expressions of the pain of the soul will go unheard and unacknowledged, where language has come to seem untrustworthy, and where the search for absolute truth will drive us mad. Rosmersholm is Ibsen's darkest and most complex play. It is a masterpiece.' 1850 Catiline ( Catilina) Tori/ Moi- Henrik Ibsen and the Birth of Modernism. 2006. 1850 The Burial Mound (Kjcempehejen) 1851 Norma or a Politician's Love (Norma el/er en Po!itikers Kjaerlighed), This complex tissue of personal anguish unravels against a 1852 St. John's Eve (Sancthansnatten) background of political and social change. In 1885 Ibsen 1854 Lady Inger of Oestraat (Fru Inger ti! 0steraad) visited Norway from Rome, where he was living. The previous 1855 The Feast at So!haug ( Gi/det paa So/haug) year Norwegian society had been torn apart by a struggle 1856 Olaf Liljekrans ( Olaf Liljekrans) between conservatives and liberals, in which the liberals had 1858 The Vikings at Helgeland (Hcermcendene paa Helgeland) 1862 Love's Comedy (Kjcer!ighedens Komedie) triumphed. But the scars inflicted by the struggle remained. 1863 The Pretenders (Kongs-Emnerne) While in Norway, Ibsen delivered a speech in which he set out 1 866 Brand (Brand) the aim of achieving nobility of character, a nobility which could 1867 Peer Gynt (Peer Gynt) only be achieved through the workers and women. 1869 The League of Youth (De unges Forbund) Rosmersholm emerged from this tense situation and Ibsen's 1871 Digte - Ibsen's only released collection of poetry reaction to it. But what emerged was a highly charged 1873 Emperor and Galilean (Kejser og Gali/ce er) psychological drama, not a work of politics. How personal lives 1877 Pillars of Society ( Samfundets Ste tter) can be torn apart through public conflict - this is Rosmersholm 1879 A Doll's House (Et Dukkehjem) and it is a play for today. 1881 Ghosts ( Gengangere) 1882 An Enemy of the People (En Folkefiende) Paul Collins, Director 1884 The Wild Duck ( Vildanden) 1886 Rosmersholm (Rosmersholm) 1888 The Lady from the Sea (Fruen fra Havet) This production is dedicated to the memory of 1890 Hedda Gabler (Hedda Gabler) Angela Collins Shevelew 1892 The Master Builder (Bygmester Solness) 1894 Little Eyolf (Lille Eyo/~ 20 April 1949 - 18 February 2019. 1896 John Gabriel Barkman (John Gabriel Barkman) 1899 When We Dead Awaken (Na.r vi da de vaagner) ROSMERSHOLM by Henrik Ibsen: version by Paul Collins First peliormance a/this production at ieQu esta rs Theatre, 22 February 2019 CAST PRODUCTION in order of appearance Director Paul Collins Rebecca West Veronika Smit Set Designer Stephen Souchon Therese Helseth Catherine Day Costume Designer An ne Gilmour Lighting Designer Andrew Whadcoat Magnus Kroll Derek Stoddart Sound Designer Lizzie Turner Johannes Rosmer Paul James Assistant Sound Designer Olly Potter Ulric Brendel lain Reid Stage Manager Jane Dwyer Peter Mortensgaard Martin Halvey Deputy Stage Manager Sarah Clopet Assistant Stage Managers Stratulat Dumitru, Michal Svboda Rosmersholm, an estate near the sea in Norway; summer, the present. Properties/ Set Dressing Sue Collins Act One: A late afternoon Family Portraits Geoffrey Moore Act Two: Next morning Prompter Bridgett Strevens INTERVAL Lighting/ Sound Operator Olly Potter Act Three: The following morning Lighting Rigger Ellie Vidal Act Four: The same day, late evening Set Constructor/ Painter Stephen Souchon Get-In Assistance Catherine Day, Doug King The performance will last approximately 2 hour and 15 minutes, including a 15-minute interval. Photographer Jane Arnold-Forster Videographers Jane Arnold-Forster, Please turn off all mobile phones and similar electronic devices. The use of Peter Gould, Gavin Jones cameras, video cameras and recording equipment is strictly prohibited. Thanks to Terry Mummery, Thank you. Kall Kwik Chiswick The Director's thanks go to Professor Kirsten Shepherd-Barr for her profound knowledge of Ibsen in theory and practice. Derek Stoddart - Magnus Kroll Biographies Derek has acted in a wide range of productions since joining The Questors in 1983. Most recent productions include Uncle Vanya , Twelfth Night, Burnt By Catherine Day - Therese Helseth The Sun and the 2017 pantomime Mother Goose. He was last seen playing a After joining The Questors in 2003, Catherine was ASM on Road and number of roles in Tess of the d'Urbervilles. A Streetcar Named Desire in 2004. She completed Acting for All in 2005, was Paul Collins - Director an extra in Far Away in 2006, Bloody Poetry in 2007, a member of the Paul has acted at The Questors for many years, most recently as Hamm in ensemble cast of Great Expectations in 2007, It's a Wonderful Life the 2012 Endgame and Philip Larkin in Larkin with Women. He directed Measure for Christmas production and House and Garden in 2013. Measure and An Ideal Husband. Preparing a performing version of this great play by Ibsen and directing this talented and committed group of actors has Martin Halvey - Peter Mortensgaard been an unusual privilege. This is Martin's seventh production at The Questors, having joined in 2006 and enjoyed appearing in Much Ado About Nothing, Festen, The Alchemist, Anne Gilmour - Costume Designer The Comedy of Errors and Three Sisters and No Fairy Tale. Anne is a longstanding member of The Questors. It's 35 years since she first tentatively produced a hat for Bodies and it remains the only hat she has ever Paul James - Johannes Rosmer had to make. Her most recent shows include Taking Sides, Bird on the Wire, Paul is originally from Gateshead but now an Ealing resident who joined Red Peppers, The Village Bike and Rhinoceros. She is the Questors' L TG The Questors three years ago to play Fredrik Egerman in A Little Night Music.
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