The Place of Animals in Buddhism
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Dharma Dogs: a Narrative Approach to Understanding the Connection of Sentience Between Humans and Canines Anna Caldwell SIT Study Abroad
SIT Graduate Institute/SIT Study Abroad SIT Digital Collections Independent Study Project (ISP) Collection SIT Study Abroad Fall 2016 Dharma Dogs: A Narrative Approach to Understanding the Connection of Sentience Between Humans and Canines Anna Caldwell SIT Study Abroad Follow this and additional works at: https://digitalcollections.sit.edu/isp_collection Part of the Animal Studies Commons, Asian Studies Commons, Community-Based Learning Commons, Community-Based Research Commons, Family, Life Course, and Society Commons, and the Sociology of Religion Commons Recommended Citation Caldwell, Anna, "Dharma Dogs: A Narrative Approach to Understanding the Connection of Sentience Between Humans and Canines" (2016). Independent Study Project (ISP) Collection. 2500. https://digitalcollections.sit.edu/isp_collection/2500 This Unpublished Paper is brought to you for free and open access by the SIT Study Abroad at SIT Digital Collections. It has been accepted for inclusion in Independent Study Project (ISP) Collection by an authorized administrator of SIT Digital Collections. For more information, please contact [email protected]. Dharma Dogs A Narrative Approach to Understanding the Connection of Sentience Between Humans and Canines Cadwell, Anna Academic Director: Decleer, Hubert and Yonetti, Eben Franklin and Marshall College Anthropology Central Asia, India, Himachal Pradesh, Dharamsala Submitted in partial fulfillment of the requirements for Nepal: Tibetan and Himalayan Peoples, SIT Study Abroad, Fall 2016 Abstract India has the highest population of stray dogs in the world1. Dharamsala, a cross-cultural community in the north Indian Himalayan foothills, is home to a number of particularly overweight and happy canines. However, the street dogs of Dharamsala are not an accurate representation of the state of stay dogs across India. -
Lion Symbol in Hindu-Buddhist Sociological Art and Architecture of Bangladesh: an Analysis
International Journal in Management and Social Science Volume 08 Issue 07, July 2020 ISSN: 2321-1784 Impact Factor: 6.178 Journal Homepage: http://ijmr.net.in, Email: [email protected] Double-Blind Peer Reviewed Refereed Open Access International Journal Lion Symbol in Hindu-Buddhist Sociological Art and Architecture of Bangladesh: An Analysis Sk. Zohirul Islam1, Md. Kohinoor Hossain2, Mst. Shamsun Naher3 Abstract There is no lion animal in Bangladesh still live but has a lot of sculptors through terracotta art in architecture, which are specially used as decorative as religious aspects through the ages. The lion is the king of the animal world. They live in the plain and grassy hills particularly. Due to these characteristics, the lion has been considered through all ages in the world as a symbol of royalty and protection as well as of wisdom and pride, especially in Hindu- Buddhist religion. In Buddhism, lions are symbolic of the Bodhisattvas. In Buddhist architecture, lion symbols are used as protectors of Dharma and therefore support the throne of the Buddha’s and Bodhisattvas. The lion symbol is also used in Hindu temple architecture as Jora Shiva Temple, Akhrapara Mondir of Jashore. In Bangladesh, there are various types of lion symbol used in terracotta plaques of Ananda Vihara, Rupbhan Mura, and Shalban Vihara at Mainamati in Comilla district, Vashu Vihara, Mankalir Kundo at Mahasthangarh in Bogra district and Somapura Mahavihara at Paharpur in Naogaon district. This research has been trying to find out the cultural significance of the lion symbol in Hindu-Buddhist art and architecture of Bangladesh. -
Reiko Ohnuma Animal Doubles of the Buddha
H U M a N I M A L I A 7:2 Reiko Ohnuma Animal Doubles of the Buddh a The life-story of the Buddha, as related in traditional Buddha-biographies from India, has served as a masterful founding narrative for the religion as a whole, and an inexhaustible mine of images and concepts that have had deep reverberations throughout the Buddhist tradition. The basic story is well-known: The Buddha — who should properly be referred to as a bodhisattva (or “awakening-being”) until the moment when he attains awakening and becomes a buddha — is born into the world as a human prince named Prince Siddhārtha. He spends his youth in wealth, luxury, and ignorance, surrounded by hedonistic pleasures, and marries a beautiful princess named Yaśodharā, with whom he has a son. It is only at the age of twenty-nine that Prince Siddhārtha, through a series of dramatic events, comes to realize that all sentient beings are inevitably afflicted by old age, disease, death, and the perpetual suffering of samsara, the endless cycle of death-and-rebirth that characterizes the Buddhist universe. In response to this profound realization, he renounces his worldly life as a pampered prince and “goes forth from home into homelessness” (as the common Buddhist phrase describes it) to become a wandering ascetic. Six years later, while meditating under a fig tree (later known as the Bodhi Tree or Tree of Awakening), he succeeds in discovering a path to the elimination of all suffering — the ultimate Buddhist goal of nirvana — and thereby becomes the Buddha (the “Awakened One”). -
Killing Snakes in Medieval Chinese Buddhism
religions Article The Road to Redemption: Killing Snakes in Medieval Chinese Buddhism Huaiyu Chen 1,2 1 Research Institute of the Yellow River Civilization and Sustainable Development, Henan University, Kaifeng 10085, China; [email protected] 2 School of Historical, Philosophical and Religious Studies, Arizona State University, Tempe, AZ 85287, USA Received: 11 March 2019; Accepted: 31 March 2019; Published: 4 April 2019 Abstract: In the medieval Chinese context, snakes and tigers were viewed as two dominant, threatening animals in swamps and mountains. The animal-human confrontation increased with the expansion of human communities to the wilderness. Medieval Chinese Buddhists developed new discourses, strategies, rituals, and narratives to handle the snake issue that threatened both Buddhist and local communities. These new discourses, strategies, rituals, and narratives were shaped by four conflicts between humans and animals, between canonical rules and local justifications, between male monks and feminized snakes, and between organized religions and local cultic practice. Although early Buddhist monastic doctrines and disciplines prevented Buddhists from killing snakes, medieval Chinese Buddhists developed narratives and rituals for killing snakes for responding to the challenges from the discourses of feminizing and demonizing snakes as well as the competition from Daoism. In medieval China, both Buddhism and Daoism mobilized snakes as their weapons to protect their monastic property against the invasion from each other. This study aims to shed new light on the religious and socio-cultural implications of the evolving attitudes toward snakes and the methods of handling snakes in medieval Chinese Buddhism. Keywords: snakes; Buddhist violence; Buddhist women; local community; religious competition 1. -
Mphil Thesis – Food for Bodhisattvas
Food for Bodhisattvas An Intertextual Study of the Māṃsabhakṣaṇaparivarta of the Laṅkāvatārasūtra Śraddhāpa Welsh SAN4590 - Master’s Thesis in Sanskrit (Asia and Middle East Studies) Department of Culture Studies and Oriental Languages UNIVERSITY OF OSLO 01.06.17 %1 # %2 Copyright !raddh"pa Welsh 2017 Food for Bodhisattvas: An Intertextual Study of the M"&sabhak'a(aparivarta of the La)k"vat"ras*tra !raddh"pa Welsh http://www.duo.uio.no$ # %3 Summary This thesis is a study of the M"&sabhak'a(aparivarta (The Chapter on Meat-Eating) of the La)k"vat"ras*tra, one of the key scriptures of the Yog"c"ra school of Mah"y"na Buddhism which in turn was a key influence on the Chan/Zen schools of China and Japan. The M"&sabhak'a(aparivarta argues strongly that a bodhisattva (the ideal Buddhist practitioner for the Mah"y"na) should abstain from eating meat. In doing so it not only argues against but flatly contradicts earlier Buddhist scriptures with which its audience would have been familiar. The M"&sabhak'a(aparivarta is unusual for a Buddhist text in the strength of the rhetoric it employs against those who hold a different view. This suggests that at the time the text was composed, the debate around whether Buddhists were obliged to abstain from eating meat or not was a heated one. Indeed, the popularity of the La)k"vat"ras*tra in China and Japan was a major factor in promoting vegetarianism in those societies – particularly amongst Buddhist monks and nuns. I use philological methods, and an intertextual theoretical approach to analysing this text, drawing on the key concepts of the ideologeme and the horizontal and vertical axes of a text first used by the French theoretician Julia Kristeva, as well as the idea of the death of the author first put forward by Roland Barthes. -
Rebirth, Olfaction, and the Transspecies Imagination in Modern Chinese Buddhism
religions Article Both Like and Unlike: Rebirth, Olfaction, and the Transspecies Imagination in Modern Chinese Buddhism Lina Verchery Committee on the Study of Religion, Harvard University, Cambridge, MA 02138, USA; [email protected] Received: 20 April 2019; Accepted: 24 May 2019; Published: 3 June 2019 Abstract: This essay considers the importance of the transspecies imagination for moral cultivation in contemporary Chinese Buddhism. Drawing on scriptural, theoretical, and fieldwork-based ethnographic data, it argues that olfaction—often considered the most “animalistic” of the human senses—is uniquely efficacious for inspiring imaginative processes whereby Buddhists train themselves to inhabit the perspectives of non-human beings. In light of Buddhist theories of rebirth, this means extending human-like status to animals and recognizing the “animal” within the human as well. Responding to recent trends in the Humanities calling for an expanded notion of ontological continuity between the human and non-human—notably inspired by critical animal studies, post-humanism, the new materialism, and the “ontological turn”—this essay contends that Buddhist cosmological ideas, like those that demand the cultivation of the transspecies imagination, present resources for moral reflection that can challenge and enrich current mainstream thinking about humanity’s relation to the nonhuman world. Keywords: Buddhism; animals; Buddhist ethics; anthropology of the senses; olfaction; cosmology; rebirth; vegetarianism Animals are born, are sentient and are mortal. In these things they resemble man. In their superficial anatomy—less in their deep anatomy—in their habits, in their time, in their physical capacities, they differ from man. They are both like and unlike. —John Berger, Why Look At Animals? (Berger 2009) 1. -
Awakening to Zen
A W A K E N I NG T O THE TEACHINGS OF R O S H I PHILIP K A P L E A U AUTHOR OF THE THREE PILLARS OF ZEN U.S. $22.00 Can. $30.00 When Roshi Philip Kapleau returned to the United States in 1966, after thirteen years of training in Japan with two of the country’s greatest masters of Zen, he “did not come home empty-handed—he brought us a living word of Zen,” Kenneth Kraft has said. The first Westerner fully and naturally at home with Zen, Roshi Kapleau has made it his life’s work to translate Zen Buddhism into an American idiom, to take Zen’s essence and plant it in American soil. Four decades later, the seeds of Zen that Roshi Kapleau planted have blossomed. Zen flourishes and Roshi Kapleau continues to help people find enlight¬ enment and fulfillment within, not outside, their daily lives. “True awakening,” Roshi Kapleau has said, “is not a ‘high’ that keeps one in the clouds of an abstract oneness, but a realization that brings one solidly down to earth into the world of toil and struggle.” Kapleau has written a number of books in his lifetime, The Three Pillars of Zen the most well known among them, but the heart of his work, his teachings to his students, has never before been made available. Awakening to Zen Also by Roshi Philip Kapleau The Three Pillars of Zen To Cherish All Life Zen: Merging East and West The Zen Art of Living and Dying Awakening to Zen P The Teachings of Roshi Philip Kapleau Edited by Polly Young-Eisendrath and Rafe Martin SCRIBNER SCRIBNER 1230 Avenue of the Americas New York, NY 10020 Copyright © 1997 by Rochester Zen Center All rights reserved, including the right of reproduction in whole or in part in any form. -
Depiction of Nature in the Sculptural Art of Early Deccan (Up to 10Th Century Ad)
DEPICTION OF NATURE IN THE SCULPTURAL ART OF EARLY DECCAN (UP TO 10TH CENTURY AD) A Thesis submitted to the University of Hyderabad for the Degree of DOCTOR OF PHILOSOPHY IN HISTORY BY U PHYU DEPARTMENT OF HISTORY SCHOOL OF SOCIAL SCIENCES. UNIVERSITY OF HYDERABAD HYDERABAD- 500 046 2004 DECLARATION I hereby declare that the work embodied in this thesis entitled DEPICTION OF NATURE IN THE SCULPTURAL ART OF EARLY DECCAN (UP TO 10TH CENTURY AD), carried out by me under the supervision of Prof. Aloka Parashcr- Sen, Department of History, School of Social Sciences, University of Hyderabad, is original and this has not been submitted for any other degree either in part or in full to any other University or this University. Hyderabad, Date: (U PHYU) CONTENTS Acknowledgements i-iii Transliteration Table ..... iii Abbreviations List of Charts iv-vi List of Plates VI1-X1V CHAPTER I INTRODUCTION 1-25 CHAPTER II HISTORIOGRAPHY 26-74 CHAPTER III FAUNA AS DEPICTED IN BUDDHIST SCULPTURAL ART 75-122 CHAPTER IV FAUNA AS DEPICTED IN HINDU SCULTURAL ART 123-184 CHAPTER V NATURE IN DECORATION AND EVERYDAY LIFE IN SCULPTURAL ART 185-246 CHAPTER VI CONCLUSION 247-265 BIBLIOGRAPHY 266-281 PLATES ACKNOWLEDGEMENTS I am extremely thankful to my learned teacher and supervisor. Dr. Aloka Parasher-Sen, Professor, Department of History, School of Social Sciences, University of Hyderabad. Her encouragement led me to undertake this research. It is impossible to appear this work without her invaluable, constant, energetic and studious supervision. She was ever ready to go through the manuscripts of this work, despite her official engagements, and make scholarly suggestions. -
An Elephant: a Religious Language to Peace Process
AN ELEPHANT: A RELIGIOUS LANGUAGE TO PEACE PROCESS Phramaha Thanarat Ratthamedho Department of Buddhist Studies, Mahachulalongkornrajavidyalaya University, Surin Campus E-mail: [email protected] Abstract This article provides a survey of the Buddhist vision of peace in the light of an elephant as the symbolic religious language with the purpose of contributing to peace-building and peacekeeping in the world. Elephant’s forms are an important part of Hindu Buddhist and other myths. Basically, the earliest available teachings of the Buddha are to be found in Pali literature and belong to the school of Theravada Buddhism. We can define the term ‘elephant’ in Pali such as “Hatthi-a male elephant, Hatthini-a female elephant” respectively”. In Buddhism, a white elephant is considered particularly auspicious and is associated with the birth of the Buddha. From the Pali texts, the group of elephants can divide into two main groups namely: first group:-at the instance of the symbolic conflict such as Girimekhala, Nalagiri, Mahilamukha etc., second group:-at the instance of the symbolic peace such as Paccaya, A white elephant, Parileyyaka, Bhaddavati and Eravan etc. The main characteristics of the elephant are strength and steadfastness. Therefore, elephant becomes a symbol of physical and mental strength, as well as responsibility and earthiness. Buddhism emphasizes on human effort, and has no faith in the divine power that is why; it is called a non-theistic religion which believes in the ability of the human beings. The communication is a human need. In particular, the relationship between the person in the society and social, all details about the 12 Asia Pacific Journal of Religions and Cultures Volume 1 No. -
Buddhism and Animal Rights
BUDDHISM AND ANIMAL RIGHTS K.T.S. SARAO In the wake of alarming degradation of the environment and the destruction of a large number of species of animals it has become imperative for humankind to reevaluate its attitude towards ecology. Well-documented scientific studies have now clearly established that each living creature has its place in the biosphere, playing its own role and being part of a collective balance. The egalitarianism of rights to life is therefore based on scientific realities: these are the unity of the living world, its vast diversity, a key factor in evolution, and the complementary nature of the different components. A civilization in which we must kill and exploit other forms of life in order to live is not a civilization of mentally healthy people. Modern research has shown that animals experience conscious thoughts and feelings and the picture of animal life as unconscious, sleepwalker existence is no more sustainable. It is becoming increasingly non-credible and antediluvian to regard subjective mental experiences as the exclusive province of one species or even as the exclusive province of a few species with large brains. The ability of the animals to respond appropriately to changes or challenges exemplifies the reasonableness or practical rationality of their actions. This versatility is manifest not only in extraordinary or insightful behaviour, but also in mundane activities that are known to be strongly inherited. Although we may not find a structured moral code among animals, they seem to express certain deeply valued virtues. Animals have been observed not only to be devoted to their young ones, sympathetic to their kindred and affectionate to their mates but also self-subordinating in their community and courageous beyond praise. -
Christopher Key Chapple Doshi Professor of Indic and Comparative
Christopher Key Chapple Doshi Professor of Indic and Comparative Theology Director, Master of Arts in Yoga Studies Loyola Marymount University (LMU), Los Angeles, California 90045 USA (310) 338-2846; [email protected] Employment History Navin and Pratima Doshi Professor of Indic and Comparative Theology, 2007 to present Director, Master of Arts in Yoga Studies, 2013 to present Editor, Worldviews: Global Religions, Culture, and Ecology (Brill), 2007 to 2019 Founder & Faculty Advisor, Yoga Studies, Center for Religion & Spirituality, 2002 to present Associate Academic Vice President, LMU Extension, January 2003 through December 2006 Oversight of Summer Session, Study Abroad, Encore Program for Returning Students, Continuing Education, Center for Religion and Spirituality, Center for Global Education, Los Angeles Center for International Studies Visiting Professor (Adjunct), School of Religion, Claremont Graduate University, 2004 Professor of Theological Studies, 1994 to present Acting Chairperson, Theological Studies, spring, 2002 Principal Investigator, Los Angeles Center for International Studies, 1999 to 2003 Visiting Professor (Adjunct), School of Religion, University of Southern California, 1998 Interim Associate Academic Vice President, 1997-98 Director, Asian and Pacific Studies, 1996 to 2002 Associate Professor of Theology, 1989 to 1994 Chairperson, Department of Theology, 1990 to 1994 Charles S. Casassa Chair of Social Values, LMU, 1989-91 Director, Casassa Conferences, LMU, 1990 and 1991 Co-founder and Acting Director, Asian and -
An Elephant Good to Think the Buddha in Pārileyyaka Forest
An elephant good to think The Buddha in Pārileyyaka forest Reiko Ohnuma Living in solitude is better, for there is no companionship with a fool. Let one wander alone, not doing evil, living at ease, like an elephant [wandering] in an elephant-forest. Dhammapada, v. 3301 Animals, as Lévi-Strauss so famously noted, are not only “good to eat,” they are also “good to think.”2 Human beings in all cultures use animals as signs, metaphors, and tropes, and “recruit animals to symbolize, dramatize, and illuminate aspects of their own ex- perience and fantasies.”3 Because animals are both similar to and diff erent from human beings, they allow for simultaneous identifi - cation and distance; and because, in their enormous diversity, they are both similar to and diff erent from each other, they allow for endlessly complex modes of comparison and classifi cation (such as we fi nd in the phenomenon of totemism, of which Lévi-Strauss was speaking). These features make animals especially “good to think.” Moreover, animals seem to hold a privileged place among the possible tools for thought; as Daston and Mitman have not- ed, “they do not just stand for something, as a word stands for a thing…they do something…there is some added value in the fact 1 Dhp i, 62. 2 Lévi-Strauss 1963: 89. Throughout this article, I use the term ‘animal(s)’ to refer to nonhuman animals. I recognize, of course, that human beings are also animals – but for the purposes of this article, I prefer to avoid the repet- itive use of the clumsy phrase ‘nonhuman animals.’ 3 Daston and Mitman 2005: 2.