Mutuality Vol. 13, No. 4 (Winter 2006)

Total Page:16

File Type:pdf, Size:1020Kb

Mutuality Vol. 13, No. 4 (Winter 2006) M The Voice ofutuality Christians for Biblical Equality Worship & Equality Inside: Is my church feminized? A female pastor explores the issue of “feminization” in the church by Dorcas George Do you hear what I hear? Hearing the call to justice in Mary’s song by Scot McKnight Love beyond romance Contemporary worship music and the American romantic ideal by Jenell Williams Paris The living language of worship The challenges of using inclusive language in church music by Paul Westermeyer Plus much more! Winter 2006 www.cbeinternational.org Contents Features M The Voice ofutuality Christians for Biblical Equality 5 Is my church “feminized”? A female pastor explores the issue of “feminization” in the church Let us then pursue what makes for — by Dorcas George peace and mutual upbuilding. 8 “Do You Hear What I Hear?” — Romans 14:19 Hearing the call to justice in Mary’s song — by Scot McKnight VOLUME 13, ISSUE 4 11 Love Beyond Romance Mutuality seeks to provide inspiration, encouragement, Contemporary worship music and the American romantic ideal and information about equality within the Christian — by Jenell Williams Paris church around the world. 14 Name that Hymn President/Publisher : Mimi Haddad Editor : Chelsea DeArmond Guess the names of these beloved hymns based on the inspiring stories of Graphic Designer : Image Spigot the women and men who wrote them 16 The Living Language of Worship EDITORIAL AND ADVERTISING OFFICE The challenges of using inclusive language in church music Christians for Biblical Equality — by Paul Westermeyer 122 W Franklin Ave, Suite 218 Minneapolis, MN 55404-2451 18 Sister Gertrude Morgan’s Record phone: (612) 872-6898 The story of one woman who lived a life of worship through art and fax: (612) 872-6891 music in the Lower Ninth Ward of New Orleans e-mail: [email protected] — by Chelsea DeArmond web: www.cbeinternational.org 22 Preaching in the treble clef Advertising in Mutuality does not imply A female pastor’s reflections on the opposition and affirmation she has organizational endorsement. experienced as she pursues her calling and uses her gifts — by Penny Zettler SUBMISSIONS Mutuality welcomes submissions. Ministry & Chapter News E-mail [email protected] write to CBE , 30 CBE makes valuable contributions to the 2006 Evangelical Theological for the writer’s guidelines, or visit CBE’s website and Society Annual Meeting follow the Publications links. 32 CBE hosts Kevin Giles Lecture Tour; Advocating for the Poor and Oppressed: CBE, Global Women, and ESA PERMISSIONS 33 Egalitarian Counselor and Therapist Directory Christians for Biblical Equality grants permission for any 34 Praise and Prayer report original article (not a reprint) to be photocopied for local 35 CBE’s Journal Celebrates 20 Years; CBE Chapters; Future Events use provided no more than 1,000 copies are made, they are distributed free, the author is acknowledged, and Departments CBE is recognized as the source. 3 From the Editor: Rejoicing with the Truth Mutuality (issn: 1533-2470) is published quarterly by 26 Movie Review by Amy Morris: The Nativity Story Christians for Biblical Equality and is sent free to mem- 27 Book Review by Craighton Hippenhammer: Coming of Age, bers. For membership information, see page 31. To pur- by Roland Martinson, David Anderson, and Paul Hill chase back issues, contact our Editorial and Advertising 29 Church and Study Group Resources: Study Guide for Office, or order online at www.equalitydepot.com. Lianne Roembke’s Building Credible Multicultural Teams 36 President’s Message: Prayer and Worship in CBE 38 Giving Opportunities COVER IMAGE: Shaken and Set Free (Freedom Series), Gwen Meharg, watercolor, 2005, 22 × 30 in. (www.drawneartogod.com) | Mutuality Winter 2006 WEBSITE: www.cbeinternational.org From the Editor by Chelsea DeArmond Rejoicing with the Truth Worship is at the heart of one of the most Once Lost, Now Found beloved passages in the Bible: 1 Corinthians 13. In this familiar passage, Paul describes the Jesus’ parables about the lost sheep, the lost coin, and the lost (or characteristics of love. After a long list of what prodigal) son offer more examples of love’s celebration. The same word for rejoicing describes the shepherd who leaves his flock love is not, he concludes: behind to find one lost sheep and the woman who will not sleep Love does not rejoice in wrongdoing, until she finds one lost coin. They both call together their friends but rejoices with the truth. and neighbors to celebrate (sugchairo) finding something precious that was once lost (Luke 15:6, 9). In the parable of the lost son, the Paul wrote these words in a letter to a church that was struggling father calls his friends and neighbors together to celebrate when his with serious divisions and disputes over worship practices from son returns, because “this son of mine was dead and is alive again; baptism to communion and everything in between. Instead of he was lost and is found!” (Luke 15:24 tniv). focusing on what’s going wrong, love gathers people together to What is the truth that love rejoices with? The truth is, you were celebrate the truth. It rejoices in a way that brings people together once lost and now you’re found. You were once dead and now you’re and builds them up as one body. alive. God has chosen to “give us birth through the word of truth” Bible scholars debate just what “truth” refers to in this verse. (James 1:18 tniv) and that’s worth celebrating. Does it refer to any true statement or to the Gospel itself? Other biblical examples of this contagious rejoicing may offer clues about The Open Invitation the truth that love celebrates. Love’s invitation is open to everyone, but some choose not to come. In Although the word Paul uses for “rejoices with” (sugchairo) is the parable of the lost son, one person refused to join the celebration. unusual, it occurs in some of the best-known passages in the Bible. The older son was focused on his brother’s wrongdoing, and he believed Luke also uses this word in the Christmas story and in Jesus’ para- he was more entitled to his father’s love than his wayward brother was. bles of the lost sheep and the lost coin. Like the older son, some people believe they have a greater claim to inherit the Father’s kingdom than their younger brothers and Children of the Promise sisters. The truth is, only God can qualify someone for the kingdom. Everyone who is born again as a child of the promise receives the In the Gospel of Luke, sugchairo is used to describe the celebration when Elizabeth gives birth to her son John after years of barren- full inheritance of the first born son (Rom. 8:14–17; Gal. 4:6–7). ness: “Her neighbors and relatives heard that the Lord had shown There are no slaves in the kingdom of God. Many women who are eager to use their gifts in the church face his great mercy to her, and they rejoiced with [sugchairo] her” (Luke 1:58 nrsv). Elizabeth’s friends and family shared her joy and resistance from people who, like the older son in Jesus’ parable, spread the news about what the Lord had done in her life. refuse to rejoice with the truth of their sisters’ new birth and iden- Elizabeth’s story is similar to another woman who gave birth tity in Christ. In spite of their resistance, love never stops longing to in her old age: Sarah. In fact, in the Greek translation of the Old rejoice with them. Testament, Sarah uses the same word after her son Isaac (whose name means “laughter”) is born: “Now Sarah said, ‘God has brought laugh- In This Issue ter for me; everyone who hears will laugh with [sugchairo] me’” (Gen. The articles in this issue of Mutuality celebrate the rich contribu- 21:6 nrsv). tions that women like Jesus’ mother Mary, Sister Gertrude Morgan, The truth that Elizabeth and Sarah rejoiced with was the chil- and women who use their preaching gifts have made to the church’s dren they bore according to God’s promise, even after it was no worship. These articles also explore current issues by responding to longer humanly possible. the charge of “feminization,” offering alternatives to romanticism, If the truth that love rejoices with is not an idea, but rather a per- and recognizing the need for inclusive language in our worship. son—like it was for Elizabeth and Sarah—who would this person Paul is a great example of someone who confronted serious be for us? Paul uses Sarah’s example to describe how all Christians issues in worship in a way that called divided people to a greater are “born as the result of a divine promise” (Gal. 4:23 tniv). In fact, unity. A church that is focused on wrongdoing will fall apart. Love “Now you, brothers and sisters, like Isaac, are children of promise” does not overlook wrongdoing—it overcomes it on the cross. If we (Gal. 4:28 tniv). Love rejoices with every person who was once rejoice with the truth of God’s amazing grace for us all, love will dead in sin and is now born again in Christ. build us up into one body. And love never fails. Chelsea DeArmond is Editor of Mutuality and Bookstore Coordinator at Christians for Biblical Equality. She can be reached at [email protected]. BOOKSTORE: www.equalitydepot.com Mutuality Winter 2006 | In Our Box Visit CBE’s website at www.cbeinternational.org MCallutuality for Papers for the latest… Mutuality provides inspiration, encouragement, and information about equality within ▶ FREE audio and print resources on the Christian Church around the world.
Recommended publications
  • CHAPTER I INTRODUCTION A. Background of the Study Twilight Is One of the Most Popular Movies of This Year That Ever Produced. Th
    1 CHAPTER I INTRODUCTION A. Background of the Study Twilight is one of the most popular movies of this year that ever produced. The screenplay of this film is adapted from the novel with the same title written by Stephenie Meyer. Stephenie Meyer is an American author best known for her vampire romance series Twilight who was born on December 24, 1973 in Hartford. The Twilight novels have gained worldwide recognition, won multiple literary awards and sold over 85million copies worldwide, with translation into 37 different languages. Meyer is also the author of the adult science-fiction novel The Host (2008). Following the success of Twilight (2005), Meyer expended the story into a series three more books: New Moon (2006), Eclipse (2007), and Breaking Down (2008). She also writes short stories which one of them published in Prom Nights from Hell, a collection stories about bad prom nights with supernatural effects. It has been released in April 2007. Twilight movie is directed by Catherine Hardwicke, an American production designer and film director and screenplay by Melissa Rosenberg. Twilight is better known as the maker romance and fantasy film, sometimes centering on vampire society’s life. Twilight is a 2008 romantic fantasy film. It is the first film in The Twilight saga film series. Twilight focuses on the development of a personal relationship between human teenager Bella Swan and vampire Edward Cullen and the subsequent efforts of Cullen and his family to keep Swan safe from a separate group of hostile vampires. Seventeen-year-old Isabella "Bella" Swan moves to Forks, a small town near Washington State’s rugged coast, to live with her father, Charlie, after her mother remarries to a minor league baseball player.
    [Show full text]
  • Cis Tv & Film Cv 2018-10
    LANA VEENKER CSA & ERYN GOODMAN CSA SELECTED FILM CREDITS “Timmy Failure” Principal Casting (OR) Walt Disney Studios/Fayleure Prods | p. Jim Whitaker “Bad Samaritan” Principal Casting (OR) Electric Entertainment | d. Dean Devlin “Preserve” Principal Casting (OR) Preserve LLC/CineReach | d. Nicole Perlman “Wild” Principal Casting (OR) Fox Searchlight/Pacific Standard | d. Jean-Marc Vallée “Gone” Principal Casting (OR) Lakeshore Entertainment | d. Heitor Dhalia “Twilight” Principal Casting (OR & WA) Summit Entertainment | d. Catherine Hardwicke “Paranoid Park” Principal Casting MK2/Tsetse Fly Film Co. | d. Gus Van Sant “The Burning Plain” Principal Casting (OR) 2929 Productions | d. Guillermo Arriaga “Management” Principal Casting (OR) Sidney Kimmel Entertainment | d. Stephen Belber “The Heretic” Principal Casting (OR) Havoc Films | d. Tim Robbins “Chacun Son Cinéma: First Kiss” Principal Casting ARTE/Canal+/Elzevir | d. Gus Van Sant “Feast of Love” Principal Casting (OR & WA) Lakeshore Entertainment | d. Robert Benton “Into the Wild” Additional Casting (OR) Paramount Vantage | d. Sean Penn SELECTED TV CREDITS Trinkets (S1) Principal Casting (NW) Netflix/Awesomeness TV | e.p. Linda Gase American Vandal (S2) Principal Casting (NW) Netflix/CBS Studios/Funny or Die | d. Tony Yacenda Pretty Little Liars: The Perfectionists (S1) Principal Casting (NW) Warner Horizon/Freeform | d. Marlene King Staties (Pilot) Principal Casting (NW) ABC Studios/Maniac Productions | d. Rob Bowman Angie Tribeca (1 episode) Principal Casting (OR) TBS/Carousel Prods | e.p. Nancy Carell & Steve Carell “Here and Now” (S1) Principal Casting (OR) HBO/Perplexed Production Services | e.p. Alan Ball “The Show” (Pilot) Series Regulars (US Search) BLACKPILLS/Together Media/Vice | e.p. Luc Besson The Wonderland Murders (S1) Principal Casting (OR) American Chainsaws Ent./Baltic Tiger | d.
    [Show full text]
  • Im Himmel Trägt Man Hohe Schuhe Presseheft Neue Visionen Filmverleih Präsentiert
    PRESSEHEFT IM HIMMEL TRÄGT MAN HOHE SCHUHE EIN FILM VON CATHERINE HARDWICKE Seite 02 IM HIMMEL TRÄGT MAN HOHE SCHUHE PRESSEHEFT NEUE VISIONEN FILMVERLEIH PRÄSENTIERT IM HIMMEL TRÄGT MAN HOHE SCHUHE EIN FILM VON CATHERINE HARDWICKE TRAGIKOMÖDIE, UK 2015, 112 MINUTEN Seite 04 IM HIMMEL TRÄGT MAN HOHE SCHUHE PRESSEHEFT Jess Drew Barrymore BESETZUNG Milly Toni Collette Jago Paddy Considine Kit Dominic Cooper Miranda Jacqueline Bisset Jill, die Perückenmacherin Frances de la Tour Ace Tyson Ritter Scarlett Honor Kneafsey Junge Jess (21 Jahre) Charlotte Hope Manager Noah Huntley Ahmed Mem Ferda Kira Anjli Mohindra Oma von Ace Eileen Davies PRESSEHEFT IM HIMMEL TRÄGT MAN HOHE SCHUHE Seite 05 REGIE Catherine Hardwicke CREW BUCH Morwenna Banks KAMERA Elliot Davis SCHNITT Phillip J. Bartell KOSTÜM Claire Finlay-Thompson MASKE Jan Sewell AUSSTATTUNG Amanda McArthur VISUELLE EFFEKTE Mike Connolly MUSIK Harry Gregson-Williams MUSIKALISCHE BERATUNG Jen Ross, Jojo Villanueva CASTING Lucy Bevan, Ruth Key PRODUZENT Christopher Simon AUSFÜHRENDE PRODUZENTEN Jerome Booth, Nicki Hattingh, Sheryl Crown, Anne Sheehan, Samantha Horley, James Norrie, Barnaby Southcombe, Lisa Lambert, Celina Rattray, Trudie Styler, Catherine Hardwicke, Morwenna Banks, Paul Andrew Williams PRODUKTION S Films & New Sparta Films MIT BETEILIGUNG VON The Salt Company Seite 06 IM HIMMEL TRÄGT MAN HOHE SCHUHE PRESSEHEFT PRESSEHEFT IM HIMMEL TRÄGT MAN HOHE SCHUHE Seite 07 SYNOPSIS Zwischen Jess (Drew Barrymore) und Milly (Toni Collette) passt kein Blatt Papier, so IM HIMMEL TRÄGT MAN HOHE SCHUHE sprüht vor lebenslustigem Dialogwitz und nahe stehen sich die beiden Freundinnen seit Kindesbeinen. Es gibt kaum ein Foto, angstfreier Ehrlichkeit. Getragen von den großartigen Darstellerinnen Drew Barrymore auf dem sie nicht zusammen zu sehen sind.
    [Show full text]
  • Lust in Translation It’S a Big Budget Film with Big Name Actors but No Press Previews, Worryingly Enough
    16 發光的城市 A R O U N D T O W N FRIDAY, DECEMBER 12, 2008 • TAIPEI TIMES OTHER RELEASES COMPILED BY MARTIN WILLIAMS The Day the Earth Stood Still Lust in translation It’s a big budget film with big name actors but no press previews, worryingly enough. ‘Twilight’ turns the vampire genre on its head with its pro-chastity Keanu Reeves plays an alien who falls to Earth with a cryptic message of friendship morality tale of a ‘teenage’ vampire who keeps his fangs in his mouth and a warning for the leaders of the world, but only a scientist (Jennifer Connelly) and her stepchild seem to take BY MANOHLA DARGIS NY TIMES NEWS SERVICE, NEW YORK him seriously, which spells planetary destruction even faster than global warming. A remake of the classic from 1951 and co-starring t’s love at first look instead numbingly quiet, respectable life Kathy Bates, John Cleese and Jaden Smith (son of Will Smith) as of first bite in Twilight, a with his vampire family in Forks, Connelly’s child, this is also screening in IMAX format. Ideeply sincere, outright a small Washington town under goofy vampire romance for the hot- a near-permanent cloud cover. Dan in Real Life not-to-trot abstinence set. Based on TWILIGHT His father, Carlisle (Peter the foundational book in Stephenie Facinelli), a doctor with a Steve Carell and Juliette Binoche lead a fun Meyer’s best-selling multivolume DIRECTED BY: CATHERINE HARDWICKE ghostly pallor and silky gait, and witty cast in this comedy from last year series, The Twilight Saga (four tends to the living, while the rest that privileges characterization over raunch.
    [Show full text]
  • I for a Listing of Upcoming Board Meetings See Page Vi of This Table of Contents Santa Monica-Malibu Unified School District
    For a Listing of Upcoming Board Meetings See Page vi of this Table of Contents Santa Monica-Malibu Unified School District Board of Education Meeting MINUTES March 19, 2009 A regular meeting of the Santa Monica-Malibu Unified School District Board of Education was held on Thursday, March 19, 2009, in the Santa Monica City Council Chambers: 1685 Main Street, Santa Monica, CA. The Board of Education called the meeting to order at 4:20pm in the Board Conference Room at the District Offices: 1651 16th Street, Santa Monica, CA. At 4:21pm, the Board of Education will move to Closed Session regarding the items listed below. The public meeting will reconvene at 5:47pm in the Santa Monica City Council Chambers. I. CALL TO ORDER A. Roll Call B. Pledge of Allegiance II. PUBLIC COMMENTS FOR CLOSED SESSION ITEMS ONLY III. CLOSED SESSION (70): • Receipt of recommendation for approval of the proposed settlement cases pursuant to GC §54956.9 (b), as cited in the Brown Act (10): DN-1024-08/09 DN-1030-08/09 DN-1031-08/09 • Conference with Superintendent regarding 2008-2009 Strategies for Negotiations with S.E.I.U. pursuant to GC §54957.6 as cited in the Brown Act. (15) • Conference with Superintendent regarding 2008-2009 Strategies for Negotiations with S.M.M.C.T.A. pursuant to GC §54957.6 as cited in the Brown Act. (15) • Closed session with legal counsel concerning anticipated litigation pursuant to GC §54956.9 as cited in the Brown Act (2 cases). (20) • Pupil hearing pursuant to EC §48918 (c) as cited in the Brown Act (agenda item No.
    [Show full text]
  • Bamcinématek Presents Skateboarding Is Not a Crime, a 24-Film Tribute to the Best of Skateboarding in Cinema, Sep 6—23
    BAMcinématek presents Skateboarding is Not a Crime, a 24-film tribute to the best of skateboarding in cinema, Sep 6—23 Opens with George Gage’s 1978 Skateboard with the director in person The Wall Street Journal is the title sponsor for BAMcinématek and BAM Rose Cinemas. Brooklyn, NY/Aug 16, 2013—From Friday, September 6 through Thursday, September 12, BAMcinématek presents Skateboarding is Not a Crime, a 24-film tribute to the best of skateboarding in cinema, from the 1960s to the present. The ultimate in counterculture coolness, skateboarding has made an irresistibly sexy subject for movies thanks to its rebel-athlete superstars, SoCal slacker fashion, and jaw-dropping jumps, ollies, tricks, and stunts. Opening the series on Friday, September 6 is George Gage’s Skateboard (1978), following a lumpish loser who comes up with an ill-advised scheme to manage an all-teen skateboarding team in order to settle his debts with his bookie. An awesomely retro ride through 70s skateboarding culture, Skateboard was written and produced by Miami Vice producer Dick Wolf and stars teen idol Leif Garrett (Alfred Hitchcock’s daughter plays his mom!) and Z-Boys great Tony Alva. Gage will appear in person for a Q&A following the screening. Two of the earliest films in the series showcase the upright technique that dominated in the 60s. Skaterdater (1965—Sep 23), Noel Black’s freewheelingly shot, dialogue-free puppy-love story (made with pre-adolescent members of Torrance, California’s Imperial Skateboard Club) is widely considered to be the first skateboard movie. Claude Jutra’s cinéma vérité lark The Devil’s Toy (1966—Sep 23), is narrated in faux-alarmist fashion, with kids whipping down the hills of Montreal, only to have their decks confiscated by the cops.
    [Show full text]
  • Distracted Spectatorship, the Cinematic Experience and Franchise Films
    Distracted Spectatorship, the Cinematic Experience and Franchise Films By Elizabeth Nichols BA, MA Lancaster University 2017 This thesis is submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy This thesis is my own work and has not been submitted in substantially the same form for the award of a higher degree elsewhere P a g e | ii Contents List of Figures ........................................................................................................................... iv Abstract ...................................................................................................................................... v Introduction: Distracted Spectatorship and the Cinematic Experience ..................................... 1 Chapter One: Defining the Cinematic Experience ................................................................... 17 Section One: Defining the Cinematic ................................................................................... 17 Section Two: Defining Experience ...................................................................................... 22 Chapter Two: Defining Distracted Spectatorship .................................................................... 37 Section One: Defining Spectatorship ................................................................................... 37 Section Two: Defining Distraction ....................................................................................... 49 Section Three: Defining Distracted Spectatorship Throughout
    [Show full text]
  • Pdf, 218.97 KB
    00:00:00 Music Transition “Switchblade Comb” by Mobius VanChocStraw. A jaunty, jazzy tune reminiscent of the opening theme of a movie. Music continues at a lower volume as April introduces herself and her guest, and then it fades out. 00:00:08 April Wolfe Host Welcome to Switchblade Sisters, where women get together to slice and dice our favorite action and genre films. I’m April Wolfe. Every week, I invite a new female filmmaker on. A writer, director, actor, or producer, and we talk—in depth—about one of their fave genre films. Perhaps one that’s influenced their own work in some small way. And uh, you may already know, we are reminding you now that we are recording remotely. Um, so I’m in my bedroom, cat’s sleeping behind me, might wake up, might be birds, might be leaf blowers. Audio’s gonna sound just a little bit different from our studio’s, but you know, everything else is gonna be the same. Except for today, our guest is uh, someone I’m very excited to have. I’ve been a big fan for a long time. We have writer-director Catherine Hardwicke here with us. Hi! 00:00:52 Catherine Guest Hey, how’s it going? [Laughs.] Hardwicke 00:00:54 April Host You know. [Sighs] As okay as it can be. What do we say to that, anymore? What do we say? It’s just uh… angry, sad, uh, I don’t know. I don’t know. 00:01:07 Catherine Guest Frustrated, trying to figure out how to be part of the change.
    [Show full text]
  • NOVEMBER 2015 Church Road • Street • Somerset • BA16 0AB STUDIO Box Office Telephone 01458 442846
    NOVEMBER 2015 Church Road • Street • Somerset • BA16 0AB www.strodetheatre.org.uk STUDIO Box Office Telephone 01458 442846 99 HOMES (15) After his family is evicted from their Florida Film Director: Ramin Bahrani home, construction worker Dennis (Andrew With Andrew Garfield, Michael Shannon, Laura Garfield) tries to win back his former Dern, Clancy Brown property by striking a deal with the devil - USA 2014 1hr 50mins accepting a job from Rick Carver (Michael Shannon), the corrupt agent who evicted Tuesday 3rd November 7.45pm him. “... a tough, muscular, idealistic drama Tickets £7.50 Full concessions £6.50 that packs a mighty punch” The Guardian. TANGERINES (15) This moving Oscar-nominated drama is Film Director: Zaza Urushadze set in 1990s Georgia during the civil war With Lembit Ulfsak, Elmo Nüganen, Giorgi following the demise of the Soviet Union. Nakashidze, Mikheil Meskhi One of the last ethnic Estonians left in his Estonia/Georgia 2013 1hr 25mins village, farmer Ivo is hanging on to harvest In Estonian, Russian and Georgian with subtitles his tangerines, when a nearby shoot-out leaves him with two badly wounded men Thursday 5th November 7.45pm from different enemy factions to look after. Tickets £7.50 Full concessions £6.50 ”...a simple tale, sharply drawn and smartly told” Movie Nation. BBFC: contains very strong language and strong violence LEGEND (18) Legend takes us into the secret history Film Director: Brian Helgeland of 1960s London and the extraordinary With Tom Hardy, Emily Browning, Christopher events that secured the infamy of the Kray Eccleston, Colin Morgan, Tara Fitzgerald, Nicholas twins.
    [Show full text]
  • SCMS 2005 INT FP.Indd
    Society for Cinema and Media Studies Conference Program Founded in 1959, the Society is composed of college and university educators, filmmakers, historians, critics, scholars, and others concerned with the study of the moving image. Activities of the Society include an annual meeting and the publication of Cinema Journal. Officers E. Ann Kaplan Stony Brook University—President Lucy Fischer University of Pittsburgh—Past President Stephen Prince Virginia Tech—President-Elect Susan Ohmer University of Notre Dame—Secretary Patrice Petro University of Wisconsin, Milwaukee—Treasurer Executive Council Wheeler Winston Dixon University of Nebraska-Lincoln Krin Gabbard Stony Brook University Barry Keith Grant Brock University Paula J. Massood Brooklyn College/CUNY Jamie Poster University of Wisconsin, Milwaukee, Graduate Student Representative Patricia White Swarthmore College Susan White University of Arizona Lori Landay Berklee College of Music, ex officio, Information Technologies Officer Jon Lewis Oregon State University, ex officio, Editor, Cinema Journal Conference Organization Program Committee Stephen Prince Virginia Tech, chair Raphaelle Moine Université Paris-Nanterre Wheeler Winston Dixon University of Nebraska-Lincoln Diane Negra University of East Anglia Erik Hedling Lund University Susannah Radstone University of East London Annette Kuhn Lancaster University Patricia White Swarthmore College Paula J. Massood Brooklyn College/CUNY Susan White University of Arizona Toby Miller New York University Screening
    [Show full text]
  • Proquest Dissertations
    RECYCLED FEAR: THE CONTEMPORARY HORROR REMAKE AS AMERICAN CINEMA INDUSTRY STANDARD A Dissertation by JAMES FRANCIS, JR. Submitted to the Office of Graduate Studies of Middle Tennessee State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY UMI Number: 3430304 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3430304 Copyright 2010 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Approved as to style and content by: ^aJftLtfv^ *3 tu.^r TrsAAO^p P, M&^< David Lavery Martha Hixon Chair of Committee Reader Cyt^-jCc^ C. U*-<?LC<^7 Wt^vA AJ^-i Linda Badley Tom Strawman Reader Department Chair (^odfrCtau/ Dr. Michael D. Allen Dean of Graduate Studies August 2010 Major Subject: English RECYCLED FEAR: THE CONTEMPORARY HORROR REMAKE AS AMERICAN CINEMA INDUSTRY STANDARD A Dissertation by JAMES FRANCIS, JR. Submitted to the Office of Graduate Studies of Middle Tennessee State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2010 Major Subject: English DEDICATION Completing this journey would not be possible without the love and support of my family and friends.
    [Show full text]
  • Writer/Director) the Unhinged Joy and Bitter Angst of Modern Adolescence Are Confronted with Honesty, Clarity, and Passion in Thirteen (2003)
    saturday, april 24, 2021 / 2:00 PM with Catherine Hardwicke (Writer/Director) The unhinged joy and bitter angst of modern adolescence are confronted with honesty, clarity, and passion in Thirteen (2003). The story follows Tracy (Evan Rachel Wood) as she grows from a pig-tailed child, still playing with teddy bears and Barbie dolls, into a young woman navigating the hyper-sexualized pressure cooker of junior high. Here, she witnesses the power and hipness of Evie Zamora (Nikki Reed, co-writer of the script), widely known as “the hottest chick in school.” Ultra-popular, gorgeous, and bewitchingly snobby, Evie represents everything Tracy suddenly wants to be. Writer/Director Catherine Hardwicke (Twilight, Lords of Dogtown) will join Pollock Theater Director Matt Ryan for a discussion. This event will not include a screening. Thirteen may be streamed in advance on Amazon Prime and Youtube. This event is sponsored by the Carsey-Wolf Center, and the Department of Film & Media Studies. Writer/Director Catherine Hardwicke Catherine Hardwicke’s first film as a director was the critically-acclaimed Thirteen, which won numerous awards including the Director’s Award at Sundance, Golden Globe nominations for Holly Hunter and Evan Rachel Wood, and an Academy Award nomination for Holly Hunter. Hardwicke has since then become best known as the director of Twilight, which launched the blockbuster franchise and earned nearly $400 million at the global box office. Hardwicke’s other credits include Lords of Dogtown, Miss You Already, Red Riding Hood, and Miss Bala. For television, she has directed episodes of This Is Us, Eye Witness, Low Winter Sun, and Hell on Wheels.
    [Show full text]