Matthew Marks Is Pleased to Announce Katharina Fritsch, the Next Exhibition in His Gallery at 1062 North Orange Grove

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Matthew Marks is pleased to announce Katharina Fritsch, the next exhibition in his gallery at 1062 North Orange Grove. Presenting three new sculptures, it is the artist’s first one-person exhibition in Los Angeles. At the center of the gallery, standing more than twelve feet tall, is Hahn und Podest/Cock and Pedestal (2013/2019), a sculpture of a bright blue rooster atop a vivid green circular pedestal. Accompanying it, and painted the same bright blue, is Zwei Männer/Two Men (2019). Fritsch has said, “Men have women as their models, so obviously I have men as my models. They are my muses.” Like the rooster, these two men are sculpted in exacting detail, from their shoes to the smartphones in their hands, yet they are anonymous enough to stand in for a gender and a type. Completing the installation is Stern/Star (2020), an eight-foot painted-aluminum star mounted on the wall. Conceived as an ensemble, the three sculptures, with their perfect surfaces, appear industrially manufactured. In fact they were made by hand over a period of five years and painted by the artist in her studio. A larger outdoor version of Hahn/Cock, without the green pedestal, was exhibited in Trafalgar Square in London from 2013 to 2015 and is now installed on the roof of the National Gallery of Art in Washington, DC. A second outdoor version is in the sculpture garden of the Walker Art Center in Minneapolis. Katharina Fritsch (b. 1956) lives and works in Düsseldorf. One of the leading sculptors of her generation, she represented Germany at the 1995 Venice Biennale, and her work has been the subject of one-person exhibitions at museums across Europe and the United States, including the San Francisco Museum of Modern Art, Tate Modern in London, Kunsthaus Zürich, the Art Institute of Chicago, and the Dia Center for the Arts in New York. (This document was automatically generated by Contemporary Art Library.).

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523 West 24Th Street, New York, New York 10011 Tel: 212
MATTHEW MARKS GALLERY 523 West 24th Street, New York,New York 10011 Tel: 212-243-0200 Fax: 212-243-0047 Katharina Fritsch Press Packet O’Grady, Megan. “The Master of Allusion.” , February 23, 2020, pp. 154–59. T: The New York Times Style Magazine Stamberg, Susan. “With Surprising Sculptures, Katharina Fritsch Makes The Familiar Fun.” , April 20, 2020. NPR Pobric, Pac. “Katharina Fritsch.” , February 7, 2018. The Brooklyn Rail “Katharina Fritsch.” , December 18 & 25, 2017, p. 22. The New Yorker Eler, Alicia. “She’s the artist behind that giant blue chicken coming to the Minneapolis Sculpture Garden.” , May 15, 2017. Star Tribune Luke, Ben. “Cocking a Snook at Nelson: Katharina Fritsch.” , September 9, 2013. London Evening Standard Barnett, Laura. “Katharina Fritsch on her Fourth Plinth cockerel sculpture.” , July 24, 2013, p. 16. The Guardian Morgan, Jessica. “From Out There to Down Here.” no. 87, 2010, pp. 34–45. Parkett, Criqui, Jean-Pierre. “‘This Dream is About You’: Katharina Fritsch and the Laws of Animal Attraction.” , no. 87, 2010, pp. 46–57. Parkett Burton, Johanna. “Katharina Fritsch.” 47, no. 1, September 2008, pp. 456–57. Artforum Levin, Kim. “Katharina Fritsch.” , Summer 2008, p. 160. ARTnews Schwendener, Martha. “Katharina Fritsch.” , December 2004, p. 100. Time Out NY Withers, Rachel. “Katharina Fritsch, Tate Modern, London.” 40, no. 5, January 2002, p. 134. Artforum Kino, Carol. “Katharina Fritsch at Matthew Marks.” 88 no. 11, November 2000, p. 162. Art in America , Karmel, Pepe. “Katharina Fritsch.” , May 10, 1996, p. C23. The New York Times Garrels, Gary. “Disarming Perception.” , no. 25, 1990, pp. 34–43.
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523 West 24Th Street, New York, New York 10011 Tel : 212
MATTHEW MARKS GALLERY 523 West 24th Street, New York,New York 10011 Tel : 212-243-0200 Fax : 212-243-0047 PRESS RELEASE Katharina Fritsch November 4 – December 22, 2017 Opening: Saturday, November 4, 6:00 to 8:00 PM Matthew Marks is pleased to announce Katharina Fritsch, the next exhibition in his gallery at 523 West 24th Street. Featuring seven new sculptures, it is the artist’s first one-person exhibition in New York since 2008. Fritsch’s sculpture often begins with a familiar image, which she subverts with shifts in scale and color. The exhibition opens with three such objects greatly enlarged: a lantern in pink and black; an egg, half in yellow and half in orange; and an enormous human skull in white. In the second room are a purple spinning wheel, an oversize blue strawberry, and a large red and white snake. In 2010 art historian Jean-Pierre Criqui wrote about Fritsch’s depictions of animals: “The way the artist uses them, but also the situations in which she places them, gives them ambiguous powers at the intersection of several tendencies: humanity’s ancestral fears and superstitions, as expressed, for example, in tales and legends; the intensities of totemic thought and of its images; and the uncanny and Freudian dream study.” In the exhibition’s third room is a bronze sculpture of a cowry shell. Standing almost ten feet tall and painted in a bright pale green, it towers over the viewer. Fritsch first used this shape in pale pink as a component of her 2004 sculpture Woman with Dog.
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