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FY2020 Invitational Fellowships for Research in Japan (Long-Term
List of Fellows (FY2020 Invitational Fellowships for Research in Japan (Long-term) Humanities The following list inclueds the names of the selected fellows, their host researchers and research themes under the FY2020 JSPS Invitational Fellowships for Research in Japan (Long-term). Under this recruitment, 187 applicants were received, among which 61 fellowships were awarded. Fellow' name Nationality Host Researcher Host Institution Research Theme (Family/First/Middle) ZERNIK Clelia FRANCE MORI Yoshitaka Tokyo University of the Arts A New Future Through the Eyes of Contemporary Japanese Artists HILLERT Dieter Gilberto GERMANY FUJITA Koji Kyoto University The Evolution of Higher Ordered Structures in Sequential Behavior DING Xixia CHINA GUO Junhai Kyushu University Research on Zatsuji Literatures Compiled by Japanese Experts during the Edo and Meiji Era RUSSIA Tokyo University of Foreign SYURYUN Arzhaana KOGURA Norikazu A new collaborative approach with Russia to the documentation and studies on Altaic languages FEDERATION Studies RUSSIA National Institutes for the The salvation and discrimination in the history of Japanese religion (focusing on the Hachiman DULINA Anna ISOMAE Junichi FEDERATION Humanities cult) BATMUNKH Tsogtbaatar MONGOLIA SHIRAISHI Noriyuki Niigata University Archaeological researches on the Mongol empire BORLONGAN Tokyo University of Foreign VILOG Ron bridget Tiburcio PHILIPPINES Language Issues of Migrants in Japan: The Case of Filipinos Ariane macalinga Studies - 1 - List of Fellows (FY2020 Invitational Fellowships for Research in Japan (Long-term) Social sciences The following list inclueds the names of the selected fellows, their host researchers and research themes under the FY2020 JSPS Invitational Fellowships for Research in Japan (Long-term). Under this recruitment, 187 applicants were received, among which 61 fellowships were awarded. -
COONAWARRA \ Little Black Book Cover Image: Ben Macmahon @Macmahonimages COONAWARRA \
COONAWARRA \ Little Black Book Cover image: Ben Macmahon @macmahonimages COONAWARRA \ A small strip of land in the heart of the Limestone Coast in South Australia. Together our landscape, our people and our passion, work in harmony to create a signature wine region that delivers on a myriad of levels - producing wines that unmistakably speak of their place and reflect the character of their makers. It’s a place that gets under your skin, leaving an indelible mark, for those who choose it as home and for those who keep coming back. We invite you to Take the Time... Visit. Savour. Indulge. You’ll smell it, taste it and experience it for yourself. COONAWARRA \ Our Story Think Coonawarra, and thoughts of There are the ruddy cheeks of those who tend the vines; sumptuous reds spring to mind – from the the crimson sunsets that sweep across a vast horizon; and of course, there’s the fiery passion in the veins of our rich rust-coloured Terra Rossa soil for which vignerons and winemakers. Almost a million years ago, it’s internationally recognised, to the prized an ocean teeming with sea-life lapped at the feet of the red wines that have made it famous. ancient Kanawinka Escarpment. Then came an ice age, and the great melt that followed led to the creation of the chalky white bedrock which is the foundation of this unique region. But nature had not finished, for with her winds, rain and sand she blanketed the plain with a soil rich in iron, silica and nutrients, to become one of the most renowned terroir soils in the world. -
Mongrel Media Presents a Film by Adam Elliot
Mongrel Media Presents A Film by Adam Elliot (92 min., Australia, 2009) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html Synopsis The opening night selection of the 2009 Sundance Film Festival and in competition at the 2009 Berlin Generation 14plus, MARY AND MAX is a clayography feature film from Academy Award® winning writer/director Adam Elliot and producer Melanie Coombs, featuring the voice talents of Toni Collette, Phillip Seymour Hoffman, Barry Humphries and Eric Bana. Spanning 20 years and 2 continents, MARY AND MAX tells of a pen-pal relationship between two very different people: Mary Dinkle (Collette), a chubby, lonely 8-year-old living in the suburbs of Melbourne, Australia; and Max Horovitz (Hoffman), a severely obese, 44-year-old Jewish man with Asperger’s Syndrome living in the chaos of New York City. As MARY AND MAX chronicles Mary’s trip from adolescence to adulthood, and Max’s passage from middle to old age, it explores a bond that survives much more than the average friendship’s ups-and-downs. Like Elliot and Coombs’ Oscar® winning animated short HARVIE KRUMPET, MARY AND MAX is both hilarious and poignant as it takes us on a journey that explores friendship, autism, taxidermy, psychiatry, alcoholism, where babies come from, obesity, kleptomania, sexual differences, trust, copulating dogs, religious differences, agoraphobia and many more of life’s surprises. -
Friends Newsletter
FRIENDS OF THE NATIONAL LIBRARY OF AUSTRALIA INC. WINTER 2016 Meet the Volunteer MESSAGE FROM THE CHAIR Dear Friends Thank you to the many Friends who responded with sustained support to the sad news that June 2016 sees the final print issue of the National Library of Australia Magazine. Your decision to remain Friends is both heartening and encouraging. We continue to support the Library as it maintains its essential contribution to the vitality of Australian culture and heritage under increasingly Roger, how long have you been a volunteer at the Library? tight fiscal constraints. I joined the Library as a volunteer 15 years ago, beginning I was recently in the Treasures Gallery and fell into when the blockbuster exhibition, Treasures from the World’s conversation with a gentleman who had travelled from Great Libraries, was launched. Canada just to see items in the collection. He was more Tell us about your career prior to joining the Library’s than excited to be there; although he uses Trove and other Volunteer Program. NLA digital records back in Nova Scotia, the opportunity Part of my early career was spent in Tanzania, with the Australian to see the tangible historical documents was inspiring for Volunteers Abroad scheme. I taught economics and also him. Australians cherish their trips to foreign museums and assisted with adult education. When I moved to Canberra in galleries, and this conversation reminded me that we have 1970, I soon joined the newly created Department of Aboriginal much of inestimable cultural and historical value right here Affairs. For much of the two decades that followed, I was a policy at the NLA. -
Department of Foreign Affairs and Trade
Submission No 38 Inquiry into Australia’s Relations with the Republic of Korea; and Developments on the Korean Peninsula Organisation: Department of Foreign Affairs and Trade Contact Person: Mr Paul Robilliard Acting First Assistant Secretary North Asia Division Address: RG Casey Building Barton ACT 0221 Joint Standing Committee on Foreign Affairs, Defence and Trade Foreign Affairs Sub-Committee Australian Government Depaflnwnt ofForeign Affairs and 26 September 200$ Submission No. 38 Dr John Caner Secretary Foreign Affairs Sub-Committee Joint Standing Committee on Foreign Affairs, Defence and Trade Parliament House CANBERRA ACT 0221 Dear Dr Caner I refer to the JSCFADT’S rajuest for fbrtlier information in relation to its inquiry into relations with Korea Please find enclosed DEAT’s responses on the composition of the AKF Board, the value and extent ofsister city/state relationships with Korea and more detail on the AKF’s Investigating Australia study kit. I enclose also details from Austrade on its activities in the Korean market. Yours sincerely Paul Robilliard Acting First Assistant Secretary North Asia Division kG Casey Building, Barton ACT 0221 www.dfat.gov.au Telephone: 02-6261 liii FOLLOW-UP QUESTIONS (B The following details membership ofthe Australia-Korea Foundation Board as at 16 September 2005. Board members have high-levels of expertise in their own chosen fields. For nearly all this includes a high level of experience and understanding ofKorean culture and affairs. The Board works as a team, and the inputs of those without extensive Korean experience is framed against the greater collective understanding. Name Position Expertise Dr Don Stammer Chairman Former central banker, former Head of Investment Strategy, Deutsche Bank Australia, currently company chairman and company director. -
Theatre Australia Historical & Cultural Collections
University of Wollongong Research Online Theatre Australia Historical & Cultural Collections 11-1977 Theatre Australia: Australia's magazine of the performing arts 2(6) November 1977 Robert Page Editor Lucy Wagner Editor Bruce Knappett Associate Editor Follow this and additional works at: https://ro.uow.edu.au/theatreaustralia Recommended Citation Page, Robert; Wagner, Lucy; and Knappett, Bruce, (1977), Theatre Australia: Australia's magazine of the performing arts 2(6) November 1977, Theatre Publications Ltd., New Lambton Heights, 66p. https://ro.uow.edu.au/theatreaustralia/14 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Theatre Australia: Australia's magazine of the performing arts 2(6) November 1977 Description Contents: Departments 2 Comments 4 Quotes and Queries 5 Letters 6 Whispers, Rumours and Facts 62 Guide, Theatre, Opera, Dance 3 Spotlight Peter Hemmings Features 7 Tracks and Ways - Robin Ramsay talks to Theatre Australia 16 The Edgleys: A Theatre Family Raymond Stanley 22 Sydney’s Theatre - the Theatre Royal Ross Thorne 14 The Role of the Critic - Frances Kelly and Robert Page Playscript 41 Jack by Jim O’Neill Studyguide 10 Louis Esson Jess Wilkins Regional Theatre 12 The Armidale Experience Ray Omodei and Diana Sharpe Opera 53 Sydney Comes Second best David Gyger 18 The Two Macbeths David Gyger Ballet 58 Two Conservative Managements William Shoubridge Theatre Reviews 25 Western Australia King Edward the Second Long Day’s Journey into Night Of Mice and Men 28 South Australia Annie Get Your Gun HMS Pinafore City Sugar 31 A.C.T. -
Collection Name
Programmes, visiting artists and companies Ephemera PR8492/1870-1899 To view items in the Ephemera collection, contact the State Library of Western Australia Date Venue Title Author Director Producer Agent Principals D UNDATED 23 Sep Perth Concert Quartet in one Australian Hall Movement Piano Quartet My Song is love Unknown Piano Quartet in C minor 1890-95 Not Stated Uncle Tom's Mr. Trimnel N.D.Aikman Frank Bateman 0 ? Cabin. Mabel Graham Harriet Beecher Beatrice Lyster Stowe J.Clifford ____________________________________________________________________________________________________________________ Le Tartuffe Jean De Govt of the Genevieve Leomy 0 Moliere Regault French Charles Schmitt Republic Giselle Tourtet ____________________________________________________________________________________________________________________ Betty Blokk- Peter Batey Reg Livermore Reg Livermore 0 Buster Follies Baxter Funt ____________________________________________________________________________________________________________________ An Evening with Anthony Asquith British Home Margot Fonteyn 0 PR8492/UND Page 1 of 19 Copyright SLWA ©2011 Programmes, visiting artists and companies Ephemera PR8492/1870-1899 To view items in the Ephemera collection, contact the State Library of Western Australia Date Venue Title Author Director Producer Agent Principals D the Royal Ballet Entertainment Rudolf Nureyev Ltd ____________________________________________________________________________________________________________________ Fabian Lee Gordon Lee Gordon -
On STAGE WA MARITIME MUSEUM FREMANTLE 16.02.2019—09.06.2019 CONTENTS
LEARNING RESOURCE KIT WA MARITIME MUSEUM presents A TOURING EXHIBITION BY ARTS CENTRE MELBOURNE AND THE AUSTRALIAN MUSIC VAULT on STAGE WA MARITIME MUSEUM FREMANTLE 16.02.2019—09.06.2019 CONTENTS: Welcome How to use this Resource Section 1 - What is an Exhibition? 1.1. Activity Introduction 1.2. Prezi – What is an Exhibition? 1.3. Types of Exhibition Spaces 1.4. The ACM Collection 1.5. Acquiring Artefacts and Artworks 1.6. Conservation of Artworks and Artefacts 1.7. ACM on Display 1.8. Activity – Who works in the team? 1.9. The Collections Team 1.10. Activity – The Exhibition of Me Section 2 – All Things Kylie 2.1. Introduction 2.2. Prezi – Kylie Career Overview 2.3. Video – Kylie – the curator’s insight 2.4. Activity – Visiting the Kylie on Stage Exhibition live or online Section 3 – Designing an Icon 3.1. What makes an Icon? 3.2. Interpreting a Song 3.3. Activity – Interpreting a Song 3.4. Garment Design Elements and Principles 3.5. Activity – Design Elements and Principles 3.6. Activity – Design Analysis Activity 3.7. Activity – Mood Board Activity 3.8. Activity – Designing a Costume 3.9. Activity – Making a Costume Appendix A – Offer of Donation Form Appendix B – Condition Report - Kylie Costume Appendix C – ACM Exhibitions Appendix D – Catalogue Worksheet Appendix E – Condition Report – Blank Appendix F – Elements and Principles Template Novice Appendix G – Elements and Principles Template Advanced Appendix H – Croquis Templates Curriculum Links Credits WELCOME Thank-you for downloading the Kylie on Stage Learning Resources. We hope you and your students enjoy learning about collections, exhibitions, music and costumes and of course Kylie Minogue as much as us! Kylie on Stage is a major free exhibition celebrating magical moments from Kylie’s highly successful concert tours around Australia. -
Pinofile Vol 3, Issue 47
PinotFile© The FIRST Wine Newsletter Exclusively Devoted to Pinot Noir PEE - no - NWAH in French PEE - no - NWAR in American Fair Dinkum Pinot Noir Aussie Pinot Noirs have never garnered much attention with the popularity Volume 3, Issue 47 of the country’s Shiraz and stickies. However, there are several small pro- July 19, 2004 ducers in the southern Victoria region of Australia that have found the right cool-climate terroir to produce Pinot Noirs that are bonzers (great, ripper). Three of the best are highlighted here. Phillip Jones retired in the late 1970’s to handcraft tiny amounts of Pinot James Halliday on Noir in South Gippsland, Victoria (see map page 2). Named after early Bass Phillips: “Tiny explorers of the region, George Bass and Arthur Phillips, Bass Phillip is quantities of some of the most exciting close to the sea, but far enough inland to provide an ideal climate for Pinot Noir to be growing Pinot Noir. With a very low cropped dry-farmed vineyard (four made in Australia times the average Australian vineyard planting density) yielding less than came onto the mar- 1 ton to the acre, production is limited to a few hundred cases a year. ket in late 1990. The Jones is a fanatic about fruit quality, hand-sorting individual bunches and wines have tremen- dous concentration discarding up to 30% of substandard fruit in some years. The winery is of flavor, power, and gravity-fed, the winemaking process holistic with minimal additives, natu- length, yet retain the ral yeasts, and no filtration. The resultant wines have no equal in Australia. -
China's Maritime Militias: a Gray Zone Force
Calhoun: The NPS Institutional Archive DSpace Repository Theses and Dissertations 1. Thesis and Dissertation Collection, all items 2019-03 CHINA’S MARITIME MILITIAS: A GRAY ZONE FORCE Oliver, Jeremy A. Monterey, CA; Naval Postgraduate School http://hdl.handle.net/10945/62279 Downloaded from NPS Archive: Calhoun NAVAL POSTGRADUATE SCHOOL MONTEREY, CALIFORNIA THESIS CHINA’S MARITIME MILITIAS: A GRAY ZONE FORCE by Jeremy A. Oliver March 2019 Thesis Advisor: Scott E. Jasper Second Reader: Christopher P. Twomey Approved for public release. Distribution is unlimited. THIS PAGE INTENTIONALLY LEFT BLANK Form Approved OMB REPORT DOCUMENTATION PAGE No. 0704-0188 Public reporting burden for this collection of information is estimated to average 1 hour per response, including the time for reviewing instruction, searching existing data sources, gathering and maintaining the data needed, and completing and reviewing the collection of information. Send comments regarding this burden estimate or any other aspect of this collection of information, including suggestions for reducing this burden, to Washington headquarters Services, Directorate for Information Operations and Reports, 1215 Jefferson Davis Highway, Suite 1204, Arlington, VA 22202-4302, and to the Office of Management and Budget, Paperwork Reduction Project (0704-0188) Washington, DC 20503. 1. AGENCY USE ONLY 2. REPORT DATE 3. REPORT TYPE AND DATES COVERED (Leave blank) March 2019 Master's thesis 4. TITLE AND SUBTITLE 5. FUNDING NUMBERS CHINA’S MARITIME MILITIAS: A GRAY ZONE FORCE 6. AUTHOR(S) Jeremy A. Oliver 7. PERFORMING ORGANIZATION NAME(S) AND ADDRESS(ES) 8. PERFORMING Naval Postgraduate School ORGANIZATION REPORT Monterey, CA 93943-5000 NUMBER 9. SPONSORING / MONITORING AGENCY NAME(S) AND 10. -
Barry Humphries
AUSTRALIAN EPHEMERA COLLECTION FINDING AID BARRY HUMPHRIES PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA JANUARY 2015 Barry Humphries was born in Melbourne on the 17th of February 1934. He is a multi-talented actor, satirist, artist and author. He began his stage career in 1952 in Call Me Madman. As actor he has invented many satiric Australian characters such as Sandy Stone, Lance Boyle, Debbie Thwaite, Neil Singleton and Barry (‘Bazza’) McKenzie - but his most famous creations are Dame Edna Everage who debuted in 1955 and Sir Leslie (‘Les’) Colin Patterson in 1974. Dame Edna, Sir Les and Bazza between them have made several sound recordings, written books and appeared in films and television and have been the subject of exhibitions. Since the 1960s Humphries’ career has alternated between England, Australia and the United States of America with his material becoming more international. Barry Humphries’ autobiography More Please (London; New York : Viking, 1992) won him the J.R. Ackerley Prize in 1993. He has won various awards for theatre, comedy and as a television personality. In 1994 he was accorded an honorary doctorate from Griffith University, Queensland and in 2003 received an Honorary Doctorate of Law from the University of Melbourne. He was awarded an Order of Australia in 1982; a Centenary Medal in 2001 for “service to Australian society through acting and writing”; and made a Commander of the Order of the British Empire for "services to entertainment" in 2007 (Queen's Birthday Honours, UK List). Humphries was named 2012 Australian of the Year in the UK. The Barry Humphries PROMPT collection includes programs, ephemera and newspaper cuttings which document Barry Humphries and his alter egos on stage in Australia and overseas from the beginning of his career in the 1950s into the 21st Century. -
Uncovering the Essence of Humphries
UNCOVERINGTHE ESSENCE OF HUMPHRIES It's not certain if he found them under his bed, as priceless artefacts are supposed to be found, but Melbourne's Rabbi John Levi can claim the credit for uncovering a cache of the earliest known recordings by Barry Humphries, Australia's finest post war comic talent . Not that he will though . Unlike his more famous participant in the Melbourne Univer sity 'Dada' group of the early 1950s, the good rabbi keeps a low public profile these days, having forsaken the grim, satirical, anarchic and often cruel cavortings of his surreal soulmates for a life of service and no small amount of reflection. · For more than forty years, Levi thoughtfully preserved a number of one-off discs, which he recently handed over, at Humphries urging, to the specialist Melbourne independent Raven Records label for rehabilitation and eventual public issue as part of the Moonee Ponds Muse series of CDs. Among the highlights of this exhumed treasure trove is a short 'Memorial Paper' reading called Cinderella, at the end of which the young Humphries, three years or more before the 1955 debut performance of Edna Everage, rails angrily against the 'perversions' of men disguised as women. They should, he warned, 'be watched with care'. Harsh, affronting and almost seditious, even in the nineties, it is impossible to imagine the monologues, sketches, improvisations and discordant musical meanderings on the discs being accepted or even understood by anyone outside a close circle of co-conspirators in the early fifties. 'Nearly all our sketches of the period,' Barry recalls, 'describe people exchanging identities, going mad or degenerating into a kind of baleful infantilism.' Right: Barry Humphries as Edna Everage Centre: Edna Everage, 1955, Opposite page below: First known photograph of Edna Everage, 1957-58 All of which was part and parcel of customised Dadaism as Humphries conceived it.