The Creation and Survival of Private, Countercultural, Transcendent Communities of Learning-Living
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Faces of the League Portraits from the Permanent Collection
THE ART STUDENTS LEAGUE PRESENTS Faces of the League Portraits from the Permanent Collection Peggy Bacon Laurent Charcoal on paper, 16 ¾” x 13 ¾” Margaret Frances "Peggy" Bacon (b. 1895-d. 1987), an American artist specializing in illustration, painting, and writing. Born in Ridgefield, Connecticut, she began drawing as a toddler (around eighteen months), and by the age of 10 she was writing and illustrating her own books. Bacon studied at the Art Students League from 1915-1920, where her artistic talents truly blossomed under the tutelage of her teacher John Sloan. Artists Reginald Marsh and Alexander Brook (whom she would go on to marry) were part of her artistic circle during her time at the League. Bacon was famous for her humorous caricatures and ironic etchings and drawings of celebrities of the 1920s and 1930s. She both wrote and illustrated many books, and provided artworks for many other people’s publications, in addition to regularly exhibiting her drawings, paintings, prints, and pastels. In addition to her work as a graphic designer, Bacon was a highly accomplished teacher for over thirty years. Her works appeared in numerous magazine publications including Vanity Fair, Mademoiselle, Harper’s Bazaar, Vogue, Dial, the Yale Review, and the New Yorker. Her vast output of work included etchings, lithographs, and her favorite printmaking technique, drypoint. Bacon’s illustrations have been included in more than 64 children books, including The Lionhearted Kitten. Bacon’s prints are in the collections of the Whitney Museum of American Art, the Brooklyn Museum, and the Museum of Modern Art, all in New York. -
Faces of the League Portraits from the Permanent Collection
THE ART STUDENTS LEAGUE PRESENTS Faces of the League Portraits from the Permanent Collection Peggy Bacon Laurent Charcoal on paper, 16 ¾” x 13 ¾” Margaret Frances "Peggy" Bacon (b. 1895-d. 1987), an American artist specializing in illustration, painting, and writing. Born in Ridgefield, Connecticut, she began drawing as a toddler (around eighteen months), and by the age of 10 she was writing and illustrating her own books. Bacon studied at the Art Students League from 1915-1920, where her artistic talents truly blossomed under the tutelage of her teacher John Sloan. Artists Reginald Marsh and Alexander Brook (whom she would go on to marry) were part of her artistic circle during her time at the League. Bacon was famous for her humorous caricatures and ironic etchings and drawings of celebrities of the 1920s and 1930s. She both wrote and illustrated many books, and provided artworks for many other people’s publications, in addition to regularly exhibiting her drawings, paintings, prints, and pastels. In addition to her work as a graphic designer, Bacon was a highly accomplished teacher for over thirty years. Her works appeared in numerous magazine publications including Vanity Fair, Mademoiselle, Harper’s Bazaar, Vogue, Dial, the Yale Review, and the New Yorker. Her vast output of work included etchings, lithographs, and her favorite printmaking technique, drypoint. Bacon’s illustrations have been included in more than 64 children books, including The Lionhearted Kitten. Bacon’s prints are in the collections of the Whitney Museum of American Art, the Brooklyn Museum, and the Museum of Modern Art, all in New York. -
ADOLESCENT SEXUALITY Developing Self-Esteem and Mastering Developmental Tasks
Part II: Healthy Adolescent Sexual Development ADOLESCENT SEXUALITY Developing Self-Esteem And Mastering Developmental Tasks Robert Selverstone, PhD President of the SIECUS Board of Directors H ealthy adolescent sexual behavior is just one Self-Esteem aspect of overall healthy adoles&nt development. Freud, in seeking to identify the characteristics of a The key question about what constitutes healthy healthy, mature adult, was most concise. He identified adolescent sexuality is not so much the extent of the characteristics as love and work. The healthy adult conformity to traditional demands for sexual was one who could both give and receive love and had abstinence, but the extent to which adolescent sex- the capacity to find satisfaction in his or her work, how- ual behavior fosters or impedes the development ever that work was defined. Sidney Simon has translated of healthy self-esteem and the concomitant mas- these two critical components of self-esteem into the tery of a teenager’s developmental tasks. Such be- wonderful: I Am Lovable And Capable (IALAC). 2 Simon havior should be respectful and not exploitive of posits that we all wear IALAC signs, and that our daily others, and it should not endanger the physical or experiences increase or diminish the size of those signs mental health of the partidpants. - our feelings of self-esteem. To the extent that self- esteem is the critical variable in healthy adolescent De-Satellizing development, it is important to examine how adolescents Adolescence is the span of time from dependence in seek to develop and maintain their feelings of, and the childhood to autonomy in adulthood. -
Leo Manso Exhibition Brochure
I grew up in a small-town, an ethnic enclave in Western Pennsylvania. Travels My immigrant family worked in the steel mills, exchanging serfdom Manso increasingly began to focus his artistic process on his inner world and under the Hapsburg Dynasty in Eastern Europe for the serfdom of sought to create a sense of tranquility in his work to counteract the tumultu- capitalism—my grandfather would always chuckle with irony. A friend ous experience of living in the modern world. He once remarked “We live in and I played hooky from school one day, and drove down near the West a world moving very fast with no fixed values. I know who I am when I have Virginia border looking for white-water rapids, suitable for rafting. We my art around me. I strive to create some kind of order in what I perceive is a got lost and came across the Fallingwater Estate by Frank Lloyd Wright. chaotic world.” He found himself becoming more absorbed in the art of the The waterfall was roaring. The cantilevers, the proportions were nothing East and an aesthetic focused on transcendence made possible by meditative like I had ever seen before in my working-class upbringing. I went into a engagement which involved circumventing the ego. Beginning in 1964, Manso trance, literally, non-verbal and kind of rapturous, at the site of this archi- developed an interest in Tantric Art and spent eight years reading extensively tectural wonder. As a conflicted adolescent, I kept returning to the site in Buddhist, Hindu, and Tantric philosophies along with the history of India. -
A Finding Aid to the Charles Cajori Papers, 1942-2011, in the Archives of American Art
A Finding Aid to the Charles Cajori Papers, 1942-2011, in the Archives of American Art Joy Weiner November 14, 2011 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical Note............................................................................................................. 2 Scope and Content Note................................................................................................. 2 Arrangement..................................................................................................................... 3 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 5 Series 1: Correspondence, 1942-2011.................................................................... 5 Series 2: Writings and Notes, 1949-2010................................................................ 7 Series 3: Interviews, Talks, and Panel Discussions, 1983-2010.............................. 8 Series 4: Printed Material, circa 1950s-2010........................................................ -
1998 November
Midwestern recruits of Jewish Legion marching in Detroit en route to Palestine, 1917 JEWISH HISTORICAL SOCIETY OF MICHIGAN Jews of Houghton-Hancock; Early Zionism & Sen. Vandenberg; Public Schools Named for Jews; Franklin Exhibit; Fisher's 90th! EDITOR Judith Levin Cantor Co-EDITOR Sidney Simon EDITORIAL COMMITTEE Sharon Alterman, Robert Benyas, Laura Berman, Julie Edgar, Steven Fishman, Dr. Bernard Goldman, James D. Grey, Shirlee Iden, Alan Kandel, Aimee Ergas Shwayder, Morton Zieve MICHIGAN JEWISH HISTORY is published by the Jewish Historical Society of Michigan. Correspondence concerning editorial matters should be sent to the Editor, J.H.S., 6600 W. Maple Rd., W. Bloomfield, MI 48322. The Society assumes no responsibility for statements made by contributors. MICHIGAN JEWISH HISTORY is available on microfilm from University Microfilms International, 300 N. Zeeb Road, Ann Arbor, MI 48106. Articles in this journal are indexed in Historical Abstracts and in America: History & Life. © Copyright 1998 - The Jewish Historical Society of Michigan No reproduction, electronic or otherwise, may be distributed without the express written permission of the president of the Jewish Historical Society. Cover photo from the collection of Leah Michlin Drachler MICHIGAN JEWISH HISTORY nri mrimx riN -no on: iiii7nr 1CIN When your children shall ask their parents in time to come... Joshua 4:21 Volume 38 1998 Cheshvan 5758 The Journal of the Jewish Historical Society of Michigan The Jews of Houghton-Hancock and Their Synagogue by Rochelle Berger Elstein 2 Zionism in Detroit Before the State by Aimee Ergas 11 The Editor and the Senator: "A Zionist Home in Palestine" by Alan Kandel 21 A Community Honor: Michigan Public Schools Named for Leading Jewish Citizens by Shirlee Rose Iden 26 Michigan Scholars Shed New Light on Ancient Dura-Europos Synagogue by Bernard Goldman 32 Searching for a Rabbi by Heidi S. -
Values Clarification in Counseling and Psychotherapy
■ ADVANCE PRAISE FOR VALUES CLARIFICATION IN COUNSELING AND PSYCHOTHERAPY “ Th is important book addresses an essential component of counseling and psychotherapy that is too oft en overlooked in training programs and the professional literature. With clear guidelines, and lots of clinical examples, Dr. Kirschenbaum demonstrates not only how to help clients clarify their values on issues such as relationships, love and sex, work, money, substance use, religion and spirituality, politics, and meaning in life, but also how to resolve their confl icts around such values and thus promote clients’ living more consistently their highest purposes. Deeply relevant to seasoned counselors and therapists as well as students, this book not only provides practical instruction, but philosophically astute expositions of what values are, their central role in human life, and how the values clarifi cation process can be applied with multicultural sensitivity to diverse populations. It is highly recommended for anyone who practices counseling or psychotherapy.” andre marquis, ph.d., Associate Professor, Dept. of Counseling and Human Development, Warner Graduate School of Education, University of Rochester; author, Th eoretical Models of Counseling and Psychotherapy . “Counseling and psychotherapy is by no means a ‘value free’ enterprise; both clients and mental health professionals have preferred values and beliefs. Furthermore, both profession- als and clients may need help in understanding and clarifying their values in the therapeutic process. Dr. Kirschenbaum has developed an excellent book that not only helps mental pro- fessionals develop the skills necessary to facilitate client value clarifi cation, but also assists professionals in understanding and clarifying their own personal values, and thereby avoid- ing the juxtaposition of those values onto clients in therapy. -
Kimes, Don CV for AU Web Site
DON KIMES [email protected] Department of Art, American University 4400 Massachusetts Avenue, NW Washington, DC 20016 ACADEMIC: 1988- AMERICAN UNIVERSITY, Washington, DC 2009 Professor, Studio Art (1996-current), Associate Professor (1988-1995) Teach painting, drawing, cross media, thesis seminars at undergraduate through graduate levels. Department Chair (1990-2001) MFA, MA, BFA and BA programs in studio art, design, art history. Developed substantial visiting artists programs, lecture series, symposia and a national reputation for art department – MFA became one of the most competitive programs in the university in terms of application to admit ratio. This eventually led to the construction of a new flagship visual arts facility for the University. Responsible for budget, long/short range planning, curriculum, faculty, student and program development in various disciplines, leadership of the department within and outside of the university. Recipient of the University Award for Outstanding Contributions to Academic Development granted in recognition of contributions to the growth and national recognition of the university’s visual arts programs. Award made by nomination of the Dean of the College, review by faculty peer panel and the office of the Provost in 2004. Founder/Director, American University Art in Italy Programs ( 1995-current) Established and directed programs in Umbria, Rome and Florence for our students and faculty, including painting/drawing, sculpture/installation, printmaking, photography, design, art history and cross-media. Department Liaison, Katzen Center for the Arts Development Campaign (1990-2001). Led department in decade long fundraising campaign which raised funds to build the 130,000 square foot Katzen Center for the Arts at American University (including a 10 million dollar gift and a 5 million dollar art collection – the largest gift in the history of the university). -
Economics Newsletter
(FRQRPLFV1HZVOHWWHU 'HSDUWPHQW RI (FRQRPLFV 5XWJHUV 8QLYHUVLW\ 1XPEHU 1HZ 6HULHV :LQWHU 7HQ4XHVWLRQVIRUWKH1HZ 5 87*(56 (FRQRPLFV&KDLUSHUVRQ 81,9(56,7< '(3$570(17 2) 0DUN.LOOLQJVZRUWK (&2120,&6 Phone 732-932-7482 1. How is the job so far? As the man said when he had just stepped off the Fax 732-932-7416 roof of the World Trade Center, 'So far, so good.' http://economics.rutgers.edu 2. Where do you see the Department going over the next 10 years? I [email protected] certainly expect the number of faculty in the department to increase to [email protected] match our growing popularity and student load. I expect to see Rutgers , 16,'( Economics become even more prominent in national rankings as the excellence of our faculty becomes even better known. I believe that we Ten Questions For the Chair p.1 will become a national model for state universities serving a large, diverse Thank You Prof. Alexander p 2. student population and state. Graduate Director Report p. 3 3. Can you give a brief sketch of your background? I was born in Undergraduate Director Report p. 4 Baltimore, grew up in East Lansing, Michigan, and was an undergraduate Graduate Alumni Survey p. 4 at the University of Michigan, where I was editor of The Michigan Daily Faculty Profiles p. 5 and principal bassoonist in the orchestra. For graduate work I went to Graduate Reunion p. 6 Oxford as a Rhodes Scholar, although I didn’t run into Bill Clinton then. I Looking Ahead p. 6 did, however, meet him at a reunion he threw at the White House in the Faculty Research p. -
Journal 2015–2020
JOURNAL 2015–2020 02 Dr. David C. Driskell 40 Off Campus Programs Remembering David C. Driskell Hard Work Katie Sonnenborn, Sarah Workneh Mine are true love stories Shaun Leonardo (A '04) Alliance Video Committee: DIVISIONS; Mayday! Mayday! Desmond Lewis (A '18) Mayday!; Infinity Mary Lovelace O’Neal (A '63) Two-Channel Video Festival Sylvia Snowden (A '64) .WATCH SkowheganPerforms SkowheganWalks Personals 10 Summer 2015–2019 The Skowhegan Tarot Common House Five Years in Pictures 56 Support 32 Campus Master Plan 2018–2023 Planning Principles Master Plan Projects 65 Community In Memoriam Boards & Staff Skowhegan Alliance 38 The Skowhegan Book Skowhegan Council THIS SKOWHEGAN JOURNAL IS DEDICATED TO Dr. David C. Driskell (1931–2020) Alumnus: 1953 Faculty: 1976, 1978, 1991, 2004 Board of Governors: 1975–1989 Board of Trustees: 1989–2002 From left to right: Al Blaustein (A '46, '53, F '69-'70, '81), Jacob Lawrence (F '54, '68-'72, Advisory Committee: 2003–2020 '89, '96), David C. Driskell, and Willard Cummings (F '46-'52, '54-'56, '58-'59, '61) at Skowhegan, 1968. Lifetime Legacy Award Recipient, 2016 2 3 Remembering Dr. David C. Driskell “The achievements of David C. Driskell are as grand as held the title of Distinguished University Professor of practices—and in doing so, he has opened a public Mount Everest,” wrote Keith Morrison in the foreword Art, Emeritus. It was also where The David C. Driskell dialogue that has allowed other artists the freedom to to Julie McGee’s David C. Driskell: Artist and Scholar. Center for the Study of Visual Arts and Culture of do the same. -
Julia Pimes Mata (BCA) – [email protected] / 718- 518-6728
Press contact: John MacElwee (HCAC) – [email protected] / 718-518-6539 Julia Pimes Mata (BCA) – [email protected] / 718- 518-6728 Longwood Art Gallery @ Hostos features New York Latin American Art Triennial, 2019 Oct 2 to Dec 11 Opening Reception: Wednesday, October 2, 6:00 PM to 9:00 PM LINK TO HIGH RES ARTIST IMAGEs (Bronx, NY) – Under the auspices of the Hostos Center for the Arts and Culture (HCAC), in partnership with the Bronx Council on the Arts (BCA) and the Bronx Hispanic Festival, the Longwood Art Gallery @ Hostos will be one of the venues for the New York Latin American Art Triennial, 2019 a city-wide exhibition of 70 Latin American artists living in the New York metropolitan area as well as abroad. With the theme of “Progressive Transition,” the Triennial presents artworks addressing personal aspects of the sense of belonging. The Triennial is directed Luis Stephenberg Alers and Alexis Mendoza serves as Chief Curator. Opening on October 2 and running until December 11, with an opening and closing receptions, 6 PM to 9 PM, the Longwood exhibit will feature eleven acclaimed artists in a variety of media from Argentina, Columbia, Cuba, the Dominican Republic, Guatemala, Italy, Mexico and Puerto Rico. Artists include Dió- genes Abreu, Aviva Aleph, Valente Arana, María Bouquet, Monica S Camin, Hubert Caño, Angel Delgado, Alexis Duque, Borinquen Gallo, Sandra Monterroso and Miguel Trelles. The Longwood Art Gallery @ Hostos is located at Hostos Community College, 450 Grand Concourse (at 149th Street) in The Bronx. Gallery hours are Tuesday through Friday 12 PM to 6 PM. -
DOCUMENT RESUME ED 087 131 EA 005 874 TITLE the 1973 Boston
DOCUMENT RESUME ED 087 131 EA 005 874 TITLE The 1973 Boston Conference on Grading Alternatives. INSTITUTION Values Associates, Amherst, Mass. PUB DATE 73 NOTE 97p.; Speeches given before National Conference on Grading Alternatives.(Boston, Massachusetts, November 9-11, 1973) EDRS PRICE MF-$0.65 HC-$3.29 DESCRIPTORS *Academic Achievement; Cheating; Classroom Environment; College Admission; College High School Cooperation; Credit No Credit Grading; *Educational Accountability; Elementary Education; *Evaluation Methods; *Grading; Higher Education; Learning; Open Education; Secondary Education; Self Evaluation; *Student Evaluation; Summative Evaluation; Urban Education IDENTIFIERS Contract Learning; Individualized Evaluation; Written Evaluation ABSTRACT This conference was held to help educators (1)obtain a clearer understanding of the major controversy over current grading practices, (2) share ideas on grading,(3) obtain information on grading alternatives, and (4)learn how to bring about changes in grading procedures. Topics discussed include the relationship of the evaluation of student achievement to accountability programs, college admissions and nontraditional grading, competition, cheating, grading and young children, self evaluation, credit-no-credit grading, written teacher evaluation, grading in urban education, contract learning, student and parent perceptions of grading and what they want, open education and grading, and resistance to change in educational organizations. (Pages 72 and 73 are missing.) (Author/DN) U S DEPARTMENT OF HEALTH. EDUCATION I. WELFARE NATIONAL INSTITUTE OF EOUCAT ION 00C.IVV04! .1S KEEN REPRO DICED ExACT; V Ai RECFtvED I ROM E PERSON OR CIRCAN,ZATON 04216,N r NC, .7 r0,415 '::1 N OR OPINIONS ,74 FL) 00 %(17 NEt RE g'Rk 14; %:.TIC)^.4, 1)1 A tE0 ON Post T )^4 DR Pth.