Soco News 2015 01 V1
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The Making of a Classic
Saturday, October 22 at 2 & 8 pm only Ed D. Wood’s The Making of a Classic hortly before Bela Lugosi’s death in 1956, the actor had been working Swith poverty row Producer-Director Ed Wood on numerous half-realized projects variously titled Tomb of the Vampire or The Ghoul Goes West. According to Ed Wood, “Lugosi needed a thousand dollars, so I shot some footage of him.” Lugosi’s scenes were probably shot in the Spring of 1955 before Bela entered Norwalk hospital for treatment for his morphine addiction. until July 1959 through Valiant Pictures, These scenes featured Lugosi weep- the receiver of DCA. It went into general ing at a funeral, walking in front of release in the US in July, 1959, as Plan Tor Johnson’s house in the daytime, 9 from Outer Space, on the bottom of walking in and out of Johnson’s side a double bill with DCA’s Time Lock. door at night, and walking through a graveyard in daytime. Only the The original title is mentioned at the end first two sequences had reached any of Criswell’s opening narration when level of completion. When Lugosi he asks the audience, “Can your heart died, Wood shelved these projects. stand the shocking facts about grave 1959 – Black & White – 79 Minutes robbers from outer space?” Like many Shortly thereafter Wood developed independent films of the period,Plan Written, Produced & Directed by ...... Ed Wood Jr. the story and screenplay for Grave 9 was distributed under a states’ rights Executive Producer .................. J. Edward Reynolds Robbers from Outer Space planning to basis. -
Bad for Good William D
Bad For Good William D. Routt Beyond good and evil [1] Even before Tim Burton made a movie based on his life, almost everyone knew two things about Edward D. Wood, Jr. The first was that he directed "the worst movie ever made", Plan 9 From Outer Space (1956). The second was that he was a transvestite. The two things seem to be linked in some way - or, at least, they often crop up together, as they did just now. And, when you think about it, that is strange.[2] But then, reactions to Ed Wood do tend towards the strange. I remember when I first saw Plan 9. It was on television. In fact, I cannot imagine seeing an Ed Wood movie anywhere else but on television; they were made-for-TV, direct-to-video, before such forms were invented. It was late at night (of course). I was tired and the experience was a hallucinatory one. The film did not seem to have a plot. It opened with "Criswell Predicts", for God's sake! Now and then there were shots of Bela Lugosi stalking with his cape over his eyes (not Lugosi at all, as I later learned) and Vampira staring through creepy branches and Tor Johnson menacing with his arms raised and his mouth open. Cadillac hubcaps (or paper plates or plastic models - anyhow, not flying saucers) spinning across the sky. A tremendous amount of stock footage. Meandering pointless dialogue. Nothing happened: it was a movie of pure effect. For years afterward I described this film of my imagining, whose title I had forgotten, to people who were not interested. -
Ed Wood: Verdens Instruktør
PORTRÆT Kan en film være så dårlig; at den faktisk bliver g o d ? - Ja, det kan den sagtens. Hvor mange E d Wood: nederlag skal man have, før man giver op? - Ed Wood gav aldrig op, hans liv var en lind strøm af fiaskoer. Kosmorama har set Tim Bartons film om Verdens instruktøren i New York - her kommer historien om manden, der posthumt fik papir på sin ............. Værste^ . af Johannes Schonherr ^ om bekendt er Hollywoods hi- storie en blandet landhandel, der ikke blot handler om store sel skabers glamourøse produktioner, Academy Awards og sladder om Instruktør stjernernes skandaler. Den handler også om de fattigrøvs-skæbner, der i storindustriens skyggeland fandt de havde mere end forspist sig på TV- Det var netop indenfor disse res helt egne nicher, i hvilke de uaf underholdningen, udgjorde en bety rammer instruktør/producer/manu- hængigt af mogulerne stædigt pro delig indtægtskilde, når blot produk skriptforfatter Edward D.Wood for ducerede og distribuerede film til al terne lovede lidt til gården, gaden og søgte at gøre sig gældende, det lyk ternative markeder. ikke mindst nerverne. Folk som Ro kedes bare aldrig! Hans plakater lo I 50’erne og 60’erne havde disse ger Corman, David Friedman og sel vede 'Shocking’ - ’Revealing’ - 'Hor- småproducenter deres absolutte skabet American International Pic- rifying’, og det var filmene også, når guldalder - de store drenge var sta tures tjente styrtende på at afsætte det gjaldt kvaliteten: dekorationerne dig på familieunderholdning med billige produktioner med sensations stod og blafrede, lyset skiftede fra høj moral, så det stadig ekspande prægede plakater til drive-in biogra dag til nat midt i en sekvens, mon rende ungdomsmarked, der allerede fer og andre billige visningssteder for strene var ubevægelige klodser i sno da var befolket afen generation, som unge. -
XXXIV:2) Ernst Lubitsch, NINOTCHKA (1939, 110 Min)
February 7, 2017 (XXXIV:2) Ernst Lubitsch, NINOTCHKA (1939, 110 min) National Film Registry, 1990 Academy Awards, USA 1940 Nominated for: Best Picture Best Actress in a Leading Role: Greta Garbo Best Writing, Original Story: Melchior Lengyel Best Writing, Screenplay: Charles Brackett ,Walter Reisch, Billy Wilder Directed by Ernst Lubitsch Written by Charles Brackett, Billy Wilder and Walter Reisch (screenplay), Melchior Lengyel (based on the original story by) Produced by Sidney Franklin, Ernst Lubitsch Music Werner R. Heymann Cinematography William H. Daniels Film Editing Gene Ruggiero Art Direction Cedric Gibbons family tailor business while he acted in cabarets and music halls at Set Decoration Edwin B. Willis night. In 1911 he joined the Deutsches Theater of famous Costume Design Adrian director/producer/impresario Max Reinhardt, and was able to move up to leading acting roles in a short time. To gain extra money, he took a side job as a handyman while learning silent film acting at Cast Berlin's Bioscope film studios. The next year he launched his own Greta Garbo…Nina Ivanovna Yakushova aka Ninotchka film career by appearing in a series of comedies showcasing Melvyn Douglas…Count Leon d'Algout traditional ethnic Jewish slice-of-life fare. Finding great success in Ina Claire…Grand Duchess Swana these character roles, Lubitsch turned to broader comedy, then Bela Lugosi…Commissar Razinin beginning in 1914 started writing and directing his own films. His Sig Ruman…Comrade Iranoff breakthrough film came in 1918 with The Eyes of the Mummy Felix Bressart…Comrade Buljanoff (1918), a tragedy starring future Hollywood star Pola Negri. -
ED WOOD by Scott Alexander & Larry Karaszewski
ED WOOD by Scott Alexander & Larry Karaszewski Directed by Tim Burton FIRST DRAFT November 20, 1992 FADE IN: INT. HAUNTED MANSION PARLOR - NIGHT We move through a spooky shrouded parlor, as a storm rages outside. THUNDER roars, and lightning flashes in the giant windows. in the center of the room lies an oak coffin. Suddenly the lid starts to creak open. A hand crawls past the edge... and then the lid slams up! Famed psychic CRISWELL pops out. Criswell, 40, peers at us intently, his gleaming eyes framed under his striking pale blonde hair. He intones, with absolute conviction: CRISWELL Greetings, my friend. You are interested in the unknown, the mysterious, the unexplainable... that is why you are here. So now, for the first time, we are bringing you the full story of what happened... (extremely serious) We are giving you all the evidence, based only on the secret testimony of the miserable souls who survived this terrifying ordeal. The incidents, the places, my friend, we cannot keep this a secret any longer. Can your hearts stand the shocking facts of the true story of Edward D. Wood, Junior?? EXT. NIGHT SKY Lightning CRACKS. We drift down past the dark clouds... through the torrential rain... and end up... OPTICAL: EXT. HOLLYWOOD - NIGHT We've landed in Hollywood, 1952. We're outside a teeny, grungy playhouse. The cracked marquee proclaims "'THE CASUAL COMPANY,' WRITTEN AND DIRECTED BY EDWARD D. WOOD, JR." Pacing nervously in the rain is ED WOOD, 30, our hero. Larger-than-life charismatic, confident, Errol Flynn-style handsome, Ed is a human magnet.