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Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
Bollywood in Australia: Transnationalism and Cultural Production
University of Wollongong Research Online Faculty of Arts - Papers (Archive) Faculty of Arts, Social Sciences & Humanities 1-1-2010 Bollywood in Australia: Transnationalism and Cultural Production Andrew Hassam University of Wollongong, [email protected] Makand Maranjape Follow this and additional works at: https://ro.uow.edu.au/artspapers Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons Recommended Citation Hassam, Andrew and Maranjape, Makand, Bollywood in Australia: Transnationalism and Cultural Production 2010. https://ro.uow.edu.au/artspapers/258 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Introduction Bollywood in Australia Andrew Hassam and Makand Paranjape The global context of Bollywood in Australia Makarand Paranjape The transcultural character and reach of Bollywood cinema has been gradually more visible and obvious over the last two decades. What is less understood and explored is its escalating integration with audiences, markets and entertainment industries beyond the Indian subcontinent. This book explores the relationship of Bollywood to Australia. We believe that this increasingly important relationship is an outcome of the convergence between two remarkably dynamic entities—globalising Bollywood, on the one hand and Asianising Australia, on the other. If there is a third element in this relationship, which is equally important, it is the mediating power of the vibrant diasporic community of South Asians in Australia. Hence, at its most basic, this book explores the conjunctures and ruptures between these three forces: Bollywood, Australia and their interface, the diaspora. 1 Bollywood in Australia It would be useful to see, at the outset, how Bollywood here refers not only to the Bombay film industry, but is symbolic of the Indian and even the South Asian film industry. -
08 10 Undercover Cops
A BYTE OF LIFE Monday, April 27, 2009 10 08 DESI GIRL CRICKETING HEIGHTS has a mystery boyfriend! British fans play a ECB-recognised Who is it? T20 at the Mt.Everest base camp FREE CIRCULATION Vol. 3 No. 77 AGAINST THE ODDS In her weekly column on entrepreneurs, Liffy Tojan Thomas profiles two entrepreneurs who made it big, even though they did not have any fancy degrees to back them. » PAGE 05 On behalf of Team Ergo, We wish Liffy Thomas and Tojan a very happy married life. P.S: Your leave has been extended, but not indefinitely! Enjoy. :) PHOTO: S.S. KUMAR City police have drawn an innovative plan to trap chain snatchers. Petlee Peter reports. » PAGE 03 UNDERCOVER COPS 02 NAMMA CHENNAI ERGO Monday, April 27, 2009 Chinese Combo Chin Chin, the Chinese Restaurant at The Residency, G. N. Chetty Road is offering a Chinese combo meal lunch between 12.30 p.m. to 3.00 p.m. from Monday to Friday. The Vegetarian combo is priced at Rs. 210 and non-veg at Rs.250 net. Classroom with KAMAL HASSAN Kamal Hassan will don a new character, that TAKE ME HOME! of a professor the coming month. Raajkamal Films International in association with Indian Institute of Technology, Madras, Some of the street animals has organised an international workshop and seminar on screenwriting in South India rescued, sheltered and between May 29 and June 3. “It’s a strictly instructional event. Basic looking for a home. education is compulsory and candidates Longing for a pet? Contact need to demonstrate their seriousness to get selected,” a press the numbers/ emails ASAP. -
Rickbeecroft 1Stad CV Credits Toptechs2
st RICK BEECROFT - 1 Assistant Director CURRICULUM VITAE Film, Television & Commercial Production Mobile: +61 427 973 348 email: [email protected] or [email protected] Website: http://www.imdb.com/name/nm0066361 Booking Agent: Top Techs +61299581611 email: [email protected] FEATURE FILMS (FF) / TELE-MOVIES (TM)/ DRAMA DOCO (DD) / WEB SERIES (WS) 2020 Sissy FF Prod: Lisa Shaunessy Dirs: Kane Senes, Hannah Barlow Arcadia, Sincerely Cecilia Pty Ltd Kidnapped in Paradsie FF Prods: Kim Roberts, Steve Jaggi Dir: Vic Sarin Sepia Films Unsolved Cases – JFK Assassination DD Prods; Mio Ietomi, Bennett Walsh Dir: Takegoro Nishimura NHK Japan 2019 The Flood FF - Prod: Amadeo Marquez-Perez Dir: Victoria Wharfe/McIntrye Wagtail Films Pty Ltd Honour FF – (development) Films & Casting Temple Pty Ltd, Prod: Anupam Sharma Smashing FF – (development) Producer/Director: Juliet Darling 2018 2067 FF Prods: Lisa Shaunessy, Kate Crosser Dir: Seth Larney Subject 14 Pty Ltd, Arcadia Pty Ltd Locusts FF Prod: Angus Watt Dir: Heath Davis Estranged Films Pty Ltd The Furies FF Prods: Andy Marriot, Lisa Shaunessy Dir: Tony D’Aquino Killer Instinct The Movie Pty Ltd 2017 Pet Killer WS Prod: Enzo Tedeschi Dir: Tibo Pinsard Killer Films 2099- The Soldier Protocol FF Prods: Veronica Sive, Silvio Salom Dir: Dee MacLachlan Sunjive Studios Pty Ltd 2016 Event Zero FF Prod: Cathey Rechichi Dir: Enzo Tedeschi Deadrock Films Pty Lid, Killer Films Pty Ltd Harmony FF Prods: Abe Tabone, Peter Drinkwater Dir: Cory Pearson FilmGrit Pty Ltd 1 2015 Killing Ground FF Prod: Joe Weatherstone Dir: Damien Power Campfire Films Pty Ltd 2014 UnIndian FF Prods: Lisa Duff, Anu Sharma Dir: Anu Sharma Films & Casting Temple Pty Ltd 2013 All About E FF Prod: Jay Rutovitz Dir: Louise Wadley Girls Own Pictures Pty Ltd. -
Himcom Prospectus 2020.Cdr
GROUP Heritage Institute of Management & Communication p r o s p e c t u s www.himcom.in GROUP Heritage Institute of Management & Communication w w w . h i m c o m . i n GROUP Heritage Institute of Management & Communication w w w . h i m c o m . i n TM HIMCOM Heritage Institute of Management & Communication Welcome to HIMCOM Heritage Institute of Management & provides media training and education About HIMCOM 04 Autonomous Courses 34 Communication (HIMCOM) is an endeavor through rigorous practices in the real About the DMLP 06 Admission Process 38 to accelerate the current education media environment utilizing HIMCOM NEWS system and keep a momentum of state of the art TV studios, Newsrooms, Messages 08 Faculties 39 innovation, discovery and development. PCRs, Edit Bays, Graphics Bays, Teleport News Clippings 14 Visiting Faculties 40 The vision is to lead young media and the Automation System in addition to aspirants in the right direction and to the professional classroom sessions by Testimonials 16 Advisory Board 41 provide the required infrastructure, media experts from the Industry. technology & conditions for creative Blessings 17 Our Placements 42 learning and applications of new and Academics and allied subjects in order to traditional skills. instill a complete blend of knowledge, Paradigm 18 Rules & Regulations 44 professional skills, motivation, Infrastructure 25 Photo Gallery 49 While most of the Indian media institutes responsibilities and ethics. and colleges are focusing on managing Our Programs 28 Bunch of Bouquets 56 routine -
KPMG FICCI 2013, 2014 and 2015 – TV 16
#shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 kpmg.com/in ficci-frames.com We would like to thank all those who have contributed and shared their valuable domain insights in helping us put this report together. Images Courtesy: 9X Media Pvt.Ltd. Phoebus Media Accel Animation Studios Prime Focus Ltd. Adlabs Imagica Redchillies VFX Anibrain Reliance Mediaworks Ltd. Baweja Movies Shemaroo Bhasinsoft Shobiz Experential Communications Pvt.Ltd. Disney India Showcraft Productions DQ Limited Star India Pvt. Ltd. Eros International Plc. Teamwork-Arts Fox Star Studios Technicolour India Graphiti Multimedia Pvt.Ltd. Turner International India Ltd. Greengold Animation Pvt.Ltd UTV Motion Pictures KidZania Viacom 18 Media Pvt.Ltd. Madmax Wonderla Holidays Maya Digital Studios Yash Raj Films Multiscreen Media Pvt.Ltd. Zee Entertainmnet Enterprises Ltd. National Film Development Corporation of India with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars: FICCI-KPMG Indian Media and Entertainment Industry Report 2015 Foreword Making India the global entertainment superpower 2014 has been a turning point for the media and entertainment industry in India in many ways. -
Nepotism in Film Industry: an Unending Debate
ISSN 2455-4782 NEPOTISM IN FILM INDUSTRY: AN UNENDING DEBATE Authored by: Dr. Deepti Kohli * * Associate Professor, Vivekananda Institute of Professional Studies, Delhi ______________________________________________________________________________ ABSTRACT Nepotism is not a new issue in the society. It revives itself with the growth of film industry. It can be seen in politics as well. In the film industry it can be seen at the level of production, distribution, marketing etc. The disadvantage of it is that, it eliminates the talent and hard work from the work culture. It removes incentives for creativity. It has been seen as a boon for the star kids and bane for the struggling artists. Recently the death of the 34 year old actor has ignited the debate of nepotism through the social media activists. The paper attempts to study as to how far film industry has been the victim of nepotism and the loss suffered due to it. The paper also analyses the possible legal solutions to the problem of nepotism. Key words- Nepotism, film industry, star kids, film collection, production house, directors 14 | P a g e JOURNAL ON CONTEMPORARY ISSUES OF LAW [JCIL] VOLUME 6 ISSUE 6 ISSN 2455-4782 INTRODUCTION When professional decisions are hampered on the basis of personal relationships, nepotism can be said to have begun. The strong argument in its support is that when families run businesses, as a tradition, they want to carry it from generations to generations, and keep the profit in home which can be inherited by the family members alone. The term nepotism has been derived from Italian word nepotismo, which is based on Latin root nepos, which means nephew.1 There are various areas where nepotism exists, however, in this paper the nepotism is discussed in the light of film industry, commonly known as ‘Bollywood’. -
Dtp1july6final.Qxd
DLD‰‰†‰KDLD‰‰†‰DLD‰‰†‰MDLD‰‰†‰C Sharon Stone & Kal Ho Na Ho, THE TIMES OF INDIA Phil Bronstein: Preity Zinta ko Sunday, July 6, 2003 Split wide open Koi Mil Gaya! Man dresses up in whipped cream! Page 7 Page 8 Strange, but true. When a wom- an in Iowa invited a couple into her home recently, little did she realise that the man was wearing nothing... but whipped cream! Terese Weber, 45, of Des Moines, complained to the police after she noticed what the man was wearing to protect his modesty. Weber told police officers that the couple came to her door and wanted to talk to her about throwing an ‘‘exotic’’ party. But once the cou- ple was in the apartment, reveal the police, Weber noticed that the man wore nothing but whipped OF INDIA cream. ‘‘Yes, you read correctly,’’ police officers say in a report, ‘‘Whipped cream — all over his body.’’ THANK GOD IT’S SUNDAY But then, the truth is sometimes difficult to digest. Photos: SATISH JAISWAL MANOJ KESHARWANI SANJAY KHAN: LIFE, ANOTHER DAY Childhood was fun! With four brothers and two sisters Finally, I had arrived: Dosti was a runaway success and for company, mine was anything but a quiet childhood, I became an actor in demand. I tasted success with Upha- which was spent in Bangalore, where I was born on Janu- ar, Maharaja, Nagin, Mera Vachchan, Geeta Ki Kasam, ary 3, 1962. Our businessman father Sadiq Ali Khan was a Mastaan Dada, Ek Phool Do Mali and Mela. In between, I stern disciplinarian, but this did not stop us made Abdullah, Kala Dhandha Gore Log and Chandi So- from getting into fights with other kids! Our na. -
Indian Science Fiction Cinema an Overview
Indian Science Fiction Cinema: An Overview - Liverpool Schol... http://liverpool.universitypressscholarship.com/view/10.5949/li... Liverpool Scholarship Online Business and Management Film, Television and Radio Linguistics Political Science Classical Studies History Literature Society and Culture The Liverpool Companion to World Science Fiction Film Sonja Fritzsche Go to page: Go Print publication date: 2014 Print ISBN-13: 9781781380383 Published to Liverpool Scholarship Online: January 2015 DOI: 10.5949/liverpool/9781781380383.001.0001 Download chapter (pdf) Indian Science Fiction Cinema: An Overview Jessica Langer Dominic Alessio DOI:10.5949/liverpool/9781781380383.003.0004 Abstract and Keywords Big budget Indian productions such as Koi… mil Gaya (I…Found Someone, dir. Rakesh Roshan 2003), its sequel Krissh (dir. Rakesh Roshan 2006), Love Story 2050 (dir. Harry Baweja 2008) and Krissh 3 (dir. Rakesh Roshan, 2013), all demonstrate that science fiction has become a major box-office draw in India and its diaspora. This chapter traces the literary origins and history of Indian science fiction film. Whilst doing so it also examines the influences, both international and local, which have gone into these productions. The chapter suggests that whilst borrowing heavily from Hollywood and the western science fiction tradition, Indian science fiction cinema is not entirely imitative. As a genre we suggest that it displays a cinematic tradition quite distinct, such as the inclusion of musical numbers, alongside certain significant Indian thematic elements, such as strong religious and Hindu nationalist references. Thus Indian science fiction cinema provides the possibility for not only generating significant revenue for the industry as a whole, but also remonstrating against ‘the homogenising impulses of Hollywood’ (Vasudevan 2000) whilst at the same time imitating its forms and styles. -
Brochure Print New.Indd
“excellence is the fabric of our work, spun with the yarn of knowledge and expertise, built on the foundation of transparent dealing”. 91 ABOUT US ................................................................................................................................................... 04 EVENT MANAGEMENT ................................................................................................................................................... 06 EVENT HIGHLIGHTS ................................................................................................................................................... 10 INTERNATIONAL SHOWS ................................................................................................................................................... 12 CHARITY EVENTS ................................................................................................................................................... 14 AWARD NIGHTS ................................................................................................................................................... 20 MOTION PICTURES ................................................................................................................................................... 26 WEDDING PLANNERS ................................................................................................................................................... 32 THEME SHOWS .................................................................................................................................................. -
Title ID Titlename D0043 DEVIL's ADVOCATE D0044 a SIMPLE
Title ID TitleName D0043 DEVIL'S ADVOCATE D0044 A SIMPLE PLAN D0059 MERCURY RISING D0062 THE NEGOTIATOR D0067 THERES SOMETHING ABOUT MARY D0070 A CIVIL ACTION D0077 CAGE SNAKE EYES D0080 MIDNIGHT RUN D0081 RAISING ARIZONA D0084 HOME FRIES D0089 SOUTH PARK 5 D0090 SOUTH PARK VOLUME 6 D0093 THUNDERBALL (JAMES BOND 007) D0097 VERY BAD THINGS D0104 WHY DO FOOLS FALL IN LOVE D0111 THE GENERALS DAUGHER D0113 THE IDOLMAKER D0115 SCARFACE D0122 WILD THINGS D0147 BOWFINGER D0153 THE BLAIR WITCH PROJECT D0165 THE MESSENGER D0171 FOR LOVE OF THE GAME D0175 ROGUE TRADER D0183 LAKE PLACID D0189 THE WORLD IS NOT ENOUGH D0194 THE BACHELOR D0203 DR NO D0204 THE GREEN MILE D0211 SNOW FALLING ON CEDARS D0228 CHASING AMY D0229 ANIMAL ROOM D0249 BREAKFAST OF CHAMPIONS D0278 WAG THE DOG D0279 BULLITT D0286 OUT OF JUSTICE D0292 THE SPECIALIST D0297 UNDER SIEGE 2 D0306 PRIVATE BENJAMIN D0315 COBRA D0329 FINAL DESTINATION D0341 CHARLIE'S ANGELS D0352 THE REPLACEMENTS D0357 G.I. JANE D0365 GODZILLA D0366 THE GHOST AND THE DARKNESS D0373 STREET FIGHTER D0384 THE PERFECT STORM D0390 BLACK AND WHITE D0391 BLUES BROTHERS 2000 D0393 WAKING THE DEAD D0404 MORTAL KOMBAT ANNIHILATION D0415 LETHAL WEAPON 4 D0418 LETHAL WEAPON 2 D0420 APOLLO 13 D0423 DIAMONDS ARE FOREVER (JAMES BOND 007) D0427 RED CORNER D0447 UNDER SUSPICION D0453 ANIMAL FACTORY D0454 WHAT LIES BENEATH D0457 GET CARTER D0461 CECIL B.DEMENTED D0466 WHERE THE MONEY IS D0470 WAY OF THE GUN D0473 ME,MYSELF & IRENE D0475 WHIPPED D0478 AN AFFAIR OF LOVE D0481 RED LETTERS D0494 LUCKY NUMBERS D0495 WONDER BOYS -
Case Study: Marketing of the Brand Bollywood
CASE STUDY: MARKETING OF THE BRAND BOLLYWOOD Madhavi Garikaparthi Faculty Member, IBS, Mumbai. ISSN – 162 Year: December 2008 Volume 2, Issue 4/4 Abstract: Movie Marketing is reaching to a pinnacle. However every time it reaches the peak it seems to have just reached the bottom of another peak and there begins another challenge to face. Marketing of movies is an age-old practice but with change in time and audience preferences and advancements in technology marketing of movies today is transforming into a multiple faceted medium of creativity. Lo...Behold!! Movies are changing and marketing of the same is changing even faster. Key Words: Marketing, Branding, Bollywood, Entertainment Industry, Services “There is no formula for success. You If you are an Indian, irrespective of cannot play safe by mixing two parts whether you are a movie buff or not sex, two parts of violence, a few tears there is some amount of Bollywood in and two dozen laughs. Even when a film you! That’s the charm of Bollywood. is finished and acclaimed by critics it is ‘Bollywood’ the Indian name for the impossible to predict its success at the Hindi/national language movies is box office.” mostly used as synonym for movies in India. No clear history can be traced for Otto Preminger, An Autobiography, the emergence of the term ‘Bollywood’ Doubleday, New York, 1977. or as to who coined the term, but Amit Khanna emphasizes to be the foremost Marketing creates ‘Magic’! Ever since person to have made use of the phrase in organizations understood the importance a news story published in seventies.