Black Lives Matter
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刀䔀倀伀刀吀 伀䘀 吀䠀䔀 䤀一吀䔀刀一䄀吀䤀伀一䄀䰀 䌀伀䴀䴀䤀匀匀䤀伀一 伀䘀 䤀一儀唀䤀刀夀 伀一 匀夀匀吀䔀䴀䤀䌀 刀䄀䌀䤀匀吀 倀伀䰀䤀䌀䔀 嘀䤀伀䰀䔀一䌀䔀 䄀䜀䄀䤀一匀吀 倀䔀伀倀䰀䔀 伀䘀 䄀䘀刀䤀䌀䄀一 䐀䔀匀䌀䔀一吀 䤀一 吀䠀䔀 唀一䤀吀䔀䐀 匀吀䄀吀䔀匀 䴀䄀刀䌀䠀 ㈀ ㈀ Photo details: Row 1, left to right: Aaron Campbell, Alberta Spruill, Andrew Kearse, Antonio Garcia Jr, Barry Gedeus, Botham Shem Jean, Breonna Taylor. Row 2, left to right: Casey Goodson, Clinton Allen, Damian Daniels, Daniel Prude, Darius Tarver, Eric Garner, Freddie Gray. Row 3, left to right, George Floyd, Henry Glover, Jacob Blake, Jason Harrison, Jayvis Benjamin, Jeffery Price, Jimmy Atchison, Jordan Baker. Row 4, left to right: Juan May, Kayla Moore, Linwood Lambert, Malcolm Ferguson, Manuel Elijah Ellis, Marquise Jones, Michael Brown, Momodou Lamin Sisay Row 5, left to right: Mubarak Soulemane, Nathaniel Pickett II, Ousmane Zongo, Patrick Dorismond, Patrick Warren, Sr, Ramarley Graham, Sean Bell Row 6, left to right: Shem Walker, Shereese Francis, Tamir Rice, Tarika Wilson, Tashii Farmer Brown, Tyrone West, Vincent Truitt Not pictured: Richie Lee Harbison REPORT OF THE INTERNATIONAL COMMISSION OF INQUIRY ON SYSTEMIC RACIST POLICE VIOLENCE AGAINST PEOPLE OF AFRICAN DESCENT IN THE UNITED STATES MArcH 2021 REPORT OF THE INTERNATIONAL COMMISSION OF INQUIRY ON SYSTEMIC RACIST POLICE VIOLENCE AGAINST PEOPLE OF AFRICAN DESCENT IN THE U.S. COMMISSIONERS Professor Sir Hilary Beckles, Barbados Professor Niloufer Bhagwat, India Mr. Xolani Maxwell Boqwana, South Africa Professor Mireille Fanon-Mendès France, France Dr. Arturo Fournier Facio, Costa Rica Judge Peter Herbert OBE, UK Ms. Hina Jilani, Pakistan Professor Rashida Manjoo, South Africa Professor Osamu Niikura, Japan Sir Clare K. Roberts, QC, Antigua and Barbuda Mr. Bert Samuels, Jamaica Mr. Hannibal Uwaifo, Nigeria RAPPORTEURS Professor Horace Campbell, United States Professor Marjorie Cohn, United States Ms. -
“Charleston, Goddam”: an Editorial Introduction to ACT 14.2 Brent C
Sunderman Conservatory of Music Faculty Sunderman Conservatory of Music Publications 8-2015 “Charleston, Goddam”: An Editorial Introduction to ACT 14.2 Brent C. Talbot Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/consfacpub Part of the Curriculum and Social Inquiry Commons, and the Social and Philosophical Foundations of Education Commons Share feedback about the accessibility of this item. Talbot, Brent C. “'Charleston, Goddam': An Editorial Introduction to ACT 14.2." Action, Criticism, and Theory for Music Education 14.2 (August 2015), 1-24. This is the publisher's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/consfacpub/9 This open access article is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. “Charleston, Goddam”: An Editorial Introduction to ACT 14.2 Abstract In this editorial, I trace the events following the tragic and racist shootings that occurred at the A.M.E. church in Charleston, South Carolina on June 17, 2015. Drawing upon anti-racist scholars and musical activists, I make a case for getting political and for cultivating activism in our classrooms. I ask our field to critically reflect upon our participation in a system that advantages Whites. I suggest that one possibility to engage in dialogue around issues of race is to encourage an environment of musical creativity where—together with students—teachers study and write music that speaks to our times and addresses issues of social justice within our local communities and across the globe. -
Sentences of Incarceration Decline Sharply, Public Safety Improves
Sentences of Incarceration Decline Sharply, Public Safety Improves During Kim Foxx’s Second Year in Office New data portal demonstrates benefit of criminal justice reform, transparency A Report from Community Partners by Reclaim Chicago, The People’s Lobby, and Chicago Appleseed Fund for Justice Release July 2019 INTRODUCTION The People’s Lobby, Reclaim Chicago, and Chicago Appleseed Fund for Justice have been tracking data on how prosecution is changing in Cook County since Cook County State’s Attorney Kim Foxx’s first year in office. The People’s Lobby and Reclaim Chicago ran major voter contact operations to support State’s Attorney Foxx’s election on a decarceration platform and pledged to work to ensure that her vision of criminal justice reform happened once she took office. Chicago Appleseed has been advocating for criminal justice reform for decades and has a history of tracking data related to the Cook County court system. This is the fourth report in our series.1 In May 2019, State’s Attorney Foxx’s office took another major step forward in transparency by creating a user-friendly data portal, a dynamic dashboard showing how the office handles felony cases from initiations to sentencing in real time. This data portal helps make the Cook County State’s Attorney’s Office one of the most transparent in the country. This report looks at four key metrics in the data that was recently released: number of sentences of incarceration, number of felony charges, number of guilty pleas, and number of cases dropped. We find that the use of prosecutorial discretion in the Cook County State’s Attorney’s Office has led to a decrease in incarceration sentences. -
Technological Surveillance and the Spatial Struggle of Black Lives Matter Protests
No Privacy, No Peace? Technological Surveillance and the Spatial Struggle of Black Lives Matter Protests Research Thesis Presented in partial fulfillment of the requirements for graduation with research distinction in the undergraduate colleges of The Ohio State University by Eyako Heh The Ohio State University April 2021 Project Advisor: Professor Joel Wainwright, Department of Geography I Abstract This paper investigates the relationship between technological surveillance and the production of space. In particular, I focus on the surveillance tools and techniques deployed at Black Lives Matter protests and argue that their implementation engenders uneven outcomes concerning mobility, space, and power. To illustrate, I investigate three specific forms and formats of technological surveillance: cell-site simulators, aerial surveillance technology, and social media monitoring tools. These tools and techniques allow police forces to transcend the spatial-temporal bounds of protests, facilitating the arrests and subsequent punishment of targeted dissidents before, during, and after physical demonstrations. Moreover, I argue that their unequal use exacerbates the social precarity experienced by the participants of demonstrations as well as the racial criminalization inherent in the policing of majority Black and Brown gatherings. Through these technological mediums, law enforcement agents are able to shape the physical and ideological dimensions of Black Lives Matter protests. I rely on interdisciplinary scholarly inquiry and the on- the-ground experiences of Black Lives Matter protestors in order to support these claims. In aggregate, I refer to this geographic phenomenon as the spatial struggle of protests. II Acknowledgements I extend my sincerest gratitude to my advisor and former professor, Joel Wainwright. Without your guidance and critical feedback, this thesis would not have been possible. -
Anti-Racism Resources
Anti-Racism Resources Prepared for and by: The First Church in Oberlin United Church of Christ Part I: Statements Why Black Lives Matter: Statement of the United Church of Christ Our faith's teachings tell us that each person is created in the image of God (Genesis 1:27) and therefore has intrinsic worth and value. So why when Jesus proclaimed good news to the poor, release to the jailed, sight to the blind, and freedom to the oppressed (Luke 4:16-19) did he not mention the rich, the prison-owners, the sighted and the oppressors? What conclusion are we to draw from this? Doesn't Jesus care about all lives? Black lives matter. This is an obvious truth in light of God's love for all God's children. But this has not been the experience for many in the U.S. In recent years, young black males were 21 times more likely to be shot dead by police than their white counterparts. Black women in crisis are often met with deadly force. Transgender people of color face greatly elevated negative outcomes in every area of life. When Black lives are systemically devalued by society, our outrage justifiably insists that attention be focused on Black lives. When a church claims boldly "Black Lives Matter" at this moment, it chooses to show up intentionally against all given societal values of supremacy and superiority or common-sense complacency. By insisting on the intrinsic worth of all human beings, Jesus models for us how God loves justly, and how his disciples can love publicly in a world of inequality. -
Translating Movement Into the Role of Independent Political Organizing In
TRANSLATING MOVEMENT INTO POWER The Role of Independent Political Organizing in the Racial Justice Victory Over Anita Alvarez in the Cook County State’s Attorney Race Reclaim Chicago, The People’s Lobby, SOUL (Southsiders Organized for Unity & Liberation), Center for Racial & Gender Equity, and Action Now SECTIONS I. Summary 2 II. Setting the Frame and Defining the Incumbent 3 III. Creating a Bigger, Bolder Contest 7 IV. Conclusions & Questions 15 V. Appendix 18 Translating Movement into Power • 1 I. SUMMARY Chicago community-based independent political organizations played a critical role in the successful campaign to defeat incumbent Cook County State’s Attorney Anita Alvarez, a staunch opponent of police and criminal justice reform, in the March 2016 Democratic primary. Black-led community organizations set the stage for the contest by publicly defining Alvarez as an opponent of accountability and reform, shaping the lead protagonist (challenger Kim Foxx) into a bold leader, and catapulting Foxx to a landslide victory over Alvarez. SOUL (Southsiders Organized for Unity & Liberation), The People’s Lobby, and Reclaim Chicago in particular led an inside-outside strategy over several years that built toward this historic and game-changing racial justice victory and, together with other allied community organizations, collectively made 310,000 calls/door knocks to contribute to a resounding victory on election night. The defeat of Alvarez and victory of Foxx represents a win for the Movement for Black Lives and signifies a political awakening for racial justice. It also represents a victory for the broader progressive movement, a victory that can teach key lessons about the combined power of high-profile movement activism and independent political organizing (often less visible) that can translate energy and intentions into large-scale electoral engagement and the exercise of community power. -
Research, Repression, and Revolution— on Montreal and the Black Radical Tradition: an Interview with David Austin
THE CLR JAMES JOURNAL 20:1-2, Fall 2014 197-232 doi: 10.5840/clrjames201492319 Research, Repression, and Revolution— On Montreal and the Black Radical Tradition: An Interview with David Austin Peter James Hudson " ll roads lead to Montreal" is the title of an essay of yours on Black Montreal in the 1960s published in the Journal of African American History. But can you describe the road that led you to both Montreal and to the historical and theoretical work that you have done on the city over the past decades. A little intellectual biography . I first arrived in Montreal from London, England in 1980 with my brother to join my family. (We had been living with my maternal grandmother in London.) I was almost ten years old and spent two years in Montreal before moving to Toronto. I went to junior high school and high school in Toronto, but Montreal was always a part of my consciousness and we would visit the city on occasion, and I also used to play a lot of basketball so I traveled to Montreal once or twice for basketball tournaments. As a high school student I would frequent a bookstore called Third World Books and Crafts and it was there that I first discovered Walter Rodney's The Groundings with My Brothers. Three chapters in that book were based on presentations delivered by Rodney in Montreal during and after the Congress of Black Writers. So that was my first indication that something unique had happened in Montreal. My older brother Andrew was a college student at the time in Toronto and one day he handed me a book entitled Let the Niggers Burn! The Sir George Williams Affair and its Caribbean Aftermath, edited by Denis Forsythe. -
An End to Antisemitism!
Confronting Antisemitism in Modern Media, the Legal and Political Worlds An End to Antisemitism! Edited by Armin Lange, Kerstin Mayerhofer, Dina Porat, and Lawrence H. Schiffman Volume 5 Confronting Antisemitism in Modern Media, the Legal and Political Worlds Edited by Armin Lange, Kerstin Mayerhofer, Dina Porat, and Lawrence H. Schiffman ISBN 978-3-11-058243-7 e-ISBN (PDF) 978-3-11-067196-4 e-ISBN (EPUB) 978-3-11-067203-9 DOI https://10.1515/9783110671964 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. For details go to https://creativecommons.org/licenses/by-nc-nd/4.0/ Library of Congress Control Number: 2021931477 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2021 Armin Lange, Kerstin Mayerhofer, Dina Porat, Lawrence H. Schiffman, published by Walter de Gruyter GmbH, Berlin/Boston The book is published with open access at www.degruyter.com Cover image: Illustration by Tayler Culligan (https://dribbble.com/taylerculligan). With friendly permission of Chicago Booth Review. Printing and binding: CPI books GmbH, Leck www.degruyter.com TableofContents Preface and Acknowledgements IX LisaJacobs, Armin Lange, and Kerstin Mayerhofer Confronting Antisemitism in Modern Media, the Legal and Political Worlds: Introduction 1 Confronting Antisemitism through Critical Reflection/Approaches -
Black Lives Matter As Reproductive Justice
UNIVERSITY OF CALIFORNIA Santa Barbara Framing Murder: Black Lives Matter as Reproductive Justice A Thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Sociology by Anna H. Chatillon(-Reed) Committee in charge: Professor George Lipsitz, Co-Chair Professor Beth Schneider, Co-Chair Professor Zakiya T. Luna March 2017 The thesis of Anna H. Chatillon(-Reed) is approved. ____________________________________________ Zakiya T. Luna ____________________________________________ George Lipsitz, Committee Co-Chair ____________________________________________ Beth Schneider, Committee Co-Chair February 2017 Framing Murder: Black Lives Matter as Reproductive Justice Copyright © 2017 by Anna H. Chatillon(-Reed) iii ACKNOWLEDGEMENTS I thank my committee, Professors George Lipsitz, Beth Schneider, and Zakiya Luna, for their support for this “project in our care” and for their feedback through several drafts of the manuscript. I would also like to gratefully acknowledge Dr. Wendy Rosen, whose guidance was invaluable in seeing this project to completion. To those people killed, assaulted, or otherwise targeted by racialized police brutality, and to their families: I dedicate this thesis to you. iv ABSTRACT Framing Murder: Black Lives Matter as Reproductive Justice by Anna H. Chatillon(-Reed) Feminist and anti-racist organizing in the United States has often concentrated on single axes of oppression: gender and race, respectively (Crenshaw 1991). Yet intersectionality — which poses that such systems of oppression interact, and therefore cannot be understood alone (Crenshaw1989) — is increasingly invoked not only in academic work but in a broad range of activist spaces. On the Black Lives Matter website and in interviews, for instance, movement leaders have framed the movement as intersectional. -
Our Commitment to Black Lives
Our Commitment to Black Lives June 3, 2020 Dear Friends of the CCE, We are writing today to affirm that we, the staff of the Center for Community Engagement, believe and know that Black Lives Matter. We honor wide-spread grief for the murders of George Floyd, Breonna Taylor and Ahmaud Arbery among the many named and unnamed Black lives lost to racial violence and hatred in the United States. The Black Lives Matter (BLM) movement — co-founded by Alicia Garza, Patrisse Cullors, and Opal Tometi — arose to address ongoing legacies of racialized violence in our country. As BLM leaders have consistently stated, disproportionate violence toward Black communities by law enforcement is one manifestation of anti-Black systemic racism perpetuated across public and private institutions including health care, housing and education. We are firmly and deeply committed to the lives of Black community members, Black youth and their families, and Seattle U’s Black students, faculty and staff. We believe that messages like this one can have an impact, and yet our words ring hollow without action. The Center for Community Engagement is committed to becoming an anti-racist organization. Fulfilling our mission of connecting campus and community requires long-term individual, organizational, and system-wide focus on understanding and undoing white supremacy. We see our commitment to anti-racism as directly linked to Seattle University’s pursuit of a more just and humane world as well as our Jesuit Catholic ethos of cura personalis, care for the whole person. We urge you to participate in ways that speak to you during the national racial crisis that is continuing to unfold. -
A Herstory of the #Blacklivesmatter Movement by Alicia Garza
A Herstory of the #BlackLivesMatter Movement by Alicia Garza From The Feminist Wire, October 7, 2014 I created #BlackLivesMatter with Patrisse Cullors and Opal Tometi, two of my sisters, as a call to action for Black people after 17-year-old Trayvon Martin was post-humously placed on trial for his own murder and the killer, George Zimmerman, was not held accountable for the crime he committed. It was a response to the anti-Black racism that permeates our society and also, unfortunately, our movements. Black Lives Matter is an ideological and political intervention in a world where Black lives are systematically and intentionally targeted for demise. It is an affirmation of Black folks’ contributions to this society, our humanity, and our resilience in the face of deadly oppression. We were humbled when cultural workers, artists, designers and techies offered their labor and love to expand #BlackLivesMatter beyond a social media hashtag. Opal, Patrisse, and I created the infrastructure for this movement project—moving the hashtag from social media to the streets. Our team grew through a very successful Black Lives Matter ride, led and designed by Patrisse Cullors and Darnell L. Moore, organized to support the movement that is growing in St. Louis, MO, after 18-year old Mike Brown was killed at the hands of Ferguson Police Officer Darren Wilson. We’ve hosted national conference calls focused on issues of critical importance to Black people working hard for the liberation of our people. We’ve connected people across the country working to end the various forms of injustice impacting our people. -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing.