DOCSLIB.ORG

Download the Exhibition List Here

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Download the Exhibition List Here 7 July – 23 October 2011 Generously supported by The Blavatnik Family Foundation www.npg.org.uk/glamour All photographs are vintage gelatin silver prints or printed from the original negative in the photographer’s lifetime unless stated otherwise and are © John Kobal Foundation, 2011. All platinum prints were made by Paul and Max Caffell @ Studio 31 in 2007/8. 1920s Clara Bow Lillian Gish for The Wind By Nickolas Muray, 1925 Attributed to Milton Brown Modern Platinum print from the original negative, 1927 Evelyn Brent By Henry Waxman, c. 1925 Stan Laurel and Oliver Hardy By Lansing Brown, 1925 Louise Brooks By E.R. Richee Buster Keaton Modern platinum print from the original negative, 1929 By Ruth Harriet Louise, 1929 Lon Chaney for The Unknown Carole Lombard By Clarence Sinclair Bull, 1927 By William Thomas, 1929 Charlie Chaplin and Jackie Coogan for The Kid Nina Mae McKinney for Hallelujah! By an unidentified photographer By Ruth Harriet Louise, 1929 Modern platinum print from the original negative, 1921 Ramon Novarro for Ben-Hur Ronald Colman and Vilma Bánky for The Magic Flame By Harry Lachman, 1925 By Kenneth Alexander, 1927 Mary Pickford Dolores Del Rio for The Trail of ‘98 By Baron Adolph de Meyer, 1920 By Russell Ball, 1928 Gloria Swanson for Male and Female Greta Garbo and John Gilbert for Flesh and The Devil By Karl Struss, 1919 By Bert Longworth, 1926 The Ten Commandments Lillian Gish By Edward Sheriff Curtis, 1923 By James Abbe, 1920 Anna May Wong By E.R. Richee, early 1920s 1930s John Barrymore for Svengali Cary Grant By Bert Longworth, 1931 By Ted Allan, 1936 © reserved; collection National Portrait Gallery, London Joan Blondell By Elmer Fryer, 1937 Jean Harlow By George Hurrell, 1933 James Cagney for Angels with Dirty Faces By Scotty Welbourne, 1938 Jean Harlow for Dinner at Eight By Harvey White, 1933 Gary Cooper By Clarence Sinclair Bull, 1933 Rita Hayworth By Gene Kornman, 1939 Joan Crawford By George Hurrell, 1934 Katharine Hepburn By Ernest A. Bachrach, 1935 Marlene Dietrich By George Hurrell, 1937 William Holden By William Walling Jr, 1939 Clark Gable and Joan Crawford for Dancing Lady By George Hurrell, 1933 Boris Karloff for The Mask of Fu Manchu By Clarence Sinclair Bull, 1932 1930s continued Charles Laughton Norma Shearer By William Thomas, 1935 By George Hurrell, 1933 Vivien Leigh for Gone with the Wind James Stewart By Fred A. Parrish, 1939 By Ted Allan, 1938 Myrna Loy and William Powell for The Thin Man Robert Taylor By Ted Allan, 1934 By Ted Allan, 1936 The Marx Brothers for Day at the Races Johnny Weissmuller for Tarzan, the Ape Man By Ted Allan, 1937 By Clarence Sinclair Bull Modern platinum print from the original negative, 1933 Ginger Rogers and Fred Astaire for Swing Time By John Miehle Modern platinum print from the original negative, 1936 1940s Ingrid Bergman Vivien Leigh for Waterloo Bridge By Ernest A. Bachrach, 1941 By Laszlo Willinger, 1940 Humphrey Bogart for High Sierra Marilyn Monroe By Scotty Welbourne, 1940 By Tom Kelley, 1949 Chromogenic print, edition 38/2000 Marlene Dietrich for Manpower By Laszlo Willinger, 1941 Michèle Morgan By Ernest A. Bachrach, 1940 Clark Gable and Lana Turner for Honky Tonk By Clarence Sinclair Bull, 1941 Ronald Reagan for Knute Rockne, All American By Mickey Marigold, 1940 John Garfield By Laszlo Willinger, 1946 Ann Sheridan By George Hurrell, 1940 Judy Garland and Mickey Rooney for Strike up the Band Attributed to Eric Carpenter, 1940 Elizabeth Taylor By Clarence Sinclair Bull Farley Granger for The North Star Dye transfer print, 1948 By Margaret Bourke-White, 1943 Loretta Young Rita Hayworth for Gilda By A.L. ‘Whitey’ Schafer, 1940 By Robert Coburn, 1946 Orson Welles Veronica Lake By Ernest A. Bachrach, 1940 By George Hurrell, 1942 Hedy Lamarr By Clarence Sinclair Bull, 1940 1950s – 1960s Marlon Brando for A Streetcar Named Desire Alfred Hitchcock with MGM lion By John Engstead, 1950 By Clarence Sinclair Bull, 1958 Joan Collins Rock Hudson for Lover Come Back By Cornel Lucas, 1953 © Cornel Lucas By Leo Fuchs, 1961 © Leo Fuchs Joan Collins for Seven Thieves Grace Kelly By Laszlo Willinger, 1959 By Clarence Sinclair Bull, 1956 James Dean for Rebel Without a Cause Marilyn Monroe By Floyd McCarthy By Ernest A. Bachrach Modern platinum print from the original negative, 1955 Modern platinum print from the original negative, 1952 Ava Gardner for The Little Hut Kim Novak for Bell, Book and Candle By Davis Boulton, 1956 By Robert Coburn, 1958 Audrey Hepburn for Funny Face Elizabeth Taylor for Suddenly, Last Summer By Bud Fraker, 1956 By Ken Danvers, 1959 A fully-illustrated book featuring all these portraits and including an essay by Robert Dance and an introduction by John Russell Taylor accompanies the exhibition. Available from all Gallery shops and online at www.npg.org.uk/shop. RRP £25 (paperback) .
Load more

Recommended publications
  • California State University, Northridge The
    CALIFORNIA STATE UNIVERSITY, NORTHRIDGE THE PREPARATION OF THE ROLE OF TOM MOODY IN CLIFFORD ODETS' GOLDEN BOY An essay submitted in partial satisfaction of the requirements for the degree of Master of Arts in Theatre by Robert T. Hollander June, 1981 The Essay of Robert T. Hollander is approved: Prof. c(§!g Nieuwenhuysel Dr. Georg~ Gunkle, Committee Chairman California State University, Northridge ii ABSTRACT THE PREPARATION OF THE ROLE OF TOM MOODY IN CLIFFORD ODETS' GOLDEN BOY by Robert T. Hollander Master of Arts in Theatre Golden Boy was first produced by the Group Theatre in New York in 1937. Directed by Harold Clurman, this 1937 production included in its cast names that were to become notable in the American theatre: Luther Adler, Frances Farmer, Lee J. Cobb, Jules (John) Garfield, Morris Carnovsky, Elia Kazan, Howard Da Silva and Karl Malden. Golden Boy quickly became the most successful production 1 in Group Theatre history and was followed in 1939 by the movie of the same name, starring William Holden and Barbara Stanwyck. Since then, there have been countless revivals, including a musical adaptation in 1964 which starred Sammy Davis Jr. Golden Boy certainly merits consideration as one of the classics of modern American drama. 1Harold Clurman, The Fervent Years: The Story of the Group Theatre and the Thirties. (New York: Harcourt, Brace, Jovanovich. A Harvest Book, 1975), p. 211. 1 2 The decision to prepare the character of Torn Moody as a thesis project under the direction of Dr. George Gunkle was made during the spring semester of 1980 at which time I was performing a major role in The Knight of the Burning Pestle, a seventeenth century farce written by Beaumont and Fletcher.
    [Show full text]
  • NPG Glamour of the Gods Talk: Ruth Harriet Louise to Eve Arnold The
    NPG Glamour of the Gods Talk: Ruth Harriet Louise to Eve Arnold The story of Hollywood is fascinating. In 1905 Sunset Boulevard was just a dirt track road. Today it is a seventeen mile main road that runs through Los Angeles. By 1910 a community of film companies were emerging and by 1914 Adolph Zukor‘s Famous Players merged with the Lasky Company and it was not long before Paramount Pictures was created and a vertically controlled film industry evolved. Right from the beginning stars were an important ingredient to promote films. One of the earliest stars is Theda Bara who appeared in Cleopatra, Carmen and Salome but most of these films have vanished. However, the popularity of the comedians and in particular Buster Keaton, Charlie Chaplin, Laurel and Hardy have survived. Their films are continuously screened worldwide in a variety of formats. The sex Goddesses also seem to hold up reasonably well and in particular Gloria Swanson and Pola Negri. The iconic face of Louise Brooks remains popular too. Stills were used to promote films in newspapers and magazines and used as art work for the poster design. Stills were also used to promote the film in campaign books and sales catalogues to entice exhibitors. One of the first stills men to arrive was Clarence Sinclair Bull who came to Hollywood in 1917. Another of the pioneers was Harry Waxman a successful New York photographer who set up a studio in Los Angeles and began to photograph many of the Hollywood stars including Gloria Swanson and Pola Negri. Waxman focused on the personality of the star as seen in Waxman’s 1926 portrait of Evelyn Brett.
    [Show full text]
  • George Eastman Museum Annual Report 2016
    George Eastman Museum Annual Report 2016 Contents Exhibitions 2 Traveling Exhibitions 3 Film Series at the Dryden Theatre 4 Programs & Events 5 Online 7 Education 8 The L. Jeffrey Selznick School of Film Preservation 8 Photographic Preservation & Collections Management 9 Photography Workshops 10 Loans 11 Objects Loaned for Exhibitions 11 Film Screenings 15 Acquisitions 17 Gifts to the Collections 17 Photography 17 Moving Image 22 Technology 23 George Eastman Legacy 24 Purchases for the Collections 29 Photography 29 Technology 30 Conservation & Preservation 31 Conservation 31 Photography 31 Moving Image 36 Technology 36 George Eastman Legacy 36 Richard & Ronay Menschel Library 36 Preservation 37 Moving Image 37 Financial 38 Treasurer’s Report 38 Fundraising 40 Members 40 Corporate Members 43 Matching Gift Companies 43 Annual Campaign 43 Designated Giving 45 Honor & Memorial Gifts 46 Planned Giving 46 Trustees, Advisors & Staff 47 Board of Trustees 47 George Eastman Museum Staff 48 George Eastman Museum, 900 East Avenue, Rochester, NY 14607 Exhibitions Exhibitions on view in the museum’s galleries during 2016. Alvin Langdon Coburn Sight Reading: ONGOING Curated by Pamela G. Roberts and organized for Photography and the Legible World From the Camera Obscura to the the George Eastman Museum by Lisa Hostetler, Curated by Lisa Hostetler, Curator in Charge, Revolutionary Kodak Curator in Charge, Department of Photography Department of Photography, and Joel Smith, Curated by Todd Gustavson, Curator, Technology Main Galleries Richard L. Menschel
    [Show full text]
  • George Hurrell's Hollywood: Glamour Portraits 1925-1992 Online
    gWHNU (Mobile pdf) George Hurrell's Hollywood: Glamour Portraits 1925-1992 Online [gWHNU.ebook] George Hurrell's Hollywood: Glamour Portraits 1925-1992 Pdf Free Mark A. Vieira ePub | *DOC | audiobook | ebooks | Download PDF Download Now Free Download Here Download eBook #377142 in Books Mark A Vieira 2013-11-12 2013-11-12Original language:EnglishPDF # 1 12.25 x 1.60 x 10.30l, 6.70 #File Name: 0762450398416 pagesGeorge Hurrell s Hollywood | File size: 18.Mb Mark A. Vieira : George Hurrell's Hollywood: Glamour Portraits 1925-1992 before purchasing it in order to gage whether or not it would be worth my time, and all praised George Hurrell's Hollywood: Glamour Portraits 1925- 1992: 19 of 19 people found the following review helpful. Hurrell's HollywoodBy Lilly FordThis is a truly exquisite book, it's large,thick and the production values are top-notch.The book is the most comprehensive photographic account of Hurrell's amazing portraits. It contains hundreds of large crisp clear b/w portraits many of them have never been published before along with a couple of color photos as well.The book is divided into chapters chronicling Hurrell's career and style. The text gives the right amount of information, while leaving the beautiful photos to speak for themselves.This book is a must for all fans of Hollywood's lost glamour era and anyone appreciating beautiful photography.Mr.Vieira and Running Press did a marvelous job producing this magnificent tome.7 of 7 people found the following review helpful. ClassBy C. ParkerWhen I read a Mark Vieira book, I always come to the same conclusion - it's the best he's ever done.
    [Show full text]
  • John Garfield
    John Garfield: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Garfield, John, 1913-1952 Title: John Garfield Papers Dates: 1932-2010, undated Extent: 4 document boxes, 2 oversize box (osb), 2 bound volumes (bv) (5.04 linear feet) Abstract: The John Garfield papers, 1932-2010, consist of production photographs and film stills, headshots, photographs, posters, sheet music, clippings, and press releases from his film and stage work; film contracts, articles, magazines, family photos, and correspondence donated by his daughter, Julie Garfield. Call Number: Film Collection No. FI-00074 Language: English Access: Open for research. Researchers must create an online Research Account and agree to the Materials Use Policy before using archival materials. Special Handling Special Handling Instructions: Most of the binders in this collection Instructions: have been left in an unaltered or minimally processed state to provide the reader with the look and feel of the original. When handling the binders with inserted materials, users are asked to be extremely careful in retaining the original order of the material . Most of the photographs and negatives in the collection have been sleeved, but patrons must use gloves when handling unsleeved photographic materials. Use Policies: Ransom Center collections may contain material with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in the collections without the consent of those individuals may have legal ramifications (e.g., a cause of action under common law for invasion of privacy may arise if facts concerning an individual's private life are published that would be deemed highly offensive to a reasonable person) for which the Ransom Center and The University of Texas at Austin assume no responsibility.
    [Show full text]
  • PRICES REALIZED DETAIL - Hollywood 65 Auction 65, Auction Date: 10/17/2014
    26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Hollywood 65 Auction 65, Auction Date: 10/17/2014 LOT ITEM PRICE PREMIUM 1 AUTO RACING AND CLASSIC AUTOS IN FILM (14) VINTAGE PHOTOGRAPHS. $350 2 SEX IN CINEMA (55) VINTAGE PHOTOGRAPHS. $4,500 3 LILLIAN GISH VINTAGE PORTRAIT PHOTOGRAPH BY HARTSOOK STUDIO. $200 4 COLLECTION OF (19) PORTRAIT PHOTOGRAPHS OF LUCILLE BALL, TALLULAH $325 BANKHEAD, THEDA BARA, JOAN CRAWFORD, AND OTHERS. 5 ANNA MAY WONG SIGNED PORTRAIT PHOTOGRAPH BY CECIL BEATON. $4,000 6 MABEL NORMAND (7) SILENT-ERA VINTAGE PHOTOGRAPHS. $200 7 EARLY CHILD-STARS (11) VINTAGE PHOTOGRAPHS INCLUDING OUR GANG AND $225 JACKIE COOGAN. 9 BARBARA LA MARR (3) VINTAGE PHOTOS INCLUDING ONE ON HER DEATHBED. $325 10 ALLA NAZIMOVA (4) VINTAGE PORTRAIT PHOTOGRAPHS. $300 11 SILENT-FILM LEADING LADIES (13) VINTAGE PHOTOGRAPHS. $200 13 SILENT-FILM LEADING MEN (10) VINTAGE PHOTOGRAPHS. $200 14 PRE-CODE BLONDES (24) VINTAGE PHOTOGRAPHS. $325 15 CHARLIE CHAPLIN AND PAULETTE GODDARD (2) VINTAGE PHOTOGRAPHS. $350 16 COLLECTION OF (12) OVERSIZE PORTRAIT PHOTOGRAPHS OF RENÉE ADORÉE, $400 MARCELINE DAY, AND OTHERS. 17 COLLECTION OF (17) OVERSIZE PORTRAIT PHOTOGRAPHS OF EVELYN BRENT, $1,200 NANCY CARROLL, LILI DAMITA, MARLENE DIETRICH, MIRIAM HOPKINS, MARY PICKFORD, GINGER ROGERS, GLORIA SWANSON, FAY WRAY AND OTHERS. 18 MYRNA LOY (14) VINTAGE PHOTOGRAPHS INCLUDING SEVERAL RARE $375 PRE-CODE IMAGES. Page 1 of 85 26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Hollywood 65 Auction 65, Auction Date: 10/17/2014 LOT ITEM PRICE PREMIUM 19 PREMIUM SELECTION OF LEADING MEN (32) VINTAGE PHOTOGRAPHS.
    [Show full text]
  • PRICES REALIZED DETAIL - December 2013 Hollywood Auction 62, Auction Date
    26901 Agoura Road, Suite 150, Calabasas Hills, CA 91301 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - December 2013 Hollywood Auction 62, Auction Date: LOT ITEM PRICE 1 EARLY AMERICAN CINEMA COLLECTION OF (36) PHOTOS. $375 2 PAIR OF RUDOLPH VALENTINO PHOTOS. $325 3 DIE NIBELUNGEN: SIEGFRIED ORIGINAL GERMAN PHOTO FOR FRITZ LANG EPIC. $250 4 OVERSIZE PHOTOGRAPH OF MAE MURRAY BY EDWIN BOWER HESSER. $200 5 OVERSIZE PHOTOGRAPH OF MAE CLARKE FOR FRANKENSTEIN. $325 6 COLLECTION OF (6) VINTAGE PHOTOGRAPHS OF MARY PICKFORD AND OTHER FEMALE STARS. $225 7 VINTAGE LOUISE BROOKS PHOTOGRAPH FROM LOVE ‘EM AND LEAVE ‘EM WITH NOTES IN HER $1,300 HAND. 8 VINTAGE LOUISE BROOKS PHOTOGRAPH FROM ROLLED STOCKINGS WITH NOTES IN HER HAND. $400 9 COLLECTION OF (5) CLARA BOW KEYBOOK PHOTOS FROM (3) FILMS. $200 10 OVERSIZE VINTAGE PHOTOGRAPH OF ERICH VON STROHEIM. $200 11 OVERSIZE CECIL B. DEMILLE PORTRAIT BY IRVING CHIDNOFF. $225 12 OVERSIZE DOUBLE-WEIGHT PORTRAIT OF KAY JOHNSON BY GEORGE HURRELL. $200 13 OVERSIZE PHOTOGRAPH OF JANET GAYNOR WITH SNIPE. $200 14 COLLECTION OF (7) VINTAGE PHOTOGRAPHS OF JOAN CRAWFORD, MARLENE DIETRICH, ANNA $375 MAY WONG, AND LOUISE BROOKS. 15 COLLECTION OF (4) VINTAGE ORIGINAL CAMERA NEGATIVES OF ANNA MAY WONG. $650 16 COLLECTION OF (12) PHOTOS OF JEAN HARLOW. $425 Page 1 of 39 26901 Agoura Road, Suite 150, Calabasas Hills, CA 91301 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - December 2013 Hollywood Auction 62, Auction Date: LOT ITEM PRICE 17 OVERSIZE DOUBLE-WEIGHT (3) PHOTOGRAPHS OF CAROLE LOMBARD. $225 18 COLLECTION OF (7) PHOTOS OF CAROLE LOMBARD.
    [Show full text]
  • Hollywood and American Politics: the Play's the Thing
    Review Essay Hollywood and American Politics: The Play's the Thing Sam B. Girgus RONALD REAGAN IN HOLLYWOOD: Movies and Politics. By Stephen Vaughn. Cambridge: Cambridge University Press. 1994. November 1948 marked the beginning of Ronald Reagan's winter of discontent. He was in London to make a movie with Patricia Neal and Richard Todd, but he could not anticipate this overseas assignment with enthusiasm and hope. He was, in fact, in the depths of personal and professional despair. Cast as the second male lead in this movie, The Hasty Heart, he faced a dubious future as an actor who could neither reach nor sustain the pinnacle of Hollywood stardom that he sought. Equally devastating to him was the condition of his marriage to Jane Wyman. The marriage, which had been publicized as so successful that it could serve as a model for moviegoers, in reality meant a great deal to Reagan, providing him with a sense of well-being and happiness. However, it was at this point doomed, a victim of the reverse directions of Reagan's and Wyman's careers as she moved toward ever greater financial and professional ascendancy. As Stephen Vaughn writes in this important and impressive study of the melding of politics and personality, Patricia Neal, the female star of The Hasty Heart, "remembered him in tears at a New Year's Eve party. 'It was sad,' she said, 'because he did not want a divorce.'" (229) He tried in London to come to terms with what he called his " 'lonely inner world. ' " (229) 0026-3079/93/3601-115$1.50/0 115 To later critics of Reagan' s politics and influence, it might come as a surprise that he had any "inner world" at all.
    [Show full text]
  • Stage Center Theatre JANUARY 2011
    SEASON 2010-2011 VOLUME 5 ISSUE 3 Stage Center Theatre JANUARY 2011 UPCOMIN G EVENTS MAIN STAGE 7:30PM From the Theatre Archives Reservations: (773) 442-4274 th Early 20 Century Theatre Companies Emma’s Child The Washington Square Players February 17-19, 24-26, March 3-5 Created in 1915 by amateurs, The Washington Square Players began producing one-act plays by Chekhov, Musset, Akins, Moeller and other obscure playwrights of the time in a Bleacher Bums small theatre seating of only 40 patrons. They moved to a 600 seat theatre and produced April 14-16, 21-23, 28-30 O’Neil’s In the Zone. The group disbanded in 1918, but re-formed in 1919 as The Theatre Guild. Some of the actors that performed with The Washington Square Players were Ro- As You Like It land Young, Rollo Peters, Frank Conroy, Helen Westley, and Katherine Cornel l. June 9-11, 16-18, 23-25 You Can’t Take It With The Theatre Guild You Founded in 1919 by Theresa Helburn, Philip Moeller, and Lawrence Langer (among oth- July 21-23, 28-30, August ers), The Theatre Guild was one of the first and most influential “Off-Broadway” theatre 4-6 companies in New York City during the first half of the 20th Century. The Theatre Guild had its heyday between the World Wars (1919-1939). In its first few years the majority of STUDIO SERIES 7:30PM F109 its work was in European expressionism. Later it provided an outlet for the work of such artists as Eugene O’Neil, Robert Sherwood, Maxwell Anderson, and Sidney Howard.
    [Show full text]
  • 1944-12-15, [P ]
    Friday, December 15, 1944 THE TOLEDO UNION JOURNAL Fare 1 Fitoffraphff of Your Star rlnlm lloiliak By Buraya Zawodny Acv s .kkI Gossip of Silage anti Screen Hollywood seldom has wel­ rewarded with bit parts. At first comed a newcomer as it has John there was no salary attached, but Hodiak. Leading roles opposite he still had his daytime job to Tallulah Bankhead and Lana keep him from starving. As his Turner in his fourth and fifth roles grew larger, he received Good Scream and Aho Starring Teem Heavenly Day! pictures constitute a record in small checks to add to his in­ cinema circles. come. A Good Reason For It Returns In .' HOLLYWOOD, Dec. 13— The success of John Hodiak, When, sometimes later, the M-G-M Musical rugged and handsome, is no saga radio station demanded that he Katharine Hepburn’s pri­ Of short rations and struggle. He be available for afternoon roles, didn’t force the breaks; he just vate secretary, Emily Mas­ Jeanette MacDonald, heroine he was forced to choose be­ t - B ci “The Merry Widow,” and Nel­ waited until opportune moments tween his two jobs. He took the sey, has a role in “Without i Wr w arrived. son Eddy, noted American bari­ one with the smaller pay—in Love.” This week filmed a tone who demonstrates that he is In Chicago, when he was earn­ radio. It soon became apparent acene in’ which Emily is ing a fair living as a radio actor, one of the screen's great lead­ that he would have to make an­ Supposed to scream when ing men, are teamed in a delect­ in 1942, he was offered a screen other change.
    [Show full text]
  • Edward Steichen and Hollywood Glamour
    University of Kentucky UKnowledge Theses and Dissertations--Art & Visual Studies Art & Visual Studies 2014 Edward Steichen and Hollywood Glamour Alisa Reynolds University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Reynolds, Alisa, "Edward Steichen and Hollywood Glamour" (2014). Theses and Dissertations--Art & Visual Studies. 9. https://uknowledge.uky.edu/art_etds/9 This Master's Thesis is brought to you for free and open access by the Art & Visual Studies at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Art & Visual Studies by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies.
    [Show full text]
  • Tyrone Power
    Tyrone Power 66638_Kelly.indd638_Kelly.indd i 227/11/207/11/20 11:15:15 PPMM International Film Stars Series Editor: Homer B. Pett ey and R. Barton Palmer Th is series is devoted to the artistic and commercial infl uence of performers who shaped major genres and movements in international fi lm history. Books in the series will: • Reveal performative features that defi ned signature cinematic styles • Demonstrate how the global market relied upon performers’ generic contributions • Analyse specifi c fi lm productions as casetudies s that transformed cinema acting • Construct models for redefi ning international star studies that emphasise materialist approaches • Provide accounts of stars’ infl uences in the international cinema marketplace Titles available: Close-Up: Great Cinematic Performances Volume 1: America edited by Murray Pomerance and Kyle Stevens Close-Up: Great Cinematic Performances Volume 2: International edited by Murray Pomerance and Kyle Stevens Chinese Stardom in Participatory Cyberculture by Dorothy Wai Sim Lau Geraldine Chaplin: Th e Gift of Film Performance by Steven Rybin Tyrone Power: Gender, Genre and Image in Classical Hollywood Cinema by Gillian Kelly www.euppublishing.com/series/ifs 66638_Kelly.indd638_Kelly.indd iiii 227/11/207/11/20 11:15:15 PPMM Tyrone Power Gender, Genre and Image in Classical Hollywood Cinema Gillian Kelly 66638_Kelly.indd638_Kelly.indd iiiiii 227/11/207/11/20 11:15:15 PPMM Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutt ing-edge scholarship with high editorial and production values to produce academic works of lasting importance.
    [Show full text]