Diversity Guide—West Region
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
SACSS Queens Strong Sponsorship Package.Pdf
#QueensSTrong S A C S S ' 20th Anniversary V I R T U A L G A T H E R I N G OCTOBER 22, 2020 2020 & BEYOND RECOVERY, RESILIENCE, & VISION FORWARD Our community of 15,000+ families has suffered and endured so much in 2020. Our vision forward is to bring them a beautiful, permanent community space and provide them with the tools and support they need to recover and flourish. Since we MISSION opened in Our mission is to 2000, we empower and integrate have helped underserved South Asians and other more than immigrants into the 100,000 civic and economic g people. life of New York. n o r T S s MAY SACSS n 2000 FOUNDING e South Asian Council for Social e Services (SACSS) was founded in 2000 in response to critical issues u raised around the tremendous barriers to social services faced by Q New York City’s fast-growing South # Asian community. W W W . S A C S S N Y . O R G | ( 7 1 8 ) 3 2 1 - 7 9 2 9 SACSS DURING COVID WE REMAIN #QueensSTrong Many thanks and respect from the core of my heart to you and your organization for giving support which was beyond my expectation. Except you nobody thinks/cares about us. Covid-19 is a pandemic, and has impacted not only the human health thread but also the financial thread. - SACSS client nd respect from the core of my heart to rganization for giving support which y expectation. Except you nobody out us. -
2011-Summer.Pdf
BOWDOIN MAGAZINE VOL. 82 NO. 2 SUMMER 2011 BV O L . 8 2 N Oow . 2 S UMMER 2 0 1 1 doin STANDP U WITH ASOCIAL FOR THECLASSOF1961, BOWDOINISFOREVER CONSCIENCE JILLSHAWRUDDOCK’77 HARI KONDABOLU ’04 SLICINGTHEPIEFOR THE POWER OF COMEDY AS AN STUDENTACTIVITIES INSTRUMENT FOR CHANGE SUMMER 2011 CONTENTS BowdoinMAGAZINE 24 AGreatSecondHalf PHOTOGRAPHS BY FELICE BOUCHER In an interview that coincided with the opening of an exhibition of the Victoria and Albert’s English alabaster reliefs at the Bowdoin College Museum of Art last semester, Jill Shaw Ruddock ’77 talks about the goal of her new book, The Second Half of Your Life—to make the second half the best half. 30 FortheClassof1961,BowdoinisForever BY LISA WESEL • PHOTOGRAHS BY BOB HANDELMAN AND BRIAN WEDGE ’97 After 50 years as Bowdoin alumni, the Class of 1961 is a particularly close-knit group. Lisa Wesel spent time with a group of them talking about friendship, formative experi- ences, and the privilege of traveling a long road together. 36 StandUpWithaSocialConscience BY EDGAR ALLEN BEEM • PHOTOGRAPHS BY KARSTEN MORAN ’05 The Seattle Times has called Hari Kondabolu ’04 “a young man reaching for the hand-scalding torch of confrontational comics like Lenny Bruce and Richard Pryor.” Ed Beem talks to Hari about his journey from Queens to Brunswick and the power of comedy as an instrument of social change. 44 SlicingthePie BY EDGAR ALLEN BEEM • PHOTOGRAPHS BY DEAN ABRAMSON The Student Activity Fund Committee distributes funding of nearly $700,000 a year in support of clubs, entertainment, and community service. -
Turkish German Muslims and Comedy Entertainment CURRENT ISSUES in ISLAM
Turkish German Muslims and Comedy Entertainment CURRENT ISSUES IN ISLAM Editiorial Board Baderin, Mashood, SOAS, University of London Fadil, Nadia, KU Leuven Goddeeris, Idesbald, KU Leuven Hashemi, Nader, University of Denver Leman, Johan, GCIS, emeritus, KU Leuven Nicaise, Ides, KU Leuven Pang, Ching Lin, University of Antwerp and KU Leuven Platti, Emilio, emeritus, KU Leuven Tayob, Abdulkader, University of Cape Town Stallaert, Christiane, University of Antwerp and KU Leuven Toğuşlu, Erkan, GCIS, KU Leuven Zemni, Sami, Universiteit Gent Turkish German Muslims and Comedy Entertainment Settling into Mainstream Culture in the 21st Century Benjamin Nickl Leuven University Press Published with the support of the Popular Culture Association of Australia and New Zealand University of Sydney and KU Leuven Fund for Fair Open Access Published in 2020 by Leuven University Press / Presses Universitaires de Louvain / Universitaire Pers Leuven. Minderbroedersstraat 4, B-3000 Leuven (Belgium). © Benjamin Nickl, 2020 This book is published under a Creative Commons Attribution Non-Commercial Non-Derivative 4.0 Licence. The licence allows you to share, copy, distribute and transmit the work for personal and non- commercial use providing author and publisher attribution is clearly stated. Attribution should include the following information: B. Nickl. 2019. Turkish German Muslims and Comedy Entertainment: Settling into Mainstream Culture in the 21st Century. Leuven, Leuven University Press. (CC BY-NC-ND 4.0) Further details about Creative Commons licences -
Radiolovefest
BAM 2017 Winter/Spring Season #RadioLoveFest Brooklyn Academy of Music New York Public Radio* Adam E. Max, Chairman of the Board Cynthia King Vance, Chair, Board of Trustees William I. Campbell, Vice Chairman of the Board John S. Rose, Vice Chair, Board of Trustees Katy Clark, President Susan Rebell Solomon, Vice Chair, Board of Trustees Joseph V. Melillo, Executive Producer Mayo Stuntz, Vice Chair, Board of Trustees Laura R. Walker, President & CEO *As of February 1, 2017 BAM and WNYC present RadioLoveFest Produced by BAM and WNYC February 7—11 LIVE PERFORMANCES Ira Glass, Monica Bill Barnes & Anna Bass: Three Acts, Two Dancers, One Radio Host: All the Things We Couldn’t Do on the Road Feb 7, 8pm; Feb 8, 7pm & 9:30pm, HT The Moth at BAM—Reckless: Stories of Falling Hard and Fast, Feb 9, 7:30pm, HT Wait Wait...Don’t Tell Me®, National Public Radio, Feb 9, 7:30pm, OH Jon Favreau, Jon Lovett, and Tommy Vietor, Feb 10, 7:30pm, HT Snap Judgment LIVE!, Feb 10, 7:30pm, OH Bullseye Comedy Night, Feb 11, 7:30pm, HT BAMCAFÉ LIVE Curated by Terrance McKnight Braxton Cook, Feb 10, 9:30pm, BC, free Gerardo Contino y Los Habaneros, Feb 11, 9pm, BC, free Season Sponsor: Leadership support provided by The Joseph S. and Diane H. Steinberg Charitable Trust. Delta Air Lines is the Official Airline of RadioLoveFest. Audible is a major sponsor of RadioLoveFest. VENUE KEY BC=BAMcafé Forest City Ratner Companies is a major sponsor of RadioLoveFest. BRC=BAM Rose Cinemas Williams is a major sponsor of RadioLoveFest. -
CULTURAL INGENUITY: STRENGTHENING the MUSLIM AMERICAN IDENTITY a Thesis Submitted to the Faculty of the School of Continuing St
CULTURAL INGENUITY: STRENGTHENING THE MUSLIM AMERICAN IDENTITY A Thesis submitted to the Faculty of The School of Continuing Studies and of The Graduate School of Arts and Sciences in partial fulfillment of the requirements for the degree of Masters of Arts in Liberal Studies By Lena Albibi, B.A. Georgetown University Washington, D.C. February 17, 2009 CULTURAL INGENUITY: STRENGTHENING THE MUSLIM AMERICAN IDENTITY Lena Albibi, B.A. Mentor: John L. Esposito, Ph.D. ABSTRACT Muslims in America must move beyond theological discourse and polemics to creating a dynamic apparatus that can promote indigenous and organic Muslim American culture and that accommodates ideological and cultural diversity. Muslims needs to move beyond attempting solely to correct their image and dispel stereotypes. While these are admirable goals, they cannot be the end goal for engaging in the creative arts, because such a narrowly defined, negative vision does not allow for an organic expression of the self. It is imperative that Muslims establish an artistic tradition in America, because to be an American Muslim is a creative process in itself. Laying the foundation for an expressive culture will ensure that Muslims celebrate their humanity and affirm their dignity, and they will then be free from having to define themselves in opposition to something else. A positive self-definition is what Muslims need. ii CONTENTS ABSTRACT ii CHAPTER I: CULTURAL INGENUITY: STRENGTHENING THE MUSLIM AMERICAN IDENTITY 1 CHAPTER II: ISLAM AND CULTURE 5 CHAPTER III: IMAGE OF MUSLIMS IN AMERICA: POST 9/11 22 CHAPTER IV: ISLAM IN AMERICA 30 Music 32 Comedy 35 TV and Film 38 Clothing 58 Muslim American Monuments and Sports Icons 61 Civic Engagement 64 Muslim American Education 66 CHAPTER V: GOALS FOR DEVELOPING A SUCESSFUL MUSLIM AMERICAN CULTURE 71 CHAPTER VI: CONCLUSION 79 BIBLIOGRAPHY 85 iii CHAPTER I CULTURAL INGENUITY: STRENGTHENING THE MUSLIM AMERICAN IDENTITY, AN INTRODUCTION The tragic events of September 11th thrust Islam and Muslims under the eye of public scrutiny. -
Graduate Welcome Week Programs Monday, August 25, 2014 11:00 Am
Graduate Welcome Week Programs Graduate Student Life at the Student Resource Center offers several workshops specifically for graduate students in addition to your school orientation programs. Below are some of our highlights. For more information about the 140 programs offered to graduate students please visit nyu.edu/welcome and select ‘Grad Welcome Week.’ Monday, August 25, 2014 11:00 am – 12:00 pm: Students in the Military 101, Kimmel, Room 909 This workshop is designed to help Students in the Military and Veterans navigate their needs and concerns and maximize their unique set of strengths, skills and life experiences as they develop and translate their interests and talents into the academic setting. You will also have the opportunity to enroll in free VA healthcare, and meet representatives who work with Veterans at NYU! 11:00 am – 12:00 pm: Grad 101, Kimmel, Room 808 Direct from the source: The Students. We’ve collected over the years the best practices from your peers. Come learn about how to navigate the resources at NYU, where the printing labs are, where you can get free wireless, the best study spots and more. 12:00 pm – 1:00 pm: Grad Campus Tour, Kimmel, Lobby Lost on campus? Not sure where everything is located? Want to know where your classrooms are? Join us for a walking tour around the Washington Square Park campus and learn where everything you need is! Highlights will include a stop at Bobst Library, Bookstore, Financial Aid and Bursar’s Office. 6:00pm – 7:00pm: Grad 101, Kimmel, Room 905/907 Direct from the source: The Students. -
CURRICULUM VITAE Bruce E
CURRICULUM VITAE Bruce E. Bechtol Jr. Ph.D. Angelo State University ASU Station #10896 San Angelo, Texas 76909-0896 Cell Phone (540) 538-4273 Work Phone (325) 486-6792 Home Email Address: [email protected] Work Email Address: [email protected] Academic Background: Ph.D., National Security Studies, The Union Institute, Cincinnati, Ohio, 2000. Master of Arts in International Affairs, Catholic University, Washington DC, 1996. Master of Military Studies (Distinguished Graduate), U.S. Marine Corps Command and Staff College, Quantico, Virginia, 2001. Bachelor of Science in Liberal Studies, Excelsior College, Albany, NY, 1994. Current Position: 2015-Present Professor of Political Science, Angelo State University, San Angelo, TX. Previous Teaching Experience: 2010-2015 Associate Professor of Political Science, Angelo State University, San Angelo, TX. 2007-2010 Professor of International Relations, Marine Corps Command and Staff College, Marine Corps University, Quantico, VA. 2006-2007 Visiting Adjunct Professor (Non-Resident), Graduate School of International Studies, Korea University, Seoul, Korea. 2005-2007 Associate Professor of International Relations Marine Corps Command and Staff College, Marine Corps University, Quantico, VA. 2005-2009 Adjunct Professor of Diplomacy (Online), Norwich University, Northfield, VT. 2003-2005 Assistant Professor of National Security Studies, Air Command and Staff College, United States Air University, Montgomery, AL. 2002-2009 Adjunct Professor of Liberal Studies (Online), Excelsior College, Albany, NY. 2001-2003 Adjunct Professor of National Security Studies and International Relations, American Military University, Manassas, VA. 1998-2003 Thesis Advisor, Master of Science in Strategic Intelligence Program, Joint Military Intelligence College, Washington DC. 1994-1997 Senior Instructor, Intelligence Systems, Marine Corps Systems Command, Quantico, VA. -
Lanthorn, Vol. 46, No. 46, February 27, 2012 Grand Valley State University
Grand Valley State University ScholarWorks@GVSU Volume 46, July 14, 2011 - June 18, 2012 Lanthorn, 1968-2001 2-27-2012 Lanthorn, vol. 46, no. 46, February 27, 2012 Grand Valley State University Follow this and additional works at: https://scholarworks.gvsu.edu/lanthorn_vol46 Part of the Archival Science Commons, Education Commons, and the History Commons Recommended Citation Grand Valley State University, "Lanthorn, vol. 46, no. 46, February 27, 2012" (2012). Volume 46, July 14, 2011 - June 18, 2012. 44. https://scholarworks.gvsu.edu/lanthorn_vol46/44 This Issue is brought to you for free and open access by the Lanthorn, 1968-2001 at ScholarWorks@GVSU. It has been accepted for inclusion in Volume 46, July 14, 2011 - June 18, 2012 by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. 3Lantf)ornGRAND VALLEY ^ THE STUDENT-RUN NEWSPAPERS AT GRAND VALLEY. WWW.LANTHORN.COM W////////////////////////////////////////////s//////////////////////////////////////^//////////////////////////////W ^ VIEW------------------------------------------------- THE SLIDESHOW: ^ .lie, ncTU ,e ieeill! . ^ READ THE BLOG: INSIDE THIS ISSUE: 4 THE LANTHORN GOES ON AN EXCLUSIVE HAVE FUN ON SPRING BREAK 4, 'BACKTO SCHOOL': STUDENTS ARE y ^ TOUR OFTHE MARY IDEMA PEW LIBRARY TRAVELLING NEAR OR FAR V, INTHE SAME BOAT COME MIDTERMS y // www.lanthorn.com/multimedia ^ LAKER LIFE I B4 ^Ss www.lanthorn.com/blog /y. y///////////////////////////////////^^^^^ MONDAY, FEBRUARY 27, 2012 $3K EMBEZZLED FROM STUDENT ORGANIZATIONS BY CHELSEA LANE GVL STAFF WRITER he Grand Valley State University Police De partment recently closed Ttwo cases regarding two stu dents embezzling a total of over $3,000 from student orga nizations Vertical Earth and the Synchronized Skating Club. -
Exploring Racial Interpellation Through Political Satire Mahrukh Yaqoob
Exploring Racial Interpellation through Political Satire Mahrukh Yaqoob Thesis submitted to the University of Ottawa in partial fulfillment of the requirements for the Masters of Arts in Criminology Department of Criminology Faculty of Social Science University of Ottawa © Mahrukh Yaqoob, Ottawa, Canada, 2020 ii ACKNOWLEDGEMENTS First and foremost, I would like to thank my supervisor Professor Eduardo González Castillo for his guidance, encouragement, and support throughout this whole process. Thank you for your patience, kind words, and faith in me. I would like to express my sincere gratitude and appreciation to Professor Eduardo for being a great mentor and for always taking the time to listen and prioritize my work. I feel extremely fortunate to have worked with you and could not have completed this without your guidance and support. Above all, thank you for believing in my ability to succeed. I am truly honoured to have worked with you! Thank you to my family, especially my parents for all the sacrifices you made and for encouraging me to pursue opportunities that come my way. To my sisters, thank you for always being a shoulder to lean on. Lastly, thank you to my friends for always being there and for providing me with laughter and support. iii TABLE OF CONTENTS Acknowledgements ……………………………………………………………………………...ii Table of Contents ……………………………………………………………………………….iii Abstract ………………………………………………………………………………………….iv Introduction & Overview………………………………………………………………………..1 Chapter 1: Theoretical Framework …………………………………………………………....7 1.1 -
From Zones of Conflict Comes Music for Peace
From zones of conflict comes music for peace. What is Fambul Tok? Around a crackling bonfire in a remote village, the war finally ended. Seven years since the last bullet was fired, a decade of fighting in The artists on this album have added their voices to a high-energy, Sierra Leone found resolution as people stood and spoke. Some had urgent call for forgiveness and deep dialogue. They exemplify the perpetrated terrible crimes against former friends. Some had faced creative spirit that survives conflict, even war. From edgy DJs and horrible losses: loved ones murdered, limbs severed. But as they soulful singer-songwriters, from hard-hitting reggae outfits to told their stories, admitted their wrongs, forgave, danced, and sang transnational pop explorers, they have seen conflict and now sow together, true reconciliation began. This is the story of “Fambul Tok” peace. They believe in the power of ordinary people - entire com- (Krio for “family talk”), and it is a story the world needs to hear. munities ravaged by war - to work together to forge a lasting peace. They believe in Fambul Tok. Fambul Tok originated in the realization that peace can’t be imposed from the outside, or the top down. Nor does it need to be. The com- munity led and owned peacebuilding in Sierra Leone is teaching us that communities have within them the resources they need for their own healing. Join the fambul at WAN FAMBUL O N E FA M I LY FAMBULTOK.COM many voices ... Wi Na Wan Fambul BajaH + DRY EYE Crew The groundbreaking featuring Rosaline Strasser-King (LadY P) and Angie 4:59 grassroots peacebuilding of Nasle Man AbjeeZ 5:33 the people of Sierra Leone Say God Idan RaicHel Project has also been documented featuring VieuX Farka Toure 4:59 in the award-winning film Ba Kae Vusi MAHlasela 5:05 Fambul Tok, and in its Guttersnipe BHI BHiman 6:52 companion book, Fambul Shim El Yasmine 5:10 Tok. -
Program Book
[FRONT COVER] Don’t Miss Silk Road Rising’s Next Show! [Image: Ultra American Poster] 2 016 DECEMBER 01-23 CHRISTMAS AT CHRISTINE’S THE WORLD PREMIERE Written and Performed by Azhar Usman | Directed by Aaron Todd Doug- las Written & Performed by September 6 - 25, 2016 Christine Bunuan Directed by J.R. Sullivan www.UltraAmerican.org [Image: Silk Road Rising Logo w Tagline] [Image: ComEd This new holiday musical revue puts a Silk Road spin on the Christmas season. Logo] [Image: NEA Logo] Chicago favorite Christine Bunuan invites you into her world with Christmas at Season Sponsor Production Sponsor___________ Christine’s. Journey from California to Chicago to the Philippines to a Catholic- September 6-25, 2016 Jewish household, as Christine sings her way through the holiday songbook and a lifetime of yuletide memories. THE WORLD PREMIERE Starring AZHAR USMAN TICKETS AND MORE INFORMATION AT Directed by AARON TODD DOUGLAS www.SilkRoadChristmas.org © www.UltraAmerican.org Season Sponsor Production Sponsor TEAM BIOS Azhar Usman is a standup comedian, actor, writer, and producer from Chicago. He was called “America’s Funniest Muslim” by CNN A World Premiere and was named among the “500 Most Influential Muslims in the Written & Performed by AZHAR USMAN World” by Georgetown University. Formerly an attorney, he has Directed by AARON TODD DOUGLAS worked as a performing artist and entertainment industry professional for over a decade. During that time, as co-creator of the internationally- acclaimed standup revue Allah Made Me Funny–The Official Muslim PRODUCTION TEAM Comedy Tour, he has toured over twenty-five countries, as well as comedy clubs, campuses, and theaters all over the United States.