Big Band by Title 40 Songs, 2:08:39 Total Time, 236.3 MB

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Big Band by Title 40 songs, 2:08:39 total time, 236.3 MB Name Artist Comments BPM All Or Nothing At All Frank Sinatra & Harry James Apurksody Gene Krupa Artistry In Rhythm Stan Kenton Auld Lang Syne Guy Lombardo Beat Me, Daddy, Eight To The Bar The Andrews Sisters Begin The Beguine Artie Shaw Cherokee Charlie Barnet Ciribiribin Harry James With Frank Sinatra Davenport Blues Bix Beiderbecke Der Fuehrer's Face Carl Grayson (with) Spike Jones Dippermouth Blues The Dorsey Brothers Flying Home Lionel Hampton Frenesi Artie Shaw Goodbye (Closing Theme) Benny Goodman Hell's Bells Art Kassel & His Kassels-In-The... I'm Getting Sentimental Over You Tommy Dorsey I Can't Get Started Bunny Berigan In The Mood Glenn Miller It's Only a Paper Moon Paul Whiteman Jazznocracy Jimmie Lunceford Leap Frog Les Brown and his Band of Ren... Lets Dance (opening theme) Bennyy Goodman Minnie the Moocher - Cab - Calloway Cab Calloway Mood Indigo Duke Ellington Moonlight Serenade Glenn Miller My Shawl ( Theme Song ) Xavier Cugat Oh! Look At Me Now Frank Sinatra & Connie Haines ... On A Slow Boat To China Freddy Martin & His Orchestra One O'Clock Jump Count Basie Opus One Tommy Dorsey Pennsylvania 6-5000 Glenn Miller Rum And Coca-Cola Vaughn Monroe & His Orchestr... Sentimental Journey Doris Day With Les Brown & Hi... Sing, Sing, Sing (With A Swing) Benny Goodman Stompin' At The Savoy Benny Goodman Summertime Bob Crosby Take The 'a' Train Duke Ellington A Tisket A Tasket Chick Webb Two O'Clock Jump Harry James Woodchopper's Ball Woody Herman Page 1 of 1.

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Feb 2016 Musicweb
WYASTONE ESTATE LIMITED DISTRIBUTED LABELS FEBRUARY 2016 NEW RELEASES NEW RELEASE NI 5937 RELEASE DATE: FRIDAY 12TH FEBRUARY 2016 TO PLACE AN ORDER CONTACT DISCOVERY RECORDS LTD TEL: 01380 728000 EMAIL: [email protected] DISCOVERY RECORDS LTD, NURSTEED ROAD, DEVIZES, SN10 3DY For further details visit our website: www.discovery-records.com /NimbusRecords @NimbusRecords /NimbusRecordsTV [details in this release book are correct at time of production] FEBRUARY 2016 NEW RELEASE JULIUS RÖNTGEN (1855-1932) Julius Röntgen (1855-1932) was both a composer MARK ANDERSON, PIANO and a gifted pianist and as such he knew how to write well for his instrument. Ein Cyclus von Phantasiestücken, Op. 5 (1871) 21.32 Röntgen was a child prodigy and from an early 1 I Allegro con brio 3.34 age composed ambitious works for the piano. He 2 II Andante con espressione 1.42 frequently performed his own, and others, piano 3 II Allegretto moderato 3.10 concertos. Beethoven's Fourth and Brahms's Second 4 IV Andante con moto 2.45 were particular favourites. It was through 5 V Presto 3.43 6 VI Allegretto con grazia 2.11 performances of Beethoven's Piano Sonata op.111 and 7 VII Grave 4.27 Schumann's Etudes Symphoniques that Röntgen established himself. However, it was not as a soloist Neckens Polska Variationen über ein but as an accompanist that Röntgen would make a schwedisches Volkslied, Op. 11 (1874) 17.55 lasting impression. The partnership with his 8 (Theme) Ruhig 1.24 contemporary, the baritone Johannes Messchaert, was 9 (1) Tema ben tenuto 1.05 legendary and they made several European tours.
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Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air
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Copy UPDATED KAREOKE 2013
Artist Song Title Disc # ? & THE MYSTERIANS 96 TEARS 6781 10 YEARS THROUGH THE IRIS 13637 WASTELAND 13417 10,000 MANIACS BECAUSE THE NIGHT 9703 CANDY EVERYBODY WANTS 1693 LIKE THE WEATHER 6903 MORE THAN THIS 50 TROUBLE ME 6958 100 PROOF AGED IN SOUL SOMEBODY'S BEEN SLEEPING 5612 10CC I'M NOT IN LOVE 1910 112 DANCE WITH ME 10268 PEACHES & CREAM 9282 RIGHT HERE FOR YOU 12650 112 & LUDACRIS HOT & WET 12569 1910 FRUITGUM CO. 1, 2, 3 RED LIGHT 10237 SIMON SAYS 7083 2 PAC CALIFORNIA LOVE 3847 CHANGES 11513 DEAR MAMA 1729 HOW DO YOU WANT IT 7163 THUGZ MANSION 11277 2 PAC & EMINEM ONE DAY AT A TIME 12686 2 UNLIMITED DO WHAT'S GOOD FOR ME 11184 20 FINGERS SHORT DICK MAN 7505 21 DEMANDS GIVE ME A MINUTE 14122 3 DOORS DOWN AWAY FROM THE SUN 12664 BE LIKE THAT 8899 BEHIND THOSE EYES 13174 DUCK & RUN 7913 HERE WITHOUT YOU 12784 KRYPTONITE 5441 LET ME GO 13044 LIVE FOR TODAY 13364 LOSER 7609 ROAD I'M ON, THE 11419 WHEN I'M GONE 10651 3 DOORS DOWN & BOB SEGER LANDING IN LONDON 13517 3 OF HEARTS ARIZONA RAIN 9135 30 SECONDS TO MARS KILL, THE 13625 311 ALL MIXED UP 6641 AMBER 10513 BEYOND THE GREY SKY 12594 FIRST STRAW 12855 I'LL BE HERE AWHILE 9456 YOU WOULDN'T BELIEVE 8907 38 SPECIAL HOLD ON LOOSELY 2815 SECOND CHANCE 8559 3LW I DO 10524 NO MORE (BABY I'MA DO RIGHT) 178 PLAYAS GON' PLAY 8862 3RD STRIKE NO LIGHT 10310 REDEMPTION 10573 3T ANYTHING 6643 4 NON BLONDES WHAT'S UP 1412 4 P.M.
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Accentuate the Positive Unit 1 Lesson 1 & 2
Accentuate The Positive: Unit 1: Lessons 1 & 2 Lesson #1: “Accentuate the Positive” (1944) by Johnny Mercer & Harold Arlen Lesson Overview These lessons are an introduction to Johnny Mercer, the Great American Songbook, and lyric writing. Classes will receive the original Accentuate the Positive: Guide to Lyric Writing for Kids programming. Students will be exposed to different subject matters and will have opportunities to learn tools for lyric writing and creating personal lyrics, all while fulfilling national core standards. Have fun! Objectives Upon completion of this lesson students will be able to: Know about songwriter Johnny Mercer Understand the definitions of lyricist and composer Have an understanding of songwriting skills: Rhyme, Personification Write lyrics for a song Standards Nat’l Core Arts - Music: Creating. Students will generate musical ideas, rhythms and will be encouraged to create their own melodies. English/Lang Arts Standards: STRANDS--Reading Foundational & Writing. Students will apply phonics and word recognition as well as writing personal opinionated texts using the figurative language concepts discussed in the lessons. Top of Form Bottom of Form Time Required One class period of at least 45-50 minutes Lesson Preparation Ask students what music they like and have them start to investigate who wrote those songs. Materials: Accentuate the Positive: Guide to Lyric Writing for Kids booklet Whiteboard space for teacher/teaching artist Writing paper and pencils Resources: The Johnny Mercer Foundation: www.johnnymercer.org If needed, refer to the video of the educator workshop on the Accentuate the Positive webpage. Johnny Mercer Collections at Georgia State University: http://library.gsu.edu/mercer -1- Accentuate The Positive: Unit 1: Lessons 1 & 2 (con’t) Lesson Procedure Introduce the program and Johnny Mercer.
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Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C.
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Don't Fence Me in Full Score
Jazz Lines Publications Presents don’t fence me in recorded by bing crosby with the andrews sisters Arranged by Vic schoen transcribed and adapted for publication by dylan canterbury full score jlp-9045 Words and Music by Cole Porter © 1944 (Renewed) WB MUSIC CORP. This Arrangement © 2019 WB MUSIC CORP. All Rights Reserved Including Public Performance Used by Permission Published by the Jazz Lines Foundation Inc., a not-for-profit jazz research organization dedicated to preserving and promoting America’s musical heritage. The Jazz Lines Foundation Inc. PO Box 1236 Saratoga Springs NY 12866 USA andrews sisters series don’t fence me in (1944) The Music: Vic Schoen’s arrangement of the Cole Porter classic Don’t Fence Me In became a huge hit for Bing Crosby with the Andrews Sisters in 1944. Supposedly Crosby went into the studio on July 25, 1944 having not previously seen or heard this song and within 30 minutes, he and the Andrews Sisters had made the recording, which later sold over a million copies and topped the Billboard charts for eight weeks in 1944-45. This is not a difficult arrangement from an instrumental point of view. But, similar to our other Andrews Sisters arrangements, the hard part will be recreating the Andrews Sisters sound of the vocal trio with a solo male vocalist. Woodwind 1 is on clarinet throughout. Dylan Canterbury - August 2019 jLp-9045 Jazz lines PubLications don't Fence Me In Music and Words by Cole Porter Score Recorded by bing crosby with the andrews sisters Arranged By Vic Schoen Transcribed and Adapted by Dylan Canterbury Medium swing = 120 Male Vocal ? Oh, give me Soprano & Alto 1 & Alto 2 & Woodwind 1: Clarinet & Woodwind 2: Alto Sax.
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Messages of American Popular Song to Women During World War II
“I’m Doin’ It for Defense”: Messages of American Popular Song to Women during World War II A thesis submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements of the degree of MASTER OF MUSIC in the Division of Composition, Musicology, and Theory of the College-Conservatory of Music 2013 by Amy Brooks BM, Bob Jones University, 2008 Committee Chair: bruce d. mcclung, PhD Abstract World War II presented many new opportunities for American women. In this time of need, they were called upon to take an active part in the war effort, whether by means of working in a factory, growing a victory garden, or serving as a volunteer for wartime organizations. Women made great strides forward in areas such as the workforce and the military. The American popular song industry promoted these new roles for women. I have compiled over 150 songs from 1940 to1945 that relate to women’s roles during the World War II era. Of these songs, I have chosen a select number of songs that best demonstrate popular culture’s attitudes and actions towards women during the war. These songs can be divided into five categories: women in the military, women in the workforce, women’s war effort, women’s responsibilities to men in uniform, and women in the immediate post-war period. I have studied the representative songs by considering their lyrics to identify the objectives supported by the popular song industry. I took into consideration the venues in which they were presented and how these performances influenced their reception.
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Newsletter Jump
BIG BAUD NEWSLETTER JUMP VOLUME XXXIII BIG BAND JUMP NEWSLETTER JULY-AUGUST 1994 Famous Door, where several radio broadcasts a week INTERVIEW CAPSULES spread the word about Count Basie’s exciting new band. It occurred to us that only the first subscribers to the The Scene BBJ NEWSLETTER, which began with the March- April issue o f1989, have had the advantage o f reading It was between sets at a dance featuring the Count Basie some o f the initial interviews. Rather than repeat them, Band and the guys were all outside taking a smoke and but to still give newer readers an opportunity to enjoy talking, but we caught the Count in the kitchen behind their comments, we offer these mini-interview com the ballroom. ments from two o f the music personalities featured in the first six months o f the BBJ NEWSLETTER. Basie leaned on a counter, relieving his legs of the weight, and was matter-of-fact, apparently not enjoying COUNT WILLIAM BASIE being interviewed. We later learned of his shyness, giving us the illusion that he didn’t want to be inter viewed, when in fact he later mentioned the value of such conversations. The year was 1971. The Interview Capsule BBJ: How did your theme, ONE O’CLOCK JUMP originate? CB: Well, that started in Kansas City. We were doing that number for some time without a name, and then we happned to be on the air at that time, too. We actually had a name for the tune, but it couldn’t be used in public.
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"A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas.
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How the Crosby Band Got Started HOW DO YOU KNOW
>• 1.1941 Chicago. June 1, 1940 CROSBY ANNIVERSARY ISSUE DOWN BEAT on that. In fact, it has been his genial nature and his willingness to let some of the more technical ‘Got to Feel How the Crosby Band Got Started problems be handled by others in • the band better qualified that has Choice of Three ers. We were guaranteed $5,000 been the biggest factor in the suc in two weeks by Cork and believe cess of the band. Well to me, we earned it. Then came two We play the music we like—the Leaders Offered weeks at Tybee Beach in Savan- music we feel. We don’t call it nah, our first location. It was a “2-beat” or “4-beat” or anything Play Well’ BY GIL RODIN terrific click, much to our surprise, else. It’s just the music we like. and Willie Harr, who operated the Matty Matlock and Bob Haggart BY EDDIE MILLER bat Tommy was busy and I had to Beach, recommended us for the have the ability to write down There isn’t any two ways about talk with Cork O’Keefe. That was Adolphus Hotel in Dallas. what we all agree is the music we it—tiie boys in a band must feel when Rockwell-O’Keefe was begin- That also was a fine date. should play. And we just go ahead well in order to play well. One of oing to be a big booking combine. Everyone seemed to go for the and play it. the big reasons why the Crosby Cork listened to some of our rec band.
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Musical Movie Memories Discussion Guide for 1940S Music Run DVD Film Segments on a TV Or Projection TV System to an Assembled Group
DiMusicalscussion Guide forMovi 1920s-30se MusicMemories Run film segments one at a time on a TV or projection system. Pause on the 4 questions at the end of each so the viewers can respond and share their memories woken by the film. This Discussion Guide suggests additional questions to aid the session leader. All films in this special program are filled with music, singers and bands from the late 1920s through the 1930s. Music has proven helpful in bringing smiles and distant memories even to seniors with alzheimers. Unlike regular volumes of Movie Memories with their vast variety, there may not be that much to discuss with some of the films. You can tell by reactions whether the viewers enjoy the films. Standard questions which can be applied to each segment are: Did you like the song? Do you like jazz and swing bands? Do you remember ___________? Would you like to watch the film again? What is your favorite song from this era? Do you want to see more Bing Crosby musicals? Etc. Do not hesitate to ask these simple questions again and again! Disc #1 Al Jolson Trailers We just watched coming attractions for 3 Al Jolson films: Wonder Bar (1934), Go Into Your Dance (1935) and The Singing Kid (1936). These “trailers” showed the highlights of three of Al’s films from the mid-1930s. Have you ever see the first sound film -- The Jazz Singer -- with Al Jolson on TV? Do the trailers make you want to see the complete movies? Who are your favorite singers, stars or dancers from 1930s Hollywood musicals? Glorifying the American Girl This 1929 musical comedy was produced by Florenz Ziegfeld and highlights Ziegfeld’s current star, dancer Mary Eaton.
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Play Guide for Christmas of Swing
Christmas of Swing Written by Bob Beverage and Ron Peluso In collaboration with David Lohman and Jan Puffer November 24 – December 23, 2012 1 History Theatre 30 East Tenth Street Saint Paul, MN 55101 Box Office: 651.292.4323 Group Sales: 651.292.4320 www.HistoryTheatre.com Table of Contents Historical Context • About The Andrews Sisters ...................................... 3 • The Andrews Sisters Top Ten Hits ........................... 7 • About the USO Camp Tours ..................................... 8 • Women and the War Effort, an essay by Eleanor Roosevelt ............................ 10 Activity : Letter Writing ..................................................... 12 Activity : Create Your Own USO Tour .............................. 22 Bibliography ..................................................................... 24 Play Guide to accompany Christmas of Swing published by History Theatre ©2012 2 About The Andrews Sisters The Andrew Sisters were a close harmony singing group consisting of sisters LaVerne, Maxene, and Patricia Andrews. They boasted an exuberant, close-harmony style well-suited to cheery novelty songs, and their intricate vocal arrangements and rhythmic ability mirrored the sound of the swing bands that constituted their chief competition in their heyday. For the most part, The Andrews Sisters did not focus on romantic material, but rather sang upbeat songs, often borrowed from other cultures. Although they were well-established by the time the U.S. entered World War II, their optimistic tone made them perfect boosters of the war effort. In later years they remained closely identified with the war years, remembered as wearing military uniforms and singing their signature song: Boogie Woogie Bugle Boy. The three sisters were born in Minnesota to a Greek immigrant father, Peter Andreos (changed to Andrews upon arriving in the US) and Olga Sollie, a Norwegian-American mother.
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