Amahl & the Night Visitors
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ARSC Journal
A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers. -
Hilbert Circle Theatre
HILBERTCIRCLETHEATRE KRZYSZTOFURBAŃSKI MUSIC DIRECTOR | JACKEVERLY PRINCIPAL POPS CONDUCTOR Vadim Gluzman Plays Bruch Bronfman Plays Beethoven Sibelius Symphony No. 5 Music of U2 Side-by-Side The Sounds of Simon & Garfunkel MARCH | VOLUME 5 Jump in, IT’SJump PERFECT in, From diving into our heated pool to joining neighbors for a day trip From divingIT’S into our heated PERFECTpool to joining neighbors for a day trip Careful planning, talent and passion are on to taking a dance class, life feels amazingly good here. Add not-for- Fromto taking diving IT’Sa dance into our class, heated life feels PERFECTpool amazingly to joining goodneighbors here. for Add a day not-for- trip pro t ownership, a local board of directors, and CCAC accreditation, display at today’s performance. proFromto t takingownership, diving a danceinto a our local class, heated board life feels pool of directors,amazingly to joining andgood neighbors CCAC here. forAddaccreditation, a daynot-for- trip and Marque e truly is the place to be. proto ttaking ownership, a dance a local class, board lifeand feels ofMarque directors,amazingly e and trulygood CCAC ishere. the accreditation, Add place not-for- to be. pro t ownership, a local board of directors, and CCAC accreditation, At Citizens Energy Group, we understand the value of working hard and Marque e truly is the place to be. behind the scenes to deliver quality on a daily basis. We strive to To learn more, call, visit our websiteand Marque or stop e truly by isour the community. place to be. replicate that ensemble effort in our work and are proud to support To learn more, call, visit our website or stop by our community. -
Boston Symphony Orchestra Concert Programs, Season 97, 1977-1978
97th SEASON . TRUST BANKING. A symphony in financial planning. Conducted by Boston Safe Deposit and Trust Company Decisions which affect personal financial goals are often best made in concert with a professional advisor However, some situations require consultation with a number of professionals skilled in different areas of financial management. Real estate advisors. Tax consultants. Estate planners. Investment managers. To assist people with these needs, our venerable Boston banking institution has developed a new banking concept which integrates all of these professional services into a single program. The program is called trust banking. Orchestrated by Roger Dane, Vice President, 722-7022, for a modest fee. DIRECTORS Hans H. Estin George W. Phillips C. Vincent Vappi Vernon R. Alden Vice Chairman, North Executive Vice President, Vappi & Chairman, Executive American Management President Company, Inc. Committee Corporation George Putnam JepthaH. Wade Nathan H. Garrick, Jr. Partner, Choate, Hall Dwight L. Allison, Jr. Chairman, Putnam of the Chairman of the Board Vice Chairman Management & Stewart Board David C. Crockett Company, Inc. William W.Wolbach Donald Hurley Deputv to the Chairman J. John E. Rogerson Vice Chairman Partner, of the Board of Trustees Goodwin, Partner, Hutchins & of the Board Procter Hoar and to the General & Wheeler Honorary Director Director, Massachusetts Robert Mainer Henry E. Russell Sidney R. Rabb General Hospital Senior Vice President, President Chairman, The Stop & The Boston Company, Inc. F. Stanton Deland, Jr. Mrs. George L. Sargent Shop Companies, Partner, Sherburne, Inc. Director of Various Powers & Needham William F. Morton Corporations Director of Various Charles W. Schmidt Corporations President, S.D. Warren Lovett C. -
PROGRAM Thank You to Our Sponsors
Symphony Number One returns on Sunday, November 20, 2016, 6:00 pm at Emmanuel Episcopal Church 811 Cathedral St., Baltimore, MD 21201 for Beethoven’s Kitchen: Piano Quintets featuring Elizabeth Hill, Piano SYMPHONY NUMBER ONE Nikita Borisevich, Violin Kristen Bakkegard, Violin Jordan Randall Smith, Music Director Colin Webb, Viola Joe Isom, Cello SEASON 2 Nicholas Bentz, Featured Composer Song of the Earth St. Ignatius Catholic Church Learn more at www.symphonynumber.one Saturday, November 5, 2016, 8:00 pm Sunday, November 6, 2016, 3:00 pm PROGRAM Thank you to our Sponsors Song of the Earth Thank you to our Sponsors Personnel Advocates (100+) Bill Smyth Christina Muncey Violin Anonymous Michael Sturgis Jesse Page Nikita Borisevich, Daniel & Janne Heifetz Concertmaster Jessica Abel James Turner Russell Perry Hanbing Jia Trevor Auman Chris Walls Mike & Marla Porter Donald Benton Viola Loren Western Brian & Heather Reardon Pipier Bewlay Karin Kilper, Principal Viola Ryan Williams Jeanette Rosenberg J Andrew Cerda Brigette Willner Cynthia Sambataro Cello Robert & Gayle Susan K. Wright Alyssa Sapia Michael Newman, Associate Principal Cello Chesebro Amy Schardein Dorothy R. Coby Supporters ($50+) Elizabeth Sherbow Contrabass Huxley Conklin Anonymous Ellen Shrum Michael Rittling, Principal Contrabass Janis Cookson Sergio Acosta Marilois Snowman Robin Daniel T. Nichelle Appleby Michael D. Terry Flute Michael Everson Karen Bakkegard Brandy Triplett Willie Santiago Vern C. Falby Kristi Barnes Alida Woods Denyce Graves Catherine Boerner Ari Yoshioka -
75Thary 1935 - 2010
ANNIVERS75thARY 1935 - 2010 The Music & the Artists of the Bach Festival Society The Mission of the Bach Festival Society of Winter Park, Inc. is to enrich the Central Florida community through presentation of exceptionally high-quality performances of the finest classical music in the repertoire, with special emphasis on oratorio and large choral works, world-class visiting artists, and the sacred and secular music of Johann Sebastian Bach and his contemporaries in the High Baroque and Early Classical periods. This Mission shall be achieved through presentation of: • the Annual Bach Festival, • the Visiting Artists Series, and • the Choral Masterworks Series. In addition, the Bach Festival Society of Winter Park, Inc. shall present a variety of educational and community outreach programs to encourage youth participation in music at all levels, to provide access to constituencies with special needs, and to participate with the community in celebrations or memorials at times of significant special occasions. Adopted by a Resolution of the Bach Festival Society Board of Trustees The Bach Festival Society of Winter Park, Inc. is a private non-profit foundation as defined under Section 509(a)(2) of the Internal Revenue Code and is exempt from federal income taxes under IRC Section 501(c)(3). Gifts and contributions are deductible for federal income tax purposes as provided by law. A copy of the Bach Festival Society official registration (CH 1655) and financial information may be obtained from the Florida Division of Consumer Services by calling toll-free 1-800-435-7352 within the State. Registration does not imply endorsement, approval, or recommendation by the State. -
Suggested Guidelines for the Composition of Vocal
NATS VISITS AATS selected pro HE JOURNAL OF SINGING PERIODICALLY publishes of nouncements issued by the American Academy of Teachers unique re Singing. For a brief history of the organization and its Singing lationship to NATS, the reader is referred to Journal of of its founding, the 61, no.3 (January/February 2005). Since 1922, the year papers on all sub Academy has been actively writing and disseminating jects pertaining to the teaching of singing. arising out of the The present paper differs from the usual Statements questions from the Academy in that it came about in response to some available to Douglas Moore Foundation concerning the lack of resources intended principally American Academy of composers who write for the voice. This response is how singers choose Teachers of Singing for composers-in-training who wish to learn more about music and how teachers teach it. At the same time, Addison and learn contemporary Adele voice pedagogues regarding challenges Elaine Bonazzi the paper may inform singers and music for voice. Claudia Cantania inherent in composing and performing contemporary whole rather than Lindsey Christiansen Because position papers arise out of the Academy as a Patricia Craig list the thinking of an individual or small group, it is important to Eric Douglas reflect the Jan time of the drafting of a particular doc Robert Edwin organization’s membership at the does not imply Shirlee Emmons ument. Its appearance in the Journal of Singing, however, the philosophy Robert Gartside NATS endorsement, nor does its content necessarily reflect Westerman Gregg website Jean or this publication. -
EAS 23 July 2020 Program.Pdf
Green Mountain Online Emerging Artists Series Thursday, July 23, 2020 7:30 pm EDT GMCMF Emerging Artists YouTube Channel Suite No. 5 in C minor, BWV 1011 Johann Sebastian Bach Prelude (1685-1750) Todd Humphrey, cello Suite No. 5 in C minor, BWV 1010 Johann Sebastian Bach Allemande Courante Matthew Wiest, cello Sonata No. 2 in A minor, BWV 1003 Johann Sebasitan Bach Grave Luciano Marsalli, violin Caprice in C minor, Op. 1, no. 4 Niccolò Paganini (1782-1840) Simon Ho Yin Cheng, violin Caprice in A minor, Op. 1, no. 5 Niccolò Paganini Abigail Yoon, violin Capricen B flat major, Op. 1, no. 13 Niccolò Paganini Jessie Zimmermann, violin Introduction and Allegro, Op. 44 Miklós Rózsa (1907-1995) Ashley Park, viola Suite No. 1 in G minor, Op. 131d Max Reger Molto sostenuto (1873-1916) Vivace Andante sostenuto Molto vivace Colin Henley, viola Sonata, Op. 27, No. 5 Eugène Ysaÿe L'Aurore (1858-1931) Danse rustique Maitreyi Muralidharan, violin Piano Sonata No. 2 in D minor, Op. 14 Sergei Prokofiev Allegro, ma non troppo (1891-1953) Sofia Marina, piano Fantasiestücke, Op. 12 Robert Schumann In der Nacht (1810-1856) Fabel Traumes Wirren Ende vom Lied Ellie Taylor, piano Todd Humphrey, 22, is from Atlanta, Georgia. He completed his undergraduate degree at Florida State University where he studied with Greg Sauer. At Florida State, Todd served as principal cellist of the University Philharmonia Orchestra and was cellist of the Lux String Quartet. This ensemble was known for its heartfelt and engaging performances along with its numerous community outreach events. Currently Todd is completing his masters at Miami University of Ohio where he studies with Sarah Kim. -
Timelapse Variations Final Draft
UCLA Contemporary Music Score Collection Title Timelapse Variations Permalink https://escholarship.org/uc/item/8nr7s11j Author Draper, Natalie Publication Date 2020 eScholarship.org Powered by the California Digital Library University of California Timelapse Variations Natalie Draper (2016) Dedication: Timelapse Variations is dedicated to Jordan Randall Smith and Symphony Number One. Many thanks for the opportunity. Instrumentation: Flute Oboe Clarinets (Bb and bass) Bassoon Horn in F Snare Drum Kick Drum Piano Violin I Violin II Viola Violoncello Contrabass Program Notes: Timelapse Variations (2016), for chamber orchestra, is a musical reflection on the timelapse technique in film. I have always been fascinated by how change and growth are perceived in timelapse videos. For me, the timelapse technique, with its surreal perception of change, distances the audience from the image, allowing for a vastly removed perspective--almost as if you are witnessing life from above. The image inherently becomes a meditation on the passage of time itself. In this way, Timelapse Variations is a meditation on musical change and is perhaps more of a soundscape than a traditional symphonic narrative. The piece has several sections, all of which incorporate a variety of processes of gradual change. Many thanks to Symphony Number One for the opportunity to write this piece. - Natalie Draper Performance Notes: This piece is all about gradual change. Close attention should be paid to dynamics and instrument balance. Gestures pop out of the fabric of the work. Overall the piece should have a pedaled, legato sound, without being too mushy. Natalie Draper Timelapse Variations Moderately, (q=72) espress. 3 Flute ° 2 3 2 j &4 ∑ ∑ 4 ∑ 4 ∑ ∑ ∑ ∑ Œ œ bœ p espress. -
Amahl and the Night Visitors
Set Design By: Steven C. Kemp AMAHL AND THE NIGHT VISITORS Welcome to Amahl and the Night Visitors! During this exceptional time, it has been a delight for us to bring you the gift of this wonderful holiday show. Created with love, we have brought together a variety of Kansas City’s talented artists to share this story of generosity and hope. It has been so heartwarming to see this production evolve, from the building of the scenery and puppets, to the addition of puppeteers, singers, and the orchestra. I know that it has meant a great deal to all involved to be in a safe space where creativity can flourish and all can practice their craft. The passion and joy of our performers, during this process, has been palpable. I wish you all a happy holiday and hope you enjoy this special show! Deborah Sandler, General Director and CEO BOARD OF TRUSTEES 2020-2021 OFFICERS Joanne Burns, President Tom Whittaker, Vice President Scott Blakesley, Secretary Craig L. Evans, Treasurer BOARD OF TRUSTEES Dr. Ivan Batlle Mira Mdivani Mark Benedict Edward P. Milbank Richard P. Bruening Steve Taylor Tom Butch Benjamin Mann, Counsel Melinda L. Estes, M.D. Karen Fenaroli Michael D. Fields Lafayette J. Ford, III Kenneth V. Hager Niles Jager Amy McAnarney EX-OFFICIO MEMBERS Andrew Garton | Chair, Orpheus KC Mary Leonida | President, Lyric Opera Circle Gigi Rose | Ball Chair, Lyric Opera Circle Dianne Schemm | President, Lyric Opera Guild Presents Amahl and the Night Visitors Opera in one act by Gian Carlo Menotti in order of PRINCIPAL CAST vocal appearance MOTHER Kelly Morel^ AMAHL Holly Ladage KING KASPAR Michael Wu KING MELCHIOR Daniel Belcher KING BALTHAZAR Scott Conner THE PAGE Keith Klein ^Former Resident Artist First Performance: NBC Opera Theatre, New York City, December 24, 1951. -
Boston Symphony Orchestra Concert Programs, Season 77, 1957-1958, Subscription
*l'\ fr^j BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON 24 G> X will MIIHIi H tf SEVENTY-SEVENTH SEASON 1957-1958 BAYARD TUCEERMAN. JR. ARTHUR J. ANDERSON ROBERT T. FORREST JULIUS F. HALLER ARTHUR J. ANDERSON, JR. HERBERT 8. TUCEERMAN J. DEANE SOMERVILLE It takes only seconds for accidents to occur that damage or destroy property. It takes only a few minutes to develop a complete insurance program that will give you proper coverages in adequate amounts. It might be well for you to spend a little time with us helping to see that in the event of a loss you will find yourself protected with insurance. WHAT TIME to ask for help? Any time! Now! CHARLES H. WATKINS & CO. RICHARD P. NYQUIST in association with OBRION, RUSSELL & CO. Insurance of Every Description 108 Water Street Boston 6, Mast. LA fayette 3-5700 SEVENTY-SEVENTH SEASON, 1957-1958 Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor CONCERT BULLETIN with historical and descriptive notes by John N. Burk Copyright, 1958, by Boston Symphony Orchestra, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Jacob J. Kaplan Vice-President Richard C. Paine Treasurer Talcott M. Banks Michael T. Kelleher Theodore P. Ferris Henry A. Laughlin Alvan T. Fuller John T. Noonan Francis W. Hatch Palfrey Perkins Harold D. Hodgkinson Charles H. Stockton C. D. Jackson Raymond S. Wilkins E. Morton Jennings, Jr. Oliver Wolcott TRUSTEES EMERITUS Philip R. Allen M. A. DeWolfe Howe N. Penrose Hallowell Lewis Perry Edward A. Taft Thomas D. -
Building Bridges Through Music: a Recording and Performance Collaboration with Adult Composers, Young Soloists, and Collegiate Band Accompaniment
Building Bridges through Music: A Recording and Performance Collaboration with Adult Composers, Young Soloists, and Collegiate Band Accompaniment by Melanie Jane Brooks A Research Paper Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts Approved April 2018 by the Graduate Supervisory Committee: Gary W. Hill, Co-Chair Jason Caslor, Co-Chair Melita Belgrave Amy Holbrook Deanna Swoboda ARIZONA STATE UNIVERSITY May 2018 ABSTRACT Although music is regarded as a universal language, it is rare to find musicians of different ages, ability levels, and backgrounds interacting with each other in collaborative performances. There is a dearth of mixed-ability-level wind band and string orchestra repertoire, and the few pieces that exist fail to celebrate the talents of the youngest and least-experienced performers. Composers writing music for school-age ensembles have also been excluded from the collaborative process, rarely communicating with the young musicians for whom they are writing. This project introduced twenty-nine compositions into the wind band and string orchestra repertoire via a collaboration that engaged multiple constituencies. Students of wind and string instruments from Phoenix’s El Sistema-inspired Harmony Project and the Tijuana-based Niños de La Guadalupana Villa Del Campo worked together with students at Arizona State University and composers from Canada, Finland, and across the United States to learn and record concertos for novice-level soloists with intermediate-level accompaniment ensembles. This project was influenced by the intergenerational ensembles common in Finnish music institutes. The author provides a document which includes a survey of the existing concerto repertoire for wind bands and previous intergenerational and multicultural studies in the field of music. -
2018 Co-Directors
Illinois State University RED NOTE new music festival March 26th – March 29th, 2018 co-directors , distinguished guest composer , distinguished guest composer , guest performers CALENDAR OF EVENTS MONDAY, MARCH 26TH 8 pm, Center for the Performing Arts The Festival opens with a concert featuring the Illinois State University Wind Symphony and Illinois State University choruses. Professor Anthony Marinello conducts the ISU Wind Symphony in a performance of the winning work in this year’s Composition Competition for Wind Ensemble, Patrick Lenz’s Pillar of Fire. The Wind Symphony also performs guest composer William Bolcom’s Concerto for Soprano Saxophone with ISU faculty Paul Nolen, and the world premiere of faculty composer Martha Horst’s work Who Has Seen the Wind? The ISU Concert Choir and Madrigal Singers, conducted by Dr. Karyl Carlson, perform the winning piece in the Composition Competition for Chorus, Wind on the Island by Michael D’Ambrosio, as well as William Bolcom’s Song for Saint Cecilia’s Day. TUESDAY, MARCH 27TH 7:30 pm, Kemp Recital Hall ISU students and faculty present a program of works by featured guest composers Gabriela Lena Frank and William Bolcom. The concert will also include the winning work in this year’s Composition Competition for Chamber Ensemble, Downloads, by Jack Frerer. WEDNESDAY, MARCH 28TH 7:30 pm, Kemp Recital Hall Ensemble Dal Niente takes the stage to perform music of contemporary European composers, including Salvatore Sciarrino, Kaija Saariaho, and György Kurtag. THURSDAY, MARCH 29TH 7:30 pm, Kemp Recital Hall The Festival concludes with a concert of premieres by the participants in the RED NOTE New Music Festival Composition Workshop: James Chu, Joshua Hey, Howie Kenty, Joungmin Lee, Minzuo Lu, Mert Morali, Erik Ransom, and Mac Vinetz.