Rock History 101: Fleetwood Mac
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green
AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green Let's Stay Together Alabama Dixieland Delight Alan Jackson It's Five O'Clock Somewhere Alex Claire Too Close Alice in Chains No Excuses America Lonely People Sister Golden Hair American Authors The Best Day of My Life Avicii Hey Brother Bad Company Feel Like Making Love Can't Get Enough of Your Love Bastille Pompeii Ben Harper Steal My Kisses Bill Withers Ain't No Sunshine Lean on Me Billy Joel You May Be Right Don't Ask Me Why Just the Way You Are Only the Good Die Young Still Rock and Roll to Me Captain Jack Blake Shelton Boys 'Round Here God Gave Me You Bob Dylan Tangled Up in Blue The Man in Me To Make You Feel My Love You Belong to Me Knocking on Heaven's Door Don't Think Twice Bob Marley and the Wailers One Love Three Little Birds Bob Seger Old Time Rock & Roll Night Moves Turn the Page Bobby Darin Beyond the Sea Bon Jovi Dead or Alive Living on a Prayer You Give Love a Bad Name Brad Paisley She's Everything Bruce Springsteen Glory Days Bruno Mars Locked Out of Heaven Marry You Treasure Bryan Adams Summer of '69 Cat Stevens Wild World If You Want to Sing Out CCR Bad Moon Rising Down on the Corner Have You Ever Seen the Rain Looking Out My Backdoor Midnight Special Cee Lo Green Forget You Charlie Pride Kiss an Angel Good Morning Cheap Trick I Want You to Want Me Christina Perri A Thousand Years Counting Crows Mr. -
What the Fleetwood Mac Case Can Tell You About Pa. Partnerships | the Legal Intellige
What the Fleetwood Mac Case Can Tell You About Pa. Partnerships | The Legal Intellige... Page 1 of 6 (/thelegalintelligencer/) Menu My Acco POWERED BY LAW.COM (/) Search (HTTPS://STORE.LAW.COM/REGISTRA (/thelegalintelligencer/search/) SOURCE=HTTPS%3A%2F% 2FTHELEGALINTELLIGENCER% 2FWHAT-THE-FLEETWOOD-MAC ABOUT-PA- Publications (/publications/) Law Topics (/topics/) Surveys & Rankings (/rankings/) Cases & Verdicts People & Community ROOMS FROM $34 BOOK NOW Commentary (/thelegalintelligencer/commentary/) What the Fleetwood Mac Case Can Tell You About Pa. Partnerships It’s official. The remaining major members of the renowned rock and roll band Fleetwood Mac, Mick Fleetwood, Stev Nicks, Christine McVie and John McVie, have gone their own way from bandmate Lindsey Buckingham. By Andrew J. DeFalco | November 20, 2018 at 04:02 PM Trending Stories +èÓ9Ô (http://www.almreprints.com) It’s official. The remaining major members of the 1 Meet the In-House National renowned rock and roll band Fleetwood Mac, Mick Women in Law Honorees Fleetwood, Stevie Nicks, Christine McVie and John (https://www.law.com/corpco the-in-house-national-women McVie, have gone their own way from bandmate in-law-honorees/) Lindsey Buckingham. According to Buckingham, after CORPORATE COUNSEL planning a world tour for 2018 and 2019, he was (/CORPCOUNSEL/) unceremoniously kicked out of the band, which will 2 Law Prof Who Exposed Big prevent him from earning an anticipated $12 million Law's Mandatory Arbitration Focus of Misconduct Probe cut of the proceeds from the tour. (https://www.law.com/2018/ prof-who-exposed-big-laws- Not surprisingly, Buckingham was peeved and saw mandatory-arbitration-is- focus-of-misconduct-probe/) Andrew J. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Arizona 500 2021 Final List of Songs
ARIZONA 500 2021 FINAL LIST OF SONGS # SONG ARTIST Run Time 1 SWEET EMOTION AEROSMITH 4:20 2 YOU SHOOK ME ALL NIGHT LONG AC/DC 3:28 3 BOHEMIAN RHAPSODY QUEEN 5:49 4 KASHMIR LED ZEPPELIN 8:23 5 I LOVE ROCK N' ROLL JOAN JETT AND THE BLACKHEARTS 2:52 6 HAVE YOU EVER SEEN THE RAIN? CREEDENCE CLEARWATER REVIVAL 2:34 7 THE HAPPIEST DAYS OF OUR LIVES/ANOTHER BRICK IN THE WALL PART TWO ANOTHER BRICK IN THE WALL PART TWO 5:35 8 WELCOME TO THE JUNGLE GUNS N' ROSES 4:23 9 ERUPTION/YOU REALLY GOT ME VAN HALEN 4:15 10 DREAMS FLEETWOOD MAC 4:10 11 CRAZY TRAIN OZZY OSBOURNE 4:42 12 MORE THAN A FEELING BOSTON 4:40 13 CARRY ON WAYWARD SON KANSAS 5:17 14 TAKE IT EASY EAGLES 3:25 15 PARANOID BLACK SABBATH 2:44 16 DON'T STOP BELIEVIN' JOURNEY 4:08 17 SWEET HOME ALABAMA LYNYRD SKYNYRD 4:38 18 STAIRWAY TO HEAVEN LED ZEPPELIN 7:58 19 ROCK YOU LIKE A HURRICANE SCORPIONS 4:09 20 WE WILL ROCK YOU/WE ARE THE CHAMPIONS QUEEN 4:58 21 IN THE AIR TONIGHT PHIL COLLINS 5:21 22 LIVE AND LET DIE PAUL MCCARTNEY AND WINGS 2:58 23 HIGHWAY TO HELL AC/DC 3:26 24 DREAM ON AEROSMITH 4:21 25 EDGE OF SEVENTEEN STEVIE NICKS 5:16 26 BLACK DOG LED ZEPPELIN 4:49 27 THE JOKER STEVE MILLER BAND 4:22 28 WHITE WEDDING BILLY IDOL 4:03 29 SYMPATHY FOR THE DEVIL ROLLING STONES 6:21 30 WALK THIS WAY AEROSMITH 3:34 31 HEARTBREAKER PAT BENATAR 3:25 32 COME TOGETHER BEATLES 4:06 33 BAD COMPANY BAD COMPANY 4:32 34 SWEET CHILD O' MINE GUNS N' ROSES 5:50 35 I WANT YOU TO WANT ME CHEAP TRICK 3:33 36 BARRACUDA HEART 4:20 37 COMFORTABLY NUMB PINK FLOYD 6:14 38 IMMIGRANT SONG LED ZEPPELIN 2:20 39 THE -
Hht Kicks Off Season Three with Tribute to Madonna
PRESS RELEASE – August 5, 2019 Susan Carrier (951) 551-5363 [email protected] STEVIE NICKS TRIBUTE HITS THE STAGE AT HHT On Saturday August 17th, the Historic Hemet Theatre will host a tribute to the iconic Stevie Nicks and the British-American rock band, Fleetwood Mac. During the 1970's, Fleetwood Mac became a music sensation, topping the record chart and winning awards around the world. Their 1978 album, Rumours, became the eighth-highest-selling album in history. As a member of Fleetwood Mac and as a solo artist, Stevie Nicks has produced over 40 top hits and sold more than 140 million records. This year, she became the first woman ever to be inducted into the Rock and Roll Hall of Fame twice (in 1998 with Fleetwood Mac and in 2019 as a solo artist). She has also been named one of the 100 Greatest Songwriters of All Time. Top hits by Fleetwood Mac and Stevie Nicks include, "Stop Dragging My Heart Around," "Leather and Lace," "Silver Springs," "Gold Dust Woman," "Talk to Me" and "Seventeen. The L.A. based band, GYPSY, performs a Tribute to Stevie Nicks and Fleetwood Mac that is a dynamic rock concert experience. The show includes elaborate costumes and captivating storytelling as well as world-class musicians fronted by the amazing vocals of Lisa McCormick. Even Stevie Nicks has remarked on the similarities between Lisa and herself. This concert replaces the Tribute to Tom Petty that was canceled due to a scheduling conflict. Patrons holding tickets to the Petty concert need to exchange their tickets as soon as possible to ensure availability for this show. -
Top 500 List 500. Go Your Own Way – Fleetwood Mac 499
Top 500 List 500. Go Your Own Way – Fleetwood Mac 499. Reach Out and I’ll Be There – Four Tops 498. Take It To The Limit – Eagles 497. Proud Mary – Creedance Clearwater 496. Too Late To Turn Back Now – Cornelius Bros. 495. Help Me, Rhonda – Beach Boys 494. Operator – Jim Croce 493. Let’s Spend The Night – Rolling Stones 492. One of a Kind Love Affair – Spinners 491. Lay Lady Lay – Bob Dylan 490. She’s Gone – Hall & Oats 489. Backstabbers – O’Jays 488. Sweet Talkin’ Woman – Elo 487. Black and White – Three Dog Night 486. Cracklin’ Rosie – Neil Diamond 485. How Sweet It Is – Marvin Gaye 484. Levon – Elton John 483. Love Will Find A Way – Pablo Cruise 482. My Cherie Amour – Stevie Wonder 481. Turn! Turn! Turn! – Byrds 480. Woman, Woman – Gary Puckett 479. Rock Your Baby – George McCrae 478. Moondance – Van Morrison 477. Photograph – Ringo Starr 476. Take Me In Your Arms – Doobie Brothers 475. Love Grows (Where My Rosemary Goes) – Edison Lighthouse 474. In My Life – Beatles 473. Bad Girls – Donna Summer 472. Only The Good Die Young – Billy Joel 471. You Wear It Well – Rod Stewart 470. But It’s Alright – J. J. Jackson 469. Jet Airliner – Steve Miller 468. No Time – Guess Who 467. Isn’t She Lovely – Stevie Wonder 466. Hello It’s Me – Todd Rundgren 465. O-O-H Child – Five Stairsteps 464. The Long and Winding Road – Beatles 463. Ain’t No Mountain High Enough – Marvin Gaye 462. Ruby Tuesday – The Rolling Stones 461. I Got My Mind Set On You – George Harrison 460. -
Some Advice for Phone-Addicted Youth Who Want To
The Roots Report: Look What’s Going Down: Artists have a duty to voice their opinions Okee dokee folks… “It’s s time we stop, hey, what’s that sound, everybody look what’s going down.” This is from one of the most famous protest songs ever written, “For What It’s Worth,” by Stephen Stills (Buffalo Springfield). It was written more than 50 years ago in response to the Sunset Strip curfew riots in California and is still revered as one of the best songs of that generation. A few years later, Neil Young wrote his song “Ohio” about the Kent State shootings. Crosby, Stills, Nash and Young quickly recorded this song, and when it was released as a single, it was backed with another Stephen Stills protest anthem “Find The Cost Freedom.” At the time, “Ohio” was banned by some radio stations, but today it is one of the few actual protest songs still being played on radio. These songs, the bands and the writers were major inspirations and influences for me as a musician and songwriter. Not only do I perform “Ohio” with my band Forever Young and “For What It’s Worth” when I play solo, but I have written many sociopolitical songs of my own that are part of my body of solo work. I feel protest songs need to be written, but they are the hardest type of song to get right. They need to express the concern and anger of the subject matter and marry it perfectly with a melody to make the song viable. -
MTO 21.1: Hough, Elements of Style in Stevie Nicks
Volume 21, Number 1, March 2015 Copyright © 2015 Society for Music Theory Elements of Style in Three Demo Recordings by Stevie Nicks Matthew T. Hough NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.15.21.1/mto.15.21.1.hough.php KEYWORDS: rock, pop, harmony, composition, Stevie Nicks, Fleetwood Mac ABSTRACT: This article examines demo recordings of three songs by Stevie Nicks in terms of compositional style and in relation to conventions of rock harmony. Sections from two of Nicks’ unreleased solo demo recordings are compared to publicly released versions of the same songs, revealing distinctive stylistic elements and their subsequent normalization. Compositional applications for rock music based on structural and contrapuntal techniques found in these demo recordings are also presented. Received January 2015 Introduction [1.1] Stephanie “Stevie” Nicks (b. 1948 in Phoenix, Arizona) is one of rock’s best known female performers of the last fifty years. Despite her many decades of fame, investigation into Nicks’ work as a composer remains scarce. This is perhaps not due to a lack of interest; her close association with numerous collaborators—most notably, guitarist Lindsey Buckingham and other members of the band Fleetwood Mac—often makes pinpointing Nicks’ individual compositional traits difficult. As released to the public, Nicks’ songs invariably contain significant contributions from these collaborators in the form of instrumental or vocal arrangements and production. Recently, examples of Nicks’ unreleased demo recordings have begun to appear on YouTube and various file-sharing sites. In many of these recordings, Nicks is heard singing and playing a keyboard instrument without additional accompaniment. -
Tom Petty and the Heartbreakers' Mike Campbell
Mike & Marcie Campbell Tom Petty and The Heartbreakers Mike Campbell and Wife Marcie ‘Won’t Back Down for the Animals’ By Melissa Maroff If life mirrors song, Mike Campbell “got lucky babe” when he found his wife Marcie. Before he went on to fame as lead guitarist for one of the world’s greatest rock bands, Tom Petty and The Heartbreakers, Mike met Marcie -- literally because of a dog. It was in 1974 at an LA Halloween party where Marcie brought her dog Medena; Mike mistakenly called Medena “Daisy,” the name of the host’s dog. Marcie had to set him straight -- and the rest as they say, is rock and roll history. “I connected with the dog and then found out the dog came with her,” Mike says. “If it weren’t for the dog, we probably wouldn’t have met.” And for two dog lovers it was “something very good from the get go,” they admit. After 34 years of marriage, the love is still strong, which is evident the minute you see them together. They compliment each other; both have a sense of humor, don’t take themselves too seriously and love their family, which extends to their animal family -- and other animals as well. Mike Campbell has a resume that speaks for itself. In addition to playing on and co- producing Tom Petty and The Heatbreakers albums and co-writing some of their biggest hits, he has also co-penned other classics like Stop Draggin’ My Heart Around (Petty’s duet with Stevie Nicks) and Don Henley’s iconic Boys of Summer, which ranks among Rolling Stone’s 500 Greatest Songs of All Time. -
John Lithgow ‑‑ "The Crown"
AWARD 1 Supporting Actor – Drama John Lithgow ‑‑ "The Crown" JOHN LITHGOW: Well, this is fantastic. I feel so lucky to have won this in the company of my fellow nominees. You guys, so many of you are my friends and former cast mates. I can congratulate all of you. Congratulations. You deserve this. "The Crown" just keeps on giving, and this is just the last of its gifts. Once again, I have to thank Peter Morgan, Stephen Daldry, Andy Harries, Ted Sarandos of Netflix, my reps, my wife, the magnificent English crew and company of actors led by the wonderful Claire Foy. (Applause.) But most of all, I have to thank Winston Churchill. In these crazy times, his life, even as an old man, reminds us what courage and leadership in government really looks like. I thank Winston Churchill. I thank the Academy. And I thank all of you.This is simply wonderful. AWARD 2 OUTSTANDING SUPPORTING ACTRESS IN A COMEDY SERIES KATE MCKINNON ‑ "SATURDAY NIGHT LIVE" KATE McKINNON: Yikes. Well, I can't ‑‑ thank you so much. Being part of this season of "Saturday Night Live" was the most meaningful thing that I will ever do. So I should probably just stop now. Thank you so much to Lorne Michaels for letting me be a part of this and for everything else in my life. Congratulations to our incredible cast, especially Vanessa, Leslie, and Alec. Love you all so much. Thank you to our crew and thank you to our amazing writers. It's all about the writing, you guys. -
A Band Together. but Who Knew We'd Find As Durable an Application Of
o R M D EVERY MUSICIAN KNOWS IT’s THE RHYTHM SECTION THAT HOLDS a band together. But who knew we’d find as durable an application of that maxim as the one exemplified by the history of Fleetwood Mac? & Over the last thirty years, Fleetwood Mac has comprised fifteen musicians shuffled through six major lineups, resulting in endless tin- kerings with tone and genre. Yet the two members to survive it all rarely write tunes and never front the recordings. They’re the beat- keepers - drummer Mick Fleetwood and bassist John Me Vie. The fact that a rhythm section could sustain a band through thirty years seems all the more amazing considering the traumatic histories of the band’s shifting array o f stage-front stars. Together, their personal lives have given rock one of its most elaborate and juicy plotlines. (L Religious conversions, spells o f madness, “incestuous” liaisons within the band, drug freak-outs, alleged brainwashings, imperson- Mick ^ stevie ations, everything short of murder have spun Nicks, John McVie, Christine McVie, Lindsey Fleetwood Mac’s legacy into a story worthy of Buckingham (from left) Scheherazade. & Musically the band has endured just as many twists, moving from blues to rockabilly to laid-back California folk rock - finally to bloom into purveyors of some of the most popular and endur- ing music of the Seventies. (L It all began humbly enough. In 1967, the B Y J I M FÄRBER The band in '69: Peter original foursome convened as arch Fame entrant, Santana). If that wasn’t enough, Rose also saw the Green, Fleetwood, Jeremy devotees of the blues, arriving in the band adding nineteen-year-old Danny Kirwan (who’d played in Spencer, Danny Kirwan, second wave of U.K. -
BIG LITTLE LIES Episode # 5
BIG LITTLE LIES Episode # 5 “Once Bitten” Written By David E. Kelley REVISED PAGE: 25. Based on the book: “Big Little Lies” by Liane Moriarty. © 2015 Home Box Office, Inc. ALL RIGHTS RESERVED. No portion of this script may be performed, published, reproduced, sold or distributed by any means, or quoted or published in any medium, including on any web site, without the prior written consent of Home Box Office. Distribution or disclosure of this material to unauthorized persons is prohibited. Disposal of this script copy does not alter any of the restrictions previously set forth. PRODUCTION DRAFT March 8, 2016 BLUE REVISION – 3/09/16 PINK REVISION – 3/13/2016 YELLOW REVISION – 3/28/16 GREEN REVISION – 3/30/16 GOLDENROD REVISION – 4/11/16 SALMON REVISION – 6-1-16 BLL – EP 5 – “Once Bitten” – BLUE REVISION – 03/09/16 CAST LIST MADELINE MARTHA MACKENZIE CELESTE WRIGHT JANE CHAPMAN PERRY WRIGHT ED MACKENZIE NATHAN CARLSON BONNIE CARLSON Renata Klein Gordon Klein Ziggy Chapman (minor) Chloe Mackenzie (minor) Amabella Klein (minor) Max Wright (minor) Josh Wright (minor) Abigail Carlson (minor) Skye Carlson (minor) Detective Adrienne Quinlan Principal Warren Nippal Ms. Emily Barnes Dr. Amanda Reisman Joseph Bachman Tori Bachman Dr. Megan Shapiro Dr. Scott Winslow Saxon Baker Gabrielle Harper Stimson Samantha Thea Cunningham Jackie * SONGS LIST: AVENUE Q – “FOR NOW” – CAST TALK TALK – “THE RAINBOW” VILLAGERS – “NOTHING ARRIVED” DEATH IN VEGAS – “HANDS AROUND MY THROAT” GOLEN BOY & MISS KITTIN – “RIPPIN’ KITTIN” JANIS JOPLIN – “BALL AND CHAIN” BLL – EP 5 – “Once Bitten” – GOLDENROD REVISION – 04/11/16 SETS LIST INTERIORS: OTTER BAY ELEMENTARY SCHOOL - PRINCIPAL NIPPAL’S OFFICE – MORNING MADELINE’S HOUSE - KITCHEN – DAY - BEDROOM – NIGHT - HALLWAY/STAIRCASE – NIGHT CELESTE’S HOUSE - KITCHEN – DAY & EVENING - MASTER BATHROOM – DAY - LIVING ROOM – DAY - HALL – DAY JANE’S TOWNHOUSE – NIGHT - KITCHEN – EVENING RENTATA’S HOUSE AMABELLA’S ROOM – DAY & NIGHT BONNIE’S HOUSE, LIVING ROOM – DAY CYPRESS COMMUNITY HOSPITAL - E.R.