1 Million Free and Legal Music Tracks
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Free C Ulture Forum
Free C ulture Free C ulture Forum March 23, 2006 11:30 am - 2:30 pm 450 Dodge Hall, Northeastern University PROGRAM Welcome Dani Capalbo NU Student, Class of 2010 Edward A. Warro Dean of Libraries Introduction of Panelists Marcus Breen Communication Studies Panelists Lawrence Lessig Derek Slater Nelson Pavlosky Will Wakeling Bios Additional Resources Lawrence Lawrence Lessig is a Professor of Law at Stanford Law School and founder of the school's The World Wide Web holds many examples of projects whose intent is to facilitate Center for Internet and Society. Prior to joining the Stanford faculty, he was the Berkman the sharing of ideas, scholarly research and creative works. Professor of Law at Harvard Law School and a Professor at the University of Chicago. He clerked for Judge Richard Posner on the 7th Circuit Court of Appeals and Justice Antonin Scalia on the United States Supreme Court. Professor Lessig represented web site operator Creative Commons (http://creativecommons.org/) is a nonprofit organization that Eric Eldred in the ground-breaking case Eldred v. Ashcroft, a challenge to the 1998 Sonny offers flexible copyright licenses for original works; creators may choose from a range Bono Copyright Term Extension Act. He has won numerous awards, including the Free of protections and freedoms. Software Foundation's Freedom Award, and was named one of Scientific American's Top 50 Visionaries, for arguing "against interpretations of copyright that could stifle innovation and Creative Commons Education (http://creativecommons.org/education/) helps with online discourse online." Professor Lessig is the author of Free Culture (2004), The Future of Ideas publishing of educational materials. -
The Student Newspaper Of
THE STUDENT NEWSPAPER OF NORTH CAROLINA STATE UNIVERSITY SINCE 1920 -—--o.— THURSDAY MN 2003 TECH. A www.technicianonline.com Raleigh, North Carolina Wolfpack Club receives Students ‘hip-hop’ to speak largest gift in history out Curtis and ]acl<ie Dail, residents of founded in 1936 with the goal of providing Students will hold “Hip Raleigh, contributed $5.2 million to the scholarships for NCSU student athletes repre- Hop against War and As/thgUnited Statespwpaw N. C. State Wolfimck Club. senting the university. Racism” tonight at 8 p. m. at)?“gar withmartyrsofficZZ It has been calculated that nearly 8,000 NCSU tbquestedthe backmgyfiNATO Andrea DeLeo athletes have been awarded scholarship assis— Carie Windham aga “w toi:NATO StaffReporter tance. This is in many thanks to the 15,000 gen— Assistant News Editor spokbstpanhlves Br 3”r“in,a}CECent re- erous donors offering their contributions each port,N§(5receiiiad a 55150531 from In December 2002, Bobby Purcell, executive di- year. On Friday, Defense Secretary the United' _ ”efferated discus- rector of the NC. State Student Aid Associa- The Wolfpack Club members are made up of Donald H. Rumsfield signed de— sions between NATO leaders and US. tion, announced that NCSU had received the a variety of people united by a common goal. ployment orders that sent over Deputy Defense Secretary Paul Wol- largest announced gift in the history of NCSU They are alumni, fans, athletes, students, par- 50,000 troops to Iraq— doubling fowitz. Athletics. ents and many other people who are commit- US. forces in the region. The United States has requested the Curtis and Jackie Dail, residents of Raleigh, ted to the importance of the future of NCSU On Saturday, thousands of use of NATO’s AWACS surveillance contributed $5.2 million. -
2010-11 Newsletter
East Asian Studies Department & Program Newsletter 2010-11 The newsletter of Princeton University’s East Asian Studies Department and Program is published annually by the East Asian Stud- ies Program and is also available online. Unless otherwise stated, all activities reported are sponsored and organized by the East Asian Studies Program or Department, either solely or in collaboration with other departments or programs on campus. News and comments are welcome and should be addressed to the Program Coordinator. Photo Credits: Changdok Palace, Seoul, title page, and other motifs from Korea pp. 2, 25 (Buddhist Stone Sculpture, Mt. Namsan, Kyungju) and p.32 by Joy Kim. Images from PII, pp.9-11 by Yukari Tokumasu. Boy with brush, p.13 and Martin Heijdra, p.39 by Stephen F. Teiser. Classroom, p.13 by Nick Admussen. Mountain in Baiyu County, Sichuan province, p.27 by Doug Gildow. 2nd century B.C. garment, p.34, Abegg-Foundation, Riggisberg, Switzerland, courtesy Dieter Kuhn. From the photo contest by the Office of International Programs: p.8: Lotus, Beijing, by Evangeline Lew ’10; p.10: Inheritance, Jishou, Hunan, by Astrid Struth ’11; p.12: 3 Gorges, Sichuan, Province by Jeff Tang ’09; p.13: Girl in Red, Beijing, by Veneka Chag- wedera ’09. Princeton University Art Museum, photos by Bruce M. White: p.6: Scenes from the Tale of Genji (Genji monogatari), Edo, Japanese. Museum purchase, Fowler McCormick, Class of 1921 Fund [y1993 7]; p.7: Striding dragon, Northern Wei, Chinese. Gift of Mrs. Albert E. McVitty [y1949 26]; p.40: A Book from the Sky, Xu Bing, Modern, Chinese. -
OVFF Program Book Final
October 23-25, 2020 GUEST OF HONOR MISBEHAVIN' MAIDENS TOASTMASTER TOM SMITH HONORED LISTENERS DENNIS, SHARON, & KAITLIN PALMER INTERFILK GUEST JAMES MAHFFEY THE BROUGHT TO YOU BY AND STAFF WITH THE HELP THE OVFF COMMITTEE OF THE FRIENDS PEGASUS Mary Bertke OF OVFF COMMITTEE Linnea Davis Halle Snyder Alan Dormire Chair Emily Vazquez- Mark Freeman Lorene Andrews Erica Neely, Doug Cottrill Coulson Lisa Garrison Nancy Graf Evangelista Lori Coulson Elizabeth Gabrielle Gold Gary Hartman Steve Macdonald Leslie Davis Wilson Jade Ragsdale Judi Miller Co-Evangelista Trace Seamus Ragsdale Mary Frost-Pierson Trace Hagemann Hagemann Lyn Spring J. Elaine Richards Steve Shortino Kathy Hamilton David Tucker Jeff Tolliver Rob Wynne Jim Hayter Sally Kobee Steve Macdonald BJ Mattson Robin Nakkula Erica Neely Mark Peters Kat Sharp Roberta Slocumb OVFF 36 page 1 Chairman’s Welcome Welcome to NoVFF 2020. This has You are among friends. Enjoy! Welcome from been a very trying year for everyone on planet Lin Davis Earth. It seems only fair that by holding our Virtual NoVFF Con we allow Filkers from around the world to attend. Since you cannot come to us, we are sending NoVFF 2020 to you. ConChair OVFF 36 Just sit back at your favorite electronic device and link to us. There will be a wonderful Pegasus Concert, workshops and other Filk delights. You will get a chance to see the guests for 2021. They have agreed to attend and play for all in 2021. Please pay attention to our logo for this year. Created by Kat Sharp, it shows what we want to do with the COVID 19 virus. -
The Dynamics of Legal and Illegal Digital Music Distribution Christian Syvertsen
Master thesis The dynamics of legal and illegal digital music distribution Christian Syvertsen 1 Preface This paper was written as a Master thesis in Informatics for Christian Syvertsen at the University of Oslo. The Master studies were started spring 2005, and the thesis is to be delivered November 2007. This Master thesis has been realized at the department of Information Systems at the Institute of Informatics at the University of Oslo, with great assistance and advice by supervisors Jennifer Blechar and Ole Hanseth. November 2007 University of Oslo, Department of Informatics Page 2 of 86 Master thesis The dynamics of legal and illegal digital music distribution Christian Syvertsen 2 Abstract In this thesis I give an overview and background of the current digital music landscape, analyse it through Actor Network Theory and see the complexity of the network as making it difficult to break down into less holistic parts. Every part of the network influences the other. As illegal downloads of illegally copyrighted music only increases, it seems apparent that the record industry have taken a wrong strategy. Copyright laws have been tightened, DRM systems have been applied and lawsuits have been made, but it seems that it has no decreasing effect on the illegal downloads. I believe what the record companies must to is to put more efforts into making a better legal music download service, that actually can offer a better product than the P2P networks, because then increasing numbers of users will prefer that legal alternative. But for something like this to be achieved, there is a long way to go. -
Thank God/ They're Free by Ana Rodriguez God
LEAGUE for Catholic rights forming P3 WATERFRONT place for sailors marks 1st P3 DANCING priests spread The the Gospel PI 3 Archdiococese of Miami Volume XXIII No. 4 January 23,1981 Price 25<t 'Thank God/ they're free By Ana Rodriguez God. They're free.' But how many of us Voice Staff Writer have literally knelt down to thank God? Thanking Him is more than just Tuesday, January 20, 1981. A day an expression. Ifs supposed to be a that will live forever in the hearts and prayer." minds of all Americans. And that's exactly what South Florida Thank God. They're free. Catholics were doing. That was the heartfelt cry, born of 14 Meanwhile, across the United States, months of waiting, agonizing, and Catholic bishops and clergymen of hoping only to have hopes dashed, other faiths also offered thanks and that rose first as a whispered prayer prayers to God. Several praised the ef- and later in the form of churchbells forts of former President Carter in pealing, car horns honking and sirens bringing the lenghtly crisis to a screaming, from the depths of people peaceful conclusion. all over the United States on that Pope John Paull II, in Rome, declared Tuesday afternoon. he was "profoundly pleased" with the THE IRANIAN captors, after what success of the negotiations and the seemed like one final maneuver freedom for the 52. designed to humiliate the United THE POPE went on to bless the freed States and prolong a nation's agony, former hostages and their families "in had released the 52 hostages they had the years ahead." been holding since November 4,1979. -
Review of the EU Copyright Framework
Review of the EU copyright framework European Implementation Assessment Review of the EU copyright framework: The implementation, application and effects of the "InfoSoc" Directive (2001/29/EC) and of its related instruments European Implementation Assessment Study In October 2014, the Committee on Legal Affairs (JURI) requested from the European Parliament Research Service (EPRS) an Ex Post Impact Assessment on Directive 2001/29/EC on the harmonisation of certain aspects of copyright and related rights in the information society (InfoSoc). This EPRS publication was originally commissioned in the context of JURI's own- initiative implementation report, which was adopted in Plenary in July 2015, Rapporteur Julia Reda MEP. However, it is also relevant to the work of JURI Committees' Working Group on Intellectual Property Rights and Copyright (CWG), chaired by Jean Marie Cavada MEP. Furthermore, this request was made in the wider context of the Commission's review of the EU legislative framework on copyright, and the ensuing legislative proposals, which have been a long time in the planning and which are now expected for the 4th quarter of 2015. The objective of these proposals is to modernise the EU copyright framework, and in particular the InfoSoc Directive, in light of the digital transformation. Accordingly, in response to the JURI request, the Ex-Post Impact Assessment Unit of the European Parliament Research Service decided to produce a "European Implementation Assessment on the review of the EU copyright framework". Implementation reports of EP committees are now routinely accompanied by European Implementation Assessments, drawn up by the Ex-Post Impact Assessment Unit of the Directorate for Impact Assessment and European Added Value, within the European Parliament's Directorate-General for Parliamentary Research Services. -
Illegal File Sharing
ILLEGAL FILE SHARING The sharing of copyright materials such as MUSIC or MOVIES either through P2P (peer-to-peer) file sharing or other means WITHOUT the permission of the copyright owner is ILLEGAL and can have very serious legal repercussions. Those found GUILTY of violating copyrights in this way have been fined ENORMOUS sums of money. Accordingly, the unauthorized distribution of copyrighted materials is PROHIBITED at Bellarmine University. The list of sites below is provided by Educause and some of the sites listed provide some or all content at no charge; they are funded by advertising or represent artists who want their material distributed for free, or for other reasons. Remember that just because content is free doesn't mean it's illegal. On the other hand, you may find websites offering to sell content which are not on the list below. Just because content is not free doesn't mean it's legal. Legal Alternatives for Downloading • ABC.com TV Shows • [adult swim] Video • Amazon MP3 Downloads • Amazon Instant Video • AOL Music • ARTISTdirect Network • AudioCandy • Audio Lunchbox • BearShare • Best Buy • BET Music • BET Shows • Blackberry World • Blip.fm • Blockbuster on Demand • Bravo TV • Buy.com • Cartoon Network Video • Zap2it • Catsmusic • CBS Video • CD Baby • Christian MP Free • CinemaNow • Clicker (formerly Modern Feed) • Comedy Central Video • Crackle • Criterion Online • The CW Video • Dimple Records • DirecTV Watch Online • Disney Videos • Dish Online • Download Fundraiser • DramaFever • The Electric Fetus • eMusic.com -
The Top 10 Open Source Music Players Scores of Music Players Are Available in the Open Source World, and Each One Has Something That Is Unique
For U & Me Overview The Top 10 Open Source Music Players Scores of music players are available in the open source world, and each one has something that is unique. Here are the top 10 music players for you to check out. verybody likes to use a music player that is hassle- Amarok free and easy to operate, besides having plenty of Amarok is a part of the KDE project and is the default music Efeatures to enhance the music experience. The open player in Kubuntu. Mark Kretschmann started this project. source community has developed many music players. This The Amarok experience can be enhanced with custom scripts article lists the features of the ten best open source music or by using scripts contributed by other developers. players, which will help you to select the player most Its first release was on June 23, 2003. Amarok has been suited to your musical tastes. The article also helps those developed in C++ using Qt (the toolkit for cross-platform who wish to explore the features and capabilities of open application development). Its tagline, ‘Rediscover your source music players. Music’, is indeed true, considering its long list of features. 98 | FEBRUARY 2014 | OPEN SOURCE FOR YoU | www.LinuxForU.com Overview For U & Me Table 1: Features at a glance iPod sync Track info Smart/ Name/ Fade/ gapless and USB Radio and Remotely Last.fm Playback and lyrics dynamic Feature playback device podcasts controlled integration resume lookup playlist support Amarok Crossfade Both Yes Both Yes Both Yes Yes (Xine), Gapless (Gstreamer) aTunes Fade only -
Sonos Connect:Amp
SONOS® CONNECT Product Guide THIS DOCUMENT CONTAINS INFORMATION THAT IS SUBJECT TO CHANGE WITHOUT NOTICE. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including but not limited to photocopying, recording, information retrieval systems, or computer network without the written permission of Sonos, Inc. SONOS and all other Sonos product names and slogans are trademarks or registered trademarks of Sonos, Inc. SONOS Reg. U.S. Pat. & Tm. Off. Sonos products may be protected by one or more patents. Our patent-to-product information can be found here: sonos.com/legal/patents iPhone®, iPod®, iPad® and iTunes® are trademarks of Apple Inc., registered in the U.S. and other countries. Windows® is a registered trademark of Microsoft Corporation in the United States and other countries. Android™ is a trademark of Google, Inc. MPEG Layer-3 audio decoding technology licensed from Fraunhofer IIS and Thomson. Sonos uses MSNTP software, which was developed by N.M. Maclaren at the University of Cambridge. © Copyright, N.M. Maclaren, 1996, 1997, 2000; © Copyright, University of Cambridge, 1996, 1997, 2000. All other products and services mentioned may be trademarks or service marks of their respective owners. August 2014 ©2004-2014 by Sonos, Inc. All rights reserved. SONOS CONNECT:AMP The SONOS CONNECT:AMP (formerly ZonePlayer 120) includes a built-in state-of-the-art digital amplifier that can power large or small speakers, allowing you to enjoy superior audio quality in every room. • Includes a multi-port Ethernet switch to enable direct connections to routers, computers, or other Sonos products. -
High Concept Music for Low Concept Minds
High concept music for low concept minds Music | Bittles’ Magazine: The music column from the end of the world: August/September New albums reviewed Part 1 Music doesn’t challenge anymore! It doesn’t ask questions, or stimulate. Institutions like the X-Factor, Spotify, EDM and landfill pop chameleons are dominating an important area of culture by churning out identikit pop clones with nothing of substance to say. Opinion is not only frowned upon, it is taboo! By JOHN BITTLES This is why we need musicians like The Black Dog, people who make angry, bitter compositions, highlighting inequality and how fucked we really are. Their new album Neither/Neither is a sonically dense and thrilling listen, capturing the brutal erosion of individuality in an increasingly technological and state-controlled world. In doing so they have somehow created one of the most mesmerising and important albums of the year. Music isn’t just about challenging the system though. Great music comes in a wide variety of formats. Something proven all too well in the rest of the albums reviewed this month. For instance, we also have the experimental pop of Georgia, the hazy chill-out of Nils Frahm, the Vangelis-style urban futurism of Auscultation, the dense electronica of Mueller Roedelius, the deep house grooves of Seb Wildblood and lots, lots more. Somehow though, it seems only fitting to start with the chilling reflection on the modern day systems of state control that is the latest work by UK electronic veterans The Black Dog. Their new album has, seemingly, been created in an attempt to give the dispossessed and repressed the knowledge of who and what the enemy is so they may arm themselves and fight back. -
RESEARCH NOTE Remix Culture: an Empirical Analysis of Creative Reuse
RESEARCH NOTE Remix culture: an empirical analysis of creative reuse and the licensing of digital media in online communities Giorgos Cheliotis (PI) School of Information Systems Singapore Management University 80 Stamford Road Singapore 178902 [email protected] Contributors Clint Mark Lumantao Gono, Ankit Guglani, Mike Linksvayer, Victor Stone, Warren Chik, and Giri Kumar Tayi January 10, 2007 This is a short description of work in progress, to communicate preliminary findings and to propose more research in this direction. Results will likely change as we continue to refine and extend the analysis. Abstract We explore the nature and impact of creative reuse in the production of digital media by ana- lyzing the output of an innovative online music sharing community, ccMixter. The dataset is of great significance because this is one of only a handful of online communities which do not only allow for the sharing of user-generated content, but also track the evolution of content af- ter it has been published online and encourage reuse of the content for the production of new works. All content on ccMixter is legally uploaded, copyrighted, and licensed under Creative Commons. Much has been written about the birth of a new “remix culture” on the Internet and how collaborative Web 2.0 technology has led to an explosion of user-generated content. But very little is known about the process of developing digital media in an open and collaborative fashion, the incentives of participating authors, and the outcomes of their actions. Based on our earlier studies of Creative Commons licensing [1] and the analysis of this unique online community we hope to shed more light on the structure and dynamics of such activities by pro- viding some of the first visualizations ever of large-scale remixing activity and presenting our preliminary findings.