Realization of Lord Jagannath
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Developing Sustainable Digital Libraries: Socio-Technical Perspectives
Developing Sustainable Digital Libraries: Socio-Technical Perspectives Tariq Ashraf University of Delhi, India Jaideep Sharma Indira Gandhi National Open University, India Puja Anand Gulati University of Delhi, India INFORMATION SCIENCE REFERENCE +HUVKH\1HZ<RUN Director of Editorial Content: Kristin Klinger Director of Book Publications: Julia Mosemann Acquisitions Editor: Lindsay Johnson Development Editor: Elizabeth Arder Typesetter: Gregory Snader Quality control: Jamie Snavely Cover Design: Lisa Tosheff Printed at: Yurchak Printing Inc. Published in the United States of America by Information Science Reference (an imprint of IGI Global) 701 E. Chocolate Avenue Hershey PA 17033 Tel: 717-533-8845 Fax: 717-533-8661 E-mail: [email protected] Web site: http://www.igi-global.com/reference Copyright © 2010 by IGI Global. All rights reserved. No part of this publication may be reproduced, stored or distributed in any form or by any means, electronic or mechanical, including photocopying, without written permission from the publisher. 3URGXFWRUFRPSDQ\QDPHVXVHGLQWKLVVHWDUHIRULGHQWL¿FDWLRQSXUSRVHVRQO\,QFOXVLRQRIWKHQDPHVRIWKHSURGXFWVRU companies does not indicate a claim of ownership by IGI Global of the trademark or registered trademark. Library of Congress Cataloging-in-Publication Data Developing sustainable digital libraries : socio-technical perspectives / Tariq Ashraf, Jaideep Sharma and Puja Anand Gulati, editors. p. cm. Includes bibliographical references and index. Summary: "This book provides tools to complement an organization's burgeoning information treasuries, exploring new frontiers by looking at social and economic aspects of digital libraries and their sustainability"-- Provided by publisher. ISBN 978-1-61520-767-1 ESBN 978-1-61520-768-8 1. Digital libraries. 2. Library materials--Digitization. 3. Digital preservation. 4. Digital divide. -
Bhagavata Purana
Bhagavata Purana The Bh āgavata Pur āṇa (Devanagari : भागवतपुराण ; also Śrīmad Bh āgavata Mah ā Pur āṇa, Śrīmad Bh āgavatam or Bh āgavata ) is one of Hinduism 's eighteen great Puranas (Mahapuranas , great histories).[1][2] Composed in Sanskrit and available in almost all Indian languages,[3] it promotes bhakti (devotion) to Krishna [4][5][6] integrating themes from the Advaita (monism) philosophy of Adi Shankara .[5][7][8] The Bhagavata Purana , like other puranas, discusses a wide range of topics including cosmology, genealogy, geography, mythology, legend, music, dance, yoga and culture.[5][9] As it begins, the forces of evil have won a war between the benevolent devas (deities) and evil asuras (demons) and now rule the universe. Truth re-emerges as Krishna, (called " Hari " and " Vasudeva " in the text) – first makes peace with the demons, understands them and then creatively defeats them, bringing back hope, justice, freedom and good – a cyclic theme that appears in many legends.[10] The Bhagavata Purana is a revered text in Vaishnavism , a Hindu tradition that reveres Vishnu.[11] The text presents a form of religion ( dharma ) that competes with that of the Vedas , wherein bhakti ultimately leads to self-knowledge, liberation ( moksha ) and bliss.[12] However the Bhagavata Purana asserts that the inner nature and outer form of Krishna is identical to the Vedas and that this is what rescues the world from the forces of evil.[13] An oft-quoted verse is used by some Krishna sects to assert that the text itself is Krishna in literary -
Srimad-Bhagavatam – Canto Five” by His Divine Grace A.C
“Srimad-Bhagavatam – Canto Five” by His Divine Grace A.C. Bhaktivedanta Swami Prabhupada. Summary: Srimad-Bhagavatam is compared to the ripened fruit of Vedic knowledge. Also known as the Bhagavata Purana, this multi-volume work elaborates on the pastimes of Lord Krishna and His devotees, and includes detailed descriptions of, among other phenomena, the process of creation and annihilation of the universe. His Divine Grace A.C. Bhaktivedanta Swami Prabhupada considered the translation of the Bhagavatam his life’s work. COPYRIGHT NOTICE: This is an evaluation copy of the printed version of this book, and is NOT FOR RESALE. This evaluation copy is intended for personal non-commercial use only, under the “fair use” guidelines established by international copyright laws. You may use this electronic file to evaluate the printed version of this book, for your own private use, or for short excerpts used in academic works, research, student papers, presentations, and the like. You can distribute this evaluation copy to others over the Internet, so long as you keep this copyright information intact. You may not reproduce more than ten percent (10%) of this book in any media without the express written permission from the copyright holders. Reference any excerpts in the following way: “Excerpted from “Srimad-Bhagavatam” by A.C. Bhaktivedanta Swami Prabhupada, courtesy of the Bhaktivedanta Book Trust International, www.Krishna.com.” This book and electronic file is Copyright 1975-2003 Bhaktivedanta Book Trust International, 3764 Watseka Avenue, Los Angeles, CA 90034, USA. All rights reserved. For any questions, comments, correspondence, or to evaluate dozens of other books in this collection, visit the website of the publishers, www.Krishna.com. -
Srimad-Bhagavatam – Canto Ten” by His Divine Grace A.C
“Srimad-Bhagavatam – Canto Ten” by His Divine Grace A.C. Bhaktivedanta Swami Prabhupada. Summary: Srimad-Bhagavatam is compared to the ripened fruit of Vedic knowledge. Also known as the Bhagavata Purana, this multi-volume work elaborates on the pastimes of Lord Krishna and His devotees, and includes detailed descriptions of, among other phenomena, the process of creation and annihilation of the universe. His Divine Grace A.C. Bhaktivedanta Swami Prabhupada considered the translation of the Bhagavatam his life’s work. COPYRIGHT NOTICE: This is an evaluation copy of the printed version of this book, and is NOT FOR RESALE. This evaluation copy is intended for personal non- commercial use only, under the “fair use” guidelines established by international copyright laws. You may use this electronic file to evaluate the printed version of this book, for your own private use, or for short excerpts used in academic works, research, student papers, presentations, and the like. You can distribute this evaluation copy to others over the Internet, so long as you keep this copyright information intact. You may not reproduce more than ten percent (10%) of this book in any media without the express written permission from the copyright holders. Reference any excerpts in the following way: “Excerpted from “Srimad-Bhagavatam” by A.C. Bhaktivedanta Swami Prabhupada, courtesy of the Bhaktivedanta Book Trust International, www.Krishna.com.” This book and electronic file is Copyright 1977-2003 Bhaktivedanta Book Trust International, 3764 Watseka Avenue, Los Angeles, CA 90034, USA. All rights reserved. For any questions, comments, correspondence, or to evaluate dozens of other books in this collection, visit the website of the publishers, www.Krishna.com. -
Bhagavad Gita
BHAGAVAD GITA The Global Dharma for the Third Millennium Chapter Ten Translations and commentaries compiled by Parama Karuna Devi Copyright © 2012 Parama Karuna Devi All rights reserved. Title ID: 4173075 ISBN-13: 978-1482548501 ISBN-10: 148254850X published by Jagannatha Vallabha Vedic Research Center phone: +91 94373 00906 E-mail: [email protected] Website: www.jagannathavallabha.com © 2011 PAVAN Correspondence address: PAVAN House Siddha Mahavira patana, Puri 752002 Orissa Chapter 10: Vibhuti yoga The Yoga of powers The word vibhuti contains many meanings, such as "powers", "opulences", "glories", "magic". Every living being has some of such "magic powers" - a special ability, or strength, or beauty - but not everyone has the same powers, or a power to an absolute degree. Among the materially embodied beings, such powers are always conditioned by circumstances and exhausted when they are used. Through the correct practice of yoga, a sadhaka can develop special vibhutis up to the level of siddhi ("perfection"), usually listed as being able to become extremely small (anima siddhi), extremely large (mahima siddhi), extremely light (laghima siddhi), reconfiguring the patterns of material atoms (vasitva siddhi), materializing things by attracting atoms from other places (prapti siddhi), controlling the minds of others (isitva siddhi), assuming any shape or form (kamavasayita siddhi), and manifesting all kinds of wonders (prakamya siddhi). Another of such powers consists in entering and controlling the body of another, living or dead (parakaya pravesa). Also, the knowledge of genuine yoga enables the serious sadhaka to control the material elements (such as fire, water, air etc), control the weather (call or dispel storms and lightning, bring or withhold rain, etc), travel in different dimensions and planets without any vehicle, call the dead back into their old body (usually temporarily), and so on. -
An Approach to Assam Vaishnavism in the Light of the Upanishads
An Approach to Assam Vaishnavism in the Light of the Upanishads Kali Charan Das It is an attempt to show in brief that Assam Vaishnavism of Srimanta Sankaradeva covers the main tenets of the major Upanishads and the teachings of the Bhagavata-purana and a few other Vedantic texts. The Bhagavad-Gita is said to be the essence of the Upanishads. In Assam Vaishnavism of Sankaradeva, the Bhagavata-purana has been acknowledged as the supreme scripture under various contexts:- cari veda astadasha purana yateka sastra parama vedanta Bhagavata Sanaka Sananda muni yoga jnana vicariya uddharila tara sara-tattva (Veda-stuti) The Bhagavata is the supreme Vedanta among the four Vedas, eighteen Puranas and other sastras. Sages Sanaka and Sananda in quest of yoga and knowledge discovered in it the essential truth. Samasta vedanta sara mahabhagavata sastra (Nama-ghosa) The Bhagavata-sastra is the essence of all the Vedantas. It is also called the crown jewel of all religious scriptures (sarva sruti siro-ratna). Besides the Bhagavata-purana, Sankaradeva and Madhavadeva appear to have collected certain elements from certain other Puranas like Padma-purana, Vishnu-purana, etc. The teachings of the Bhagavad-Gita have no less influence on the teachings and writings of the two great propounders of Assam Vaishnavism. Madhavadeva, the author of Nama-ghosa, has translated some of the verses of the Gita and written in praise of the Gita also:- sarvopanisado gavo dogdha gopalanandanah, partho vatsah sudhirbhokta dugdham gitamrtam mahat (Gita-mahatmya) sakala upanisada dhenu / dogdha bhaila tana nandasuta tara vatsa bhaila kuntisuta dhananjaya dugdha bhaila maha gitamrita / Krisnara carane diya citta subuddhi sakale santose pan karaya (668, Nama-ghosa) All the Upanisads are, as it were, the cows, the milkman is Lord Krishna, the son of Nanda, and Dhananjaya, the son of Kunti, is the calf and the sacred Gita, the nectar-like milk and the noble devotees drink into their heart’s content keeping their inmost being at the feet of Krishna. -
The Gitagovinda in the History of Shree Jagannath Temple
Orissa Review * May - 2007 The Gitagovinda in the History of Shree Jagannath Temple Ajit Kumar Tripathy The Gitagovinda of Jayadeva, divinely adorned Ganga emperor Ananga Bhimadeva-II (1211 and devotionally oriented, acquires a unique place A.D. - 1228 A.D), the rituals and services of among the famous scriptures of the world. As a Lord Jagannath were performed by a number of sublime and spontaneous display of devotional functionaries (sevakas). Their duties, rights and romantic poetry centring around love episodes responsibilities had been codified. The sevakas of Radha and Krsna, it was the first of its kind to belonged to different castes and were all more or be included in the ritual service of Lord Jagannath less equal in importance in relation to Lord as an essential component of worship. Besides Jagannath. They were inter-dependent and were its scholastic value, its sweet flow and the intensely mutually connected by a vast network of rituals musical verses have attracted the attention and and services. As the worship of the lord was spontaneous regard of millions of people through conducted by 36 different communities, it was centuries. The singing of the Gitagovinda termed as Chhatisa niyoga. This niyoga or alongwith the accompaniment of music and lovely collective service comprised of three classes or dance of the devadasi in the Srimandira was the divisions. These were : most fascinating daily service of Lord Jagannath, (i) Pratihari Niyoga which had attracted many devotees from all parts (ii) Suara and Mahasuar Niyoga and of India. (iii) Bhitarachhu Niyoga In the absence of authentic historical evidence, it is difficult to say whether there It was the responsibility of the already existed specific arrangements for representative of a niyoga to supervise the conduct of worship of Lord Jagannath. -
Year IV-Chap.3A-BHAGAVATAM
CHAPTER THREE Krishna in BHAGAVATAM Year IV Chapter 3-BHAGAVATAM BHAGAVATAM Bhagavatam describes the life of Sri Krishna said in the tenth chapter of Bhagavata Purana. The Purana (all eighteen Puranas) is written by Sage Vyasa and is narrated by his son Shukadeva to Pareekshit, the grandson of Arjuna. Balarama (Rama the strong), the elder brother of Sri Krishna is the eighth incarnation and Krishna (one who is dark in complexion), who is very popular, is the ninth incarnation of Lord Vishnu. They were born towards the end of Dwapara yuga to rid the world from the arrogant and unrighteous kings and asuras. (Krishna is the great expounder of the ‘Song Celestial,’ the Bhagavad Gita.) Mother Earth burdened with sinners took refuge in Brahma in the form of a cow. Brahma in turn prayed to Lord Vishnu. In response to the prayers, Vishnu and Adishesha (another aspect of Vishnu; the serpent on which Vishnu rests) incarnated as Krishna and Balarama in the Yadu house, as the sons of Vasudeva & Devaki and all the devas incarnated as their kith and kin to aid them in their mission. KRISHNA and BALARAMA’S BIRTH Vasudeva was a Yadava prince and son of Shura who ruled Shurasena; and Devaki was the niece of King Ugrasena who ruled Mathura. They got married. Later, when Ugrasena’s son Kamsa affectionately took the reins of the couple’s chariot to drive them to the house of Vasudeva, a voice from the heavens said: “O foolish Kamsa, the eighth child of this very woman will slay you.” Furious Kamsa seized Devaki by the hair and raised his sword to bring it down on her. -
Puranas in Brief Description © 2017 IJSR Received: 01-05-2017 Sailaja Kaipa Accepted: 02-06-2017 1
International Journal of Sanskrit Research 2017; 3(4): 01-04 International Journal of Sanskrit Research2015; 1(3):07-12 ISSN: 2394-7519 IJSR 2017; 3(4): 01-04 Puranas in brief description © 2017 IJSR www.anantaajournal.com Received: 01-05-2017 Sailaja Kaipa Accepted: 02-06-2017 1. Introduction Sailaja Kaipa Sri Venkatesvara University, The Puranas form a very important branch of the sacred literature of India. They enable us to Tirupati, Andhra Pradesh, India know the true purpose of the ethics, philosophy and religion of Vedas. They are the frameworks of the Dharma-Satras, without which the life force of the Vedas cannot function with effect. The Puranas were written, according to Indian Tradition, with the object of the popularizing the Truths, Taught in the Vedas. These Truths are presented in relation to specific personages and to the events of their Lives. The Puranas describe the Historic evolution of the Mankind in course of time. They describe the eternal cycle of the Creation, Destruction and Recreation of the world, which constitute a fundamental concept in all the Puranas. Besides the Puranas reflect in detail the contemporary Life and Thought of the Society. Thus they largely have moulded the public life, Belief, Conduct and Ideal for centuries and have contributed a great deal in bringing about Religious Harmony and understand among the various sections of the Hindu Society. The Puranas afford us for greater Insight into all aspects and phases of Development in the Hinduism like mythology, Idol-worship, Superstitions, Festivals, Ceremonies and ethics. Some scholars say that the Puranas are sectarian and have contradictory in Character. -
Theology, Artistic Cultures and Environmental Transformation in Early Modern Braj, C
South Asia: Journal of South Asian Studies ISSN: 0085-6401 (Print) 1479-0270 (Online) Journal homepage: http://www.tandfonline.com/loi/csas20 Hydroaesthetics in the Little Ice Age: Theology, Artistic Cultures and Environmental Transformation in Early Modern Braj, c. 1560–70 Sugata Ray To cite this article: Sugata Ray (2016): Hydroaesthetics in the Little Ice Age: Theology, Artistic Cultures and Environmental Transformation in Early Modern Braj, c. 1560–70, South Asia: Journal of South Asian Studies, DOI: 10.1080/00856401.2016.1208320 To link to this article: http://dx.doi.org/10.1080/00856401.2016.1208320 Published online: 05 Aug 2016. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=csas20 Download by: [Sugata Ray] Date: 05 August 2016, At: 07:40 SOUTH ASIA: JOURNAL OF SOUTH ASIAN STUDIES, 2016 http://dx.doi.org/10.1080/00856401.2016.1208320 ARTICLE Hydroaesthetics in the Little Ice Age: Theology, Artistic Cultures and Environmental Transformation in Early Modern Braj, c. 1560À70 Sugata Ray The History of Art Department, University of California, Berkeley, CA, USA ABSTRACT KEYWORDS Examining the visual tactics of framing flowing water in landscape Aesthetics; architecture; early painting and riparian architecture in Braj, a pilgrimage centre in modern; eco art history; North India where the god Krishna is believed to have spent his ecology; Hinduism; painting; youth, the essay foregrounds a new conception of hydroaesthetics pilgrimage; Vaishnavism; Yamuna that emerged with the onset of the Little Ice Age (c. 1550À1850), a climatic period marked by catastrophic droughts and famines in South Asia. -
Journal of Indian History and Culture ISSN: 0975 - 7805 JOURNAL OF
Journal of Indian History and Culture ISSN: 0975 - 7805 JOURNAL OF INDIAN HISTORY AND CULTURE September 2019 Twenty Fifth Issue C.P. RAMASWAMI AIYAR INSTITUTE OF INDOLOGICAL RESEARCH (affiliated to the University of Madras) The C.P. Ramaswami Aiyar Foundation 1 Eldams Road, Chennai 600 018, INDIA Journal of Indian History and Culture Editor : Dr. G. J. Sudhakar Editorial Board Dr. Nanditha Krishna Dr. K.V. Raman Dr. V. Mohan Dr. G. Balaji Dr. V. Sandhiyalakshmi Published by Dr. Nanditha Krishna C.P.Ramaswami Aiyar Institute of Indological Research The C.P. Ramaswami Aiyar Foundation 1 Eldams Road Chennai 600 018 Tel : 2434 1778 E-Mail: [email protected] / [email protected] Website: www.cprfoundation.org Layout Design : R. Sathya Narayanan Subscription Rs. 150/- (for 1 issue) Rs. 290/- (for 2 issues) Journal of Indian History and Culture CONTENTS 1 Preservation and Conservation of Archival Materials at the Library of C. P. Ramaswami Aiyar Institute of Indological Research - Nanditha Krishna 1 2 Archaeological and Epigraphic evidence of early Vasudeva-Krishna worship - Meenakshi Jain 13 3 Early Icons of Agni - V. Sandiyalakshmi 31 4 Romance, Escape and Divine Rewards: Popularisatīon of Satī in Early India, as echoed in the Sanskrit Texts - Benudhar Patra & Punit 49 5 Sources for Early Āndhradēsa - D. Mercy Ratna Rani 65 6 Coinage in Ancient India – As Gleaned From Sanskrit Literature - V. Yamuna Devi 94 7 The Concept of Ardhanarisvara with special reference to Tamil Literature - T. Kausalya Kumari 104 Journal of Indian History and Culture 8 Advaita and Problems in Indian Metaphysics - Godabarisha Mishra 115 9 Colonial Despotism and British Judicial Intervention in the Bengal Presidency, 1772-1798 - Om Prakash 133 10 Porto Novo Iron Works- Retelling the Story of a Failed Industrial Enterprise of 19th Century Madras and its Impact - Dolly Thomas 157 11 Hisory of the New Architecture of Colonial Madras - G. -
Poems-In-Praise-Of-Kirtan.Pdf
Poems in Praise of Kirtan 27 Songs for Meditation by the 19th-Century Bhakti Mystic Bhaktivinoda Thakura edited by PRANADA COMTOIS In Praise of Kirtan 27 Songs for Meditation by the 19th-Century Bhakti-Mystic Bhaktivinoda Thakura The Bengali poem-songs (bhajans) in this book were composed by Bhaktivinoda Thakura (born Kedarnath Datta) [2 September 1838 – 23 June 1914], a bhakti sage and kirtaniyer of the 19th century. He was a highly placed government official in British-ruled India who was a leading philosopher of the Bengali Renaissance. Though Bhaktivinoda Thakura had fourteen children with his wife, Bhagavati, and had important government service, he was not only a prolific poet, he also wrote over one hundred books, both fiction and nonfiction, including major treatises. In the bhajans in this book, you’ll hear the Thakura’s love of kirtan and his deep feeling for the Holy Names, or the Hare Krishna maha-mantra. Within these gems of his poetry are the philosophical foundations that form the bedrock of kirtan. In fact, the essence of all of Vedanta, including the Upanishads, Puranas, and Bhagavad Gita are contained in the Thakura’s poetry. By entering into the meaning of these bhajans one can begin to glimpse the genuine feeling, or bhava, of bhakti and be transported into the spiritual realm. Bhaktivinoda Thakura’s bhajans are my favorite way of giving expression to my own deepest spiritual longings – especially when I have passed through dark spiritual nights. Sometimes I recited the English translations of one of the Thakura’s songs and meditated on it throughout the day.