Mass Killings Sweep Across East Timor
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Surrealist Painting in Yogyakarta Martinus Dwi Marianto University of Wollongong
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 1995 Surrealist painting in Yogyakarta Martinus Dwi Marianto University of Wollongong Recommended Citation Marianto, Martinus Dwi, Surrealist painting in Yogyakarta, Doctor of Philosophy thesis, Faculty of Creative Arts, University of Wollongong, 1995. http://ro.uow.edu.au/theses/1757 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] SURREALIST PAINTING IN YOGYAKARTA A thesis submitted in fulfilment of the requirements for the award of the degree DOCTOR OF PHILOSOPHY from UNIVERSITY OF WOLLONGONG by MARTINUS DWI MARIANTO B.F.A (STSRI 'ASRT, Yogyakarta) M.F.A. (Rhode Island School of Design, USA) FACULTY OF CREATIVE ARTS 1995 CERTIFICATION I certify that this work has not been submitted for a degree to any other university or institution and, to the best of my knowledge and belief, contains no material previously published or written by any other person, except where due reference has been made in the text. Martinus Dwi Marianto July 1995 ABSTRACT Surrealist painting flourished in Yogyakarta around the middle of the 1980s to early 1990s. It became popular amongst art students in Yogyakarta, and formed a significant style of painting which generally is characterised by the use of casual juxtapositions of disparate ideas and subjects resulting in absurd, startling, and sometimes disturbing images. In this thesis, Yogyakartan Surrealism is seen as the expression in painting of various social, cultural, and economic developments taking place rapidly and simultaneously in Yogyakarta's urban landscape. -
Guide to the Asian Collections at the International Institute of Social History
Guide to the Asian Collections at the International Institute of Social History Emile Schwidder & Eef Vermeij (eds) Guide to the Asian Collections at the International Institute of Social History Emile Schwidder Eef Vermeij (eds) Guide to the Asian Collections at the International Institute of Social History Stichting beheer IISG Amsterdam 2012 2012 Stichting beheer IISG, Amsterdam. Creative Commons License: The texts in this guide are licensed under the terms of the Creative Commons Attribution-Noncommercial 3.0 license. This means, everyone is free to use, share, or remix the pages so licensed, under certain conditions. The conditions are: you must attribute the International Institute of Social History for the used material and mention the source url. You may not use it for commercial purposes. Exceptions: All audiovisual material. Use is subjected to copyright law. Typesetting: Eef Vermeij All photos & illustrations from the Collections of IISH. Photos on front/backcover, page 6, 20, 94, 120, 92, 139, 185 by Eef Vermeij. Coverphoto: Informal labour in the streets of Bangkok (2011). Contents Introduction 7 Survey of the Asian archives and collections at the IISH 1. Persons 19 2. Organizations 93 3. Documentation Collections 171 4. Image and Sound Section 177 Index 203 Office of the Socialist Party (Lahore, Pakistan) GUIDE TO THE ASIAN COLLECTIONS AT THE IISH / 7 Introduction Which Asian collections are at the International Institute of Social History (IISH) in Amsterdam? This guide offers a preliminary answer to that question. It presents a rough survey of all collections with a substantial Asian interest and aims to direct researchers toward historical material on Asia, both in ostensibly Asian collections and in many others. -
PAYING for PROTECTION the Freeport Mine and the Indonesian Security Forces
global witness PAYING FOR PROTECTION The Freeport mine and the Indonesian security forces A report by Global Witness July 2005 2 Paying for Protection Contents Paying for Protection: an overview . 3 Soeharto’s Indonesia . 7 Freeport in Papua . 9 “False and irrelevant” versus “almost hysterical denial”: Freeport and the investors . 12 Box: The ambush of August 2002 . 16 The “Freeport Army” . 18 Box: What Freeport McMoRan said ... and didn’t say . 19 General Simbolon’s dinner money . 21 Box: Mahidin Simbolon in East Timor and Papua . 23 Paying for what exactly? . 27 From individuals to institutions? . 28 Building better communities . 28 Paying for police deployments? . 29 Conclusion . 30 Box: Transparency of corporate payments in Indonesia . 30 Box: What Rio Tinto said ... and didn’t say . 33 References . 35 Global Witness wishes to thank Yayasan HAK, a human rights organisation of Timor Leste, for its help with parts of this report. Cover photo: Beawiharta/Reuters/Corbis Global Witness investigates and exposes the role of natural resource exploitation in funding conflict and corruption. Using first-hand documentary evidence from field investigations and undercover operations, we name and shame those exploiting disorder and state failure. We lobby at the highest levels for a joined-up international approach to manage natural resources transparently and equitably. We have no political affiliation and are non-partisan everywhere we work. Global Witness was co-nominated for the 2003 Nobel Peace Prize for our work on conflict diamonds. ISBN 0-9753582-8-6 This report is the copyright of Global Witness, and may not be reproduced in any form without the written permission of the organisation, except by those who wish to use it to further the protection of human rights and the environment. -
Documents from the Indonesian Ad Hoc Tribunal for East Timor
Documents from the Indonesian Ad Hoc Tribunal for East Timor Judgment Defendant Eurico Guterres Indonesian Ad Hoc Tribunal Judgment of Eurico Guterres JUDGMENT NO. 04/PID.HAM/AD.HOC/2002/PH.JKT.PST. "FOR JUSTICE BASED ON THE ONE AND ONLY GOD" Human Rights Ad Hoc Court at Central Jakarta District Human Rights Court, presided and ruled over the criminal case at the first instance of Grave Human Rights violations in East Timor, according to regular procedure had pronounced the judgment as stated in court order under the case of the Defendant: N a m e : EURICO GUTERRES Place of Birth : Vatolari Age/Date of Birth : 28 years/July 17, 1974 Sex : Male Nationality : Indonesian Address : Jln. W.R. Monginsidi III/5 Kupang Religion : Catholic Occupation : Former Deputy Commander of Pro-Integration Forces (PPI) The Defendant has not been detained. The Defendant, defended by his Lawyer Team: SUHARDI SOMOMOELJONO, S.H. et.al., based on Specific Letter of Power of Attorney (Surat Kuasa Khusus) dated on June 26, 2002: The Human Rights Ad Hoc Court; After reading files related to the case; After reading the Chairman of Human Rights Ad Hoc Court Central Jakarta Decree No.04/PID.HAM/AD.HOC/2002/PH.JKT.PST., dated on June 3, 2002, concerning the appointment of the Judge Panel who presides and rules over the case; After reading the Chairman of Human Rights Ad Hoc Court Central Jakarta Decree No.04/PID.HAM/AD.HOC/2002/PH.JKT.PST., dated on June 20, 2002, concerning the decision on the trial day; After hearing the indicment letter read by the Ad Hoc Prosecuting Attorney, No. -
Reconceptualising Ethnic Chinese Identity in Post-Suharto Indonesia
Reconceptualising Ethnic Chinese Identity in Post-Suharto Indonesia Chang-Yau Hoon BA (Hons), BCom This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Social and Cultural Studies Discipline of Asian Studies 2006 DECLARATION FOR THESES CONTAINING PUBLISHED WORK AND/OR WORK PREPARED FOR PUBLICATION This thesis contains sole-authored published work and/or work prepared for publication. The bibliographic details of the work and where it appears in the thesis is outlined below: Hoon, Chang-Yau. 2004, “Multiculturalism and Hybridity in Accommodating ‘Chineseness’ in Post-Soeharto Indonesia”, in Alchemies: Community exChanges, Glenn Pass and Denise Woods (eds), Black Swan Press, Perth, pp. 17-37. (A revised version of this paper appears in Chapter One of the thesis). ---. 2006, “Assimilation, Multiculturalism, Hybridity: The Dilemma of the Ethnic Chinese in Post-Suharto Indonesia”, Asian Ethnicity, Vol. 7, No. 2, pp. 149-166. (A revised version of this paper appears in Chapter One of the thesis). ---. 2006, “Defining (Multiple) Selves: Reflections on Fieldwork in Jakarta”, Life Writing, Vol. 3, No. 1, pp. 79-100. (A revised version of this paper appears in a few sections of Chapter Two of the thesis). ---. 2006, “‘A Hundred Flowers Bloom’: The Re-emergence of the Chinese Press in post-Suharto Indonesia”, in Media and the Chinese Diaspora: Community, Communications and Commerce, Wanning Sun (ed.), Routledge, London and New York, pp. 91-118. (A revised version of this paper appears in Chapter Six of the thesis). This thesis is the original work of the author except where otherwise acknowledged. -
Martial Arts from Wikipedia, the Free Encyclopedia for Other Uses, See Martial Arts (Disambiguation)
Martial arts From Wikipedia, the free encyclopedia For other uses, see Martial arts (disambiguation). This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (November 2011) Martial arts are extensive systems of codified practices and traditions of combat, practiced for a variety of reasons, including self-defense, competition, physical health and fitness, as well as mental and spiritual development. The term martial art has become heavily associated with the fighting arts of eastern Asia, but was originally used in regard to the combat systems of Europe as early as the 1550s. An English fencing manual of 1639 used the term in reference specifically to the "Science and Art" of swordplay. The term is ultimately derived from Latin, martial arts being the "Arts of Mars," the Roman god of war.[1] Some martial arts are considered 'traditional' and tied to an ethnic, cultural or religious background, while others are modern systems developed either by a founder or an association. Contents [hide] • 1 Variation and scope ○ 1.1 By technical focus ○ 1.2 By application or intent • 2 History ○ 2.1 Historical martial arts ○ 2.2 Folk styles ○ 2.3 Modern history • 3 Testing and competition ○ 3.1 Light- and medium-contact ○ 3.2 Full-contact ○ 3.3 Martial Sport • 4 Health and fitness benefits • 5 Self-defense, military and law enforcement applications • 6 Martial arts industry • 7 See also ○ 7.1 Equipment • 8 References • 9 External links [edit] Variation and scope Martial arts may be categorized along a variety of criteria, including: • Traditional or historical arts and contemporary styles of folk wrestling vs. -
Identity, Minority, and the Idea of a Nation: a Closer Look at Frieda (1951) by Dr
Vol. 1 Journal of Korean and Asian Arts SPRING 2020 Identity, Minority, and the Idea of a Nation: a Closer Look at Frieda (1951) by Dr. Huyung Umi Lestari / Universitas Multimedia Nusantara 【Abstract】 The discourse on film nasional (national film) in Indonesia always started by bringing up Darah dan Doa (1950, Blood and Prayer) as the foundation of the Indonesian film industry. The prominent film historian, Misbach Yusa Biran, stated that Darah dan Doa was produced with national consciousness value. The legacy of Darah dan Doa was not only neglecting the role of filmmakers from pre-Independence in Indonesia but also the role of other filmmakers during the 1950s, including Dr. Huyung. Previously, Dr. Huyung (Hinatsu Eitaro /Hŏ Yŏng) came from Korea and became a supporter of Imperial Japan during World War II. After Indonesia gained her independence, Huyung joined Berita Film Indonesia and became a film teacher at the Cine Drama Institute and Kino Drama Atelier. It was there that they then went on to make Frieda (1951), Bunga Rumah Makan (1951, The Flower of the Restaurant), Kenangan Masa (1951, Memories of the Past), and Gadis Olahraga (1951, the Sportswoman). This article discusses 'unity in diversity', a concept in filmmaking that was started by Huyung in 1949. When discussing Darah and Doa as the first film nasional, people forget that the film is driven from the military perspective. Meanwhile, Huyung tried to represent an ethnic minority in Frieda and showing that the ordinary people and the intellectuals also shaped the nation. Based on his experience in the Japanese army and Berita Film Indonesia, Huyung understood that film was very useful in achieving the goals of the state apparatus, due to the cinema's ability to spread nationalism. -
Timor-Leste's Veterans
Update Briefing Asia Briefing N°129 Dili/Jakarta/Brussels, 18 November 2011 Timor-Leste’s Veterans: An Unfinished Struggle? not solved the problem. Judgment on difficult cases has I. OVERVIEW been deferred based on a belief that fraudulent claims will be revealed through denunciation once the lists are pub- More than ten years after the formation of Timor-Leste’s lished. Even with the option to appeal, new discontent is army and the demobilisation of the guerrilla force that being created that will require mediation. fought for independence, the struggle continues about how to pay tribute to the veterans. The increasingly wealthy state Beyond cash benefits, there are two areas where veterans’ has bought off the threat once posed by most dissidents demands for greater influence will have to be checked. The with an expensive cash benefits scheme and succeeded in first is the scope and shape of a proposed veterans’ council, engaging most veterans’ voices in mainstream politics. This whose primary role will be to consult on benefits as well approach has created a heavy financial burden and a com- as to offer a seal of institutional legitimacy. Some veterans plicated process of determining who is eligible that will hope it will be given an advisory dimension, allowing them create new tensions even as it resolves others. A greater to guide government policy and cementing their elite sta- challenge lies in containing pressures to give them dispro- tus. Such a broad role looks unlikely but the illusion that portionate political influence and a formal security role. veterans might be given more influence has likely in- A careful balance will need to be struck between paying creased the government’s appeal in advance of elections homage to heroes while allowing a younger generation of next year. -
Update Briefing Asia Briefing N°129 Dili/Jakarta/Brussels, 18 November 2011 Timor-Leste’S Veterans: an Unfinished Struggle?
Update Briefing Asia Briefing N°129 Dili/Jakarta/Brussels, 18 November 2011 Timor-Leste’s Veterans: An Unfinished Struggle? not solved the problem. Judgment on difficult cases has I. OVERVIEW been deferred based on a belief that fraudulent claims will be revealed through denunciation once the lists are pub- More than ten years after the formation of Timor-Leste’s lished. Even with the option to appeal, new discontent is army and the demobilisation of the guerrilla force that being created that will require mediation. fought for independence, the struggle continues about how to pay tribute to the veterans. The increasingly wealthy state Beyond cash benefits, there are two areas where veterans’ has bought off the threat once posed by most dissidents demands for greater influence will have to be checked. The with an expensive cash benefits scheme and succeeded in first is the scope and shape of a proposed veterans’ council, engaging most veterans’ voices in mainstream politics. This whose primary role will be to consult on benefits as well approach has created a heavy financial burden and a com- as to offer a seal of institutional legitimacy. Some veterans plicated process of determining who is eligible that will hope it will be given an advisory dimension, allowing them create new tensions even as it resolves others. A greater to guide government policy and cementing their elite sta- challenge lies in containing pressures to give them dispro- tus. Such a broad role looks unlikely but the illusion that portionate political influence and a formal security role. veterans might be given more influence has likely in- A careful balance will need to be struck between paying creased the government’s appeal in advance of elections homage to heroes while allowing a younger generation of next year. -
Sag E Arts Unlimited Martial Arts & Fitness Training
Sag e Arts Unlimited Martial Arts & Fitness Training Grappling Intensive Program - Basic Course - Sage Arts Unlimited Grappling Intensive Program - Basic Course Goals for this class: - To introduce and acclimate students to the rigors of Grappling. - To prepare students’ technical arsenal and conceptual understanding of various formats of Grappling. - To develop efficient movement skills and defensive awareness in students. - To introduce students to the techniques of submission wrestling both with and without gi’s. - To introduce students to the striking aspects of Vale Tudo and Shoot Wrestling (Shooto) and their relationship to self-defense, and methods for training these aspects. - To help students begin to think tactically and strategically regarding the opponent’s base, relative position and the opportunities that these create. - To give students a base of effective throws and breakfalls, transitioning from a standing format to a grounded one. Class Rules 1. No Injuries 2. Respect your training partner, when they tap, let up. 3. You are 50% responsible for your safety, tap when it hurts. 4. An open mind is not only encouraged, it is mandatory. 5. Take Notes. 6. No Whining 7. No Ego 8. No Issues. Bring Every Class Optional Equipment Notebook or 3-ring binder for handouts and class notes. Long or Short-sleeved Rashguard Judo or JiuJitsu Gi and Belt Ear Guards T-shirt to train in (nothing too valuable - may get stretched out) Knee Pads Wrestling shoes (optional) Bag Gloves or Vale Tudo Striking Gloves Mouthguard Focus Mitts or Thai Pads Smiling Enthusiasm and Open-mindedness 1 Introduction Grappling Arts from around the World Nearly every culture has its own method of grappling with a unique emphasis of tactic, technique and training mindset. -
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M. ISA SULAIMAN and GERRY VAN KLINKEN The rise and fall of governor Puteh This chapter started life with only one author, M. Isa Sulaiman. Four days after presenting it at the authors’ conference in Jakarta on 22 December 2004, he was among those who died in the great tsunami that struck Aceh (see in memoriam in this volume). Henk Schulte Nordholt and I decided as editors that the orphaned chapter should pass into my foster-care for the final phase. Isa had lived at our house in Leiden for five months in 2003, where he and I talked often about Aceh. I dare to think he would agree with the way it has been taken forward. He is responsible for all the factual material (drawn from local news clippings and interviews with many of those named). My part has mainly been to step back from it and say why it was important to write this, as well as to make explicit some theoretical understandings that lay hidden between the lines. He was particularly impressed with a chapter on Aceh in David Brown’s ‘The state and ethnic politics in Southeast Asia’ (1994). Some of Isa’s masterly command of detail had to be sacrificed in the interests of the less specialized reader. Gerry van Klinken Introduction Understandably enough, most media reporting on Aceh before the tsunami was about the war. It focussed on the two armed parties, Indonesia’s armed forces TNI (Tentara Nasional Indonesia) and the Acehnese liberation army GAM (Gerakan Aceh Merdeka). This has also been true of scholarly work on Aceh. -
R Umah Kudu S
R UMAH KUDUS RUMAH adat berukiran indah ini semula terletak di lingkungan kauman tidak jauh dari Menara Kudus . Tepatnya di Jalan Menara, sekitar 50 meter dari Mesjid Kudus. Rumah ini terlindung di balik tembok tinggi bagaikan benteng seperti lazimnya rumah kaum yang ada di IpONG P UR NAMA S IDHI sana. Rumah ini diperkirakan oleh Haji Ridwan Noor, pemi lik, dibangun pad a permulaan abad ke-20 dan didiami selama tiga generasi oleh segenap ahli waris keluarga. Konon dalam membangun rumah ini para pengukirnya memerlukan waktu lima tahun untuk menyelesaikan seluruh ukiran yang memenuhi dinding serta tiang rumah. Tidak mengherankan apabi la oleh masyarakat setempat rumah tersebut dianggap sebagai contoh terbaik di antara rumah adat yang ada di Kudus Kulon, di sam ping rumah adat milik Saleh Syakur, seorang tokoh masyarakat setempat. Semula, bag ian dalam rumah ini , di mana terdapat bag ian yang disebut Gedongan, berlantai papan kayu dan berupa rumah panggung . Bagian Jogo Satru dan kedua Pawon berlantai ubin. Tentu saja yang menjadi masalah utama rumah ini adalah pemeliharaannya. Untuk membersihkannya saja, selain biaya yang tidak sedikit juga memerlukan tenaga ahli khusus dengan ramuan khusus pula; yakni adonan batang pisang kering dan air tembakau yang konon sangat ampuh melawan rayap dan bubuk kayu. Peri hal pemeliharaan serta kekhawatiran akan kelestarian benda pusaka yang semakin dimakan usia itulah yang menjadikan 46 keluarga pewaris yang diketuai oleh Furqon Noor, rela menghibahkannya kepada Kompas untuk memugarnya. Memang se lama ini rumah adat inilah yang nampaknya menjadi ikatan keluarga lewat berbagai upacara adat, seperti pernikahan , khitanan , dan sebagainya yang selalu diselenggarakan di rumah ini.