Meet the 2020 Catchlight Visual Leadership Fellowship Jury January 21, 2020

Total Page:16

File Type:pdf, Size:1020Kb

Meet the 2020 Catchlight Visual Leadership Fellowship Jury January 21, 2020 Meet the 2020 CatchLight Visual Leadership Fellowship Jury January 21, 2020 CatchLight is pleased to announce the jury for the 2020 $30,000 CatchLight Visual Leadership Fellowship. Now in its fourth year, CatchLight continues to search for innovative visual storytellers and leaders committed to advancing and growing the field of visual storytelling. OM MALIK, PARTNER AT TRUE VENTURES; FOUNDER AND A FORMER SENIOR WRITER FOR GIGAOM Journalist Om Malik founded technology blog Gigaom in 2001. With seed funding from True Ventures, he turned the one-man blog into a media company and research firm. Not long thereafter, Om became a venture partner at True Ventures. In 2014, he graduated to partner at True where he continues to invest in promising networking and internet infrastructure technologies. Om regularly writes for The New Yorker and provides commentary on tech trends to broadcast channels including Bloomberg West, NPR, and BBC television and radio. Om started writing about tech in the early 1990s at Quick Nikkei News before joining the founding team at Forbes.com. After a short stint at H&Q Asia Pacific as an investment manager, he then returned to the media world as a senior writer for Red Herring and later at Business 2.0. He published his first book, Broadbandits: Inside the $750 Billion Telecom Heist, in 2003. Born and raised in New Delhi, he is now happily situated in Northern California. ILLA DONWAHI, PRESIDENT AND CEO / FONDATION DONWAHI FOR CONTEMPORARY ART Art collector, I. G. Donwahi started in 2008 In Abidjan, Côte d’Ivoire, the Fondation Donwahi for Contemporary Art, a non-profit cultural center, to promote and support contemporary creativity at home and abroad. Through various programs the Fondation Donwahi creates conditions and activities to give an intelligent and sensible perspective of the African continent by opening its residency programs to all artists, and collaborating to panafrican and international cultural initiatives. (Past collaborations includes, the program AtWork_Abidjan 02 with the Moleskine Foundation, African Spirits with the Dokolo Foundation, Illa G. Donwahi has been invited as a curator or speaker on different programs at the Dakar Biennial, the Art Paris Art Fair, and AKAA Art Fair in Paris, and as a key speaker at the opening of the 2018 Cape Town Art Fair. LIV ASTRID SVERDRUP, DIRECTOR OF EXHIBITIONS AT NOBEL PEACE CENTER Liv Astrid Sverdrup is Director of Exhibitions at the Nobel Peace Center in Oslo. Since the opening of the Center in 2005, Liv Astrid has been responsible for more than 80 exhibitions on war, peace, conflict resolution and civil liberties. Her aim as a cultural leader is to combine the highest artistic quality with societal debate on burning issues. Sverdrup initiated and curates the annual Nobel Peace Prize exhibition, where a photographer is commissioned to portray the work of the most recent Nobel Peace Prize Laureate. Since 2005, this has included Lynsey Addario, Jonas Bendiksen, Marcus Bleasdale, Anton Corbijn, Paolo Pellegrin, Mads Nissen, Espen Rasmussen, Sim Chi Yin, Christina de Middel and Finbarr O’Reilly, to mention a few. The most recent exhibitions at the Nobel Peace Center feature Lauren Greenfield’s “Generation Wealth”, Rune Eraker “Tell the World About Us”, “Climate Lab”, “The Body as the Battlefield” and “Ethiopian Crossroads”. Liv Astrid combines her extensive experience as a curator with deep societal insights from previous work as a researcher and policy maker in the field of international relations and sustainability. She aims to combine different art forms in her work, and she is currently on the board of Scandinavia´s largest literature festival: The Norwegian Festival of Literature. BRIDGET HARRIS, HEAD OF PHOTOGRAPHY, AIRBNB CREATIVE Bridget Harris is the Head of Photography for Airbnb Creative, responsible for overseeing the visual, strategic, and executional approach to brand imagery globally. After studying at Wellesley College, Bridget relocated to New York and spent a decade producing commercial and editorial projects for clients ranging from The New York Times, Vogue, and Vanity Fair, to Estee Lauder, Absolut, Coca- Cola, and Reebok. Before joining Airbnb, she was a Senior Photography Producer at TIME Magazine and contributor to TIME Lightbox.There she produced special projects including photography for the annual TIME 100 issues, and 100 Photographs: The Most Influential Images of All Time. In her five years building the photography program at Airbnb, Bridget has been recognized for setting a new standard in the way commercial brands partner with imagemakers, placing a non-negotiable emphasis on discovery, mentorship, and empowerment of diverse, socially conscious imagemakers to produce compelling, authentic, and honest visual communications. BAHIA SHEHAB, MULTIDISCIPLINARY ARTIST, DESIGNER AND ART HISTORIAN Bahia Shehab is a multidisciplinary artist, designer and art historian. She is Professor of design and founder of the graphic design program at The American University in Cairo where she developed a full design curriculum focused on the visual culture of the Arab world. Her artwork is concerned with identity and preserving cultural heritage. Through investigating Islamic art history she reinterprets contemporary Arab politics, feminist discourse and social issues. Her work has been on display in exhibitions, galleries and streets internationally. The documentary Nefertiti’s Daughters featuring her street artwork during the Egyptian uprising was released in 2015. Her work has received a number of international recognitions and awards some of which are BBC 100 Women list (2013), a TED Senior fellowship (2016), and a Prince Claus Award (2016). She is the first Arab woman to receive the UNESCO-Sharjah Prize for Arab Culture. Shehab holds a PhD from Leiden University in The Netherlands. Her publications include “A Thousand Times NO: The Visual History of Lam-Alif” (Khatt 2010), “At The Corner of a Dream” (Gingko Library 2019) and a co-authored book “A History of Arab Graphic Design” (AUC Press 2020). WAYEE CHU, GENERAL PARTNER AT REACH CAPITAL Wayee is a General Partner at Reach Capital, a venture fund focused on early stage education technology start-ups. Prior to Reach, Wayee was the co-founder of the NewSchools Seed Fund; a fund focused on early stage education technology companies with potential for a big impact in K-12 education. Wayee worked as an equity research analyst at Merrill Lynch in New York, where she covered the financial services sector. She started her career in 1997 as a financial analyst at Morgan Stanley. She currently serves on the Board of Trustees of the San Francisco Museum of Modern Art. Wayee also supports several Bay Area education non-profits. Wayee graduated from the University of Michigan with a bachelor’s degree in Economics and Political Science. JOHN FLEETWOOD, DIRECTOR OF PHOTO: John Fleetwood is a photography curator, educator and director of Photo:; a platform that develops and promotes photography projects and photographers. As a curator and educator he is interested in the developing modes of documentary, questions of representation and positionality, and visual cultures. Fleetwood has curated numerous exhibitions, including ‘Five Photographers: A tribute to David Goldblatt’ (Johannesburg, Maputo, Maseru, Makhanda, Durban; 2018-2019); ‘Of traps and tropes’ (Kerkennah, Tunisia; 2018); ‘Against time’ (Bamako; 2015); ‘A Return to Elsewhere’(Johannesburg, Brighton Photo Biennale; 2014); ‘Transition’ (Johannesburg, Arles; 2012-2013). In 2017, he was guest editor for Aperture’s ‘Platform Africa’ edition. He closely works with the Centres of Learning for Photography in Africa and other institutions of learning and mentorship. STACY-MARIE ISHMAEL, GALAVANT MEDIA Stacy-Marie Ishmael has spent two decades working at the intersection of technology and media with a career that includes senior leadership roles at Apple, BuzzFeed News, and the Financial Times. She is on the board of the Craig Newmark Graduate School of Journalism at CUNY, and writes regularly about issues related to journalism, technology, and user experience. CATCHLIGHT VISUAL LEADERSHIP FELLOWSHIP NOW OPEN The CatchLight Visual Leadership Fellowship serves as an incubator — a place for innovative leaders in the visual storytelling field to receive financial support, unlock individual potential, grow and leverage partnerships. The Fellowship cultivates a vibrant community of creative thought leaders whose work will be enhanced by collaboration, mentorship, and networking. The CatchLight Visual Leadership Fellowship Applications can be submitted here and are due by 11:59pm PST February 4, 2020..
Recommended publications
  • 2012 PROGRAM Thank You to Our 2012 Sponsors and Partners
    2012 PROGRAM Thank you to our 2012 Sponsors and Partners ADDIS FOTO FEST 2012 Content Page 5 Curators Statement 6 The Daily Program Participants / Curators A Creative Production Company Desta For Africa Creative Consulting 9 John Fleetwood (DFA) Plc 9 Marina Reina Guindo 10 Mitchket Krifa Email: [email protected] 10 Elvira Dyangani Ose Email: [email protected] 10 Akinbode Akinbiyi Web: http://www.addisfotofest.com 11 Mulugeta Ayene Credit: 12 Mario Di Bari 13 Abdoulaye Barry Editor Aida Muluneh 14 Addis Belete Content Editor Robin Riskin 15 Arturo Bibang Wanja Kimani 16 Marie Ange Bordas Design Samuel Taye 17 Mohamed Camara Henok Bekele 18 Nestor Da Design Intern Eyasu Mulugeta 19 Abate Damte Contributors Simon Njami 20 Fatoumata Diabaté Chester Higgins 21 Delphine Diaw Diallo 22 Karim Dridi Omo Photography Mario Di Bari 23 Hassan And Husain Essop Cover Photography 24 Allessandro Gandolfi 2010 Jamel Shabazz A very special thank you to: 25 Yemane Gebremedihin 2012 Goitom Habtemariam Olafur Eliasson and Julie Mehretu. 26 Mamadou Gomis 3 27 Samuel Habtab 28 Goitom Habtemariam 29 Uche Okpa-Iroha 30 Ala Kheir 31 Mohamed Konaté 32 Florestan Korp 33 Kyle LaMere 34 Baudouin Mouanda There were many memorable moments that we still Aïda Muluneh 35 Zanele Muholi talk about til this day, and reflecting back on that week Director/Founder 36 Jehad Ng in December, I feel a great sense of friendship to those 37 Nii Oboda who believed enough to support a dream of bridging Addis Foto Fest 38 Emeka Okerek opportunities through images. Born in Ethiopia in 1974, Aïda left the country at a young 39 Invisible Boarders age and spent an itinerant childhood between Yemen With all of this said, the time has come again for the 40 Nyaba Leon Ouedraogo and England.
    [Show full text]
  • 2017 Clpa News #01
    2017 CLPA NEWS #01 IN THIS ISSUE NEW PHOTOGRAPHY INITIATIVES ON THE CONTINENT ••• MEMBERS CONTRIBUTIONS TEACHING REFLECTIONS ••• FEATURED MEMBER: UCHE OKPA-IROHA building in Johannesburg Workshop Photo new Market The CONTRIBUTORS: CLPA members EDITORS: John Fleetwood & Amy Daniels, Photo: GUEST EDITOR: Jacques Nkinzingabo, Kwanda Art DESIGN: Karien van der Westhuizen, the earth is round TRANSLATOR: PatriciaCLPA Yumba,NEWS House2017#01 of Nzinga 1 CLPA NEWS 2017#01 CONTRIBUTORS Cairo, Egypt Contemporary Image Collective (CiC) Dakar, Senegal Khartoum, Sudan National School of Sudanese Photographers Group Arts (ENA) Addis Ababa, Ethiopia Zelalem Gizachew Center for Photography in Ethiopia (CPE) Cabo Verde Catchupa Factory (AOJE) Kigali, Rwanda Bamako, Mali Kwanda Art Centre de Formation en Photographie (CFP) Lagos, Nigeria The Nlele Independent mentor Akinbode Akinbiyi Johannesburg, South Africa MEMBERS PHOTO: Guest Editor Jacques Nkinzingabo, NON-MEMBERS Market Photo Workshop Kwanda Art CLPA News is an internal newsletter made up from contributions of the CLPA members. The Editors hold no responsibility or liability for the accuracy of the provided content. CLPA NEWS 2017#01 2 LEARNING AND TEACHING ACTIVITIES Akinbode Akinbiyi Contemporary Image Collective Planned activities Planned Activities In April when documenta 14 opens in Athens, Greece, Akinbode Akinbiyi will take part in a three-day workshop with students of the Athens Art School. Centre de Formation Professionelle de Badala (CFP) Most recent activities Bamako Month of Photography, Nov 2016 The National Museum, together with the local photographers and art galleries launched the Bamako Month of Photography, in Nov 2016. The event has given CFP’s young students an opportunity for an intergenerational dialogue.
    [Show full text]
  • 2017 Clpa News #03
    2017 CLPA NEWS #03 MEMBERS CONTRIBUTIONS ••• FESTIVALS & BIENNALES IN THIS ISSUE ••• FEATURED MEMBER: BEHAN TOURÉ See on page 4. CiC update © Nadia Mounier. CONTRIBUTORS: CLPA members EDITORS: John Fleetwood & Amy Daniels, Photo: GUEST EDITOR: Uche Okpa-Iroha, The Nlele DESIGN: Karien van der Westhuizen (the earth is round) TRANSLATION:CLPA Patricia NEWS Yumba 2017#03 (House of 1 Nzinga) CLPA NEWS 2017#03 CONTRIBUTORS Cairo, Egypt Contemporary Image Collective (CiC) Dakar, Senegal National Art School (ENA) Bamako, Mali Espace Partage Photo (EPP) Yamarou-Photo Lagos, Nigeria The Nlele Johannesburg, South Africa MEMBERS PHOTO: NON-MEMBERS Market Photo Workshop Guest Editor Uche Okpa-Iroha, The Nlele CLPA News is an internal newsletter made up from contributions of the CLPA members. The Editors hold no responsibility or liability for the accuracy of the provided content. CLPA NEWS 2017#03 2 LEARNING AND TEACHING ACTIVITIES Yamarou-Photo National School of Arts (ENA) Most recent activities Most recent activities Over the past six months Yamarou-Photo’s training has focussed on the history of African photography and research on various African photographers. The course further looked at pinhole Child protection community agents from photography and processing techniques, including Photoshop (above left). “Around the book” (above right) is a session where students gather around a book and each giving their point of view. ChildFund Senegal trained in Photography Students also made a few visits to see exhibitions in town. The National School of Arts took part in a 6-day training-of-trainers programme in Oct 2017. In partnership with the Senegalese Ministry of Culture, the ENA assisted the ChildFund organisation to increase the quality of visual content for donors, sponsors and stakeholders – Planned activities including visual representation of child protection, childhood, savings loan associations etc.
    [Show full text]
  • Photography at Auctions
    AFRICAN CONTEMPORARY PHOTOGRAPHY AT AUCTIONS CONFIDENCE IN THE INTERNATIONAL MARKET REACHES AN ALL-TIME HIGH CAPE TOWN ART FAIR’S RISING PROFILE ART 14 LONDON, SETTING NEW HEIGHTS HASSAN HAJJAJ DAVID GOLDBLATT SIMON OTTENBERG JOACHIM MELCHERS UGOCHUKWU - SMOOTH C. NZEWI PAUL SIKA JOHN FLEETWOOD ARTUR WALTHER THE PHOTOGRAPHY ISSUE II OMENKA MAGAZINE 2 3 4 6 7 0 8 8 1 0 0 0 0 VOLUME 1 ISSUE 2 Ben (Benedict Chukwukadibia) Contact Enwonwu, M.B.E +44 (0) 20 7468 8355 (Nigerian, 1917 - 1994) [email protected] ‘Snake Dance’ carved wood 141 x 20 x 20cm (55 1/2 x 7 7/8 x 7 7/8in) (including base) £50,000 - 80,000 US$83,000 - 133,000 Africa Now New Bond Street bonhams.com/africanow 2014 Sandton Convention Centre, Johannesburg 22-24 August To submit your application, please visit www.artlogic.co.za/fairs The deadline for applications is the 28th of February 2014. Decoration or Asset? The Art Exchange’s Products and Services include... Advisory Services Acquisition Financing Custodian & Insurance Services www.theartexchangelimited.com [email protected] +234 706 590 4800 VOLUME 1 ISSUE 3 118 99 FEATURES Spot Lighting The Sanlam Food Wine Design Fair 2013 100 John Fleetwood: The Market Photo Workshop 106 Peer Conversation 114 Jude Anogwih and Adejoke Tugbiyele Art 14 London, Setting New Heights 118 Cape Town Art Fair’s Rising Profile 124 5 OMENKA MAGAZINE VOLUME 1 ISSUE 3 COLUMNS 81 ArtTactic 82 Confidence in the International Photography Market Reaches an All-time High Ask the Curator 84 Ugochukwu-Smooth Nzewi Letter to the Editor
    [Show full text]
  • Of Soul and Joy
    2019 Rubis Mécénat Of Soul and Joy A platform for learning photography SOUTH AFRICA RUBIS MÉCÉNAT supports photography as a tool for emancipation through its ongoing project Of Soul and Joy undertaken in 2012 in the heart of Thokoza, a township in the ▶ southeast of Johannesburg, South Africa Of Soul and Joy is a lasting social art initiative undertaken in 2012 by Rubis Mécénat and Easigas (Rubis Group’s South African subsidiary) in Thokoza, a township in the southeast of Johannesburg in South Africa. Its goal is to develop artistic skills in the field of photography amongst the township’s vulnerable youth by providing an unders- tanding of photography as a means of expression, in order to open up new personal In Thokoza, documentary and professional horizons. film, Lungelo Mntambo – DeLite Visual Archives, As a creative platform, Of Soul and Joy offers weekly workshops led by renowned 2013-2016 photographers, encounters with art professionals, collaborations with cultural THOKOZA AND OF SOUL AND JOY institutions and organises artistic events in Africa and abroad. The country’s history along with the major role Each year the most promising students are awarded scholarships to pursue their played by photography during apartheid and after studies in photography in a university of their choice, such as the Market Photo inspired Rubis Mécénat to offer photography Workshop in Johannesburg. as a tool for emancipation. At the beginning of the 90s, Thokoza faced violent Today, the programme attracts emerging photographers coming from the different clashes between the two main political parties, townships surrounding Johannesburg, thus expanding its action.
    [Show full text]
  • Afrique Du Sud. Photographie Contemporaine
    David Goldblatt, Stalled municipal housing scheme, Kwezidnaledi, Lady Grey, Eastern Cape, 5 August 2006, de la série Intersections Intersected, 2008, archival pigment ink digitally printed on cotton rag paper, 99x127 cm AFRIQUE DU SUD Cours de Nassim Daghighian 2 Quelques photographes et artistes contemporains d'Afrique du Sud (ordre alphabétique) Jordi Bieber ♀ (1966, Johannesburg ; vit à Johannesburg) www.jodibieber.com Ilan Godfrey (1980, Johannesburg ; vit à Londres, Grande-Bretagne) www.ilangodfrey.com David Goldblatt (1930, Randfontein, Transvaal, Afrique du Sud ; vit à Johannesburg) Kay Hassan (1956, Johannesburg ; vit à Johannesburg) Pieter Hugo (1976, Johannesburg ; vit au Cap / Cape Town) www.pieterhugo.com Nomusa Makhubu ♀ (1984, Sebokeng ; vit à Grahamstown) Lebohang Mashiloane (1981, province de l'Etat-Libre) Nandipha Mntambo ♀ (1982, Swaziland ; vit au Cap / Cape Town) Zwelethu Mthethwa (1960, Durban ; vit au Cap / Cape Town) Zanele Muholi ♀ (1972, Umlazi, Durban ; vit à Johannesburg) Riason Naidoo (1970, Chatsworth, Durban ; travaille à la Galerie national d'Afrique du Sud au Cap) Tracey Rose ♀ (1974, Durban, Afrique du Sud ; vit à Johannesburg) Berni Searle ♀ (1964, Le Cap / Cape Town ; vit au Cap) Mikhael Subotsky (1981, Le Cap / Cape Town ; vit à Johannesburg) Guy Tillim (1962, Johannesburg ; vit au Cap / Cape Town) Nontsikelelo "Lolo" Veleko ♀ (1977, Bodibe, North West Province ; vit à Johannesburg) Alastair Whitton (1969, Glasgow, Ecosse ; vit au Cap) Graeme Williams (1961, Le Cap / Cape Town ; vit à Johannesburg) Références bibliographiques Black, Brown, White. Photography from South Africa, Vienne, Kunsthalle Wien 2006 ENWEZOR, Okwui, Snap Judgments. New Positions in Contemporary African Photography, cat. expo. 10.03.-28.05.06, New York, International Center of Photography / Göttingen, Steidl, 2006 Bamako 2007.
    [Show full text]
  • Press Release Joburg June 20, 2013 September 22, 2013
    press release th nd at la maison rouge June 20 to September 22 2013 press preview Wednesday June 19th 9.30am – 11am preview Wednesday June 19th 6pm – 9pm Jodi Bieber, Orlando West Swimming Pool, Orlando West, Soweto, 2009 contact presse la maison rouge claudine colin communication fondation antoine de galbert Laure Jardry, Pénélope Ponchelet 10 bd de la bastille – 75012 Paris 28 rue de Sévigné – 75004 Paris www.lamaisonrouge.org [email protected], [email protected] [email protected] t : +33 (0)1 42 72 60 01 t : +33 (0)1 40 01 08 81 f : +33 (0)1 42 72 50 23 f : +33 (0)1 40 01 08 83 my joburg My Joburg at la maison rouge continues a series of exhibitions showcasing art in cities that are not capitals, less known by French public, and which began in summer 2011 with Winnipeg in Manitoba province, Canada. My joburg will take in a range of art from Johannesburg, with particular emphasis on young artists who have yet to come to public attention in France. Johannesburg or Joburg (affectionately termed Jozi by some) has a population of 6 million. More than 2.5 million people live in Soweto alone, the best-known of the city's townships. It is, to quote the historian and political scientist Achille Mbembe, an "elusive metropolis". Johannesburg has become home to a thriving community of painters, photographers, sculptors and video artists whose work describes a city in the throes of change with a complex social, political and urban history. My joburg sets out to capture certain facets of this.
    [Show full text]
  • Dec 2019 Till Mar 2020
    2019 CLPA NEWS #03 IN THIS ISSUE Feature: Uses of photography Reflections on language Member interview: John Fleetwood Camera phones were the main tool for documentation during the recent revolution revolution during the recent documentation for the main tool phones were Camera security roaming the national pick-up photographs a photographer in Sudan. Here a hole in the curtain. through Jaafar © Alaa looking protesters, the area for CONTRIBUTORS Cairo, Egypt Contemporary Image Collective (CIC) Dakar, Senegal DECEMBER 2019 National School of Khartoum, Sudan CONTRIBUTORS: CLPA members Arts (ENA) The Other Vision (TOV) EDITORS: John Fleetwood & Amy Daniels, Photo: ([email protected]) Addis Ababa, Ethiopia Center for Photography in Ethiopia (CPE) Mindelo, Cabo Verde Associação AOJE Co-founded and funded by the Goethe-Institut South Africa Kigali, Rwanda CLPA News is a newsletter made up from Bamako, Mali contributions of the CLPA members. The Kwanda Art Foundation Yamarou-Photo Editors hold no responsibility or liability for the accuracy of the provided content. EXTERNAL CONTRIBUTOR: Serubiri Moses TRANSLATOR: Patricia Yumba (House of Nzinga) PROOF READER: Sibongile Shope Johannesburg, South Africa DESIGN: Karien van der Westhuizen Photo: GUEST EDITOR: Market Photo Workshop (MPW) Ala Kheir, The Other Vision CLPA NEWS 2019#3 2 FEATURE: USES OF PHOTOGRAPHY Writer and curator Serubiri Moses engages the question of visual literacy in relation to gender representation and post-slavery for Uses of photography students and apprentices. In 2009, I received my training in photography through mailed books, assignments and exams in correspondence with the New York Institute of Photography where I undertook the diploma in professional Photography photography.
    [Show full text]
  • Clpa News2019
    2019 CLPA NEWS #02 IN THIS ISSUE Feature: Gender binaries in African photography Reflections on Identity Member interview: Diogo Bento ©AOJE, Catchupa Factory Residency Factory 2019 Catchupa ©AOJE, CONTRIBUTORS Dakar, Senegal JULY 2019 National School of CONTRIBUTORS: CLPA members Arts (ENA) EDITORS: John Fleetwood & Amy Daniels, Photo: ([email protected]) Addis Ababa, Ethiopia Center for Photography in Ethiopia (CPE) Mindelo, Cabo Verde Associação AOJE Co-founded and funded by the Goethe-Institut South Africa Lagos, Nigeria CLPA News is a newsletter made up from Bamako, Mali The Nlele contributions of the CLPA members. The Yamarou-Photo Institute (TNI) Editors hold no responsibility or liability for the accuracy of the provided content. JawMali-EPP EXTERNAL CONTRIBUTOR: Aude Mgba TRANSLATOR: Patricia Yumba (House of Nzinga) PROOF READER: Sibongile Shope Johannesburg, South Africa DESIGN: Karien van der Westhuizen Photo: GUEST EDITOR: Market Photo Workshop Uche Okpa-Iroha CLPA NEWS 2019#2 2 FEATURE: GENDER BINARIES Addressing the issue of gender through the lens of photography Gender can be a delicate exercise when one knows that the look of an image may vary according to the binaries viewer. The debate on gender is a major topic of discussion in the in African world today, but on the continent, it still seems preliminary even though Africa is home to several photography formerly matrilineal societies. As a result, there have been various movements by the so-called By Aude Mgba “feminine” gender to fight for equality and justice in a world that has become more and more patriarchal and capitalist since colonization. In 2004, the writer and musician Koppo released the hit Emma, that talks about his adventures in the city of Yaoundé as he decided to flirt with someone who appeared to be a very attractive lady.
    [Show full text]
  • Centres H.^Bilités Par Ees Administrations Sanitaires a Délivrer Des Certificats Internationaux De Vaccin.Ation Contre La Fièvre Jaune
    — 3 — a v a n t -p r o p o s FOREWORO I c Rcgli’iiiom MniUiirc inlLTiialiiinal slipuli: que li‘corlil'ic;)! inlcr- | The Inicrnationul Sanitary Regulations proviile that an inter­ national de vaccination contre la lièvre jaune n'est valable que si national ecnifieaic of vaceinaiion against yellow fever is valid le vaccin employe a été approuve par rorganisaiion mondiale de only if the vaecine used has been approved by Ihe World Health la Santé et si le centre de vaccination a été habilité par l'adminis» Organi/alion and if the vaccinating centre has been designated tration sanitaire du territoire dans lequel ce centre est situé. by the health administration for the territory in vvhich that centre is situated. i.a liste des vaccins approuvés par rOigaiiisalion mondiale vie The list of vaccines approved by the World Health Organi/ation la Santé ligure à la page 20. is given on page 20. La liste des centres habilités et. dans certains cas. des vaccina­ The names of designnied vaecintiting centres, and in a few in­ teurs désignés, est donnée ci-dessous, conformémeni aux notilicalions stances of vaccinators, arc listed below, in accordance with the reçues des administrations sanitaires. notifications received from health administrations. Toute tnoditieation aux renseignements figurant dans ce Supplé­ Any amendments to the information given in this Supplement ment sera publiée dans le Relevé épidémhlogiiiiie hehdommioire. will be published in the iVeekly Epidemiological Record. Il y a lieu de noter que les eertilicats internationaux de vaccina­ It should be noted that international eeriilieates of vaccination tion contre la fièvre jaune délivrés par un centre qui, par la suite, against yellow fever issued by a centre, vvhieli subsequently has est supprimé de la liste des centres de vaccination habilités, restent been deleted from ihc Its! of designated vaccinating centres, remain valables jusi|u';i l'expiration de la période de validité prévue par le valid for Ihe period of validity provided in the International Sanitary Réglement sanitaire international.
    [Show full text]
  • Clpa News2020
    2020 CLPA NEWS #01 , 2018-19. Editorial note: This picture of This note: , 2018-19. Editorial Faces THE COVID-19 ISSUE Feature: Reflections on Covid-19: The Future of Photography, Education and Platforms Tips for online educators ©Mauro Vombe, from the series from Vombe, ©Mauro Covid-19. prior to in Northern photographed was Mozambique, a crowd ©Mauro Vombe, from the series Faces, 2018-19. Editorial note: This picture of a crowd in Northern Mozambique, was photographed prior to Covid-19. CONTRIBUTORS Cairo, Egypt Contemporary Image Collective (CIC) Dakar, Senegal Ecole Nationale Khartoum, Sudan des Arts (ENA) The Other Vision (TOV) JULY 2020 Addis Ababa, Ethiopia CONTRIBUTORS: CLPA members Center for Photography EDITORS: John Fleetwood & Amy Daniels, in Ethiopia (CPE) Photo: ([email protected]) Mindelo, Cabo Verde Associação AOJE Lagos, Nigeria Kigali, Rwanda Bamako, Mali The Nlele Kwanda Art Foundation CLPA News is a newsletter made up from Yamarou-Photo Institute (TNI) contributions of the CLPA members. The Editors hold no responsibility or liability for the accuracy of the provided content. GUEST EDITOR: Jacques Nkinzingabo TRANSLATOR: Patricia Yumba (House of Nzinga) Johannesburg, South Africa PROOF READER: Sibongile Shope Photo: DESIGN: Karien Market Photo Workshop (MPW) van der Westhuizen CLPA NEWS 2020#1 3 FEATURE: REFLECTIONS ON COVID-19 – THE FUTURE OF PHOTOGRAPHY The future of photography The following interviews were done between 22 April and 18 May 2020 as a special focus on the Covid-19 Pandemic. The questions are in many cases asking for a speculative position. The interview team included Jacques Nkinzingabo, Amy Daniels, Mika Conradie and John Fleetwood.
    [Show full text]
  • DANS CE NUMÉRO ••• PORTRAIT D’UN MEMBRE: ALA KHEIR Nº2 Du CPE Ont Été Lors De L’Atelier Produites Photos Les National
    2017 CLPA NEWS #02 CONTRIBUTIONS DES MEMBRES ••• RÉFLEXIONS SUR LES FORMATIONS DANS CE NUMÉRO ••• PORTRAIT D’UN MEMBRE: ALA KHEIR nº2 du CPE ont été lors de l’atelier produites photos Les national. du bâtiment Théâtre installées sur les colonnes CONTRIBUTEURS: Les membres de CLPA EDITEURS: John Fleetwood & Amy Daniels, Photo: EDITEUR INVITÉ: Mamadou Behan Touré GRAPHISTE: the earth is round TRADUCTION: Patricia Yumba (House of Nzinga),CLPA NEWS Behan 2017#02 Touré, Katarina 1 Hedren CLPA NEWS 2017#02 CONTRIBUTEURS Le Caire, Egypte Contemporary Image Collective (CiC) Dakar, Sénégal Khartoum, Sudan Ecole Nationale Sudanese Photographers Group (SPG) des Arts (ENA) Adis Ababa, Ethiopie Zelalem Gizachew Center for Photography in Ethiopia (CPE) Bamako, Mali Espace Partage Photo (EPP) Centre de Formation en Lagos, Nigéria Photographie (CFP) The Nlele Yamarou-Photo Johannesburg, Afrique du Sud MEMBRES PHOTO: Editeur invité Mamadou Behan Touré NON-MEMBRES Market Photo Workshop CLPA News est une newsletter créée grâce aux contributions des membres de CLPA. Les éditeurs ne disposent d’aucune responsabilité sur la véracité du contenu publié. CLPA NEWS 2017#02 2 LES ACTIVITÉS D’APPRENTISSAGE Yamarou-Photo Ecole Nationale des Arts, Dakar (ENA) Activités plus récentes Activités plus récentes Salle Multimedia Depuis mars 2017, l’ENA a lancé une nouvelle salle multimédia. Cette salle, créée avec le soutien de la Corée du Sud, permettra aux étudiants du cours de photographie de comprendre le montage et la post-production et de créer un travail conceptuel à l’aide des techniques apprises. En outre, cela aidera à améliorer la méthode d’enseignement des cours de photographie.
    [Show full text]