Sonny Stitt and Paul Gonsalves

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Sonny Stitt Salt And Pepper mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Salt And Pepper Country: US Released: 1964 Style: Post Bop MP3 version RAR size: 1296 mb FLAC version RAR size: 1818 mb WMA version RAR size: 1835 mb Rating: 4.9 Votes: 375 Other Formats: WAV DXD AC3 FLAC TTA VOX AA Tracklist Hide Credits A1 Salt And Pepper 7:40 A2 S'Posin' 6:09 A3 Theme From Lord Of The Flies 2:20 B1 Perdido 12:17 Stardust B2 5:55 Alto Saxophone – Sonny Stitt Companies, etc. Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey Designed At – Viceroy Credits Bass – Milt Hinton Design [Cover] – Robert Flynn Design [Liner] – Joe Lebow Drums – Osie Johnson Engineer – Rudy Van Gelder Liner Notes – Stanley Dance Photography By – Ted Russell Piano – Hank Jones Producer – Bob Thiele Tenor Saxophone – Paul Gonsalves, Sonny Stitt (tracks: A1 to B1) Notes Recorded September 5, 1963. White label promo version, 'van gelder' stamp in deadwax Barcode and Other Identifiers Matrix / Runout: A-52-A-1 M7 VAN GELDER Matrix / Runout: A-52-B-1 M7 VAN GELDER Other versions Category Artist Title (Format) Label Category Country Year Sonny Stitt And Paul Sonny Stitt And A-52 Gonsalves - Salt And Pepper Impulse! A-52 US 1964 Paul Gonsalves (LP, Album, Mono) Sonny Stitt And Paul Sonny Stitt And UCCI-9162 Gonsalves - Salt And Pepper Impulse! UCCI-9162 Japan 2012 Paul Gonsalves (CD, Album, RE, RP) Sonny Stitt And Paul Sonny Stitt And AS-52 Gonsalves - Salt And Pepper Impulse! AS-52 US 1964 Paul Gonsalves (LP, Album) Sonny Stitt and Paul Gonsalves Sonny Stitt and IMP-210 - Salt And Pepper (LP, Album, Impulse! IMP-210 US 1997 Paul Gonsalves Ltd, RE) Sonny Stitt And Paul Sonny Stitt And IMP 12102 Gonsalves - Salt And Pepper Impulse! IMP 12102 US 1997 Paul Gonsalves (CD, Album, RE, RM, Dig) Related Music albums to Salt And Pepper by Sonny Stitt Sonny Stitt With Booker Ervin & Don Patterson - Soul People Sonny Stitt - Sonny Stitt With The New Yorkers Sonny StittHoward McGhee - Howard Mc Ghee Sonny Stitt Dizzy Gillespie / Sonny Stitt / John Lewis / Percy Heath / Max Roach / Hank Jones - The Bop Session Sonny Stitt - At D.J. Lounge Sonny Stitt - Sonny Side Up Promo white label Sonny Stitt - The Sonny Side Of Stitt John Coltrane - Ascension (Edition I) Gene Ammons / Sonny Stitt - Dig Him! Sonny Stitt - Kaleidoscope Sonny Stitt - The Last Stitt Sessions Volumes 1 & 2 Sonny Stitt - Stitt In Orbit.

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Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B.
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