DAVID KOEPPEL Editor IATSE Local 700

Total Page:16

File Type:pdf, Size:1020Kb

DAVID KOEPPEL Editor IATSE Local 700 Screen Talent Agency 818 206 0144 DAVID KOEPPEL Editor IATSE local 700 From the time he began making Super-8 movies at age 13, David Koeppel has pursued the craft of editing with singular enthusiasm. After graduating from the U.S.C. School of Cinema, he laid the groundwork for a prolific career by assisting the venerable Dede Allen on the The Milagro Beanfield War, and working on such acclaimed series as Hill Street Blues and L.A. Law. As an editor, David has lent his talents to a diverse range of projects, including feature films, series from Paramount’s long-running Star Trek franchise, and CBS’s primetime drama The Unit, co-produced by David Mamet. An extensive traveler who speaks German, David’s leisure activities include swimming, classical piano, bird watching, and the ceaseless pursuit of great movies, old and new. Based in Los Angeles, Koeppel is available for work worldwide. selected credits: production director / producer / company feature films ALL SAINTS Steve Gomer / Barrett Leigh, Dan Abel / Sony Classics ROUNDING THIRD feature documentary Rick Okie / Marylou Roffe / Legacy Productions HEAVY WEIGHTS asst. editor Steve Brill / Joe Roth / Caravan Pictures ENCINO MAN asst. editor Les Mayfield / George Zaloom / Buena Vista Pictures THE MILAGRO BEANFIELD WAR asst. editor Robert Redford / Moctesuma Esparza / Universal MIRACLES asst. editor Jim Kouf / Stephen Roth / HBO Films SECRET ADMIRER asst. editor David Greenwalt / Stephen Roth / Orion Pictures production director / producer / company television FLIPPING DIXIE pilot Anthony Beilinsohn / Howie Mandel / A&E Networks THE BATTLE series Seth Miller, various / Ryan Nantell / ESPN THE UNIT series various / Shawn Ryan, David Mamet / CBS TV STAR TREK: ENTERPRISE series various / Rick Berman, Brannon Braga / Paramount STAR TREK: VOYAGER series, asst. editor various / Rick Berman, Michael Pillar / Paramount STAR TREK: DEEP SPACE NINE series, asst. editor various / Rick Berman, Michael Pillar / Paramount THE WONDER YEARS series, asst. editor various / Carol Black, Michael Dinner / New World TV HEART OF STEEL TV movie, associate editor Donald Wrye / Peter Straus, Richard Briggs / ABC TV In addition to film and TV editing, David is an accomplished web site developer and cuts demo reels for directors and actors. Thibault Nicholl The Screen Talent Agency 2920 W Olive Ave #201, Burbank, CA 91505 tel 818 206 0144 email [email protected] web www.screen-talent.com .
Recommended publications
  • Brian Murray
    Brian Murray FILM Nightmare on Elm St (2011) The Would-Be-Warrior Dir. Samuel Bayer, Dir. David Twahy, Nickelodeon Platinum Dunes Movies Tim Burton's Alice in Redline Wonderland Dir. Andy Cheng, Chicago Dir. Tim Burton, Walt Disney Releasing Studios Motion Pictures Torque Green Lantern Dir. Joseph, Warner Brothers Dir. Greg Berlanti, Warner Pictures Brothers Below 300 Dir. David Twahy, Miramax Films Dir. Zack Snyder, Warner Brothers What Is Love Pitch Black Dir. Mars Callahan, Big Sky Dir. David Twahy, USA Films Motion Pictures Rollerball Mortal Kombat: Annihilation Dir. John McTiernan, MGM Home Dir. John R. Leonetti, New Line Entertainment Cinema Perfect Getaway Air Force One Dir. David Twahy, Rogue Pictures Dir. Peter Schnall, Warner Home Vide TELEVISION Entourage Producer: Mark Wahlberg, Ugly Betty Home Box Office (HBO) Producer: Salma Hayek, ABC Los Angeles 310.642.2721 New York 212.980.7979 [email protected] Brian Murray CSI Monk Producer: Jerry Bruckheimer Producer: Andy Breckman, ABC Television, CBS Studios CSI: Miami Eli Stone (pilot) Producer: Jerry Bruckheimer Producer: Greg Berlanti, ABC Television, CBS Studios CSI: New York Sliders Producer: Ann Donahue, CBS Producer: Tracy Tormé, Fox Network Grey’s Anatomy Producer: Betsy Beers, ABC Babylon 5 Star Trek: Enterprise Producer: John Copeland, Prime Producer: Rick Berman, UPN Time Entertainment Network THEME PARK Terminator 2: 3D Location: Universal Studios Hollywood MUSIC VIDEO Madonna Madonna “You Must Love Me” “Ray Of Light” Dir. Alan Parker, Culver Dir. Jonas Åkerlund, Raleigh Studios Studios Los Angeles 310.642.2721 New York 212.980.7979 [email protected] .
    [Show full text]
  • JOY ZAPATA Hair Dept
    JOY ZAPATA Hair Dept. Head/ Hair Stylist www.joyzapatahair.com IATSE local #706, AMPAS Joy’s first break came from working at the AFI for actress Lee Grant who was directing her first student film “The Stronger”. Joy donated her time and talent to bring this period film to life for the characters who were cast. It also led Lee Grant to win her second Oscar, this time in directing, for Best Student Film. Joy went on to work for Lee on Airport 77 and over the next two decades Joy worked with some of the biggest stars in film and television as Department Head or as Personal request including Personal for Jack Nicholson for over twenty years. Joy has earned five Emmy nominations, two wins and multiple other awards. Joy’s support and dedication to her craft is only surpassed by her contagious energy on set. Highly respected, her expertise in every facet of hairstyling has given her the ability to run large departments smoothly and make her a dependable leader. Feature Films (Partial List, DEPT. HEAD unless otherwise specified); Production Director/ Producer /Production Company RICHARD JEWELL Clint Eastwood / Leonardo DiCaprio / Warner Bros. A STAR IS BORN (Key hair) Bradley Cooper / Bill Gerber / Warner Bros 8 Academy Award Nominations including Best Picture SNATCHED (AKA Amy Schumer/Goldie Hawn 2016) Jonathan Levine / Peter Chernin / Fox MOHAVE (Oscar Isaac, Garrett Hedlund) William Monahan / Aaron Ginsberg / Atlas RIDE (Department Head) Helen Hunt / Matthew Carnahan / Sandbar NEIGHBORS Nicholas Stoller / Evan Goldberg / Universal NIGHTCRAWLER (Key hair) Dan Gilroy / Jake Gyllenhaal / Bold Films THE ARTIST (Key hair) Michael Hazanavicius /T.
    [Show full text]
  • The Human Adventure Is Just Beginning Visions of the Human Future in Star Trek: the Next Generation
    AMERICAN UNIVERSITY HONORS CAPSTONE The Human Adventure is Just Beginning Visions of the Human Future in Star Trek: The Next Generation Christopher M. DiPrima Advisor: Patrick Thaddeus Jackson General University Honors, Spring 2010 Table of Contents Basic Information ........................................................................................................................2 Series.......................................................................................................................................2 Films .......................................................................................................................................2 Introduction ................................................................................................................................3 How to Interpret Star Trek ........................................................................................................ 10 What is Star Trek? ................................................................................................................. 10 The Electro-Treknetic Spectrum ............................................................................................ 11 Utopia Planitia ....................................................................................................................... 12 Future History ....................................................................................................................... 20 Political Theory ....................................................................................................................
    [Show full text]
  • Star Trek: the Next Generation the Ron Jones Project Supplemental Liner Notes
    FSM Box 05 Star Trek: The Next Generation The Ron Jones Project Supplemental Liner Notes Contents The Defector . 28 The High Ground . 29 Foreword 1 A Matter of Perspective . 29 The Offspring . 30 Season One 2 Allegiance . 31 The Naked Now . 3 Menage´ a` Troi . 32 Where No One Has Gone Before . 4 Lonely Among Us . 6 Season Four 33 The Battle . 6 Brothers . 36 Datalore . 7 Reunion . 37 11001001 . 8 Final Mission . 38 When the Bough Breaks . 9 Data’s Day . 39 Heart of Glory . 10 Devil’s Due . 40 Skin of Evil . 11 First Contact . 40 We’ll Always Have Paris . 12 Night Terrors . 41 The Neutral Zone . 12 The Nth Degree . 42 Season Two 13 The Drumhead . 43 Where Silence Has Lease . 14 The Best of Both Worlds . 43 The Outrageous Okona . 15 Afterword 44 Loud as a Whisper . 16 A Matter of Honor . 17 Additional and Alternate Cues 45 The Royale . 18 The Icarus Factor . 19 Data and Statistics 46 Q Who . 19 Up the Long Ladder . 21 Interplay Computer Games 48 The Emissary . 22 Starfleet Academy . 48 Shades of Gray . 23 Starfleet Command . 48 Season Three 24 1992 Ron Jones Interview 49 Evolution . 25 Who Watches the Watchers . 26 1996 Ron Jones Interview 55 Booby Trap . 26 The Price . 27 2010 Rob Bowman Interview 58 Liner notes ©2010 Film Score Monthly, 6311 Romaine Street, Suite 7109, Hollywood CA 90038. These notes may be printed or archived electronically for personal use only. For a complete catalog of all FSM releases, please visit: http://www.filmscoremonthly.com Star Trek: The Next Generation P 2010, ©1987–1991, 2010 CBS Studios Inc.
    [Show full text]
  • BRUCE WINANT the Jim Flynn Agency Hair: Black (SAG-AFTRA/AEA) (212) 868-1068 Eyes: Brown Demo Scenes Available
    Height: 5’10” BRUCE WINANT The Jim Flynn Agency Hair: Black (SAG-AFTRA/AEA) (212) 868-1068 Eyes: Brown Demo Scenes available: www.brucewinant.com EPISODIC TELEVISION (selected) DEADBEAT guest star Dir; Heath Cullens HAPPYish co-star Dir; Gail Mancuso PERSON OF INTEREST co-star Dir; Chris Fisher BLUE BLOODS co-star Dir; Gwyeneth-Horder Peyton BOARDWALK EMPIRE supporting Dir; Tim Van Patten LAW AND ORDER: SVU co-star Dir; Peter Leto LAW AND ORDER (3 episodes) co-star Dir; Various THE WEST WING co-star Dir; Scott Winant CROSSING JORDAN supporting Dir; Lisa Libman CARNIVALE guest star Dir; Rodrigo Garcia FIRST YEARS series regular Dir; Various THIS LIFE (NBC pilot) guest star Dir; Charles McDougall GRAHAM (ABC pilot) series regular Dir; Scott Winant MY SO-CALLED LIFE co-star Dir; Ron Lagermasino THIRTYSOMETHING guest star Dir; Debra Reinish STAR TREK: The Next Generation supporting Dir; Rick Berman T.J. HOOKER guest star Dir; Cliff Bole LOVING recurring Dir; Various HOOPERMAN co-star Dir; Betty Thomas GENERAL HOSPITAL principal Dir; Phil Sogard ANOTHER WORLD principal Dir; Bob Schwarz LA LAW supporting Dir; Donald Petrie MINI-SERIES/MOW’S (selected) MILDRED PIERCE supporting Dir; Todd Haynes ANDERSONVILLE co-star Dir; John Frankenheimer A.D. ANNO DOMINI series lead Dir; Stuart Cooper THEY CAME FOR GOOD co-star PBS Docudrama Special WORLD WAR III co-star Dir; David Greene THE KID WHO WOULDN’T QUIT co-star Dir; Johanna Lee THE SECRET WAR OF JACKIE’S GIRLS supporting Dir; Philip Leacock TWO LIVES OF CAROL LETNER supporting Dir; Alan Crossland Jr MOTION PICTURES UNDERDOGS (Animated) Various Voices Dir; Juan José Campanella PLANES (Animated) Various Voices Dir; Klay Hall ANOTHER EARTH co-star Dir; Mike Cahill ROBOTS (Animated) various voices Dir; Chris Wedge FRIENDS AND FAMILY co-star Dir; Kristin Coury ICE AGE (Animated) various voices Dir; Chris Wedge MIGHTY APHRODITE supporting Dir; Woody Allan ‘TIL THERE WAS YOU supporting Dir; Scott Winant BROADWAY & NATIONAL COMPANIES AN AMERICAN IN PARIS M.
    [Show full text]
  • Star Trek and Gene Roddenberry's “Vision of the Future”: the Creation of an Early Television Auteur
    Volume 5, Issue 2 September 2012 Star Trek and Gene Roddenberry’s “Vision of the Future”: The Creation of an Early Television Auteur MICHAEL KMET, University of California Los Angeles ABSTRACT Gene Roddenberry propagated a narrative of himself as a “visionary” writer-producer and the primary author of Star Trek in the 1960s. From the 1970s onwards, Paramount Pictures (and later, CBS) co-opted that narrative to market what would become the Star Trek franchise. This paper will examine to what extent this narrative can be substantiated, and to what extent certain aspects can be contested. KEYWORDS Authorship, auteur, Gene Roddenberry, Science Fiction, Star Trek. Telefantasy, Television, visionary. Introduction When Gene Roddenberry died on October 24, 1991, obituary writers frequently mentioned the “vision of the future” presented in Star Trek (1966-1969) and Star Trek: The Next Generation (1987-1994), the two longest-running television programs to credit Roddenberry as their creator1 (Roush, 1991; Anon., 1991, October 25). Some went even further, proclaiming the late writer-producer an outright ‘visionary, a man who created a cultural phenomenon’ (Anon., 1991, October 26). These were not new labels for Gene Roddenberry, who had been described in such lofty terms since he began attending Star Trek conventions in the early 1970s (Engel, 1994, p.142). In the two decades since Roddenberry’s death, similar descriptions of the writer-producer have continued to appear in Star Trek-related press coverage (Thompson, 1996), value-added content on home video, and nonfiction books (Greenwald, 1998). Although a few books and articles have been written since Roddenberry’s death that have questioned some of his more grandiose claims about Star Trek, many more have perpetuated them, and few have deviated from the narrative of Gene Roddenberry as visionary.
    [Show full text]
  • Star Trek: the Packet
    "Star Trek: The Packet" (1 TTGTlI v.4.11: None More Black Written by Rick Berman and Michael Piller (Mike Witry of the University ofIowa) Subject: Based upon Gene Roddenberry's "Star Trek" Tossups Tl. She kidnapped Geordi La Forge in an attempt to brainwash him into assassinating Klingon governor Vagh(*). Despite her failure, she went on to bigger and better things, like sneaking supplies to the Duras faction in the Klingon civil war, and trying to invade Vulcan under the guise of a peace initiative. FTP, name this only blonde Romulan, who, through a bizarre series of events, was the daughter ofTasha Yar. C Sela~ T2. These useful devices are connected directly into a circuit, and come in a variety of sizes, ranging from about one amp in a car(*) to 30 amps in small appliances and higher. Common in the 20th century, the technology to build them was evidently lost by the 23rd, as shown by the shower of sparks thrown out by the computer systems every time the ship is shot. FTP, name these electrical devices, which melt to prevent wires from overheating. CFuse~ T3. Once upon a time, the eccentric shopkeeper Obe noticed that a weary traveler, Greb, overpaid him for a canister of beetle snuff(*). He set out to Greb's hometown to make restitution, but when he was halfway there, he was murdered by assassins hired by none other than Greb, who had been carrying on an affair with Obe's wife. This parable inspired, FTP, which Ferengi Rule of Acquisition, which reads, "Once you have their money, you never give it back"? CFirst_ Rule of Acquisition) T4.
    [Show full text]
  • Medienwissenschaft / Hamburg: Berichte Und Papiere
    Medienwissenschaft / Hamburg: Berichte und Papiere 32, 2003: STAR TREK Bibliographie. Redaktion und Copyright dieser Ausgabe: Nina Rogotzki und Hans J. Wulff. Letzte Änderung: 6. Oktober 2002. Star Trek: Arbeitsbibliographie Zusammengestellt von Nina Rogotzki und Hans J. Wulff Eine erste Fassung der folgenden Bibliographie haben wir in: Faszinierend! STAR TREK und die Wissenschaften. 2. (hrsg. v. Nina Rogotzki [...]. Kiel: Ludwig 2003, S. 222-240) vorgestellt. Cinefantastique, Okt. 1992, pp. 32-105. • Ausführliche Vorschau auf die sechste Staffel. Mit vielen Interviews. Moviestar, Sonderband 5 (1996): STAR TREK: DEEP SPACE NINE. Science Fiction Studies 72 [=24,2], July 1997. STAR TREK: The Official Monthly Magazine 1ff (London), 1997ff. • German ed.: STAR TREK: Das offizielle Magazin 1ff (Stuttgart), 1998ff. Trek World (Augsburg). Alexander, David (1991) Gene Roddenberry: Writer, Producer, Philosopher, Humanist. In: The Humanist 51,2, March/April 1991, pp. 5-30, 38. Alexander, David (1994) STAR TREK Creator: The Authorized Biography of Gene Roddenberry. New York: Penguin (A ROC Book). • German: Gene Roddenberry. Der Schöpfer von STAR TREK. Die autorisierte Biographie. München: Heyne 1997. Altman, Mark A. / Gross, Edward (1995) THE NEXT GENERATION: Der Blick hinter die Kulissen. Königswinter. Amesley, Cassandra Elinor (1989) STAR TREK as Cultural Text: Proprietary Audiences, Interpretive Grammars, and the Myth of the Resisting Reader. Ph.D. Thesis, University of Iowa. • Dissertation Abstracts International 51/02-A, 1989, p. 329. • The author explores the gap between cultural studies as a theory of cultural practices and cultural studies as a commitment to intervene in cultural practices. The author uses STAR TREK and its audience as a case study, analyzes fan narratives, and explores how fans interpret the show, its meaning, and group viewing conduct.
    [Show full text]
  • (Dis)Ability in Science Fiction Television Through Star Trek: the Next Generation and Star Trek: Voyager
    ‘Engaging’ in Gender, Race, Sexuality and (dis)Ability in Science Fiction Television through Star Trek: the Next Generation and Star Trek: Voyager Chaya Porter A thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for the Master of Arts in Women’s Studies Institute of Women’s Studies Faculty of Arts University of Ottawa Submitted April 22, 2013 ©Chaya Porter, Ottawa, Canada 2013 Abstract As Richard Thomas writes, “there is nothing like Star Trek…Of all the universes of science fiction, the Star Trek universe is the most varied and extensive, and by all accounts the series is the most popular science fiction ever” (1). Ever growing (the latest Star Trek film will be released in Spring 2013) and embodied in hundreds of novels and slash fanfiction, decades of television and film, conventions, replicas, toys, and a complete Klingon language Star Trek is nothing short of a cultural phenomenon. As Harrison et al argue in Enterprise Zones: Critical Positions on Star Trek, the economic and cultural link embodied in the production of the Star Trek phenomena “more than anything else, perhaps, makes Star Trek a cultural production worth criticizing” (3). A utopian universe, Star Trek invites its audience to imagine a future of amicable human and alien life, often pictured without the ravages of racism, sexism, capitalism and poverty. However, beyond the pleasure of watching, I would ask what do the representations within Star Trek reveal about our popular culture? In essence, what are the values, meaning and beliefs about gender, race, sexuality and disability being communicated in the text? I will explore the ways that the Star Trek universe simultaneously encourages and discourages us from thinking about race, gender, sexuality and disability and their intersections.
    [Show full text]
  • Running Head: APA TYPING TEMPLATE
    “You Can Pulp a Story But You Cannot Destroy an Idea”1: The History of Evolving Sociopolitical Critique in the Star Trek Franchise Meredith A. Walker s2549468 06/01/2021 Dr. Anne Marieke van der Wal-Remy Word count: 18,927 Master History: Colonial and Global History 1 Behr, Ira Steven, and Hans Beimler. “Far Beyond the Stars.” Episode. Star Trek: Deep Space Nine 6, no. 13, February 11, 1998. Walker 1 Table of Contents Introduction ....................................................................................................................................... 2 Historiography ............................................................................................................................ 4 Primary Sources ....................................................................................................................... 13 Theory & Methodology............................................................................................................. 14 Chapter One - Star Trek: The Original Series ...................................................................................... 18 Social Progressivism, Civil Rights, and the Vietnam War .................................................. 18 Chapter Two - Star Trek: The Next Generation ................................................................................... 23 “The End of History” and Roddenberry’s Utopian Vision of the Future ........................... 23 Individual Episodes and Contemporary Historical References .........................................
    [Show full text]
  • STAR TREK: Arbeitsbibliographie 2003
    Repositorium für die Medienwissenschaft Nina Rogotzki; Hans Jürgen Wulff STAR TREK: Arbeitsbibliographie 2003 https://doi.org/10.25969/mediarep/12835 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Rogotzki, Nina; Wulff, Hans Jürgen: STAR TREK: Arbeitsbibliographie. Hamburg: Universität Hamburg, Institut für Germanistik 2003 (Medienwissenschaft: Berichte und Papiere 32). DOI: https://doi.org/10.25969/mediarep/12835. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0032_03.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft / Hamburg: Berichte und Papiere 32, 2000: STAR TREK Bibliographie. ISSN 1615-7060. Copyright dieser Ausgabe: Nina Rogotzki, Hans J. Wulff. Letzte redaktionelle Änderung: 24. Februar 2012. Eine erste Fassung der folgenden Bibliographie haben wir in: Faszinierend! Star Trek und die Wissenschaften. 2. (hrsg. v. Nina Rogotzki [...]. Kiel: Ludwig 2003, S. 222-240) vorgestellt. URL der Hamburger Fassung: http://www1.uni-hamburg.de/Medien/berichte/arbeiten/0032_03.pdf. STAR TREK: Arbeitsbibliographie Zusammengestellt von Nina Rogotzki und Hans J. Wulff Cinefantastique, Okt. 1992, pp. 32-105. in cultural practices. The author uses Star ¬ Ausführliche Vorschau auf die sechste Staffel. Mit vie- Trek and its audience as a case study, analy- len Interviews. zes fan narratives, and explores how fans in- terpret the show, its meaning, and group Moviestar, Sonderband 5 (1996): STAR TREK: DEEP viewing conduct.
    [Show full text]
  • An Exploration of the Star Trek Franchise and Its
    IN SEARCH OF THE FUTURE: AN EXPLORATION OF THE STAR TREK FRANCHISE AND ITS POTENTIAL CULTURAL EFFECTS By KATHERINE GILLESPIE Integrated Studies Project submitted to Dr. Joseph Pivato in partial fulfillment of the requirements for the degree of Master of Arts – Integrated Studies Athabasca, Alberta August, 2011 Gillespie 1 Table of Contents Abstract……………………………………………………………………………………………3 1. A Quest for Knowledge………………………………………………………………………...4 2. Operational Definitions…………………………………………………………………………5 3. Major Assumptions and Themes……………………………………………………………….6 4. Key Issues and Topic Breakdown………………………………………………………………7 5. Roddenberry’s “Vision”………………………………………………………………………...7 6. The Future of Education………………………………………………………………………10 7. Delivery Methods of Education: Online vs. Face-to-Face Learning………………………….11 8. Education and the Trek Franchise……………………………………………………………..13 9. Education and Our Real Future………………………………………………………………..17 10. The Kobayashi Maru and Academic Honesty……………………………………………….20 11. The Future of Gender………………………………………………………………………...26 12. Building on “Exploring Female Characterizations in Star Trek and Star Trek: The Next Generation”………………………………………………………………………………………27 13. Combating Gender Inequality through Strong Female Role Models………………………..28 14. Case Study: Captain Kathryn Janeway (VOY)……………………………………………….28 15. Case Study: Seven of Nine (VOY)…………………………………………………………...32 Gillespie 2 16. Case Study: T’Pol (ENT)…………………………………………………………………….35 17. The Future of Race Relations………………………………………………………………..37 18. Trek’s Liberal-Humanist Agenda……………………………………………………………38
    [Show full text]