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Paperback:::: 720 pages+++Publisher:::: Penguin Classic; UK ed. edition (April 29, 2014)+++Language:::: English+++ISBN-10:::: 0141192801+++ISBN-13:::: 978-0141192802+++Product Dimensions::::4.4 x 1.4 x 7.1 inches++++++ ISBN10 0141192801 ISBN13 978-0141192

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Description: A truly great . . . This English version really is better - A. N. Wilson, The Spectator TIMES LITERARY SUPPLEMENT BOOKS OF THE YEAR 2014 This acclaimed new translation of Dostoyevskys psychological record of a crime gives his dark masterpiece of murder and pursuit a renewed vitality, expressing its jagged, staccato urgency and fevered atmosphere as never before. Raskolnikov, a destitute and desperate former student, wanders alone through the slums of St. Petersburg, deliriously imagining himself above societys laws. But when he commits a random murder, only suffering ensues. Embarking on a dangerous game of cat and mouse with a suspicious police investigator, Raskolnikov finds the noose of his own guilt tightening around his neck. Only Sonya, a downtrodden prostitute, can offer the chance of redemption. Fyodor Dostoevsky (1821-1881) was born in Moscow and made his name in 1846 with the novella Poor Folk. He spent several years in prison in Siberia as a result of his political activities, an experience which formed the basis of The House of the Dead. In later life, he fell in love with a much younger woman and developed a ruinous passion for roulette. His subsequent great novels include Notes from Underground, Crime and Punishment, , Demons and . Oliver Ready is Research Fellow in Russian Society and Culture at St Antonys College, Oxford. He is general editor of the anthology, The Ties of Blood: Russian Literature from the 21st Century (2008), and Consultant Editor for Russia, Central and Eastern Europe at the Times Literary Supplement.

The two popular of ‘Crime and Punishment’ before the 1993 translation by Richard Pevear and Larissa Volokhonsky, were by Constance Garnett and David McDuff. The Pevear/Volokhonsky translation became my favourite – until Oliver Ready’s translation came along. Not knowing a word of Russian, I declare my favourite only by the enjoyment I derived from reading the book in English.Many things may indeed be lost in translation, and many others get misrepresented but we may not know. The result of reading only the English versions is that one’s choice is largely subjective. Compared to the Garnett version, the Pevear/Volokhonsky translation seems very modern – until Ready’s came along. Little things like changing ‘had not’ to ‘hadn’t’ renders Ready’s version not only a little more modern but also more informal. That is not to say that the atmosphere of old Russia is lost. Ready uses ‘fibs’ for ‘lies’ (Pevear/Volokhonsky) in one passage.Ultimately, the reader has to decide for himself which style he enjoys more. Here is a comparison from one of my favourite passages (there are many) from the book. I set out first the Pevear/Volokhonsky version then the Ready version:“What do you think?” Razmumikhin shouted, raising his voice even more. “You think it’s because they’re lying? Nonsense! I like it when people lie! Lying is man’s only privilege over all other organisms. If you lie- you get to the truth! Lying is what makes me a man. Not one truth has ever been reached without lying fourteen times or so, maybe a hundred and fourteen, and that’s honourable in its way; well, but we can’t even lie with our minds! Lie to me, but in your own way, and I’ll kiss you for it. Lying in one’s own way is almost better than telling the truth in someone else’s way; in the first case you’re a man, and in the second – no better than a bird. The truth won’t go away, but life can be nailed shut; there are examples. (Pevear/Volokhonsky)‘Now what are you thinking?’ cried Razumikhin, raising even more. ‘That it’s their lies I can’t stand? Nonsense! I like it when people lie. Telling lies is humanity’s sole privilege over other organism. Keep fibbing and you’ll end up with the truth! I’m only human because I lie. No truth’s ever been discovered without fourteen fibs along the way, if not one hundred and fourteen, and there’s honour in that. But our lies aren’t even our own! Lie to me by all means, but make sure it’s your own, and then I’ll kiss you. After all, lies of your own are almost better than someone else’s truth: in the first case you’re human; in the second you’re just a bird! The truth won’t run away, but life just might – wouldn’t be the first time.Ready’s version has a table of chronological events and a fresh, inspiring introduction that will help the first-time reader understand and appreciate the context of ‘Crime and Punishment’

Penguin Classics Crime and Punishment in Literature and Fiction pdf books

Penguin Classics Crime and Punishment

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