DOCSLIB.ORG

Friday Night Films Spring 1964

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

University of Southern California Department of Cinema University Park Los Angeles, California 90007 to Ul 1:l ::0 Hz () DELTA KAPPA ALPHA is the na- tional honorary cinema fraternity. The first chapter was founded at the University of Southern California in 1937. The fraternity was established to further the art of the cinema and to promote better relations between members and the industry, both the­ atrical and docwnentary DKA n urn be r s among its alwnni: James Wong Howe, Gene Kelly, Ar­ thur Knight, Harold Lloyd, Miklos Rozsa, Gloria Swanson, King Vidor, Slavko Vorkapich, Adolph Zukor, and many others. DKA show ing s are held e ach Friday evening a t 8: 00 p .m. in 13 3 Founders Hall, locate d on th e USC campus at the corner of Hoover B oulevard and 34th Street. FREE PARKING avail­ Single admission: SOc/. able nearby. February 28 THE COURT JESTER $t.50 A fun-filled take-off on me die v a 1 horse- operas and knighthood in flow­ er. ThecastisheadedbyDanny Kaye, Basil Rathbone, Glynis Johns and Angela Lansbury. In VistaVision March 13 SOME CAME RUNNING and 'Technicolor. An expertly made drama concerning a PM the unexpected return of Dave Hirsh (Frank Sinatra), an ex- serviceman and ex-writer, to his home town. It also stars Shirley MacLaine, Dean Martin and Martha Hyer. Directed by Vincente Minelli. In CinemaScope and MetroColor. March 6 TWO WOMEN March 20 RAINTREE COUNTY Although set during the period of the Allied invasion of Italy, this strongly Indiana provides the setting for this wrought drama is a story of people lavishly produced Civil War drama, affected by war, rather than of war which stars Montgomery Clift, Eva itself. Academy Award winner So­ Marie Saint, Elizabeth T a y 1 or and phia Loren stars with Jean-Paul Bel­ Lee Marvin. Directed byE d ward mondo and Raf Vallone. Directed by Dmytryk. In MGM Camera 65 and Vittorio de Sica. MetroColor. April 3 RASHO-MON One of the greatest films ever made, Rasho-mon (In the Woods) tells the story of a double crime-rape and a I murder-told from four points of • view. It stars Tashiro Mifune, Ma- DKA chiko Kyo and Takashi Shimura. Di- April 10 LUST FOR LIFE rected by Akira Kurosawa. An affecting portrait of the mind and c h a r a c t e r of an artist, and of the times in which he lived. Kirk Doug- las stars as van Gogh, with Anthony Quinn as Gauguin. Directed by Vin- cente Minelli. In CinemaScope and MetroColor. April 17 THE LAST TEN DAYS A stark and powerful drama, based on Hitler's last days in the under- ground bunker; Albin Skoda gives an electrifying performance as the trapped Fuehrer. It also stars Os- kar Werner, and is directed by G. W. Pabst. April 24 THE KING AND I A sumptuous screen version of Rod­ gers and Hammer stein's famed mu­ sical. It stars Yul Brynner as King Mongkut of Siam and Deborah Kerr as Anna Leonowens. Choreography is by Jerome Robbins. In Cinema­ Scope- 55 and Color by DeLuxe. May 1 THE WAR OF THE WORLDS An imaginative screen version of H. G. Wells' famous science-fiction novel. This story of a Martian in­ vasion of the Earth is directed by George Pal, and stars Gene Barry, May 8 NORTH BY NORTHWEST Ann Robinson and Cedric Hardwicke. A thoroughly entertaining and sus­ In Technicolor. penseful spy drama, done in a brisk,. FILMS genuinely witty and sophisticated style. It stars Cary Grant, Eva Ma­ rie Saint and J am e s M a s on . Di­ rected by Alfred Hitchcock. In Vis­ ta Vision and Technicolor. .
Recommended publications
  • The Inventory of the Joan Fontaine Collection #570

    The Inventory of the Joan Fontaine Collection #570

    The Inventory of the Joan Fontaine Collection #570 Howard Gotlieb Archival Research Center TABLE OF CONTENTS Film and Video 1 Audio 3 Printed Material 5 Professional Material 10 Correspondence 13 Financial Material 50 Manuscripts 50 Photographs 51 Personal Memorabilia 65 Scrapbooks 67 Fontaine, Joan #570 Box 1 No Folder I. Film and Video. A. Video cassettes, all VHS format except where noted. In date order. 1. "No More Ladies," 1935; "Tell Me the Truth" [1 tape]. 2. "No More Ladies," 1935; "The Man Who Found Himself," 1937; "Maid's Night Out," 1938; "The Selznick Years," 1969 [1 tape]. 3. "Music for Madam," 1937; "Sky Giant," 1938; "Maid's Night Out," 1938 [1 tape]. 4. "Quality Street," 1937. 5. "A Damsel in Distress," 1937, 2 copies. 6. "The Man Who Found Himself," 1937. 7. "Maid's Night Out," 1938. 8. "The Duke ofWestpoint," 1938. 9. "Gunga Din," 1939, 2 copies. 10. "The Women," 1939, 3 copies [4 tapes; 1 version split over two tapes.] 11. "Rebecca," 1940, 3 copies. 12. "Suspicion," 1941, 4 copies. 13. "This Above All," 1942, 2 copies. 14. "The Constant Nymph," 1943. 15. "Frenchman's Creek," 1944. 16. "Jane Eyre," 1944, 3 copies. 2 Box 1 cont'd. 17. "Ivy," 1947, 2 copies. 18. "You Gotta Stay Happy," 1948. 19. "Kiss the Blood Off of My Hands," 1948. 20. "The Emperor Waltz," 1948. 21. "September Affair," 1950, 3 copies. 22. "Born to be Bad," 1950. 23. "Ivanhoe," 1952, 2 copies. 24. "The Bigamist," 1953, 2 copies. 25. "Decameron Nights," 1952, 2 copies. 26. "Casanova's Big Night," 1954, 2 copies.
  • HOLLYWOOD – the Big Five Production Distribution Exhibition

    HOLLYWOOD – the Big Five Production Distribution Exhibition

    HOLLYWOOD – The Big Five Production Distribution Exhibition Paramount MGM 20th Century – Fox Warner Bros RKO Hollywood Oligopoly • Big 5 control first run theaters • Theater chains regional • Theaters required 100+ films/year • Big 5 share films to fill screens • Little 3 supply “B” films Hollywood Major • Producer Distributor Exhibitor • Distribution & Exhibition New York based • New York HQ determines budget, type & quantity of films Hollywood Studio • Hollywood production lots, backlots & ranches • Studio Boss • Head of Production • Story Dept Hollywood Star • Star System • Long Term Option Contract • Publicity Dept Paramount • Adolph Zukor • 1912- Famous Players • 1914- Hodkinson & Paramount • 1916– FP & Paramount merge • Producer Jesse Lasky • Director Cecil B. DeMille • Pickford, Fairbanks, Valentino • 1933- Receivership • 1936-1964 Pres.Barney Balaban • Studio Boss Y. Frank Freeman • 1966- Gulf & Western Paramount Theaters • Chicago, mid West • South • New England • Canada • Paramount Studios: Hollywood Paramount Directors Ernst Lubitsch 1892-1947 • 1926 So This Is Paris (WB) • 1929 The Love Parade • 1932 One Hour With You • 1932 Trouble in Paradise • 1933 Design for Living • 1939 Ninotchka (MGM) • 1940 The Shop Around the Corner (MGM Cecil B. DeMille 1881-1959 • 1914 THE SQUAW MAN • 1915 THE CHEAT • 1920 WHY CHANGE YOUR WIFE • 1923 THE 10 COMMANDMENTS • 1927 KING OF KINGS • 1934 CLEOPATRA • 1949 SAMSON & DELILAH • 1952 THE GREATEST SHOW ON EARTH • 1955 THE 10 COMMANDMENTS Paramount Directors Josef von Sternberg 1894-1969 • 1927
  • Cecil B. Demille's Greatest Authenticity Lapse?

    Cecil B. Demille's Greatest Authenticity Lapse?

    Cecil B. DeMille’s Greatest Authenticity Lapse? By Anton Karl Kozlovic Spring 2003 Issue of KINEMA THE PLAINSMAN (1937): CECIL B. DeMILLE’S GREATEST AUTHENTICITY LAPSE? Cecil B. Demille was a seminal founder of Hollywood whose films were frequently denigrated by critics for lacking historical verisimilitude. For example, Pauline Kael claimed that DeMille had ”falsified history more than anybody else” (Reed 1971: 367). Others argued that he never let ”historical fact stand in the way of a good yarn” (Hogg 1998: 39) and that ”historical authenticity usually took second place to delirious spectacle” (Andrew 1989: 74). Indeed, most ”film historians regard De Mille with disdain” (Bowers 1982: 689)and tended to turn away in embarrassment because ”De Mille had pretensions of being a historian” (Thomas 1975: 266). Even Cecil’s niece Agnes de Mille (1990: 185) diplomatically referred to his approach as ”liberal.” Dates, sequences, geography, and character bent to his needs.” Likewise, James Card (1994: 215) claimed that: ”DeMille was famous for using historical fact only when it suited his purposes. When history didn’t make a good scene, he threw it out.” This DeMillean fact-of-life was also verified by gossip columnist Louella Parsons (1961: 58) who observed that DeMille ”spent thousands of dollars to research his films to give them authenticity. Then he would disregard all the research for the sake of a scene or a shot that appealed to him as better movie-making.” As Charles Hopkins (1980: 357, 360) succinctly put it: ”De Mille did not hesitate
  • In 1925, Eight Actors Were Dedicated to a Dream. Expatriated from Their Broadway Haunts by Constant Film Commitments, They Wante

    In 1925, Eight Actors Were Dedicated to a Dream. Expatriated from Their Broadway Haunts by Constant Film Commitments, They Wante

    In 1925, eight actors were dedicated to a dream. Expatriated from their Broadway haunts by constant film commitments, they wanted to form a club here in Hollywood; a private place of rendezvous, where they could fraternize at any time. Their first organizational powwow was held at the home of Robert Edeson on April 19th. ”This shall be a theatrical club of love, loy- alty, and laughter!” finalized Edeson. Then, proposing a toast, he declared, “To the Masquers! We Laugh to Win!” Table of Contents Masquers Creed and Oath Our Mission Statement Fast Facts About Our History and Culture Our Presidents Throughout History The Masquers “Who’s Who” 1925: The Year Of Our Birth Contact Details T he Masquers Creed T he Masquers Oath I swear by Thespis; by WELCOME! THRICE WELCOME, ALL- Dionysus and the triumph of life over death; Behind these curtains, tightly drawn, By Aeschylus and the Trilogy of the Drama; Are Brother Masquers, tried and true, By the poetic power of Sophocles; by the romance of Who have labored diligently, to bring to you Euripedes; A Night of Mirth-and Mirth ‘twill be, By all the Gods and Goddesses of the Theatre, that I will But, mark you well, although no text we preach, keep this oath and stipulation: A little lesson, well defined, respectfully, we’d teach. The lesson is this: Throughout this Life, To reckon those who taught me my art equally dear to me as No matter what befall- my parents; to share with them my substance and to comfort The best thing in this troubled world them in adversity.
  • Download a PDF of This Article

    Download a PDF of This Article

    34 MAY | JUNE 2016 THE PENNSYLVANIA GAZETTE Julian Wasser’s photographic love affair with Hollywood began more than half a century ago. He’s been loving and hating and shooting it ever since. WASSERWASSERWASSER By Samuel Hughes PHOTOGRAPHY BY JULIAN WASSER WORLDWORLDWORLDTHE PENNSYLVANIA GAZETTE MAY | JUNE 2016 35 Goin’ to à Go Go: Cool fans and hot cars at the Whisky à Go Go (1964, Life). one point during our long, “It always was,” he agrees. “I was in the careening, R-rated conversa- Navy, in San Diego. I came up here, and it At tion over lunch at La Scala was like Sodom and Gomorrah—a dream! Presto, I tell Julian Wasser C’55 that I I saw how everybody—guys and girls—they wish I could go back with him to some were all beautiful. I said, ‘Can I live here? of those early shoots in the Los Angeles How am I even gonna get a date?’” of his salad days. He assesses my sanity But you did all right, I say. through probing eyes. Then: “Do it!” “Yeah, well—the Sixties came along, Click. and that became my decade.” Click. “It was a golden age and a hopeful time,” he writes in the introduction to The Way Until a few months ago, Wasser wasn’t We Were: The Photography of Julian even a blip on my radar. Then in January Wasser, a coffee-table book of his work we got a call from David Pullman C’83 published two years ago by Damiani. [“Alumni Profiles,” April 1997].
  • Inmedia, 3 | 2013, « Cinema and Marketing » [Online], Online Since 22 April 2013, Connection on 22 September 2020

    Inmedia, 3 | 2013, « Cinema and Marketing » [Online], Online Since 22 April 2013, Connection on 22 September 2020

    InMedia The French Journal of Media Studies 3 | 2013 Cinema and Marketing Electronic version URL: http://journals.openedition.org/inmedia/524 DOI: 10.4000/inmedia.524 ISSN: 2259-4728 Publisher Center for Research on the English-Speaking World (CREW) Electronic reference InMedia, 3 | 2013, « Cinema and Marketing » [Online], Online since 22 April 2013, connection on 22 September 2020. URL : http://journals.openedition.org/inmedia/524 ; DOI : https://doi.org/10.4000/ inmedia.524 This text was automatically generated on 22 September 2020. © InMedia 1 TABLE OF CONTENTS Cinema and Marketing When Cultural Demands Meet Industrial Practices Cinema and Marketing: When Cultural Demands Meet Industrial Practices Nathalie Dupont and Joël Augros Jerry Pickman: “The Picture Worked.” Reminiscences of a Hollywood publicist Sheldon Hall “To prevent the present heat from dissipating”: Stanley Kubrick and the Marketing of Dr. Strangelove (1964) Peter Krämer Targeting American Women: Movie Marketing, Genre History, and the Hollywood Women- in-Danger Film Richard Nowell Marketing Films to the American Conservative Christians: The Case of The Chronicles of Narnia Nathalie Dupont “Paris . As You’ve Never Seen It Before!!!”: The Promotion of Hollywood Foreign Productions in the Postwar Era Daniel Steinhart The Multiple Facets of Enter the Dragon (Robert Clouse, 1973) Pierre-François Peirano Woody Allen’s French Marketing: Everyone Says Je l’aime, Or Do They? Frédérique Brisset Varia Images of the Protestants in Northern Ireland: A Cinematic Deficit or an Exclusive
  • Raoul Walsh to Attend Opening of Retrospective Tribute at Museum

    Raoul Walsh to Attend Opening of Retrospective Tribute at Museum

    The Museum of Modern Art jl west 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart NO. 34 FOR IMMEDIATE RELEASE RAOUL WALSH TO ATTEND OPENING OF RETROSPECTIVE TRIBUTE AT MUSEUM Raoul Walsh, 87-year-old film director whose career in motion pictures spanned more than five decades, will come to New York for the opening of a three-month retrospective of his films beginning Thursday, April 18, at The Museum of Modern Art. In a rare public appearance Mr. Walsh will attend the 8 pm screening of "Gentleman Jim," his 1942 film in which Errol Flynn portrays the boxing champion James J. Corbett. One of the giants of American filmdom, Walsh has worked in all genres — Westerns, gangster films, war pictures, adventure films, musicals — and with many of Hollywood's greatest stars — Victor McLaglen, Gloria Swanson, Douglas Fair­ banks, Mae West, James Cagney, Humphrey Bogart, Marlene Dietrich and Edward G. Robinson, to name just a few. It is ultimately as a director of action pictures that Walsh is best known and a growing body of critical opinion places him in the front rank with directors like Ford, Hawks, Curtiz and Wellman. Richard Schickel has called him "one of the best action directors...we've ever had" and British film critic Julian Fox has written: "Raoul Walsh, more than any other legendary figure from Hollywood's golden past, has truly lived up to the early cinema's reputation for 'action all the way'...." Walsh's penchant for action is not surprising considering he began his career more than 60 years ago as a stunt-rider in early "westerns" filmed in the New Jersey hills.
  • Show Your Card Cultural Month Activitites

    Show Your Card Cultural Month Activitites

    SPECIyourAL PULL- guide explore the opportunities SECTION OUT News and Information From Mount Prospect Public Library September/October 2010 Going Green Celebrate It’s More Than Your Freedom Recycling to Read! Green Fair Abraham Lincoln: Self-Made in America Saturday, September 25, 1-3 p.m. Tuesday, October 12-Tuesday, October 26 Going green is about considering A world-class traveling exhibit, his contemporaries, he embraced a new Think the planet when you weigh your “Abraham Lincoln: Self-Made in emphasis on personal initiative, risk- options. Every day we make America,” featuring reproduction taking, and ambition. He was only 22 for Yourself decisions that either add to the stress artifacts from the Abraham Lincoln when he left his family home to find his on natural resources or lessen it. For Presidential Library and Museum own way,” notes Illinois State Historian READ example, the simple choice to buy in Springfield, Illinois, is coming to Thomas Schwartz. “After enduring a locally grown food can benefit the Mount Prospect Public Library. This series of personal failures in business, he BANNED environment in several ways: less free exhibit is a wonderful learning became a prosperous attorney, devoted BOOKS energy is used to transport the food; opportunity, and all are invited to tour husband and father, successful politician, fewer chemicals are used to keep it during the Library’s regular hours. and, finally, the 16th President of the September 24- the food from rotting on its way to The exhibition covers Lincoln’s United States. While Lincoln benefited market; and it helps support small childhood, his self-education, his careers from close association with a number October 1 local farmers and keeps the land as a surveyor and lawyer, his family life, of powerful friends, his own talents and Celebrate your freedom to read! for agricultural use as opposed to the Lincoln-Douglas Debates, the 1860 ambitions combined with hard work Intellectual freedom—the freedom development.
  • Charles Walters: the Director Who Made Hollywood Dance Melinda F

    Charles Walters: the Director Who Made Hollywood Dance Melinda F

    The Southeastern Librarian Volume 63 | Issue 1 Article 9 4-9-2015 Charles Walters: The Director Who Made Hollywood Dance Melinda F. Matthews University of Louisiana at Monroe Follow this and additional works at: https://digitalcommons.kennesaw.edu/seln Part of the Library and Information Science Commons Recommended Citation Matthews, Melinda F. (2015) "Charles Walters: The Director Who Made Hollywood Dance," The Southeastern Librarian: Vol. 63 : Iss. 1 , Article 9. Available at: https://digitalcommons.kennesaw.edu/seln/vol63/iss1/9 This Book Review is brought to you for free and open access by DigitalCommons@Kennesaw State University. It has been accepted for inclusion in The Southeastern Librarian by an authorized editor of DigitalCommons@Kennesaw State University. For more information, please contact [email protected]. political ascendancy of Southern liberalism within the Graham’s 1950 primary loss, Pleasants believes, dealt a Democratic Party. Scott’s push to improve roads, medical significant blow to Scott’s progressive agenda. care, and education for all North Carolina citizens won him a strong following; yet, he also was seen by many With the Supreme Court’s landmark 1954 decision in politicians and business leaders as controversial and Brown vs. Board of Education, the backlash against polarizing. During his time in office, Scott would be Southern liberals solidified around the issue of buffeted by the regional and national headwinds of desegregation. Pleasants argues that Scott immediately segregationist politics and strident anti-Communism. This recognized that he would need to speak out against school biography reveals how a deepening conservative backlash integration if he wanted to remain a viable candidate for against southern liberals adversely impacted Scott’s public office.
  • Page 1 16 COCO CHANEL August 19, 1883–January 10, 1971

    Page 1 16 COCO CHANEL August 19, 1883–January 10, 1971

    COCO CHANEL August 19, 1883–January 10, 1971 Designed costumes for Jean Cocteau’s Lived with ETIENNE Balsan in Her life story was the basis for the ANTIGONE, Orpheus & Oedipus Deauville, France Broadway MUSICAL Coco (1969) Rex Made a FASHION comeback in 1954 Raised in an ORPHANAGE ARTHUR Capel helped finance her GABRIELLE Bonheur Chanel Closed her business at the first shop (full name) OUTBREAK of World War II Ernest BEAUX helped her create her Romantically involved with Hans Launched “Chanel No. 5” PERFUME perfume GÜNTHER von Dincklage, a in 1920s Opened additional stores in Deauville German officer Pablo PICASSO (friend) & BIARRITZ, France First designer to use JERSEY for Had a decades long ROMANCE with The “little BLACK dress” women’s clothing the Duke of Westminster Had a brief CAREER as a singer Introduced costume JEWELRY to high Designed costumes for Ballets RUSSES Revolutionized women’s CLOTHING fashion Born in SAUMUR, France Jean COCTEAU (friend) Her clothing borrowed elements from Worked as a SHOPGIRL First major fashion DESIGNER to MENSWEAR Introduced the Chanel SUIT (1925) introduce a perfume Opened a MILLINERY shop in Paris Created clothes for Gloria Swanson in Greta Garbo & Marlene DIETRICH (1910) the film TONIGHT or Never were clients E S I Z E C D L C E I K F Y A Z L M N A T R O G W Y A A R R T T L R Y I I A A G R E S E T K O E E G R N E U J L R H N H S E N P I A A N N C E B I I U R U O I H R T E Y N W T O L R B H I P G H B N W S E U N L C S I R T E H W A Q S J O D I L E O A R A N T I G O N E Z M O H C I R T E I D U R S
  • The Loeb Firm and the Origins of Entertainment Law Practice in Los

    The Loeb Firm and the Origins of Entertainment Law Practice in Los

    1 3 5 Th e e lo B fir M And the Origins of Entertainment Law Practice in Los Angeles, 1908–1940 m o lly SelV i n * I � Introduction he story of how Edwin Loeb got his start as an entertainment lawyer, T like many tales told of the studio moguls who became his clients and poker partners, has multiple versions. One account pins Edwin’s first entertainment client as “Colonel” William N. Selig, an ex-sideshow operator who turned to slapstick comedies, min- strel-themed shows and westerns. In 1890, Selig moved his operation from Chicago to what became the Echo Park neighborhood of Los Angeles and began making movies, often featuring his growing collection of exotic ani- mals. According to a former Loeb & Loeb partner, Selig retained Edwin in 1914 or 1915 to resolve some of his legal problems after meeting him at * Research Fellow, Stanford Law School. Ph.D., Legal History, UC San Diego. I am tremendously grateful to former Loeb & Loeb partners Howard Friedman and Rob- ert Holtzman for sharing their memories and documents and for commenting on an earlier draft of this paper. Cameron Norris (J.D. 2011, Southwestern) offered excellent research assistance at the start of this project, and my former Southwestern colleague Professor Kelly Strader also kindly provided helpful comments on the draft. Finally, I particularly thank Bryant Garth, former dean of Southwestern Law School, for encour- aging me in this project and for the summer funding that enabled me to start. 1 3 6 c a lifornia l e g a l H i S t o ry ✯ Volume 10, 2015 a social function.
  • DKA-02-23-1966.Pdf

    DKA-02-23-1966.Pdf

    Mr. Bernard R. Kantor Department of Cinema University of Southern California University Park Los Angeles, California 90007 .JAMES STEWART 9 2 01 WILSHIRE: BOULEVARD BEVERLY HILLS, C AL I FORNI A December 8, 1966 Mr. Bernard R. Kantor Department of Cinema University of Southern California University Park Los Angeles, California 90007 Dear Mr. Kantor: I would like very much to attend the banquet planned by the Cinema Department on January 15, 1967 and appear on the panel for Frank Capra. I am just starting a picture but I am quite sure that our location work will be finished before January 15th. Sincerely, lm .., JAMES STEWART -=--~ - 9201 WILSHIRE BOULEVARD___. BEVERLY HILLS, CALIFORNIA - . --~ Delta Kappa Alpha National Honorary Cinema Fraternity HONORARY AWARDS BANQUET honoring Lucille Ball Gregory Peck Hal Wallis January 30, 1966 TOWN and GOWN University of Southern California PROGRAM I. Opening Dr. Norman Topping, President of USC II. Representing Cinema Dr. Bernard R. Kantor, Chairman, Cinema Ill. Representing DKA Howard A. Myrick Presentation of Associate Awards to Barye Collen, Art Jacobs, Howard Jaffe, Anne Kramer, Robert Knutson, Jerry Wunderlich IV. Presentation of Film Pioneer Award to Frances Marion and Sol Lesser V. Master of Ceramonies Bob Crane VI. Tribute to honorary members of DKA VII. Presentation of Honorary Awards to: Hal Wallis Gregory Peck Lucille Ball VIII. In closing Dr. Norman Topping Banquet Committee of USC Friends and Alumni Mr. Edward Anhalt Mr. Paul Nathan Mr. and Mr. Jim Backus Mr. Tony Owen Mr. Earl Bellamy Mr. Marvin Paige Miss Shirley Booth Miss Mary Pickford Mrs. Harry Brand Miss Debbie Reynolds Mr.