Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-21-2020 3:30 PM Foucault, Affect, History: On the Art of Feeling Austin Chisholm, The University of Western Ontario Supervisor: Faflak, Joel, The University of Western Ontario A thesis submitted in partial fulfillment of the equirr ements for the Master of Arts degree in Theory and Criticism © Austin Chisholm 2020 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Continental Philosophy Commons, and the Intellectual History Commons Recommended Citation Chisholm, Austin, "Foucault, Affect, History: On the Art of Feeling" (2020). Electronic Thesis and Dissertation Repository. 7293. https://ir.lib.uwo.ca/etd/7293 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact
[email protected]. Abstract While the work of Michel Foucault has not generally been thought to engage in questions of affect, I argue that his work entails a meaningful engagement with such questions but in a way that challenges how we tend to think about affect. Drawing from Foucault’s oeuvre, I enter a series of dialogues with thinkers of affect, Gilles Deleuze and Félix Guattari, Eve Kosofsky Sedgwick, and Brian Massumi, in order to understand to what extent the turn to affect—especially for Sedgwick and Massumi—represents an attempt to work through a number of difficulties and tensions in Foucault’s thought and writing. I argue that Foucault is an insightful yet challenging interlocutor for affect theorists because of his understanding of the ethical dimensions of affect, and his historicization of separate modalities of relating to those areas of life and experience that belong to affect, emotion, and feeling.