Egypt National Dialogue to Be Resumed Amid Boycotts

Total Page:16

File Type:pdf, Size:1020Kb

Egypt National Dialogue to Be Resumed Amid Boycotts AILY EWS THURSDAY, FEBRUARYD 14, 2013 N ISSUE NO. 2133 NEWSTAND PRICE LE 4.00 EGYPT www.thedailynewsegypt.com Egypt’s Only Daily Independent Newspaper In English CBE HEAD’s pOLICE ESCORT KILLED “THE GUIDANCE OFFICE, RATHER REVIVING THE ART OF CARICATURES THAN THE PRESIDENT, RULES EGYPT” A policeman escorting CBE head Mohamed Saeed’s final products Ramez was shot and killed by Dr. Hani Sari Al-Din shares his resemble oil paintings rather assailants thoughts about the Brotherhood than rough caricature sketches 2 and business in Egypt 7 8 Calls for independent asset National dialogue to be resumed recovery committee amid boycotts EIPR: Independent committee would help ease the process of recovering Egyptian funds smuggled abroad PRESIDENCY CALLS ALL POLITICAL FORCES TO ATTEND NEXT DIALOGUE SESSION, STRONG EGYPT REFUSES, NSF UNDECIDED By Fady Salah Mohamed Morsi’s attitude towards (FJP) head Saad Al-Katatni, vice-chair clashes that took place across Egypt initiatives proposed at the sessions of the Muslim Brotherhood Khairat after 25 January, and establishing a The presidency has called on all po- as “neglectful”. El-Shater, in addition to leading fig- mechanism for implementing the re- litical forces to attend an upcoming Abdel Moneim Abul Fotouh, party ures at the National Salvation Front sults of the dialogue sessions. dialogue session. In a statement is- head and former presidential candi- (NSF) Mohamed ElBaradei and Ham- Mohamed El-Mohandes, a spokes- sued on Wednesday, the presidency date, attended the previous dialogue deen Sabahi. person for the Strong Egypt party, ac- said it would announce the date of session where he proposed his par- According to the Strong Egypt cused the presidency of ignoring his the next session soon. ty’s initiative. Party, the committee should tackle party’s initiative as well as initiatives The Strong Egypt Party decided to The initiative called for forming a three main issues, namely discuss- proposed by other political groups. boycott all the upcoming national di- committee that would include Aboul ing the formation of a new national alogue sessions, describing President Fotouh, Freedom and Justice Party government, investigating the violent Continued on page 2 Foraus political forum Foraus Valentin Zellweger, head of the international law division at the Swiss Police kill child foreign ministry The boy, 12, was selling sweet potatoes when police shot him By Joel Gulhane “An independent committee would be more stable and would By Ahmed Aboul Enein the street for five years and that his The Egyptian Initiative for Personal make the Egyptian side more cred- father had died one year earlier. When Rights (EIPR) issued a statement on ible,” said Diab. A street vendor accidently shot dead asked by the charity what his wishes Tuesday calling for a new independent The Ministry of Justice was not by police earlier this month was a were, Omar said he wanted to quit his asset recovery committee in order to available for comment. child. job and learn to read and write. ease the process of regaining Egyptian In December the Federal Criminal On 3 February, Omar Salah Om- No to Military Trials for Civilians funds smuggled abroad by former re- Court of Switzerland denied Egypt’s ran, 12, was selling sweet potatoes in (NoMilTrials) movement member gime members. representatives access to the file on a street near Downtown Cairo when Maha Maamoun told Daily News The call came as the Ministry of the criminal case against several for- a policeman shot him in the chest, kill- Egypt that Omar’s body arrived at Ze- Justice proposed a new draft law mer regime members, due to con- ing him. inhom morgue on 3 February and that requesting a new committee to be cerns over human rights violations An interview of Omran recorded his family picked it up the next day. formed. In its statement the EIPR in Egypt reported by Human Rights last year matches the picture of the The Ministry of Interior had an- said that previously appointed com- Watch (HRW). child’s dead body that doctors in the nounced the same day that a Central mittees have been dependent on the The EIPR said in its statement that Zeinhom morgue showed activists as Security Forces (CSF) conscript ac- ministry and the executive branch it was contacted by Valentin Zellwe- they were looking for missing activist cidently shot a street vendor near the of the state. EIPR believes that the ger, the head of the international law Mohamed El-Shafie. American embassy in Cairo but did committee’s lack of independence is division at the Swiss foreign ministry. In the recorded interview with lo- Egypt News Daily not mention the street vendor’s age. hindering the process of recovering He told EIPR the decision to block cal charity Lifemakers, Omar said he Omar Salah Omran, 12, was selling sweet potatoes in a street near Down- the funds. access to the file “may slow down had been selling sweet potatoes on town Cairo when a policeman shot him in the chest, killing him Continued on page 3 Osama Diab, a researcher for Egyptian-Swiss cooperation in deter- EIPR, believes that the committee mining the source of funds frozen in is affected by the ongoing political Switzerland”. YouTube ban: ‘A setback for freedom of expression’ turmoil in Egypt due to this depen- Zellweger did assert that Switzer- Diesel dency. land is committed to returning these The YouTube ban opens the door for further censorship, Amnesty International says Diab observed that this new com- funds as soon as possible. mittee would be at least the third of In January the same Swiss court de- Amnesty International issued a state- be placed on freedom of expression, bothers Eltahawy. The Association for its kind since efforts began to recover layed the repatriation of the smuggled ment on their official website on Tues- Eltahawy said. It calls for the media to the Freedom of Thought and Expres- supply the frozen assets. He reported that funds, said to be $767m. Political insta- day condemning the temporary You- protect and uphold Egyptian family val- sion (AFTE) is equally bothered by this the Swiss court has complained about bility was cited as one of the reasons tube ban in Egypt, calling it “a setback ues, and Amnesty International has been ban and labelled it an attack on multiple the frequent changes to their Egyptian for the decision. for freedom of expression”. concerned about what this might imply. freedoms. They are preparing an appeal restricted point-of-contact. At the beginning of February a re- According to the statement, this 30- “This ban certainly opens the door against the ruling to be submitted to the Diab also reported that the court quest by Egypt to release the funds day block has been issued in response to for further censorship,” Eltahawy said. High Administrative Court this week. Ministry of Petroleum tries to had made comparisons between was also rejected. However, the head the controversial video of the Innocence The National Telecommunications “The YouTube ban is not only an solve diesel shortage in Egypt Egypt and Tunisia. As a result Egypt of the Swiss foreign ministry, Didier of Muslims film posted last September, Regulatory Authority (NTRA) released a attack on the freedom of expression,” appeared less stable than Tunisia, ex- Burkhalter, agreed to begin drafting which sparked waves of violence across statement on 9 February saying that they said Nada Kabbary, media spokesper- By Lamia Nabil plaining the lagging process of recov- a legal text to allow Egypt to regain Egypt and the Muslim world. The court would be taking all necessary steps to up- son for the AFTE. “It is also an attack ering the funds. the funds. ruling on Saturday said that freedom of hold the court’s decision. No one from on the freedom of information and The Ministry of Petroleum has devel- expression should not “provoke the feel- NTRA could be reached for comment. the freedom of religion.” oped several initiatives to ameliorate ings and resentment of believers of other In response to the ban, Google Such attacks were a frequent worry the diesel shortage in Egypt. Currently religions, particularly heavenly religions”. stated that they work to create a for Amnesty International during the the ministry provides 35,000 litres of Turkish Airlines adds Red Sea The reasons given for the ban are in community that fosters freedom of days of Mubarak, but they hoped this diesel, worth $35m, to the market each direct contradiction with the Interna- expression but they will restrict ac- would not be an issue under Morsi. day. Minister of Petroleum Osama Kamal resorts to their destinations tional Covenant on Civil and Political cess to a video if it violates their com- “The newly elected president has said that he expected the government to Rights, to which Egypt is a signatory, munity guidelines. However, the video been given an opportunity to fix past provide increased financial support for said Diana Eltahawy, Amnesty Interna- in question does not break these ills,” said Eltahawy. “We certainly hope petroleum products in the 2012/2013 tional’s representative in Cairo. guidelines, Google said. the same mistakes are not repeated.” fiscal year, at a cost of EGP 120bn. “These laws allow certain limita- “We are aware of the court or- However, Kabbary feels that free- Kamal said that the ministry is tions to be placed on the freedom of der requiring the government to dom of expression in Egypt is now in monitoring diesel distribution to fuel expression on the grounds of danger block YouTube and are reviewing it,” even greater peril. stations to control diesel smuggling. to security,” said Eltahawy.
Recommended publications
  • The Time Is out of Joint | Ibraaz
    INTERVIEWS The Time is Out of Joint Tarek Abou El Fetouh in conversation with Stephanie Bailey Stephanie Bailey 010_00 / 6 May 2016 The Time Is Out Of Joint offers three years and three events as a curatorial frame: the first Biennale of Arab Arts in Baghdad in 1974, the China/Avant-Garde exhibition, held in Beijing in 1989, and the Equator Conference, which will be staged in Yogyakarta in 2022. As the exhibition statement explains, this framework builds on 'Ibn Arabi's concept of time as a fluid place and place as a frozen time, the project examines our current and future locations and conditions. It confuses different times, places, cities and artistic events that took place in the past or will take time in the future.' The project consists of an exhibition staged at the Sharjah Art Foundation, which included a staging of the 2022 Yogyakarta conference in March 2016, a two-volume publication that is divided into the four chapters, and components of the project presented in Gwangju South Korea at the Asia Cultural Center in April 2016. In this remarkable and expansive layering of context, curator Tarek Abou El Fetouh presents a history of corresponding temporalities that recalls both our inability to deal with the complexities of our time, and the necessity to draw connections between us, beyond our defined 'regions'. Stephanie Bailey: The Time is Out of Joint reflects on history as a string theory of tangled knots, webs, projections and compressions. The intention behind this perspective – and tactic – seems to be a neutralization of the binary divisions between the so-called postcolonial and imperial nations of the world in order to understand who we are without reducing ourselves to fit the normative terms that have historically defined us.
    [Show full text]
  • Maha Maamoun
    Maha Maamoun Exhibitions and Projects (selection) Solo Shows: 10. 2019 Maha Maamoun Darat al Funun, Amman 09. 2017 The Met | Maha Maamoun Art Jameel Project Space 06. 2017 The Subduer Art Basel Statements 02. 2017 The Law of Existence Sursock Museum, Beirut 03. 2015 Like Milking a Stone Rosa Santos Gallery, Valencia 05. 2014 The Night of Counting the Years Fridericianum, Kassel 03. 2014 Lingering in Vicinity Gypsum gallery, Cairo 02. 2013 2026 Turku Museum, Turku Performance: 01. 2019 The Subduer (or: The Sublime Face of Bureaucracy) Volksbuhne, Berlin 05. 2013 Sunrising Kristine Khouri, Maha Maamoun and Dilek Winchester Artist Project and Lecture within the Plastic Veins project commissioned for Homeworks 6, Beirut Shows and Biennials (Selection): 07. 2019 Deep Sounding – History as Multiple Narratives daad galerie, Berlin 10. 2018 Constructing the World: Art and Economy Kunsthalle Mannheim 10. 2018 Strange Days: Memories of the Future Store X, London in collaboration with The New Museum, NY 09. 2018 From Behind the Screen Medrar, Cairo O5. 2018 The past is present: Becoming Egyptian in the 20th century The British Museum 03. 2018 Active Forms Sharjah Arts Foundation, Sharjah 06. 2017 NO TO THE INVASION: Breakdowns and Side-Effects CCS Bard Galleries 05. 2017 Imagined Life in a Museum Vitrine Contemporary Image Collective (CiC) 03. 2017 I Can Call This Progress to Halt Los Angeles Contemporary Exhibitions (LACE) 04. 2016 Hors Pistes Centre Pompidou, Paris 03. 2016 The Time is Out of Joint Sharjah Art Foundation, Sharjah Asia Culture Center, Gwangju 03. 2015 Century of Centuries SALT, Istanbul 02. 2015 Lest the Two Seas Meet Museum of Modern Art, Warsaw 11.
    [Show full text]
  • Assessing the Effectiveness of Street Girls Ngos in Egypt: with Whom? in What Specific Context?
    Assessing the Effectiveness of Street Girls NGOs in Egypt: With whom? In what specific context? Thèse Amira Mohamed Kotb Doctorat en études internationales Philosophiae doctor (Ph.D.) Québec, Canada © Amira Mohamed Kotb, 2015 Résumé (Fr) Depuis les années 80’s, plusieurs ONG locales et internationales opèrent en Egypte afin d’éradiquer le phénomène des enfants de la rue. Cependant, le phénomène persiste et donne lieu à une seconde génération d’enfants de rue, notamment avec la présence de jeunes filles dans la rue. Par ailleurs, un large pourcentage de ces mères refuse d’abandonner la rue ou de rejoindre les programmes de réhabilitation des ONG. Non seulement une génération de petits-enfants de rue voit le jour mais en 2011, ces enfants commencent à prendre part dans des affrontements violents contre l’armée et les forces de sécurité égyptiennes. La dégénération du problème pousse l’Etat Egyptien –jusque-là quasi réticent d’aborder en profondeur les causes du problème- à engager un bras de fer avec les filles et les garçons de la rue. Selon l’Etat, l’approche « de sauvetage » appliquée par les ONG se serait avérée ineffective et par conséquent, devrait céder la place à une approche « punitive » à l’égard des enfants de la rue. Ainsi, l’Etat décide de construire un « village » isolé sous l’égide de l’armée égyptienne où les enfants de la rue seront groupés et placés contre leur gré. Entre les limites de l’approche de sauvetage et la violence de l’approche punitive, cette thèse cherche à trouver une troisième voie où les efforts des ONG et de l’Etat pourraient aboutir à des solutions plus adaptées aux besoins des enfants de la rue.
    [Show full text]
  • Thinking Through and with the Image in Contemporary Cairo
    The American University in Cairo School of Global Affairs and Public Policy Urban space and politics of the everyday: Thinking through and with the image in contemporary Cairo A thesis submitted to the Cynthia Nelson Institute for Gender and Women‘s Studies in partial fulfillment of the requirements for the degree of Master of Arts in Gender and Women‘s Studies in the Middle East/North Africa with specialization in gendered political economies by Darren Spirk (under the supervision of Dr. Martina Rieker) August 2020 Table of Contents Acknowledgements………………………………………………………………………….i Abstract……………………………………………………………………………………iii Prologue……………………………………………………………………………………1 Thinking through and with the image………………………………………………………………..2 Reframing the image through the epistemic…………………………………………………………5 Writing on the edges of creative anthropology……………………………………………………..10 Chapter I – Re-approaching the visual in contemporary Cairo………………………….13 Urban space and visual refusal………………………………………………………………….….15 Temporality and the political…………………………………………………...…………………..23 The openness of refusal, re-sensing the visual…………………………………………………......30 Chapter II – Intersections of space and subjectivity in the image………………………..40 Imagining political subjectivity…………………………………………………………………….44 Contesting and contextualizing ―the street‖………………………………………………………...49 Seeing in the shadows of downtown…….………………………………………………………….57 Chapter III – Framing and pacing the political everyday………………………………..64 Images that dwell and distract………………………………………………………………………69 Mosques, microbuses,
    [Show full text]
  • Applicants' Submissions on Merits
    27 February 2014 Communication 424/12 In the matter between: SAMIRA IBRAHIM MAHMOUD, RASHA ALI ABDEL-RAHMAN (Represented by EIPR, INTERIGHTS and REDRESS) v. EGYPT APPLICANTS’ SUBMISSIONS ON MERITS Dr. Mary Maboreke Executive Secretary, African Commission on Human and Peoples’ Rights Kairaba Avenue P.O. Box 673 Banjul, The Gambia Fax: +220 4392 962 By email: [email protected] 1 LEGAL REPRESENTATION1 The Applicants are both represented by: (1) Bahaa Ezzelarab Egyptian Initiative for Personal Rights 6 Dar El Shefaa Street, Ground Floor Garden City Cairo, Egypt Tel/fax: +202 279 333 71 / 72 / 73 Email: [email protected] [email protected] (2) Susie Talbot and Vesselina Vandova INTERIGHTS New Loom House 101 Back Church Lane London E1 1LU United Kingdom Tel: + 44 (0)20 7264 3989 Fax: + 44 (0)20 7481 9911 Email: [email protected] [email protected] (3) Jürgen Schurr REDRESS 87 Vauxhall Walk London SE11 5HJ 1 The Applicants’ legal representatives would like to acknowledge the valuable research assistance provided by the Avon Global Center for Women and Justice of the Cornell Law School. The Center’s research on international and regional standards, case law and commentary relating to articles 2 and 18(3) of the African Charter was of immense help. 2 Tel: +44 (0)20 7793 1777 Fax: +44 (0)20 7793 1719 Email: [email protected] 3 TABLE OF CONTENTS Page A. Introduction……………………………………………………………………..…9 B. Summary of Facts…………………………………………………………………9 (1) The First Applicant…………………………………………………………….10 (2) The Second Applicant……………………………………………………….…13 (3) Response by members of the Supreme Council of Armed Forces…………..…15 (4) Case before the military court…………………………………………………16 (5) Case before the Court of Administrative Justice………………………………17 C.
    [Show full text]
  • Independent Short Films and Media Art
    INDEPENDENT SHORT FILMS AND MEDIA ART ARAB SHORTS: INDEPENDENT SHORT FILMS AND MEDIA ART A VISUAL ARTS INITIATIVE OF THE GOETHE-INSTITUT IN NORTH AFRICA AND THE MIDDLE EAST IMPRESSUM This book is published by Goethe-Institut Kairo. EDITORIAL TEAM Dr. Günther Hasenkamp, Ghada El-Sherbiny, Dr. Antje Klesse Director Goethe-Institut Kairo: Gabriele Becker Artistic director Arab Shorts: Marcel Schwierin Translation and language consultancy: Mostafa Hashish, Isis Hakim, Dr. Manuela Thurner Photography: DayDream Art Production, Mohamed El Maymouny Design and layout: Lisa Maria Kreutzer EDITORIAL NOTE All films from Arab Shorts 2009, 2010 and 2011 have been included in this publication. Apart from the introduction, all texts in this book were taken from www.arabshorts.net and from festival booklets and handouts produced in the project. The editors wish to thank the curators, the filmmakers, the guests, our audiences, our assistants, and our colleagues at the Goethe-Institut head office Munich, in Cairo and in the Middle East and North Africa and all friends and supporters. Special thanks to Fabian Mühlthaler. The initial phase of the project was supported by the “Hiwaruna” program of the German Federal Foreign Office. Goethe-Institut Kairo 5 El Bustan Street P.O. Box, 7 Moh. Farid 11518 Cairo www. goethe.de/kairo www.arabshorts.net © Goethe-Institut 2012 LIST OF CONTENTS THE PROJECT “ARAB SHORTS” – INTRODUCTION 6 INTERVIEW WITH MARCEL SCHWIERIN, 8 ARTISTIC DIRECTOR OF ARAB SHORTS PROGRAMS AND FILMS. A COMPLETE OVERVIEW 2009-2011 10 ON ARAB SHORTS
    [Show full text]
  • Gaza, Bethlehem and Ramallah
    The Festival Committee: Sally Abu Bakr -Ramallah Municipality Yazid Anani, Abed Al-Rahman Shabaneh -A.M. Qattan Foundation Faten Anastas, Rama Mari -Dar al-Kalima University College of Arts and Culture Ghadeer Awwad, Ziad Hajali -Birzeit University Musuem Raed Issa -Eltiqa Gallery Laura Hartz, Thomas Scheele -Goethe Institute Yazan Khalili, Ibtisam Ahmad -Khalil Sakakini Cultural Centre Naïk M’Sil -Les Instants Vidéo Numériques et Poétiques Sahar Qawasmi -Al Hoash -Palestinian Art Court Shareef Sarhan -Shbabeek for Contemporary Art Renad Shqerat -RIWAQ - Center for Architectural Conservation Special Thanks to: Abed Al-Rahman Abu Shammalah Heyam Al-Hayek Yaseen Al Sayyed Bilal Bargouthi Khaled Fanni Raed Faroun Khaled El Ghoul Amer Hasan Nisreen Nafa’ Qais Rentawi Muhammad Shawahneh Co-ordination: Dalia Taha Media: Yara Fares Graphic Design: Dennis Sobeh (Design Studio 12) /si:n/ festival of video art & performance 2017 The 5th edition of the /si:n/ festival for video art and performance, will be held over four days, from June 12th15-th, 2017. Events will take place in the central Palestinian cities of Jerusalem, Gaza, Bethlehem and Ramallah. A selection of video art installations, performances and film screenings by noted local and international artists will be exhibited in multiple venues and connected through organized tours of cityscapes in the four localities. This year’s programme encourages festival participants to experience artworks in an urban context and thereby also explore the city through video art and performance. Rich and diverse, the programme engages the public in a variety of events: This edition is brought together through the efforts and generous contributions of A.
    [Show full text]
  • Artreview February 2020
    ArtReview February 2020 Artforum December 2019 Artnet 15 October, 2019 Frieze 9 October, 2019 Art in America 8 October, 2019 R E V I E W - 1 3 A P R 2 0 1 8 Around Town: Sharjah March Meetings For the three-day event in the UAE, the best works and talks were ones in which geographical and cultural hybridity shone through B Y PA B L O L A R I O S It’s early evening in Sharjah. I’m one of 100-odd people sitting in an outdoor square, anked by the cubic buildings of the city’s old town. Before us glows a cartoonish diorama of a Mediterranean city: red-roofed houses, a pink river, city walls and crumbling towers. On stage, around 20 men begin to tap the lulling baritone of jahlahs and clay-pot drums, singing djeri, the songs sung by pearl divers in the Gulf. For Wael Shawky’s Song of Roland: The Arabic Version (2017), the foundational epic of Old French is transposed to classical Arabic and traditional song. While the original chanson de geste (song of heroic deeds) from c.1100 glories the defeat of Carolingian armies during a Basque-Qasawi Muslim ambush in the Pyrenees in 778 CE, Shawky’s reversal of its Eurocentrism is biting and topical in an age of renewed fault lines between East and West, religion and secularism: ‘for wrong is with the Muslims, but with the Christians right’. Wael Shawky, The Song of Roland: The Arabic Version, 2018, perfromance documentation, Sharjah Art Foundation’s March Meeting 2018.
    [Show full text]
  • HEBA Y. AMIN B. 1980, Cairo, Egypt Lives and Works in Berlin, Germany EDUCATION 2017 DCRL Fellow, Digital Cultures Research
    HEBA Y. AMIN b. 1980, Cairo, Egypt Lives and works in Berlin, Germany EDUCATION 2017 DCRL Fellow, Digital Cultures Research Lab, Centre for Digital Cultures, Leuphana University, Lüneburg, Germany 2016-present Doctorate Fellow, Art History, Berlin Graduate School Muslim Cultures and Societies, Freie Universität Berlin, Berlin, Germany 2010 - 2012 Post-Graduate Certificate, University of Applied Sciences Berlin (HTW): Media Computing, Berlin, Germany 2005 - 2009 MA (terminal degree), College of Design, University of Minnesota, Minneapolis, USA 2009 Certificate, New Media, Transart Institute, Berlin, Germany 2004 - 2005 Post-Baccalaureate Certificate, Drawing/Painting, Minneapolis College of Art and Design, Minneapolis, Minneapolis, USA 2002 - 2003 Post-Graduate Study, Painting, with Macalester Professor Christine Willcox, Macalester College, St. Paul, Minneapolis, USA 1998 - 2002 BA, Studio Art, Macalester College, St. Paul, Minneapolis, USA CURRENT POSITIONS Lecturer, Bard College Berlin, Germany Doctorate Fellow, BGSMCS, Freie Universität Berlin, Berlin, Germany Visual Arts Curator, Mizna, Minneapolis, USA Curator, Ramdom Association, Italy Co-Founder, The Black Athena Collective SOLO EXHIBITIONS 2018 A highlight of ‘A Rectilinear Propagation of Thought’, Zilberman Projects, Istanbul, Turkey A Rectilinear Propagation of Thought, Zilberman Gallery, Berlin, Germany 2017 The Earth is an Imperfect Ellipsoid, Künstlerhaus Bethanien, Berlin, Germany An Astronomical Determination of the Distance Between Two Cities, Zilberman Gallery, Istanbul,
    [Show full text]
  • Maha Maamoun
    Maha Maamoun Exhibitions and Projects (selection) Solo Shows: 02. 2017 Sursock Museum, Beirut 03. 2015 Like Milking a Stone Rosa Santos Gallery, Valencia 05. 2014 The Night of Counting the Years Fridericianum, Kassel 03. 2014 Lingering in Vicinity Gypsum gallery, Cairo 02. 2013 2026 Turku Museum, Turku Shows and Biennials (Selection): 04. 2016 Hors Pistes Centre Pompidou, Paris 03. 2016 The Time is Out of Joint Sharjah Art Foundation, Sharjah Asia Culture Center, Gwangju 03. 2015 Century of Centuries SALT, Istanbul 02. 2015 Lest the Two Seas Meet Museum of Modern Art, Warsaw 11. 2014 Beating around the Bush #4 Bonnefanten Museum, Maastricht 11. 2014 Love Letter to Mars OCA, Norway 09. 2014 Whose Gaze is it Anyway? ICA, London 07. 2014 Here and Elsewhere New Museum, NY 07. 2014 - Ten Thousand Wiles and a Hundred Thousand Tricks 09. 2013 Meeting Points 7 Gallery Nova (Zagreb), MuHKA (Antwerp), Beirut Art Center (Beirut), CiC (Cairo), Para Site (Hong Kong), Weiner Festochen (Vienna), V-A-C Foundation (Moscow) 05. 2014 – Tea with Nefertiti 09. 2012 Mathaf (Qatar), L’Institut du Monde Arabe (Paris), Instituto Valenciano de Arte Moderno (Valencia), Staatliches Museum Ägyptischer Kunst (Munich) 04. 2014 Night Visitor: The Night of Counting the Years Vtape, Images Festival, Toronto 04. 20114 Parle Pour Toi Marian Goodman Gallery, Paris 04. 2014 Arena CoCA, Torun 02. 2014 Forum Expanded 44th Berlinale 01. 2014 Out to Get You Afterglow, Transmediale 09. 2013 Possessions Khiasma, Paris 03. 2013 Cairo. Open City: New Testimonies from an Ongoing Revolution Museum Folkwang 01. 2013 Shifting Gazes Guest Projects, London 11.
    [Show full text]
  • Activist Art and the Crisis of Capitalism
    UvA-DARE (Digital Academic Repository) Delirium and Resistance: activist art and the crisis of capitalism Sholette, G.G. Publication date 2017 Document Version Final published version License Other Link to publication Citation for published version (APA): Sholette, G. G. (2017). Delirium and Resistance: activist art and the crisis of capitalism. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:04 Oct 2021 Universiteit van Amsterdam * Delirium and Resistance: activist art and the crisis of capitalism Delirium and Resistance: activist art and the crisis of capitalism ACADEMISCH PROEFSCHRIFT ter verkrijging van de graad van doctor aan de Universiteit van Amsterdam op gezag van de Rector Magnificus prof. dr. ir. K.I.J. Maex ten overstaan van een door het College voor Promoties ingestelde commissie, in het openbaar te verdedigen in de Agnietenkapel op vrijdag 21 april 2017, te 16:00 uur door Gregory Gerard Sholette geboren te Pennsylvania, Verenigde Staten van Amerika Promotiecommissie: Promotor: prof.
    [Show full text]
  • New Positions in Contemporary African Photography
    Doa Aly born in Cairo in 1976, lives in Cairo Doa Aly graduated from the Academy of Fine Arts, Helwan University, Cairo in 2001 (BA Fine Arts in Painting). Aly is mainly interested in ideas relating to performance, growth, and identity; the constant struggle to become which gives way to a hybrid form forever suspended between different sets of connotations. She has been beneficiary of several grants and residencies (from the Young Arab Theater Fund, Pro Helvetia Swiss Arts Council, Ford Foundation). The artist has participated in a number of exhibitions in Cairo and abroad including: Snap Judgements: New Positions in Contemporary African Photography, curated by Okwui Enwezor (2006-2008, travelling exhibition); The Maghreb Connection, curated by Ursula Biemann (Townhouse Gallery, Cairo, and Centre d'Art Contemporain, Genève, Switzerland); the 7th edition of the Dak’art Bienniale of African Contemporary Art (Dakar, Senegal). Gilles Aubry born in Delémont, Switzerland 1973, lives and works in Berlin Gilles Aubry is a Swiss sound artist, composer and musician. He uses field recordings, computer programming, surround sound, hacked electronics and improvisation to create live performances, sound installations and CD works. He has studied Sound Art & Sound Anthropology at the University of the Arts, Berlin (2006), Computer music at the SAMT (Studio for Advanced Music & Media Technology) of the Bruckner Konservatorium in Linz (2001), Saxophone and composition studies at the Swiss Jazz School Bern (diploma in 1997). Gilles Aubry carries on an ongoing research activity on formal, perceptual and anthropological aspects of sound production and reception, including topics like auditory perception, space representation, site specificity, cultural acoustics, streams of information and interactivity.
    [Show full text]