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The Representation of Reality and Fantasy in the Films of Powell and Pressburger: 1939-1946
The Representation of Reality and Fantasy In the Films of Powell and Pressburger 1939-1946 Valerie Wilson University College London PhD May 2001 ProQuest Number: U642581 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U642581 Published by ProQuest LLC(2015). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 The Representation of Reality and Fantasy In the Films of Powell and Pressburger: 1939-1946 This thesis will examine the films planned or made by Powell and Pressburger in this period, with these aims: to demonstrate the way the contemporary realities of wartime Britain (political, social, cultural, economic) are represented in these films, and how the realities of British history (together with information supplied by the Ministry of Information and other government ministries) form the basis of much of their propaganda. to chart the changes in the stylistic combination of realism, naturalism, expressionism and surrealism, to show that all of these films are neither purely realist nor seamless products of artifice but carefully constructed narratives which use fantasy genres (spy stories, rural myths, futuristic utopias, dreams and hallucinations) to convey their message. -
St. Francis College Terrier Magazine | Fall 2019, Volume 83, Number 1
First Master of Fine Arts Degrees Awarded 2019 SFC Literary Prize Arts at SFC The McGuire Scholars: First Class Graduates President Miguel Martinez-Saenz, Ph.D., and McGuire Scholar Antonia Meditz ’19, the 2019 Spring Commencement THE ST. FRANCIS COLLEGE MAGAZINE | FALL 2019, VOLUME 83, NUMBER 1 TERRIER BOARD OF TRUSTEES ALUMNI BOARD OF DIRECTORS Fall 2019 Volume 83, Number 1 CHAIRMAN PRESIDENT Terrier, the magazine of St. Francis College, Denis Salamone ’75 Robert L. Smith ’72 is published by the Office of Marketing and Communications for alumni and friends of TRUSTEES VICE PRESIDENT St. Francis College. Hector Batista ’84, P’17 Patricia Moffatt Lesser ’77 Bro. William Boslet, OSF ’70 Linda Werbel Dashefsky SECRETARY Rev. Msgr. John J. Bracken Vice President for Kevin T. Conlon ’11 Government and Community Relations Kate Cooney Burke Thomas F. Flood Timothy Cecere P’20 DIRECTORS Vice President for Advancement William Cline Joseph M. Acciarito ’12 Bro. Leonard Conway, OSF ’71 James Bozart ’86 Tearanny Street John J. Casey ’70 Executive Director, Edward N. Constantino ’68 Marketing and Communications Kenneth D. Daly ’88 Salvatore Demma ’09 and ’11 Mary Beth Dawson, Ph.D. Joseph Hemway ’84 EDITOR William F. Dawson, Jr. ’86 Dorothy Henigman-Gurreri ’79 Leah Schmerl Jean S. Desravines ’94 Sarah Bratton Hughes ’07 Director of Integrated Communications, Gene Donnelly ’79 Mary Anne Killeen ’78 Marketing and Communications Catherine Greene Josephine B. Leone ’08 CONTRIBUTORS Leslie S. Jacobson, Ph.D. Alfonso Lopez ’06 Rob DeVita ’15 Penelope Kokkinides James H. McDonald ’69 Kathleen A. Mills ’09 Joey Jarzynka Barbara G. Koster ’76 Jesus F. -
Annual Report 2006-2008 FINAL
WEATHERHEAD CENTER FOR INTERNATIONAL AFFAIRS H A R V A R D U N I V E R S I T Y two2006-2007 thousand six – two thousand seven ANNUAL REPORTS two2007-2008 thousand seven – two thousand eight 1737 Cambridge Street • Cambridge, MA 02138 www.wcfia.harvard.edu TABLE OF CONTENTS PEOPLE 2 Advisory Committee 2 Executive Committee 2 Administration 3 RESEARCH ACTIVITIES 5 Small Grants for Faculty Research Projects 5 Medium Grants for Faculty Research Projects 5 Large Grants for Faculty Research Projects 5 Large Grants for Faculty Research Semester Leaves 6 Junior Faculty Synergy Semester Leaves 7 Distinguished Lecture Series 8 Weatherhead Initiative in International Affairs 8 CONFERENCES 10 STUDENT PROGRAMS 31 RESEARCH SEMINARS 45 Africa Research Seminar 45 Challenges Of The Twenty-First Century: European And American Perspectives 46 Communist and Postcommunist Countries Seminar 47 Comparative Politics Research Workshop 47 Comparative Politics Seminar 52 Cultural Politics: Interdisciplinary Pespectives Seminar 52 Director’s Faculty Seminar 53 Economic Growth and Development Workshop 53 Economic History Workshop 54 Ethics And International Relations Seminar 56 Faculty Discussion Group On Political Economy 56 Futue of War Seminar 63 Herbert C. Kelman Seminar on International Conflict Analysis and Resolution 63 International Business Seminar 65 International Economics Workshop 66 International History Seminar 68 International Law and International Relations Seminar 70 Middle East Seminar 71 Political Violence and Civil War 73 Religion and Society 75 Research Workshop in International Relations 75 Research Workshop on Political Economy 77 Science and Society Seminar 83 South Asia Seminar 84 Southeast Asia Security and International Relations 85 Transatlantic Relations Semimar 85 U.S. -
Nicholas Wapshott Editor, Journalist, Author, Broadcaster 135 East 54Th
Nicholas Wapshott Editor, journalist, author, broadcaster 135 East 54th Street, 15K, New York, NY 10022. 646 414-1442 Wikipedia: http://en.wikipedia.org/wiki/Nicholas_Wapshott Business site: https://sites.google.com/site/nicholaswapshott/ Career resumé January 2015 to present: Opinion Editor, Newsweek. September 2013-January 2015 International Editor, Newsweek 2011-14 Political economy columnist, Thomson/Reuters (archive http://blogs.reuters.com/nicholas- wapshott/) 2003-present Regular contributor to The Times, London, The Sunday Telegraph, The New Statesman, etc. 2009-present W.W. Norton author • The Sphinx: How Franklin Roosevelt Outsmarted the Isolationists , published Fall 2014 • Keynes Hayek: The Clash That Defined Modern Economics, pub. hardback 2011, 15 reprints so far, pub. softback 2013. Published in 15 countries. 2009-11 Editorial director, Oprah.com. 2008-9 Senior Editor, The Daily Beast 2006-08 National and Foreign editor, daily columnist, The New York Sun (archive http://www.nysun.com/authors/Nicholas+Wapshott) 2005-07 Writing Ronald Reagan and Margaret Thatcher: a political marriage. Published by Penguin Sentinel, 2007, paperback 2008. 2004-2005 New York-based business feature writer, and US news reporter, Sunday Telegraph, London 2001-4 North America correspondent, New York bureau chief, The Times, London 1992-2001 Editor of the Saturday Times, London. Founding editor London Times Magazine. 1976-84 Profile writer, features editor, arts editor, The Times, London, etc. 1973-1976 The Scotsman, Edinburgh Author The Sphinx: How Franklin Roosevelt Outsmarted the Isolationists, W. W. Norton, December 2014 Keynes Hayek: The Clash That Defined Modern Economics, W.W. Norton, October 2011. Ronald Reagan and Margaret Thatcher: a political marriage. -
Aspen Ideas Festival Confirmed Speakers
Aspen Ideas Festival Confirmed Speakers Carol Adelman , President, Movers and Shakespeares; Senior Fellow and Director, Center for Global Prosperity, The Hudson Institute Kenneth Adelman , Vice President, Movers and Shakespeares; Executive Director, Arts & Ideas Series, The Aspen Institute Stephen J. Adler , Editor-in-Chief, BusinessWeek Pamela A. Aguilar , Producer, Documentary Filmmaker; After Brown , Shut Up and Sing Madeleine K. Albright , founder, The Albright Group, LLC; former US Secretary of State; Trustee, The Aspen Institute T. Alexander Aleinikoff , Professor of Law and Dean, Georgetown University Law Center Elizabeth Alexander , Poet; Professor and Chair, African American Studies Department, Yale University Yousef Al Otaiba , United Arab Emirates Ambassador to the United States Kurt Andersen , Writer, Broadcaster, Editor; Host and Co-Creator, Public Radio International’s “Studio 360” Paula S. Apsell , Senior Executive Producer, PBS’s “NOVA” Anders Åslund , Senior Fellow, Peter G. Peterson Institute for International Economics Byron Auguste , Senior Partner, Worldwide Managing Director, Social Sector Office, McKinsey & Company Dean Baker , Co-Director, Center for Economic and Policy Research; Columnist, The Guardian ; Blogger, “Beat the Press,” The American Prospect James A. Baker III , Senior Partner, Baker Botts, LLP; former US Secretary of State Bharat Balasubramanian , Vice President, Group Research and Advanced Engineering; Product Innovations & Process Technologies, Daimler AG Jack M. Balkin , Knight Professor of Constitutional -
Stuart Brisley Cv
STUART BRISLEY CV Born 1933, Surrey, England. Education 1960-1962 Florida State University, Tallahassee (on a Fulbright Travel Award) 1959-1960 Akademie der Bildende Künste, Munich (on a Bavarian State Scholarship) 1956-1959 Royal College of Art, London 1949-1954 Guildford School of Art Selected Solo Exhibitions 2016 Interregnum, Galeria Jaqueline Martins, Sao Paulo From the Georgiana Collection, Hales Gallery, London Drawn, David Roberts Art Foundation, London 2015 Stuart Brisley, Headwinds, MAC Belfast, Northern Ireland A new sound work for Belfast, Belfast 2014 Stuart Brisley, State of Denmark, Modern Art Oxford, England Breath, a new performance, Royal Academy Life Rooms 2013 Stuart Brisley, Domobaal, London, England Stuart Brisley, Mummery+Schnelle, London, England Back to the future: solo stand at Artissima, Torino, Italy Before the Mast, 10 day performance, domobaal 2013 2012 Stuart Brisley, Exile Gallery, Berlin, Germany Next Door (the missing subject), PEER, London, England 2011 Stuart Brisley, Algus Greenspon, New York, USA 2010 Measurement and Division, Exile Gallery, Berlin, Germany Next Door (the missing subject), PEER London 2009 Stuart Brisley: Recent Works, England & Co, London, England London, 7 Bethnal Green Road, E1 6LA. + 44 (0)20 7033 1938 New York, 64 Delancey Street, NY 10002. + 1 (646) 918-7205 www.halesgallery.com @halesgallery 2008 Crossings, John Hansard Gallery, Southampton, England. Touring Tallinn City Art Gallery, Tallinn, Estonia (2009) 2006 Stuart Brisley 1958-2006, England & Co, London 2004 The UK Museum -
How Propaganda Works How Works
HOW PROPAGANDA WORKS HOW WORKS PRINCETON UNIVERSITY PRESS JASON STANLEY Princeton Oxford Copyright © 2015 by Princeton University Press Published by Princeton University Press 41 William Street, Princeton, New Jersey 08540 In the United Kingdom: Princeton University Press 6 Oxford Street, Woodstock, Oxfordshire OX20 1TW press.princeton.edu Jacket design by Chris Ferrante Excerpts from Victor Kemperer, The Language of the Third Reich: LTI, Lingua Tertii Imperii, translated by Martin Brady © Reclam Verlag Leipzig, 1975. Used by permission of Bloomsbury Academic, an imprint of Bloomsbury Publishing PLC. All Rights Reserved ISBN 978– 0– 691– 16442– 7 Library of Congress Control Number: 2014955002 British Library Cataloging- in- Publication Data is available This book has been composed in Sabon Next LT Pro and League Gothic Printed on acid- free paper. ∞ Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 This will always remain one of the best jokes of democracy, that it gave its deadly enemies the means by which it was destroyed. — JOSEPH GOEBBELS, REICH MINISTER OF PROPAGANDA, 1933– 45 CONTENTS Preface IX Introduction: The Problem of Propaganda 1 1 Propaganda in the History of Political Thought 27 2 Propaganda Defined 39 3 Propaganda in Liberal Democracy 81 4 Language as a Mechanism of Control 125 5 Ideology 178 6 Political Ideologies 223 7 The Ideology of Elites: A Case Study 269 Conclusion 292 Acknowledgments 295 Notes 305 Bibliography 335 Index 347 PREFACE In August 2013, after almost a decade of teaching at Rutgers University and living in apartments in New York City, my wife Njeri Thande and I moved to a large house in New Haven, Connecticut, to take up positions at Yale University. -
While Slipping in Polls, Mitt Romney Assures Voters 'I Care'
THURSDAY Today THE DAILY CHIEF-UNION September 27, 2012 Single Copy 50 Cents Upper Sandusky, OH 43351-0180 Showers High upper 60s Low upper 40s Weather details on page 2 Jury finds Locally Forest man Rural Upper guilty of sharing Sandusky man porn with teen sentenced on By NICK MARLOW Staff writer weapon charge A 47-year-old rural Forest man was found A rural Upper Sandusky guilty on two counts of disseminating matter man who pleaded guilty to harmful to juveniles having a weapon while under Wednesday morning at the disability received a 12- close of a two-day trial in month prison sentence in Wyandot County Common Wyandot County Common Pleas Court. Pleas Court on Sept. 18. Robert J. Buckingham, According to court docu- 17295 CH 215, Forest, was ments, two additional charges released on a continued bond against Jeffrey G. Grove, 49, to await sentencing after a were dropped via a joint sen- Submitted photo jury decided enough evidence tence agreement between the Wyandot County contingent attends Jordan-Latta dinner was provided to convict him. Because the jury dubbed an state of Ohio and Grove. Presidential candidate Mitt Romney’s son, Matt (center), was the featured speaker at a dinner adult video and pictures “The honoring Congressmen Bob Latta and Jim Jordan recently held at Camden Falls in Tiffin. With Robert allegedly shown to the victim court finds redistricting, Latta will assume some of Jordan’s former territory and as a result, all of Wyandot Buckingham obscene. The victim, who now (Grove) has County now will be in Latta’s congressional district. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
The Smell Test
The following chapter was provided by John McManus and describes The SMELL Test, “a way to distinguish ethical journalism from propaganda, fake news and junk journalism.” The chapter comes from his recent book, Detecting Bull: How to Identify Bias and Junk Journalism in Print, Broadcast and on the 8 Wild Web, and includes several classroom activities The SMELL Test Everybody is sitting around saying, 'Well, jeez, we need somebody to solve this problem of bias.' That somebody is us. ~ Wilma Mankiller, late Cherokee leader Some fake news is obviously ridiculous. Take a gander at this image from a website called Worldnewsdailyreport.com. “It tastes like heaven!” simply puts [sic] Rakim Shaheed, newly employed at a downtown Toronto butcher shop. “I took one bite of a club sandwich my boss prepared for me and I almost fell off my chair,” he told local reporters. “It was like a burst of flavor hit my taste buds and shook me like an earthquake” he recalls, visibly still emotional. “I can’t believe no one ever told me it was so good,” he adds.1 But other fabricated articles have fooled many citizens, been shared widely on social media and perhaps changed been shared widely on social media and perhaps changed the outcome of national elections.2 The simplest way to discover if a news article is misleading or fake is to check it out on a legitimate fact-checking website, such as Snopes.com, Poltifact.com, or Factcheck.org. However, these sites only examine the most popular frauds, and rarely as soon as they appear. -
Mahalopresentation
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Appendix 1 the World of Cinema in Argentina
Appendix 1 The World of Cinema in Argentina A revelation on January 17, 2002. I am headed to the Citibank on Cabildo Street, where I have a savings account. I try to enter the bank but cannot because of the number of people waiting. So I give up on my errand. I cross the street to return home, and from the sidewalk facing the bank I see, for the first time, the building in which it is housed. The familiar is made strange; shortly after, it becomes familiar again, but in a slightly disturbing way. I recognize the building’s arches and moldings, its fanciful rococo façade. I recognize the Cabildo movie theater, in which I saw so many movies as an adolescent. Although I have been coming to this bank for years, I have never before made this connection. I know movie theaters that have been transformed into video arcades, into evangelical churches,1 into parking garages, even into bookstores. Yet I knew of none that had become a bank. All my savings were housed in a space that had been shadows, lights, images, sounds, seats, a screen, film. I remember that around the age of sixteen, I saw Robert Redford’s Ordinary People (1980) on the same day as Alain Resnais’ Last Year at Marienbad (1961) in the Hebraica theater. Two or three movies a day (video didn’t exist then) in which almost everything was film, film, and only film. These are the adolescent years in which cinephilia is born: a messy love, passionate, without much judgment.