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Giornale Maggio C’era una volta... il Sessantotto DI Paola Scremin e Guido Albonetti Una rassegna cinematografica dedicata vi frammenti documentano l’atroce artisti rispondono al fenomeno della alla mitica annata del Sessantotto (al guerra del Vietnam, mentre uno splendi- prima vera omologazione dell’immagine, Candiani, in maggio) è l’occasione per do film di William Klein racconta il attraverso la rappresentazione quasi riflettere, trent’anni dopo, su un com- Maggio francese. Branca, con Size the ossessiva di se stessi e del quotidiano. plesso frangente della nostra storia, Time, mette l’America sotto accusa per i Nell’era del primo computer e dell’uomo riproposto in un flusso di immagini pre- suoi crimini contro l’umanità, perpe- sulla luna, New York celebra la Pop Art e gnanti. Affiorano così i ricordi, da molti tuati sui cittadini di colore. L’Europa è dà vita al moderno mercato dell’arte; di noi più o meno vissuti, gli inizi e nello invasa di movimenti studenteschi e ope- ready-made, fotografia e cinema, sono stesso tempo la fine di qualcosa. What’s rai che reclamano democrazia, diritti state le proposte più rivoluzionarie di happening?, è stata la domanda di tanti lavorativi, studio, maternità. Ugo Marcel Duchamp, padre del pensiero giovani, fra cui il filmaker Antonello Gregoretti, presenta Apollon, cronaca di concettuale, morto nel 1968. Negli anni Branca che nel 1967, girava un docu- un anno di occupazione della tipografia Sessanta, la sua lezione informa le nuove mentario sull’altra America. Che succe- romana, evento simbolo del ‘68 operaio. poetiche più sofisticate di Fluxus, deva durante la nascita dei movimenti di Oltre ai diversi fatti del tempo, docu- Minimal Art, Land Art, Body Art e Arte piazza e l’epilogo di un boom economico mentati in originalissimi film, documen- Povera. Nel 1968, a Roma, muore il gio- che aveva investito i due maggiori siste- tari e reportage quotidiani, What’s hap- vanissimo Pino Pascali. Dopo la factory mi capitalistici mondiali ? pening? pone l’attenzione sulla varietà di Warhol, il cinema underground roma- 1968. What’s happening? Fotogrammi in dei punti di vista, dal film d’autore colto no vive la sua stagione più importante. Movimento, parla di un’annata planeta- nel panorama della Nouvelle Vague, al La cultura di massa toccava la vetta nel- ria che alzava un’onda positiva, un’idea film d’artista, una varietà unica di docu- l’impiego di fotografia, film e videotape. di rinnovamento a favore di tutta l’uma- menti sulla realtà di allora. Testimoni e maggio nità. Nella rassegna, pochi ma significati- interpreti delle ansie del decennio, gli 2008 Ritorno a Bergmanville DI Antonio Costa Per Bergman c’erano stati gli entusiasmi versione “ridotta” nelle sale. forum, sia a giovani e giovanissimi che dei registi della Nouvelle Vague: Presentatosi a Venezia nel 1983 per riti- probabilmente lo scoprono per la prima «[Monica e il desiderio] è il film più ori- rare un Leone alla carriera che, però, gli volta. Forse sarà l’occasione di un incon- ginale del più originale dei registi» era stato assegnato nel ’71, dichiarò che tro tra diverse generazioni di pubblico. (Godard); «Bergman è forse stato il non avrebbe più diretto film. Promessa, La rassegna che viene presentata per- primo ad affrontare certi segreti del per fortuna, mantenuta solo in parte. Fu metterà di incontrare alcune delle opere cuore femminile» (Truffaut). Per altre così che Bergman divenne autore di film più significative dei vari periodi della vie, Bergman era diventato in Italia l’au- postumi, mentre era ancora in vita, e per carriera di Bergman, con alcune doloro- tore di punta della stagione dei cinefo- di più penalizzati da una distribuzione se rinunce dovute all’indisponibilità di rum, che ne hanno valorizzato soprat- disattenta e svogliata (quanti hanno copie attendibili. Una novità è rappre- tutto le tematiche. Poi la contestazione visto Sarabanda?). sentata dal fatto che, con un’unica ecce- del sessantotto, incerta tra un cinema La notizia della sua morte ha sorpreso zione, i film saranno proiettati in lingua operaista mai decollato e il western un po’ tutti la scorsa estate, quando a originale con sottotitoli per permettere estremo (Il mucchio selvaggio), diede citarlo sembrava essere rimasto solo di apprezzare le voci e la recitazione di il suo contributo ad abbandonare Woody Allen, che continuava a tributar- un’équipe di attori che forse non ha Bergman alla deriva degli autori semi- gli omaggi fin dai tempi di Interiors. avuto uguali. Da ultimo vorrei sottoli- clandestini (anche se ha continuato a Così come ha sorpreso, lo scorso autun- neare che il ciclo è il risultato di una col- sfornare con regolarità opere tanto belle no, l’interesse, superiore alle previsioni, laborazione tra il Candiani, Circuito quanto enigmatiche). Rilanciato come suscitato da una conferenza su di lui Cinema e la Facoltà di Design e Arti autore televisivo, trovò il suo pubblico organizzata dal Candiani nell’ambito di dell’Università IUAV che, ci si augura, nelle prime serate della Rai dei settanta un ciclo dedicato ai grandi autori della possa continuare anche in un prossimo (Scene da un matrimonio) e ottanta storia del cinema. È così che è nata l’idea futuro. (Fanny e Alexander), dopo che gli stes- di questo ciclo, idealmente rivolto sia a si titoli erano regolarmente passati in chi ha l’età per avere nostalgia dei cine- Le diaboliche invenzioni di Karel Zeman DI Carlo Montanaro Anno XXII, n. 5 maggio 2008 Autorizzazione Tribunale di Venezia n. 1070 R.S. del 5/11/1991 Allo scoppiare della jurassicpark-mania, ta la straordinaria idea di ridurre per lo sua abilità e maturità citando addirittura DIRETTORE RESPONSABILE Roberto Ellero con le prime attendibili (lo schermo un romanzo di Giulio Verne l’inventore della fiction cinematografica, Mensile edito dal Comune di Venezia stesso Spielberg all’inizio ci credeva ambientandolo all’interno delle illustra- Georges Méliès con una versione colora- Ufficio Attività Cinematografiche poco) digitalizzazioni degli animali prei- zioni coeve. Vynález Zkázy, ovvero La ta e splendidamente leggera del Barone storici, fu tutto un rincorrersi di citazioni diabolica invenzione, stupì per la feli- di Munchhausen (da loro Baron Prá`´sil). REDAZIONE e AMMINISTRAZIONE Palazzo Mocenigo, San Stae 1991 sui loro antenati cinematografici. cità con cui, in uno splendente bian- Con trucchi oggi tanto ingenui quanto 30125 Venezia Partendo da Willis O’Bryen, papà del co&nero, attori e ambienti, nonchè poetici nella loro semplice efficacia. tel. 0415241320, fax 0415241342 primo King Kong. Ma allora nessuno si mezzi di trasporto futuristicamente otto- Diversi dagli altri i film successivi, quasi http://www.comune.venezia.it/cinema/ [email protected] ricordò di Ceste da prov`´eku, di quel centeschi, convivevano, offrendo un sempre poi dedicati ai ragazzi, che Viaggio nella preistoria vincitore del materiale visivo contaminato tra l’illustra- hanno segnato una carriera prolifica fino DIRETTORE Roberto Ellero Gran Premio alla VII Mostra tivo e l’ironico. Zeman, sperimentatore alla morte avvenuta nel 1989. In rassegna REDAZIONE Norma Dalla Chiara (capo), Noemi Battistuzzo Internazionale del Film per Ragazzi del audace (il suo Inspirace del 1949 alla Pasinetti a fine maggio i suoi titoli più HANNO COLLABORATO A QUESTO NUMERO: 1955 e visto, qui da noi, solo anni dopo, “anima” creature di vetro...) di un cine- famosi: in versione originale perché diffi- Guido Albonetti, Antonio Costa, Irma Martì, Carlo Montanaro; in una RAI-TV ancora senza colori. ma che nel secondo dopoguerra grazie al cilmente reperibili altrimenti ma com- Cristina Morello, Catalina Paravati, Mentre il nome non difficilissimo da pro- compatriota Jiry Trnka con i suoi allievi, prensibili e godibilissimi in virtù della Paola Scremin nunciare del suo regista, Karel Zeman dalla Cecoslovacchia stava insegnando al loro forte espressività comunicativa. GRAFICA Tapiro (nato nel 1910), si impose anche in mondo l’animazione di pupazzi (oggi STAMPA Grafiche Biesse Scorzè Italia nel 1958, quando gli venne attribui- diremmo 3D), conferma tre anni dopo la 2 Tutti i film dalla A alla Z L’altra donna del re Maradona - I cacciatori Evening El Pibe de oro Biùtiful cauntri TIT. OR. The Hunting Party REGIA Lajos Koltai Masai bianca REGIA E SCN. Richard Shepard SOGG. Susan Minot (romanzo) Blindness - Cecità SOGG. Scott Anderson SCN. Michael Cunningham Mongol FOT. David Tattersall FOT. Gyula Pados I cacciatori MUS. Rolfe Kent MUS. Jan A.P. Kaczmarek Nessuna qualità agli eroi MONT. Carole Kravetz MONT. Allyson C. Johnson Il divo INT. Richard Gere, Terrence Howard, INT. Claire Danes, Toni Collette, Notte brava a Las Vegas Jesse Eisenberg, Diane Kruger Vanessa Redgrave, Glenn Close, Evening PROD. MGM Meryl Streep, Chuck Cooper Fireflies in the Garden Racconti da Stoccolma OR. Bosnia-Erzegovina, Croazia, Usa, 2007 PROD. Hart-Sharp Entertainment DUR. 103’ OR. Usa, 2007 Il futuro non è scritto - Rewind gli acchiappafilm DUR. 117’ Joe Strummer Sangue pazzo Gomorra Sex and the City In Bruges Shine a Light «Solo i particolari più incredibili di questa storia sono veri». Lo slogan scelto per il lancio di questo Evening, diretto da Lajos Koltai, (il regista di Indiana Jones e il regno Solo un bacio per favore film esprime un luogo comune che non manca di Senza destino) ha un cast d’eccezione, in cui è del teschio di cristallo verità: a volte la realtà supera ogni immaginazio- davvero difficile trovare una falla . Tra le altre stel- Sopravvivere con i lupi ne. Come nella storia di Simon Hunt,
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