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Introduction to the Warrior Ethos ■ 113
8420010_VE1_p110-119 8/15/08 12:03 PM Page 110 Section 1 INTRODUCTION TO Values and Ethics Track Values THE WARRIOR ETHOS Key Points 1 The Warrior Ethos Defined 2 The Soldier’s Creed 3 The Four Tenets of the Warrior Ethos e Every organization has an internal culture and ethos. A true Warrior Ethos must underpin the Army’s enduring traditions and values. It must drive a personal commitment to excellence and ethical mission accomplishment to make our Soldiers different from all others in the world. This ethos must be a fundamental characteristic of the U.S. Army as Soldiers imbued with an ethically grounded Warrior Ethos who clearly symbolize the Army’s unwavering commitment to the nation we serve. The Army has always embraced this ethos but the demands of Transformation will require a renewed effort to ensure all Soldiers truly understand and embody this Warrior Ethos. GEN Eric K. Shinseki 8420010_VE1_p110-119 8/15/08 12:03 PM Page 111 Introduction to the Warrior Ethos ■ 111 Introduction Every Soldier must know the Soldier’s Creed and live the Warrior Ethos. As a Cadet and future officer, you must embody high professional standards and reflect American values. The Warrior Ethos demands a commitment on the part of all Soldiers to stand prepared and confident to accomplish their assigned tasks and face all challenges, including enemy resistance—anytime, anywhere. This is not a simple or easy task. First, you must understand how the building blocks of the Warrior Ethos (see Figure 1.1) form a set of professional beliefs and attitudes that shape the American Soldier. -
Violence and Masculinity in Hollywood War Films During World War II a Thesis Submitted To
Violence and Masculinity in Hollywood War Films During World War II A thesis submitted to: Lakehead University Faculty of Arts and Sciences Department of History In partial fulfillment of the requirements for the degree in Master of Arts Matthew Sitter Thunder Bay, Ontario July 2012 Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-84504-2 Our file Notre référence ISBN: 978-0-494-84504-2 NOTICE: AVIS: The author has granted a non- L'auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l'Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distrbute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Judge Dismisses Case Saying
SBA Brings Mesa C\Iii TIE.i ON Entertainment Films Seven films are being brought together had v.isions of the Spain to the Mesa campus by the Stu they wanted. OF MESA --- COLL£GE dent Body Association. The films Danny Kaye plays the part of a M are free. Russian peasant mistaken for an Two of the films, "The Guns of inspector general during the days Vol. No. XXXIV Tuesday, April 25, 1967 No. 23 Navarone" and "The Great Im of Napoleon. The movie, "In poster," have already been shown; . spector General" also stars Wal the other films are "The Killer ter Slezak and Gene Lockhart. of Kilamanjaro", to be presented The final movie to be shown on April 30; "Mickey One", May will be "King Rat". Set in a 7; "For Whom the Bells Toll", prison camp, the story revolves Judge Dismisses Case May 14; "Inspector General", around the "King," Flight Lieu May ,21; and "Ktng Rat", May 28. "The Killers. of Kilamanjaro", tenant Marlowe and his methods starring Robert ';I.'aylor, is a story to gain more food, clothes, and set in the heart of Africa. Filmed favor for himself and the men on location in Tanganyika, it in who hate him, but followed hira. Saying 'College Prank' volves the railways struggle to The movie stars George Segal cross Afica. as the "King," and Tom Court Municipal Judge Harry Claus profane language used by the supported Welch's action fully. Warren Beatty, Jeff Corey and enay and James Fox. sen told the Criterion last week two ~en and the action itself Kenneth Lemoine, college admin Franchot Tone star in "Mickey that his ruling which dismissed constituted a disturbance. -
George Segal
GEORGE SEGAL November 26, 1924 (New York City) – June 9, 2000 EDUCATION: New York Public Schools 1949 - B.A. in Art Education, New York University 1963 - M.FA., Rutgers University, NJ 1970 - Honorary Ph.D. in Fine Arts, Rutgers University, NJ 1992 - Honorary Ph.D. in Fine Arts, S.U.N.Y. Purchase PUBLIC COLLECTIONS: The Americas The Museum of Modern Art, New York, NY The Whitney Museum of American Art, New York, NY The Metropolitan Museum of Art, New York, NY The Solomon R. Guggenheim Museum of Art, New York, NY The Jewish Museum, New York, NY The Brooklyn Museum, Brooklyn, NY Port Authority of New York and New Jersey Akron Art Institute, Akron, OH Huntington Art Gallery, University of Texas, Austin, TX Birmingham Museum of Art, Birmingham, AL Indiana University Museum of Art, Bloomington, IN Albright-Knox Art Gallery, Buffalo, NY Federal Office Building, Buffalo, NY Mint Museum, Charlotte, NC Hunter Museum of Art, Chattanooga, TN Art Institute of Chicago, Chicago, IL Cleveland Museum of Art, Cleveland, OH Cuyahoga County Justice Center, Cleveland, OH Columbus Museum of Art, Columbus, OH Dartmouth College, Hood Museum of Art, Hanover, NH Des Moines Art Center, Des Moines, IA Des Moines Register and Tribune, Des Moines, IA Detroit Institute of Art, Detroit, MI Modern Art Museum of Fort Worth, Fort Worth, TX Weatherspoon Gallery, University of North Carolina, Greensboro, NC City of Greenwich, CT Wadsworth Atheneum, Hartford, CT The State Foundation on Culture and the Arts, Honolulu, HI Illinois Institute of Technology, ITT Center, Chicago, -
Todd Mason Papers PASC.0363
http://oac.cdlib.org/findaid/ark:/13030/c8rb770b No online items Finding Aid for the Todd Mason Papers PASC.0363 Processed by Cheryl Clayton with assistance from Julie Graham; machine-readable finding aid created by Caroline Cubé after initial encoding by Julie Graham. UCLA Library Special Collections Online finding aid last updated on 2020 November 4. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Todd Mason PASC.0363 1 Papers PASC.0363 Contributing Institution: UCLA Library Special Collections Title: Todd Mason papers Creator: Mason, Todd Identifier/Call Number: PASC.0363 Physical Description: 2.25 Linear Feet(2 boxes and 4 flat boxes) Date (inclusive): 1967-1981 Abstract: There is little information available about Todd Mason. During his career, he worked as an actor, did voice overs, and was a newspaper writer. From 1968-1975 Mason was an associate of Mike Connors and worked for the television series Mannix. The collection consists of writings, photographs, correspondence, and audio cassette recordings related related to his career. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Physical Characteristics and Technical Requirements CONTAINS AUDIOVISUAL MATERIALS: This collection contains both processed and unprocessed audiovisual materials. Audiovisual materials are not currently available for access, unless otherwise noted in a Physical Characteristics and Technical Requirements note at the file level. -
Bruce Walker Musical Theater Recording Collection
Bruce Walker Musical Theater Recording Collection Bruce Walker Musical Theater Recording Collection Recordings are on vinyl unless marked otherwise marked (* = Cassette or # = Compact Disc) KEY OC - Original Cast TV - Television Soundtrack OBC - Original Broadway Cast ST - Film Soundtrack OLC - Original London Cast SC - Studio Cast RC - Revival Cast ## 2 (OC) 3 GUYS NAKED FROM THE WAIST DOWN (OC) 4 TO THE BAR 13 DAUGHTERS 20'S AND ALL THAT JAZZ, THE 40 YEARS ON (OC) 42ND STREET (OC) 70, GIRLS, 70 (OC) 81 PROOF 110 IN THE SHADE (OC) 1776 (OC) A A5678 - A MUSICAL FABLE ABSENT-MINDED DRAGON, THE ACE OF CLUBS (SEE NOEL COWARD) ACROSS AMERICA ACT, THE (OC) ADVENTURES OF BARON MUNCHHAUSEN, THE ADVENTURES OF COLORED MAN ADVENTURES OF MARCO POLO (TV) AFTER THE BALL (OLC) AIDA AIN'T MISBEHAVIN' (OC) AIN'T SUPPOSED TO DIE A NATURAL DEATH ALADD/THE DRAGON (BAG-A-TALE) Bruce Walker Musical Theater Recording Collection ALADDIN (OLC) ALADDIN (OC Wilson) ALI BABBA & THE FORTY THIEVES ALICE IN WONDERLAND (JANE POWELL) ALICE IN WONDERLAND (ANN STEPHENS) ALIVE AND WELL (EARL ROBINSON) ALLADIN AND HIS WONDERFUL LAMP ALL ABOUT LIFE ALL AMERICAN (OC) ALL FACES WEST (10") THE ALL NIGHT STRUT! ALICE THROUGH THE LOOKING GLASS (TV) ALL IN LOVE (OC) ALLEGRO (0C) THE AMAZING SPIDER-MAN AMBASSADOR AMERICAN HEROES AN AMERICAN POEM AMERICANS OR LAST TANGO IN HUAHUATENANGO .....................(SF MIME TROUPE) (See FACTWINO) AMY THE ANASTASIA AFFAIRE (CD) AND SO TO BED (SEE VIVIAN ELLIS) AND THE WORLD GOES 'ROUND (CD) AND THEN WE WROTE... (FLANDERS & SWANN) AMERICAN -
Spotlight Features and Shines the Spotlight on Hollywood Blockbusters, Award Winners and Memorable Movies
June 2015 HDNet Movies delivers the ultimate movie watching experience – uncut - uninterrupted – all in high definition. HDNet Movies showcases a diverse slate of box-office hits, iconic classics and award winners spanning the 1950s to 2000s. HDNet Movies also features kidScene, a daily and Friday Night program block dedicated to both younger movie lovers and the young at heart. For complete movie schedule information, visit www.hdnetmovies.com. Follow us on Twitter: @HDNetMovies and on Facebook. Each Month HDNet Movies rolls out the red carpet Spotlight Features and shines the spotlight on Hollywood Blockbusters, Award Winners and Memorable Movies The Big Lebowski Glory rd th June 3 , 7:30pm June 10 , 8:10pm Starring Jeff Bridges, John Goodman, Julianne Moore. Starring Matthew Broderick, Denzel Washington, Directed by Joel Coen Cary Elwes. Directed by Edward Zwick Black Hawk Down Highlander st June 1 , 8:45pm June 6th, 8:00pm Starring Josh Harnett, Ewan McGregor, Tom Starring Christopher Lambert, Roxanne Hart, Sean Sizemore. Directed by Ridley Scott Connery. Directed by Russell Mulcahy Flight of the Phoenix (Premiere) Tears of the Sun th June 6 , 6:05pm June 10th 5:35pm Starring Dennis Quaid, Tyrese Gibson, Giovanni Ribisi. Starring Bruce Willis, Monica Bellucci, Cole Hauser. Directed by John Moore Directed by Antoine Fuqua Make kidScene your destination every day. Check program schedule or www.hdnetmovies.com for all scheduled broadcasts. Annie Like Mike 2 Starring Albert Finney, Carol Burnett, Tim Curry. Starring Jascha Washington, Kel Mitchell, Michael Beach. Directed by John Huston Directed by David Nelson Aquamarine Muppets Take Manhattan Starring Emma Roberts, Joanna Levesque, Sara Featuring voices of Jim Henson, Frank Oz and starring Paxton. -
AMBASSADOR JOHN GUNTHER DEAN Interviewed By: Charles Stuart Kennedy Initial Interview Date; September 6, 2000 Copyright 2000 ADST
AMBASSADOR JOHN GUNTHER DEAN Interviewed by: Charles Stuart Kennedy Initial Interview Date; September 6, 2000 Copyright 2000 ADST Q. Today is September 6, 2000. This is an interview with John Gunther Dean. This is being done on behalf of the Association for Diplomatic Studies and Training. I'm Charles Stuart Kennedy. Let's start at the beginning. Could you tell me when and where you were born and something about your family. DEAN: Okay. I was born on February 24, 1926 in the German city of Breslau, an industrial city of 650,000 people, where they made locomotives, airplanes. Silesia is one of the two lungs of Germany: the Ruhr Valley and Silesia. My father was a corporation lawyer who was on the Board of Directors of banks, chairman of a machine-tool company, mining corporations, etc... He was close to many of the leading industrial and financial people in Germany, in the period between the First World War and the Second World War. My father was also the President of the Jewish Community in Breslau. His friend Max Warburg played the same role in Hamburg. Q. Was this the banking Warburg. DEAN: That's right. Max Warburg was the head of the banking house at that time. Sigmund was his nephew who went to England. Q. "Dean" was ... DEAN: My father changed our name legally by going to court in New York Dean - 1 in March 1939. My father's name was Dr. Josef Dienstfertig. You will find his name in books listing the prominent men in industry and finance at the time. -
TOM MCINTOSH NEA Jazz Master (2008)
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. TOM MCINTOSH NEA Jazz Master (2008) Interviewee: Tom McIntosh (December 6, 1927 – July 26, 2017) Interviewer: Eric Jackson with recording engineer Ken Kimery Date: December 9-10, 2011 Repository: Archives Center, National Museum of American History Description: Transcript, 57 pp. Eric Jackson: Today is Friday December 9th. We are talking to Tom “Mac” McIntosh. Tom, let’s begin at the beginning. You were born in Baltimore December 6th 1927? McIntosh: Baltimore, Maryland. Eric Jackson: Baltimore, Maryland. December 6th, 1927? McIntosh: That is correct. Eric Jackson: How big was your family? Were you the youngest, the oldest…? McIntosh: My father had a son by another woman that was seven years older than me. I was the oldest of my mother’s children. My mother had six children. I was the oldest of the six. Eric Jackson: Was it a musical household? McIntosh: Fortunately, I had a mother and a father that were musically inclined. My father, he yearned to be the lead singer in the Mills Brothers. I didn’t appreciate that until later on in years when I discovered that Dean Martin and Frank Sinatra all said that it was the leader of the Mills Brothers that made them want to sing. And looking back, my father was like the leader had a paunch on. But, he made it attractive For additional information contact the Archives Center at 202.633.3270 or [email protected] because he could move his belly in sync with the rhythm of “the lazy river…” (Scats the song) And his belly is moving in rhythm with it! He was always very attractive. -
See Script Preview
Written & Arranged by Chip Deffaa Music & Lyrics by Irving Berlin (and others) PRODUCTION SCRIPT www.stagerights.com SAY IT WITH MUSIC: THE IRVING BERLIN SAGA Copyright © 2018 by Chip Deffaa All Rights Reserved All performances and public readings of SAY IT WITH MUSIC: THE IRVING BERLIN SAGA are subject to royalties. It is fully protected under the copyright laws of the United States of America, of all countries covered by the International Copyright Union, of all countries covered by the Pan-American Copyright Convention and the Universal Copyright Convention, and all countries with which the United States has reciprocal copyright relations. All rights are strictly reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form, by any means, including mechanical, electronic, photocopying, recording, or otherwise, without the prior written permission of the author. Publication of this play does not necessarily imply that it is available for performance by amateurs or professionals. It is strongly recommended all interested parties apply to Steele Spring Stage Rights for performance rights before starting rehearsals or advertising. No changes shall be made in the play for the purpose of your production without prior written consent. All billing stipulations in your license agreement must be strictly adhered to. No person, firm or entity may receive credit larger or more prominent than that accorded the Author. For all stage performance inquiries, please contact: Steele Spring Stage Rights 3845 Cazador Street Los Angeles, CA 90065 (323) 739-0413 www.stagerights.com PRODUCTION HISTORY The first reading of this musical play, under the direction of playwright Chip Deffaa, took place on February 19, 2018 at New York’s 13th Street Repertory Theater (Edith O’Hara, founder/original artistic director; Joe Battista, managing director), starring Michael Townsend Wright, Suzanne Dressler, and Jed Q. -
The Fate of the Davao Penal Colony #502 "Branch" of the LDS Churc
BYU Studies Quarterly Volume 50 | Issue 4 Article 7 12-1-2011 The aF te of the Davao Penal Colony #502 "Branch" of the LDS Church, 1944 David L. Clark Bart J. Kowallis Follow this and additional works at: https://scholarsarchive.byu.edu/byusq Recommended Citation Clark, David L. and Kowallis, Bart J. (2011) "The aF te of the Davao Penal Colony #502 "Branch" of the LDS Church, 1944," BYU Studies Quarterly: Vol. 50 : Iss. 4 , Article 7. Available at: https://scholarsarchive.byu.edu/byusq/vol50/iss4/7 This Article is brought to you for free and open access by the All Journals at BYU ScholarsArchive. It has been accepted for inclusion in BYU Studies Quarterly by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Clark and Kowallis: The Fate of the Davao Penal Colony #502 "Branch" of the LDS Churc Figure 1. The Philippine Islands and locations of prison camps, cities, and villages important for the story of the LDS POWs. Courtesy Bart J. Kowallis. Published by BYU ScholarsArchive, 2011 1 BYU Studies Quarterly, Vol. 50, Iss. 4 [2011], Art. 7 The Fate of the Davao Penal Colony #502 “Branch” of the LDS Church, 1944 David L. Clark and Bart J. Kowallis The Sinking of the Shinyo Maru At 4:37 p.m. on September 7, 1944, the USS Paddle, a submarine on its fifth war patrol, reached N 08o 11', E 122o 04 ', just off Sindangan Point on the southwest coast of the Philippine island of Mindanao in the Sulu Sea, having sailed from Fremantle, Western Australia, on August 22; its mission was to attack Japanese shipping in the east Sulu Sea. -
War and Cinema
Theatres of Representation Discourses of War and Cinema Daniel Binns SID: 16123117 ! ! ! ! Doctor of Philosophy, 2013 University of Western Sydney Table of Contents Acknowledgements i. Dedication ii. Abstract iii. 1. Introduction – War and Cinema 1 2. Survey of the Field & Analytic Narrative 23 3. For Glory: World Wars I and II 58 4. Fear, Frustration, Paranoia: Vietnam 103 5. Live from the Front Line: Conflict in the Middle East 148 6. Extended Discourses of War: Video Games & Comic Books 192 7. Conclusion: Cycles of Violence, Repeat Performances 225 Sources 238 Appendix: Sample Film Analysis 254 Acknowledgements This thesis has felt, at times, like a battle. Now that the battle is over, I must take some time to thank my comrades-in-arms, without whom none of what you hold would have been possible. To the various people with whom I had personal correspondence or conversation during the course of this research, thank you for your time and expertise. These fine souls include, but are not limited to, Bill Nichols, Bruce Isaacs, Richard Smith, David Burchell, David Axe, Brendan Keogh, Elizabeth Roberts, and Hunter Cordaiy. Thanks to Jonathan Foye, and JT Velikovsky, for casting an objective eye over the piece in its final stages – and for your validation. To the employers who have graciously worked around my research commitments, continuing to further my experience in the film industry and academia, thank you. To my supervisors – Dr. Paul Ryder and Dr. Peter Dallow – your patience, commitment, wisdom, and good humour have been invaluable. It is needless to say that this document would not exist without you both.