The Figures in This Proposal Are Estimates and Not Quotations
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PSB Report Definitions
Definitions: Channel groups (1) Channel group Output & Spend definition TV Viewing Audience Opinion Legal Definition BBC One, BBC Two, BBC Three, BBC All BBC channels (BBC Four, BBC News, BBC Parliament, CBBC, One, BBC Two, BBC CBeebies, BBC streaming channels, BBC Three, BBC Four, BBC BBC One, BBC Two, BBC HD (to March 2013) and BBC Olympics News , BBC Parliament Three, BBC Four, BBC News, channels (2012 only). ITV Network* (inc ,CBeebies, CBBC, BBC PSB Channels BBC Parliament, ITV/ITV ITV Breakfast), Channel 4, Channel 5 and Alba, all BBC HD Breakfast, Channel 4, Channel S4C (S4C is added to C4 2008-2009 and channels), the Channel 3 5,, BBC CBBC, CBeebies excluded from 2010 onwards post-DSO in services (provided by ITV, Wales). HD variants are included where STV and UTV), Channel 4, applicable (but not +1s). Channel 5, and S4C. BBC One, BBC Two, ITV Network (inc ITV BBC One, BBC Two, ITV/ITV Main five PSB Breakfast), Channel 4, Channel 5. HD BBC One, BBC Two, Breakfast, Channel 4, Channel channels variants are included where applicable ITV/STV/UTV, Channel 4, 5 (but not +1s). Channel 5 BBC One, BBC Two, BBC Three, BBC Four , BBC Main PSB channels News, ITV/STV/UTV, combined Channel 4, Channel 5, S4C Commercial PSB ITV/ITV Breakfast, Channel 4, Channels Channel 5 ITV+1 Network (inc ITV Breakfast) , ITV2, ITV2+1, ITV3, ITV3+1, ITV4, ITV4+1, CITV, Channel 4+1, E4, E4 +1, More4, CITV, ITV2, ITV3, ITV4, Commercial PSB More4 +1, Film4, Film4+1, 4Music, 4Seven, E4, Film4, More4, 5*, Portfolio Channels 4seven, Channel 4 Paralympics channels 5USA (2012 only), Channel 5+1, 5*, 5*+1, 5USA, 5USA+1. -
BBC Trust Public Consultation: PVT II
BBC Trust Public Consultation: PVT II August – September 2015 A report by ICM on behalf of the BBC Trust Creston House, 10 Great Pulteney Street, London W1F 9NB [email protected] | www.icmunlimited.com | +44 020 7845 8300 (UK) | +1 212 886 2234 (US) ICM Research Ltd. Registered in England No. 2571387. Registered Address: Creston House, 10 Great Pulteney Street, London W1F 9NB A part of Creston Unlimited Confidential. All work in accordance with ISO 27001 and 20252 Table of contents 1. Background and Methodology ....................................................................................... 3 1.1 About the PVT and Public Consultations ..................................................................... 3 1.2 About the methodology ................................................................................................ 4 1.3 Collecting responses ................................................................................................... 4 2. Executive Summary ........................................................................................................ 6 3. Consultation Findings .................................................................................................. 10 3.1 BBC Three Proposal Summary .................................................................................. 10 3.2 BBC One + 1 Proposal Summary .............................................................................. 19 3.3 BBC iPlayer Proposal Summary ............................................................................... -
Daniel Greenway Editor
Daniel Greenway Editor Daniel gained cutting room and features experience working on Batman Begins, The Da Vinci Code and The Bourne Ultimatum. He graduated with a Distinction in 2007 from the National Film and Television School's two year MA programme, specialising in editing. In 2016 he was nominated for a BAFTA for his work on the sci-fi drama series Humans. Daniel is a proficient French speaker and is based in London. Agents Silvia Llaguno Associate Agent Shannon Black [email protected] +44 (0) 20 3214 0889 Credits Drama Production Company Notes SUSPICION Keshet Productions / Apple Dir: Chris Long 4 x 60MIN EPS 1, 2, 7 TV+ Prod: Darin McLeod & 8 2021 BRAVE NEW WORLD Amblin Television / Dir: Andrij Parekh 1 x 60MIN EP 7 NBCUniversal Content Studios Prod: Chloe Moss 2020 / USA Network WHITE LINES Left Bank Pictures / Netflix Dir: Luis Prieto 1 x 60MIN EP 5 Prod: Chris Croucher 2020 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes THE CROWN Left Bank Pictures / Netflix Dir: Sam Donovan 1 x 60MIN SERIES 3, Prod: Michael Casey EP 9 2019 WORLD ON FIRE Mammoth Screen / BBC One Co-editor 1 x 60MIN EP 1 Dir: Adam Smith 2019 Prods: Nickie Sault, Chris Clough BAPTISTE Two Brothers Pictures / BBC Dir: Börkur Sigþórsson 1 x 60MIN EP 1 One Prod: John Griffin 2019 THE WIDOW Two Brothers Pictures / ITV Dir: Sam Donovan 2 x 60MIN EPS 1 & 2 Prod: Eliza Mellor 2019 THE TERROR Scott Free / AMC Studios Dir: Sergio Mimica-Gezzan 3 x 60MIN -
The Media, Poverty and Public Opinion in the UK
The media, poverty and public opinion in the UK John H. McKendrick, Stephen Sinclair, September 2008 Anthea Irwin, Hugh O’Donnell, Gill Scott and Louise Dobbie How the media in the UK represents poverty and its effect on wider public understanding. The media fulfi ls an important role in shaping, amplifying and responding to public attitudes toward poverty. This study, part of the ‘Public Interest in Poverty Issues’ research programme, explores the role of national, local and community media in refl ecting and infl uencing public ideas of poverty and welfare. The research aimed to: • compare representations of poverty across different contemporary UK media; • identify the principal factors and considerations infl uencing those involved in producing media coverage of poverty; • understand how UK media representations of poverty relate to the public’s understanding of poverty, and any differences between the responses of different groups; • identify examples of effective practice in communicating poverty issues to the public and derive transferable lessons from these. The researchers analysed coverage of poverty in news reporting; looked at how the same poverty news story was reported across different news outlets; reviewed how poverty was presented across different genres of television programme; interviewed key informants involved in the production, placement and presentation of poverty coverage in the mass media and explored public interpretations and responses to media coverage of poverty through focus groups/ workshops. www.jrf.org.uk Contents -
0884 Future Reflections 2
Future Reflections Four scenarios for television in 2012 A scenario analysis study of the television industry Led by Bournemouth Media School With research support from The Independent Television Commission and The British Screen Advisory Council FUTURE REFLECTIONS: FOUR SCENARIOS FOR TELEVISION IN 2012. A scenario analysis study of the television industry Written by Robin Foster and Christine Daymon of Bournemouth Media School with Sam Tewungwa of the Independent Television Commission The Future Reflections project was coordinated by: Robin Foster, Dr Christine Daymon, Professor John Ellis, Roger Laughton, Professor Barry Richards and Sam Tewungwa. Dr Mark Wheeler provided additional research support. November 2002 Participants Main panel: Dawn Airey Tess Alps Sly Bailey Daniel Ballin David Bergg David Brook Ajay Chowdhury Mike Darcey David Docherty John Egan Sue Farr Alex Graham Andrew Harrison Ashley Highfield Alison Hopkins Mathew Horsman Roly Keating Phil Kirby Matt Peacock Simon Rees Jamie Reeve Ed Richards Paul Robinson Mark Rowland Matthew Stibbe Damian Tambini Simon Terrington Second panel: Tom Box Danny Cohen Andy Culpin Lianne Daly Liz Faber Miles Jarvis Olly Lambert Matthew Stibbe (also on main panel) 2 INDEX Participants 2 Part I: The Project Introduction and Overview 4 Chapter 1: Towards 2012: Exploring the future of television 6 Chapter 2: The four scenarios 13 Chapter 3: Issues and challenges 36 Part II: The Wider Context Chapter 4: Society and consumers 50 Chapter 5: The economic and political/regulatory context 54 Chapter 6: Industry structure and competition 57 Chapter 7: Technology, content and services 60 Chapter 8: The European context 65 Part III: The Methodology Chapter 9: Research design 72 Appendices Appendix 1: Interview protocol 77 Appendix 2: Industry variables 79 3 PART ONE: THE PROJECT Introduction and Overview There is no doubt that the television industry in Britain has entered a period of fundamental and unpredictable change. -
Diamond Technical Account and Methodology
Diamond Technical Account and Methodology What is Diamond? Diamond is designed to answer two questions: - Does the workforce on UK productions, both on and off-screen, reflect the diversity of the UK population? - Are audiences seeing themselves reflected on-screen. With the support of production companies, Diamond collects diversity data directly from cast and crew working on TV programmes (actual data), as well as information about how those on-screen might be perceived by viewing audiences (perceived data). Diamond data collection Scope Diamond is collecting data from: UK original productions commissioned by BBC, ITV, Channel 4, C5/ViacomCBS and Sky. All genres (although we do not currently report on film, sport and news) A large number of on and off-screen TV production roles (see Appendix 2) Programmes broadcast across the following channels BBC One, BBC Two, BBC Scotland, CBBC, CBEEBIES, CITV, GMTV1, GMTV2, ITV Encore, ITV1, ITV2, ITV3, ITV4, ITVBe, 4seven, Channel4, E4, Film Four, More 4, 5 Star, Channel5, Challenge TV, Paramount Network, Pick TV, Real Lives, Sky Arts, Sky Atlantic, Sky One, Sky Two, Sky Witness1 Data about 6 diversity characteristics: gender, gender identity, age, ethnicity, disability and sexual orientation. Diamond is not collecting data about: Programmes which have not been commissioned by the five Diamond broadcasters People working across broadcasting more generally, outside of production (our data are not overall workforce statistics). People who are not making a significant contribution to a programme (for example part of a crowd scene) More information about what is and isn’t collected can be found in the guidance notes issued to producers. -
The Chase Australia Is Produced by ITV Common Enemy, the Chaser, a Supremely, Studios Australia and Is Based on the Self-Confident Quiz Genius
The Chase is on… Seven’s all-new general Four contestants will face a sequence of knowledge game show is starting Monday quick-fire and multiple-choice question September 14 at 5pm. rounds to build up their cash pot, but if they allow the Chaser to catch up to them, The Chase is a race where players must they’re out of the game. ensure they stay one step ahead of the Chaser, some of the finest quiz brains in Working as a team, players who make it Australia. The Chasers are: The Governess, through to the Final Chase then unite one Supernerd, The Shark and Goliath. more time before their common enemy: the Chaser. Hosted by Andrew O’Keefe, contestants must answer general knowledge questions Stay ahead of the Chaser and they share the and play their tactics right in order to get cash pot. Get caught and they lose the lot! themselves in the Final Chase, where they could win thousands of dollars. Have they got what it takes to beat the Chaser? However, standing in their way is their The Chase Australia is produced by ITV common enemy, the Chaser, a supremely, Studios Australia and is based on the self-confident quiz genius. They will chase popular UK version of The Chase which is contestants down the board in a tense and now in it’s eighth series. thrilling test of knowledge to try to catch them and throw them out of the game. HOST ANDREW O’KEEFE Andrew is co-host of Australia’s favourite In 2013, Andrew took to the stage playing weekend breakfast show Weekend Sunrise, the role of King Herod in the Australian as well as the host of The Chase Australia. -
Meet the Cast on the All New Series of Doctor Who
Monday 23 October 2017 Meet the cast on the all new series of Doctor Who When Jodie Whittaker takes over as the thirteenth Doctor on the global hit show next year, she will be joined by an all new regular cast. BBC announces today that Bradley Walsh, Tosin Cole and Mandip Gill will line-up as the new regular cast on Doctor Who. Bradley will star as Graham, Tosin will play Ryan and Mandip will play Yasmin. Also joining the series in a returning role is Sharon D Clarke. New head writer and executive producer Chris Chibnall, who made the decision to cast the first ever woman in the iconic role, is also shaking up who will travel with the Doctor in the TARDIS, with a team of new characters. In more exclusive news, it is confirmed that the new series will be a ten-week run of fifty-minute episodes, kicking off with a feature length hour for the opening launch. Chris Chibnall says: “The new Doctor is going to need new friends. We’re thrilled to welcome Mandip, Tosin and Bradley to the Doctor Who family. They’re three of Britain’s brightest talents and we can’t wait to see them dive into brand new adventures with Jodie’s Doctor. Alongside them, we’re delighted that Sharon D Clarke is also joining the show." Jodie Whittaker says: "I am so excited to share this huge adventure with Mandip, Tosin and Bradley. It's a dream team!" Bradley Walsh says: “I remember watching William Hartnell as the first Doctor. -
Wwciguide January 2019.Pdf
From the President & CEO The Guide The Member Magazine for WTTW and WFMT Renée Crown Public Media Center Dear Member, 5400 North Saint Louis Avenue Happy New Year! This month, we are excited to premiere the highly anticipated Chicago, Illinois 60625 third season of the period drama Victoria from MASTERPIECE. Continuing the story of Victoria’s rule over the largest empire the world has ever known, you will Main Switchboard (773) 583-5000 meet fascinating new historical characters, including Laurence Fox (Inspector Member and Viewer Services Lewis) as the vainglorious Lord Palmerston, who crosses swords with the Queen (773) 509-1111 x 6 over British foreign policy. Websites Also on WTTW11, wttw.com/watch, and our video app this month, we know wttw.com you have been waiting for the return of Doc Martin. He’s back and the talk of wfmt.com the town is the wedding of the Portwenn police officer Joe Penhale and Janice Bone. On wttw.com, learn how the new season of Finding Your Roots uncovers Publisher Anne Gleason the ancestry of its subjects, and go behind the curtain for the first collaboration Art Director between Lyric Opera of Chicago and the Joffrey Ballet on their Orphée et Eurydice. Tom Peth WTTW Contributors On 98.7WFMT, wfmt.com/listen, and the WFMT app, the Metropolitan Opera Julia Maish on Saturday afternoons features Verdi’s Otello conducted by Gustavo Dudamel, Dan Soles WFMT Contributors Cilea’s Adriana Lecouvreur starring Anna Netrebko, Debussy’s enigmatic Pelléas Andrea Lamoreaux et Mélisande, and a new work by Nico Muhly based on Hitchcock’s filmMarnie . -
Researching Digital on Screen Graphics Executive Sum M Ary
Researching Digital On Screen Graphics Executive Sum m ary Background In Spring 2010, the BBC commissioned independent market research company, Ipsos MediaCT to conduct research into what the general public, across the UK thought of Digital On Screen Graphics (DOGs) – the channel logos that are often in the corner of the TV screen. The research was conducted between 5th and 11th March, with a representative sample of 1,031 adults aged 15+. The research was conducted by interviewers in-home, using the Ipsos MORI Omnibus. The key findings from the research can be found below. Key Findings Do viewers notice DOGs? As one of our first questions we split our sample into random halves and showed both halves a typical image that they would see on TV. One was a very busy image, with a DOG present in the top left corner, the other image had much less going on, again with the DOG in the top left corner. We asked respondents what the first thing they noticed was, and then we asked what they second thing they noticed was. It was clear from the results that the DOGs did not tend to stand out on screen, with only 12% of those presented with the ‘less busy’ screen picking out the DOG (and even fewer, 7%, amongst those who saw the busy screen). Even when we had pointed out DOGs and talked to respondents specifically about them, 59% agreed that they ‘tend not to notice the logos’, with females and viewers over 55, the least likely to notice them according to our survey. -
Savour Three Brand New, Lifestyle Channels This Month!
OCTOBER 2018 Your monthly TV guide Giada On The Beach Property Brothers At Home: Drew’s Honeymoon House Luke Nguyen’s Food Trail Savour three brand new, lifestyle channels this month! OCTOBER 2018 Need home renovation and decoration ideas? Perhaps you need an inspiration for a food party? Then you'll definitely not want to miss these 3 brand new channels! From now till 30 November, enjoy free preview of Food Network (CH 252), HGTV (CH 250) and Asian Food Channel (CH 256)! Plus, catch all new season premieres for the biggest TV shows such as The Walking Dead Season 9 and Blindspot Season 4. SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY 1 2 3 4 5 6 BAD PAPA THE PICKERS S13 BECAUSE THIS IS CULINARY OUR FIRST TIME GENIUS USA THE INTERN HISTORY HD tvN CH 518/619 ITV Choice (HD) Oh!K (HD) CH 209 Thursdays & Fridays, FX (HD) CH 310 Warner TV (HD) CH 337 8.35pm CH 525 7.50pm Wednesdays, 9pm 9.45pm Fridays, 10pm CH 306 6pm 7 8 9 10 11 12 13 SUPERGIRL S3 SEXPEDIA Celestial Classic FOX Life (HD) Warner TV (HD) Fox Action Movies cHK (HD) CH 510 FOX Family Movies SCM HD CH 571 Movies CH 580 9pm CH 301 9pm CH 306 9pm (HD) CH 408 10pm Weekdays, 10pm (HD) CH406 8pm 9.30pm 14 15 16 17 18 19 20 MY SO-CALLED INFERNAL SIMPLE LIFE SAY YES TO THE AFFAIRS III VEGAS DRESS FX (HD) CH 310 Fox Action Movies FYI HD CH 260 KIX (HD) CH 309 Celestial Classic cHK (HD) CH 510 10pm (HD) CH 408 8.05pm Tuesdays, 8pm Wednesdays, 9.30pm Movies CH 580 9pm TLC CH 254 9pm 9pm 21 22 23 24 25 26 27 DC LEGENDS OF 1 AM FRANKIE TOMORROW S4 BIG HALLOWEEN Warner TV (HD) ITV Choice (HD) PARTY Nickelodean (HD) FOX Movie (HD) CH 306 FOX Action Movies CH 337 cHK (HD) CH 510 Disney Junior CH 240 11.30am CH 414 9pm Tuesdays, 9pm (HD) CH 408 10pm Thursdays, 9pm 8pm CH 236 12pm © 2018 Sony Pictures Animation Inc. -
Economic Martyrs and Moralised Others: Mass Media Constructions of Social Class in the ‘Age of Austerity’
Lee Marsden. Supervisors: Matthias Benzer, Lorna Warren Economic Martyrs and Moralised Others: Mass Media Constructions of Social Class in the ‘Age of Austerity’ Lee Marsden A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Department of Sociological Studies Date: 20 September 2020 1 Lee Marsden. Supervisors: Matthias Benzer, Lorna Warren Declaration I, the author, confirm that the Thesis is my own work. I am aware of the University’s Guidance on the Use of Unfair Means (www.sheffield.ac.uk/ssid/unfair-means). This work has not previously been presented for an award at this, or any other, university. 2 Lee Marsden. Supervisors: Matthias Benzer, Lorna Warren “If public attitudes are informed by inaccurate, ideological and stigmatising representations of the poor, then policies preferred by the public (and political elites) are unlikely to seek to tackle the structural causes of inequality [...] In essence, this works to ensure that the working / underclass are positioned in a top-down society created for them, and they are expected to involve themselves in that society under those prearranged social constructs” (Power, 2011 p3). “For a long time the quarry was full of snowdrifts and nothing could be done. Some progress was made in the dry frosty weather that followed, but it was cruel work, and the animals could not feel so hopeful about it as they had felt before. They were always cold, and usually hungry as well. Only Boxer and Clover never lost heart. Squealer made excellent speeches on the joy of service and the dignity of labour, but the other animals found more inspiration in Boxer's strength and his never-failing cry of "I will work harder!” (George Orwell: Animal farm, 1945 p80) 3 Lee Marsden.