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University of Toronto Artists
2010 2010 www.art.utoronto.ca UNIVERSITY OF ARTISTS ESSAYS TORONTO Kathleen Boetto Michelle Jacques MVS Programme Rebecca Diederichs Vladimir Spicanovic Graduating Exhibition Bogdan Luca Alison Syme MEDIA (RE)VISION: HOW TO GET THERE FROM HERE The 2010 Graduating Exhibition of: Rebecca Diederichs Kathleen Boetto Bogdan Luca MEDIA (RE)VISION: UNIVERSITY OF TORONTO MVS (Masters of Visual Studies) Programme in Studio Art HOW TO GET THERE FROM HERE relevant to contemporary artists and curators Associate Curator Contemporary Art at the Art in discussing his recent work in the production Gallery of Ontario, who considers the work of of “Knossos as a memory object”. Independent Rebecca Diederichs; Vladimir Spicanovic, Dean, curator Nancy Campbell revealed her long- Faculty of Art, Ontario College of Art & Design, LISA STEELE standing involvement with artists working in who elucidates the form and the content Canada’s far North. Jean Baptiste Joly, Director of Bogdan Luca’s painting practice; and our of the Akademie Schloss Solitude in Stuttgart own Art History colleague Alison Syme who spoke about the origins of contemporary art decodes the mediaized imagery of Kathleen “So, with his word “researches” Herodotus mobilizing desire and response as easily as cool as it has developed amongst young visual Boetto’s work in video and photography. announced one of the great shifts in human appraisal and analysis. Kathleen Boetto strikes artists working at the Akademie since the mid And thanks also to Linseed Projects for their consciousness not often -
Fine Canadian Art
HEFFEL FINE ART AUCTION HOUSE HEFFEL FINE ART FINE CANADIAN ART FINE CANADIAN ART FINE CANADIAN ART NOVEMBER 27, 2014 HEFFEL FINE ART AUCTION HOUSE VANCOUVER • CALGARY • TORONTO • OTTAWA • MONTREAL HEFFEL FINE ART AUCTION HOUSE ISBN 978~1~927031~14~8 SALE THURSDAY, NOVEMBER 27, 2014, TORONTO FINE CANADIAN ART AUCTION THURSDAY, NOVEMBER 27, 2014 4 PM, CANADIAN POST~WAR & CONTEMPORARY ART 7 PM, FINE CANADIAN ART PARK HYATT HOTEL, QUEEN’S PARK BALLROOM 4 AVENUE ROAD, TORONTO PREVIEW AT HEFFEL GALLERY, VANCOUVER 2247 GRANVILLE STREET SATURDAY, NOVEMBER 1 THROUGH TUESDAY, NOVEMBER 4, 11 AM TO 6 PM PREVIEW AT GALERIE HEFFEL, MONTREAL 1840 RUE SHERBROOKE OUEST THURSDAY, NOVEMBER 13 THROUGH SATURDAY, NOVEMBER 15, 11 AM TO 6 PM PREVIEW AT UNIVERSITY OF TORONTO ART CENTRE 15 KING’S COLLEGE CIRCLE ENTRANCE OFF HART HOUSE CIRCLE SATURDAY, NOVEMBER 22 THROUGH WEDNESDAY, NOVEMBER 26, 10 AM TO 6 PM THURSDAY, NOVEMBER 27, 10 AM TO 12 PM HEFFEL GALLERY, TORONTO 13 HAZELTON AVENUE, TORONTO ONTARIO, CANADA M5R 2E1 TELEPHONE 416 961~6505, FAX 416 961~4245 TOLL FREE 1 800 528-9608 WWW.HEFFEL.COM HEFFEL FINE ART AUCTION HOUSE VANCOUVER • CALGARY • TORONTO • OTTAWA • MONTREAL HEFFEL FINE ART AUCTION HOUSE CATALOGUE SUBSCRIPTIONS A Division of Heffel Gallery Inc. Heffel Fine Art Auction House and Heffel Gallery Inc. regularly publish a variety of materials beneficial to the art collector. An TORONTO Annual Subscription entitles you to receive our Auction Catalogues 13 Hazelton Avenue, Toronto, Ontario M5R 2E1 and Auction Result Sheets. Our Annual Subscription Form can be Telephone 416 961~6505, Fax 416 961~4245 found on page 116 of this catalogue. -
Painting and Sculpture in Canada
PAINTING AND SCULPTURE IN CANADA M. 0. HAMMOND HEN Louis Jobin, the wood carver of Ste. Anne de Beaupre, W passed away in 1928, at the age of 86, he severed a link which united primitive and modern art in Canada. Through his long life he had created figures in wood, the last of a noted line of artists in their own field. Ancient calvaires beside Quebec highways, fading wooden Indians in front of cigar stores, surviving figure heads on sailing ships, religious figures on the fa~ades of French Canadian churches, as at Ste Famille on Isle d 'Orleans, dating from 1749---these are relics of the wood-carving age in Canadian art, that may be found by diligent search. Jobin's own life spanned the developing years of the newer art in Canada, the art of painting. We may pass over the efforts of the Indians, visible in the decorative totem poles, carvings in bone, shell and ivory, and the painted ceremonial faces of the red men, and ignore the efforts of educated Frenchmen in the days of New France. If art in Canada lacked adequate support almost down to the relatively fat times of to-day, how much less could it thrive in the era of the explorer and the coureur-de-bois? There has been virtually a century of painting in Canada, from the days of Paul Kane, Cornelius Krieghoff and George T. Berthon, to the present, and half way down that century occurred in 1880 the organization of the Royal Canadian Academy, the jubilee of whose launching is being observed in this year 1930. -
Yeo, Su-Anne. 2016. Transnational Screens and Asia Pacific Public
Yeo, Su-Anne. 2016. Transnational Screens and Asia Pacific Public Cultures: Vancouver, Toronto, and Hong Kong, 1997-2007. Doctoral thesis, Goldsmiths, University of London [Thesis] https://research.gold.ac.uk/id/eprint/18872/ The version presented here may differ from the published, performed or presented work. Please go to the persistent GRO record above for more information. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Goldsmiths, University of London via the following email address: [email protected]. The item will be removed from the repository while any claim is being investigated. For more information, please contact the GRO team: [email protected] 1 Transnational Screens and Asia Pacific Public Cultures: Vancouver, Toronto, and Hong Kong, 1997-2007 Su-Anne YEO Thesis submitted to Goldsmiths, University of London for the Degree of Doctor of Philosophy July 2016 2 Declaration I declare that the work presented in this thesis is my own. Name: Su-Anne Yeo Signature: __________________________________ Date: __________________________________ 3 Acknowledgements This thesis would not have been possible with the generosity of several organizations and many individuals both in the UK and overseas. First, I would like to acknowledge the contribution of the many people who agreed to participate in this study by being interviewed or by sharing archival materials. Their assistance has been invaluable. For financial support, I thank the Overseas Research Student Award (ORSAS), the University of London Central Research Fund, and the Daiwa Charitable Foundation of Hong Kong. I am forever indebted to my thesis supervisor, Chris Berry, who taught by example, read closely and critically, and never lost faith in my abilities, especially when I doubted myself. -
National Historic Sites of Canada System Plan Will Provide Even Greater Opportunities for Canadians to Understand and Celebrate Our National Heritage
PROUDLY BRINGING YOU CANADA AT ITS BEST National Historic Sites of Canada S YSTEM P LAN Parks Parcs Canada Canada 2 6 5 Identification of images on the front cover photo montage: 1 1. Lower Fort Garry 4 2. Inuksuk 3. Portia White 3 4. John McCrae 5. Jeanne Mance 6. Old Town Lunenburg © Her Majesty the Queen in Right of Canada, (2000) ISBN: 0-662-29189-1 Cat: R64-234/2000E Cette publication est aussi disponible en français www.parkscanada.pch.gc.ca National Historic Sites of Canada S YSTEM P LAN Foreword Canadians take great pride in the people, places and events that shape our history and identify our country. We are inspired by the bravery of our soldiers at Normandy and moved by the words of John McCrae’s "In Flanders Fields." We are amazed at the vision of Louis-Joseph Papineau and Sir Wilfrid Laurier. We are enchanted by the paintings of Emily Carr and the writings of Lucy Maud Montgomery. We look back in awe at the wisdom of Sir John A. Macdonald and Sir George-Étienne Cartier. We are moved to tears of joy by the humour of Stephen Leacock and tears of gratitude for the courage of Tecumseh. We hold in high regard the determination of Emily Murphy and Rev. Josiah Henson to overcome obstacles which stood in the way of their dreams. We give thanks for the work of the Victorian Order of Nurses and those who organ- ized the Underground Railroad. We think of those who suffered and died at Grosse Île in the dream of reaching a new home. -
Township of Wilmot Council Agenda Monday, April 7, 2014
TOWNSHIP OF WILMOT COUNCIL AGENDA MONDAY, APRIL 7, 2014 TELEVISED REGULAR COUNCIL MEETING COUNCIL CHAMBERS 7:00 P.M. 1. MOTION TO CONVENE INTO CLOSED SESSION (IF NECESSARY) 2. MOTION TO RECONVENE IN OPEN SESSION 3. MOMENT OF SILENCE 4. ADDITIONS TO THE AGENDA 5. DISCLOSURE OF PECUNIARY INTEREST UNDER THE MUNICIPAL CONFLICT OF INTEREST ACT 6. MINUTES OF PREVIOUS MEETINGS 6.1 Council Meeting Minutes March 24, 2014 Recommendation THAT the minutes of the following meetings be adopted as presented: Regular Council Meeting March 24, 2014. 7. PUBLIC MEETINGS 8. PRESENTATIONS/DELEGATIONS 8.1 Willow Creek Kennel Application 8.1.1 REPORT NO. CL 2014-07 Willow Creek Bernedoodles Kennel Application 3532 Erb’s Rd. Baden Township of Wilmot Recommendation THAT Report No Cl2-14-07 be received for information. Council Agenda Monday, April 7, 2014 2 8.2 Paul Mackie, Treasurer Anthony Richardson, President Gregg Murtagh, Director New Hamburg Lion’s Club Cheque Presentation Wilmot Recreation Complex Donation 8.3 Nick Bogaert, Chairman Heritage Wilmot Advisory Committee Council Update 8.4 Cassidy Egerdeen, Relay for Life Event Chair Christine Strong, Relay for Life Entertainment Chair Waterloo Oxford Youth Activity Council Relay For Life 8.3.1 REPORT NO. CL 2014-10 Noise By-law Exemption Request Waterloo-Oxford District Secondary School, Baden Relay for Life Event Recommendation THAT an exemption to the Noise By-law as requested by Waterloo – Oxford District Secondary School, Baden for the purpose of the ‘Relay for Life’ Event commencing Friday, May 9, 2014 at approximately 7:00 p.m. to 7:00 a.m. -
SKETCH-Fall-2005.Pdf
FALL 2005 A Publication for the Alumni, Students, Faculty SKETCH and Staff of Ontario College of Art & Design OCAD: LOOKING OUTWARD, REACHING UPWARDS PRESIDENT SARA DIAMOND AT WHODUNNIT? 2005. SKETCH PHOTO BY GEORGE WHITESIDE Ontario College of Art & Design is Canada’s Produced by the OCAD Communications Department largest university for art and design. Its mission is Designed by Hambly & Woolley Inc. to challenge each student to find a unique voice Contributors for this issue Cindy Ball, within a vibrant and creative environment, prepare Janis Cole, Sarah Eyton, Leanna McKenna, graduates to excel as cultural contributors in Laura Matthews, Sarah Mulholland Canada and beyond, and champion the vital role of art and design in society. Copy editing Maggie Keith Date of issue November 2005 Sketch magazine is published twice a year by the Ontario College of Art & Design for alumni, friends, The views expressed by contributors faculty, staff and students. are not necessarily those of the Ontario College of Art & Design. President Sara Diamond Charitable Registration #10779-7250 RR0001 Vice-President, Administration Peter Caldwell Canada Post Publications Vice-President, Academic Sarah McKinnon Agreement # 40019392 Dean, Faculty of Art Blake Fitzpatrick Printed on recycled paper Dean, Faculty of Design Lenore Richards Dean, Faculty of Liberal Studies Kathryn Shailer Return undeliverable copies to: Chair, Board of Governors Tony Caldwell Ontario College of Art & Design Chair, OCAD Foundation Robert Rueter 100 McCaul Street President, Alumni Association -
The Group of Seven, AJM Smith and FR Scott Alexandra M. Roza
Towards a Modern Canadian Art 1910-1936: The Group of Seven, A.J.M. Smith and F.R. Scott Alexandra M. Roza Department of English McGill University. Montreal August 1997 A Thesis subrnitted to the Facdty of Graduate Studies and Researçh in partial fiilfiliment of the requirements of the degree of Master of Arts. O Alexandra Roza, 1997 National Library BiMiotheque nationale du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395. rue Wellingtocl Ottawa ON KIA ON4 OttawaON K1AW Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence aliowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or seii reproduire, prêter, distnibuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nim, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or othewise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. iii During the 19 los, there was an increasing concerted effort on the part of Canadian artists to create art and literature which would afhn Canada's sense of nationhood and modernity. Although in agreement that Canada desperately required its own culture, the Canadian artistic community was divided on what Canadian culture ought to be- For the majority of Canadian painters, wrïters, critics and readers, the fbture of the Canadian arts, especially poetry and painting, lay in Canada's past. -
Toronto Arts Council Report 2019 Annual Allocations Report
Attachment 1 EC15.1 REPORT TO ECONOMIC AND COMMUNITY DEVELOPMENT COMMITTEE 2019 TABLE OF CONTENTS Introduction and Grants Impact ......................................................................................................... 3 Equity Framework……………………………………………………………………………………………5 Grants Programs Overview…………………………………………………………………………………6 Strategic Funding .................................................................................................................. 7 Arts Discipline Funding ......................................................................................................... 7 Assessment and Allocations Process ................................................................................... 8 Loan Fund ............................................................................................................................. 9 2019 Allocations Summary ................................................................................................................ 10 Income Statement & Program Balances for the year ended December 31, 2019............................. 11 Strategic Funding 2019 Partnership Programs .......................................................................................................... 12 Strategic Partnerships ........................................................................................................... 13 Strategic Allocations .............................................................................................................. 15 Recipient -
Colour, in Theory / 14 January 25 - May 4, 2014 – 2013 POLITICS / CULTURE / 1 WINTER
Colour, inTheory-8x10-25.indd 1 EDITORIAL FUSE MAGAZINE 37 – 1 / DO LESS / Winter 2013 – 14 Colour, In TheoryColour, With this special-issue bulletin, we at FUSE have embraced the motto “Do Less BOARD OF DIRECTORS CONTRIBUTING EDITORS FUSE is indexed by Alternative Press with Less.” Along with our peer organizations within artist-run culture, FUSE has endured Mitchell Akiyama Anthea Black (Toronto), Randy Lee Index and ARTbibliographies Modern, Irfan Ali Cutler (Vancouver), Andrea Fatona and is distributed by Magazines 216 Main Street Unionville, Markham ONL3R2H1 Unionville, 216 Main Street chronic underfunding for many years. Of the long-term effects of underfunding, the most Salma Al Atassi (Toronto), Lucas Freeman (Boston), Canada morbid are burnout, organizational self-censorship and a loss of institutional memory. Natalie Kouri-Towe Amy Fung (Vancouver), Richard Fung +1 (416) 504-0274 and Ubiquity +1 Rather than attempt to keep up appearances under these conditions, we offer you a Robyn Lew (Toronto), Janna Graham (London (718) 875-5491. FUSE is grateful January 25 - May 4, 2014 4, -May 25 January pared-down issue of the magazine, with modest materials to match the modest resources Skye Maule-O’Brien UK), Gita Hashemi (Toronto), Richard for the many hours of volunteer and VarleyGallery.ca •905-477-7000ext. 3261 VarleyGallery.ca Julie Nagam William Hill (Toronto), Michelle modestly paid labour performed by Varley Art Gallery ofMarkhamVarley we have to produce it. Coco Riot Jacques (Vancouver), Ashok Mathur those listed on our masthead, in our The contents of this issue present labour-side perspectives on austerity from Sara Rozenberg (Vancouver/Kamloops), Milena table of contents and elsewhere. -
Mid-Life Shelf-Life, by R.M. Vaughan
Lisa Steele Creative Director, Vtape 2 I am always looking for people who will immerse themselves in the rich, thick humus of the various pasts that inhabit the shelves at Vtape. In 2009, writer and artist RM Vaughan had an idea for a possible programme at Vtape. it would involve a lot of research, a lot of viewing. That summer he began a curatorial residency at Vtape, looking at work in our holdings. He viewed hundreds of titles – sometimes to the end but not always… He was searching for a programme – or rather, he was on a search for the shape of a programme, what it would look like. Thus began Mid-Life/Shelf Life, RM Vaughan’s rigourously structured (all in pairs, each programme proceeding two-by-two), yet deeply personal survey of video art seen through the lens of a patient searcher. In many ways, Richard Vaughan is an ideal writer/curator to undertake such a survey: he works actively to counter received knowledge, rejecting notions of “the canon” and other – externally imposed - pyramidal structures that dictate how “art” is to be absorbed and categorized. Thanks to the artists who made these works and to their curator. Richard Vaughan has presented us with a delightful flow through video art, part history (he did go back and back…) and part pure pleasure (it’s the humour especially here…), Mid-Life/Shelf Life opens new eyes on some real gems, illuminating them anew through the lens of the present. 3 BRENDA GOLDSTEIN 2007 title Horoscope language English running time 5:09 The future of film.. -
Paul Wong Year of Gif
SURREY Art GALLERY PRESENTS Paul Wong YEAR OF GIF Digital Vagrants: Paul Wong’s Digital Vagrants: Paul Wong’s Year of Gif Year of Gif by Joni Low JONI LOW Exhibition Statement There’s a definite, if disturbing, rhythm to it. Against a PAUL WONG backdrop of pulsing RGB colour bars, a mob of images ALISON RAJAH take over the building’s exterior side. Surveillance Biographies cameras, digitally manipulated selfies, and smart phone screen-grabs flicker silently alongside images JONI LOW of everyday life. Iterations of the eye and orifice PAUL WONG masquerade within architecture and other psychedelic Paul Wong Year of Gif, 2013 symbols, reminding us of the complicit and murky relationship between technological innovation, Video installation and social network project, UrbanScreen eroticism and desire. A person sleeps, sharing a soft Photograph by Scott Massey pillow with a family of screened devices. Bodies, youth and transgression pulse simultaneously within 1 PAUL WONG Year of Gif a digital galaxy that reveals so much, yet infers so and officially a verb.1 Now used widely across the much more beyond the visible. Projected at night for web and messaging platforms, GIFs have become encounters of different velocities, Paul Wong’s year shorthand visual expressions for a range of human of gif is our contemporary, media-saturated, and experiences.2 Their humorous distortions, memes increasingly screen-based existence writ large. and titillation offer pleasure and relief: they bounce along the aether as we connect across space and year of gif simulates the constant barrage of time, as the impermanent icons and impulses of our images in our emergent interactions with digital continually shifting moods.