Fall 2021 Catalog That Offers You Many Courses and One-Time Lectures
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American Jukebox® 287, June 8, 2019, "Some Rare
Order Time Writer(s) Title Artist Disc Label Year Position Comment File Number Intro Track Release Date Date Played Date Played Copy 01 2:43 Jackie DeShannon When You Walk In The Room Jackie DeShannon Hard to Find Jukebox Classics 1960-64:Stereo Hit Parade/Eric 1964 99 (Yes, #99. This is not a mistake.) RKV Hard to Find 0:14 28 2016 6/4/16 9/9/17 6/8/19 02 2:20 Bob Hamilton/Freddy Gorman (Just Like) Romeo & Juliet The Reflections Hard To Find 45s On CD: Vol. 6, More Sixties ERIC 1964 6 Filed with Time-Life YOUR HIT PARADE series Series Hard To Find 0:05 10 2001 5/15/10 1/30/16 6/8/19 Classics 03 2:43 Tom Springfield I'll Never Find Another You The Seekers Hard To Find Jukebox Classics 1963-64: 29 Hit Parade/ERIC 1965 4 Series Hard to Find 0:12 3 2019 6/8/19 Amazing Stereo Hits 04 3:18 John Lee Hooker Boom Boom The Animals The Best Of The Animals ABKCO/iTunes 1965 43 Eric Burdon born 5/11/1941 RKG Animals 0:17 7 1990 6/8/19 Download 05 2:46 Lori Burton/Pam Sawyer I Ain't Gonna Eat My Heart Out The Young Rascals The Very Best Of The Rascals Rhino/Atlantic 1966 52 peaked in 1966 RKG Rascals 0:04 1 1993 6/8/19 Eddie Brigati (vocals), Felix Cavaliere (keyboard, vocals), Gene Cornish 06 2:08 M Steiner/M Discant TAhneymeo rFerom A Summer Place The Lettermen Capitol Collector Series: The Lettermen Capitol 1965 16 CD GrHts [2 CD's inc Capitol Collector's Series] trio from LA: Tony Butala b.1940,Jim RKG Lettermen 0:07 9 7/16/16 6/8/19 Pike b 1938, Bob Engemann b. -
Buster Keaton Film Locations: a Silent Echoes Tour of Los Angeles
BUSTER KEATON FILM LOCATIONS: A SILENT ECHOES TOUR OF LOS ANGELES Copyright 2005 John Bengtson. All rights reserved. The following self-guided tour directions have been provided as a special bonus to John Bengtson’s “Touring Los Angeles Through the Films of Buster Keaton” presentation at the UCLA Film and Television Archive. (You can also download this document from the Archive’s website at www.cinema.ucla.edu.) New locations have been added here to the ones discussed in Bengtson’s acclaimed book, Silent Echoes: Discovering Early Hollywood Through the Films of Buster Keaton (www.SilentEchoes.net, Santa Monica Press: 800-784-9553). Happy navigating your way around town! Hollywood Tour The Hollywood tour begins, symbolically, at the corner of Hollywood and Vine (1). Here Keaton jumped onto a fire truck in The Cameraman. Proceed west down Hollywood Boulevard past Highland, to Mann’s (formerly Grauman’s) Chinese Theater. There, across the street between Highland and Orange, at 6904 Hollywood Blvd., is the former Mary Moll Building (2), which appeared briefly during the film-editing sequence from Sherlock Jr. Turn back east down Hollywood Blvd., and turn right (south) onto Cahuenga, stopping near the corner. The alley on the east side of Cahuenga (3) is the alley from Cops where Keaton grabs a passing car one- handed. Proceed south down Cahuenga a few yards until you reach the parking lot at 1622 Cahuenga (4), the lot where Brown Eyes was kept safe in Go West. This parking lot also appears in The Cameraman. Across the street from the parking lot (5) is the site of the former fire station that appears in Three Ages and The Cameraman. -
Bustersimpson-Surveyor.Pdf
BUSTER SIMPSON // SURVEYOR BUSTER SIMPSON // SURVEYOR FRYE ART MUSEUM 2013 EDITED BY SCOTT LAWRIMORE 6 Foreword 8 Acknowledgments Carol Yinghua Lu 10 A Letter to Buster Simpson Charles Mudede 14 Buster Simpson and a Philosophy of Urban Consciousness Scott Lawrimore 20 The Sky's the Limit 30 Selected Projects 86 Selected Art Master Plans and Proposals Buster Simpson and Scott Lawrimore 88 Rearview Mirror: A Conversation 100 Buster Simpson // Surveyor: Installation Views 118 List of Works 122 Artist Biography 132 Maps and Legends FOREWORD WOODMAN 1974 Seattle 6 In a letter to Buster Simpson published in this volume, renowned Chinese curator and critic Carol Yinghua Lu asks to what extent his practice is dependent on the ideological and social infrastructure of the city and the society in which he works. Her question from afar ruminates on a lack of similar practice in her own country: Is it because China lacks utopian visions associated with the hippie ethos of mid-twentieth-century America? Is it because a utilitarian mentality pervades the social and political context in China? Lu’s meditations on the nature of Buster Simpson’s artistic practice go to the heart of our understanding of his work. Is it utopian? Simpson would suggest it is not: his experience at Woodstock “made me realize that working in a more urban context might be more interesting than this utopian, return-to-nature idea” (p. 91). To understand the nature of Buster Simpson’s practice, we need to accompany him to the underbelly of the city where he has lived and worked for forty years. -
Inhospitable World Cinema in the Time of the Anthropocene
Inhospitable World Cinema in the Time of the Anthropocene Jennifer Fay Press University Oxford 1 iv 1 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and certain other countries. Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016, United States of America. © Oxford University Press 2018 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. CIP data is on file at the Library of Congress Press ISBN 978–0–19–069678–8 (pbk.) ISBN 978– 0– 19– 069677– 1 (hbk.) 9 8 7 6 5 4 3 2 1 Paperback printed by WebCom, Inc., Canada Hardback printed by Bridgeport National Bindery, Inc., United States of America University Oxford CONTENTS Acknowledgments ix Introduction 1 PART I: On Location . 21 1. Buster Keaton’s Climate Change 23 Press 2. Nuclear Conditioning 59 3. The Ecologies of Film Noir 97 PART II: . -
January 12, 2010: XX:1 the GENERAL 1927 (75 Minutes)
January 12, 2010: XX:1 THE GENERAL 1927 (75 minutes) Directed by Clyde Bruckman, Buster Keaton Written by Al Boasberg and Charlie Smith based on William Pittenger’s 1863 novel, The Great Locomotive Chase Producers by Buster Keaton, Joseph M. Schenck Cinematography by Bert Haines, Devereaux Jennings Film Editing by Buster Keaton and Sherman Kell Art Direction Fred Gabourie Marion Mack.... Annabelle Lee Charles Smith .... Mr. Lee Richard Allen .... His Son Glen Cavender .... Captain Anderson Jim Farley .... General Thatcher Frederick Vroom....Southern General Joe Keaton....Union General Mike Donlin....Union General Tom Nawn .... Union General B Buster Keaton .... Johnnie Gray Selected for the National Film Registry, 1989 BUSTER KEATON (Joseph Frank Keaton VI, 4 October 1895, Piqua, Kansas—1 February 1966, Los Angeles, lung cancer) wrote about 30 films, directed nearly 50, and acted in more than 130, often playing himself. His first film role was in The Butcher Boy 1917; his last in Samuel Becket’s Film 1966. Some of the others are A Funny Thing Happened on the Way to the Forum 1966, How to Stuff a Wild Bikini 1965, Beach Blanket Bingo 1965, Pajama Party 1964, It's a Mad Mad Mad Mad World 1963, Limelight 1952, Sunset Blvd. 1950, Pardon My Berth Marks 1940, Palooka from Paducah 1935, What! No Beer? 1933, Steamboat Bill, Jr. 1928, College 1927, Battling Butler 1926, Seven Chances 1925, The Navigator 1924, Sherlock, Jr. 1924, Our Hospitality 1923, Paleface 1922, Cops 1922, One Week 1920. He won an honorary Academy Award in 1960. MARION MACK (Joey Marion McCreery, 9 April 1902, Mammoth, Utah—1 May 1989, Costa Mesa, California) appeared in only five films: The Great Chase 1963, The General, The Carnival Girl 1926, One of the Bravest 1925, and Mary of the Movies 1923. -
String Theory Song List
String Theory song list 2016/2017 New Additions Aerials - System of a Down An Affair to Remember (from “Sleepless In Seattle”) Al Di La - Trad All of the Lights - Kanye West Amazing - Alex Lloyd Ants Marching - Dave Matthews Band Ave Maria - Beyonce version Beautiful Day - U2 Beautiful Girl - INXS Bleeding Love - Leona Lewis Blower’s Daughter - Damien Rice Bright Eyes - Art Garfunkel Budapest - George Ezra Can’t Take My Eyes Off You - Frankie Valli Colours of the Wind - from “Pocahontas” Crazy in Love - Beyonce Cruise - Florida Georgia Line Dammit - Blink 182* Do You Want to Build a Snowman? - from “Frozen” Don’t Dream Its Over - Crowded House Dreams - Gabrielle The Ecstasy of Gold - Morricone Everlong - Foo Fighters Falling Slowly - from “Once” Family Tree - TV on the Radio Fire and Rain - James Taylor Flame Trees - Cold Chisel Fly Me To The Moon From The Ground Up - Dan and Shay Get Lucky - Daft Punk Good Life - Kanye West Happy - Pharrell Williams Heathens - Twenty One Pilots 1 2217 Distribution Circle * Silver Spring, MD 20910 (301) 986-4640 *(888) 986-4640 *FAX (301) 657-4315 www.entertainmentexchange.com Rev: 11/2017 Here With Me - Dido Hey Soul Sister - Train Hey There Delilah - Plain White T’s High - Lighthouse Family Hoppipola - Sigur Ros Horse To Water - Tall Heights I Choose You - Sara Bareilles I Don’t Wanna Miss a Thing - Aerosmith I Follow Rivers - Lykke Li I Got My Mind Set On You - George Harrison I Was Made For Loving You - Tori Kelly & Ed Sheeran I Will Wait - Mumford & Sons -
Downloaded from Manchesterhive.Com at 09/30/2021 06:14:40PM Via Free Access 82 Public History, Popular Memory
4 Raiding the archive: film festivals and the revival of Classic Hollywood Julian Stringer History becomes heritage in various ways. Artifacts become appropriated by particular historical agendas, by particular ideologies of preservation, by specific versions of public history, and by particular values about exhibition, design, and display. (Arjun Appadurai and Carol A. Breckenridge)1 Film Studies has to date paid too little attention to the role cultural institutions play in the transformation of cinema history into heritage. At the dawn of cinema’s second century, a range of organisational bodies – including museums and art galleries, the publicity and promotion industries, film journalism and publishing, as well as the academy – work to activate and commodify memory narratives concerning the movies’ own glorious and fondly recalled past. Such bodies serve different kinds of agendas, broadly identifiable as the commercial, the cultural and the educational (or a combination thereof). However, all help determine the specific shape of current thinking regarding cinema’s past, present and future. At a time when more films than ever before are being exhibited on a greater number of different kinds of screens than ever before, the cumulative effect of all this institutional activity is to create consen- sus around which films should be remembered and which forgotten. With so many ‘old’ and contemporary titles jockeying for position at the multiplex and the art cinema, on television and cable, video, DVD and the Internet, as well as in the classroom, the relatively small number of titles eventually sold, projected, written about, taught or revived, will be largely confined to those legitimised for one reason or another by these different kinds of organisational bodies. -
Buster – Ein Gauner Mit Herz Phil Collins
HanseSound – Exklusiv Titel Buster – Ein Gauner mit Herz Phil Collins • Originaltitel: Buster • Produktionsjahr: 1988 • Produktionsland: Großbritannien • Darsteller: Phil Collins, Julie Walters, Larry Lamb • Regisseur: David Green • Format: Dolby Digital 5.1 (deutsch, englisch), PAL, Breitbild • Region: Region B/2 • Bildseitenformat: 1,66:1 • FSK: Freigegeben ab 12 Jahren • Bonus: englische Fassung mit 102,41 Min.(BD), Anwahl der Musikstücke. deutsche Untertitel MediaBook: DVD & Blu ray DVD: Blu ray: EAN: 4250124370893 EAN: EAN: Vö.: 18.09.2020 Vö.: Vö.: HAP: 14,85 HAP: HAP: Laufzeit:. 96,18+100,10 Laufzeit: 96,18 min. Laufzeit: 100,10 min. Das Wichtigste für den Kleinganoven Buster Edwards (Phil Collins) ist die Liebe seiner Frau June (Julie Walters, „Harry Potter“-Filmreihe). Als diese sich ein Haus wünscht, weiß Buster, dass er ein größeres Ding drehen muss. Mit einigen Kumpanen raubt er einen Postzug aus, doch der ausgetüftelte Plan für danach geht gründlich schief und Buster muss am Ende eine schwere Entscheidung treffen… Die Legende um den berühmtesten Postraub aller Zeiten aus völlig neuer Sicht, garniert mit Welthits aus der Feder von Megastar Phil Collins, der auch die Hauptrolle spielt! Es ist die Tragikomödie aus dem Jahr 1988. Die von Phil Collins gesungene Filmmusik wurde zu einem Erfolg in den Hitparaden. Der Film handelt von dem Postzugräuber Ronald Buster Edwards, von seiner Vorgeschichte, dem Raub und der Flucht nach Mexiko bis hin zur Entlassung aus dem Gefängnis. HanseSound – Exklusiv Titel Die Phil-Collins-Singles aus dem Film, A Groovy Kind of Love und Two Hearts, erreichten Platz 1 und Platz 6 in den UK Singles Charts. -
Notations Spring 2011
The ASCAP Foundation Making music grow since 1975 www.ascapfoundation.org Notations Spring 2011 Tony Bennett & Susan Benedetto Honored at ASCAP Foundation Awards The ASCAP Foundation held its 15th Annual Awards Ceremony at the Allen Room, Frederick P. Rose Hall, Home of Jazz at Lincoln Center, in New York City on December 8, 2010. Hosted by ASCAP Foundation President, Paul Williams, the event honored vocal legend Tony Bennett and his wife, Susan Benedetto, with The ASCAP Foundation Champion Award in recognition of their unique and significant efforts in arts education. ASCAP Foundation Champion Award recipients Susan Benedetto (l) & Tony Bennett with Mary Rodgers (2nd from left), Mary Ellin A wide variety of ASCAP Foundation Scholarship Barrett (2nd from right), and ASCAP Foundation President Paul and Award recipients were also honored at the Williams (r). event, which included special performances by some of the honorees. For more details and photos of the event, please see our website. Bart Howard provides a Musical Gift The ASCAP Foundation is pleased to announce that composer, lyricist, pianist and ASCAP member Bart Howard (1915-2004) named The ASCAP Foundation as a major beneficiary of all royalties and copyrights from his musical compositions. In line with this generous bequest, The ASCAP Foundation has established programs designed to ensure the preservation of Bart Howard’s name and legacy. These efforts include: Songwriters: The Next Generation, presented by The ASCAP Foundation and made possible by the Bart Howard Estate which showcases the work of emerging songwriters and composers who perform on the Kennedy Center’s Millennium Stage. The ASCAP Foundation Bart Howard Songwriting Scholarship at Berklee College recog- nizes talent, professionalism, musical ability and career potential in songwriting. -
Stockton Goes to the Beach Presents Ronnie Spector of the Ronettes
Stockton Goes to the Beach Presents Ronnie Spector of the Ronettes Coming to the Cape May Convention Center July 29 For Immediate Release Wednesday, June 26, 2013 Contact: Suzé DiPietro Interim Director, Stockton PAC Galloway Township, NJ 08205 [email protected] (609) 652-4927 Galloway Township, NJ – The 12th annual Stockton Goes to the Beach Summer Concert Series continues at the Cape May Convention Center in Cape May, NJ for the summer of 2013, with Ronnie Spector and her revolutionary performing style lighting up the stage on Monday, July 29 at 8 p.m. Spector’s sensuality, dress, attitude and sound have served as an inspiration for a generation of rock ‘n’ roll women. Tickets are priced at $35 and may be ordered online at www.capemaycity.com or by calling 1-855-708-9699 or by going to the Cape May Convention Center. Beginning in 1963, Ronnie Spector - as lead singer of the ultimate girl group, The Ronettes - recorded a long string of classic pop hits: powerful, poignant teen anthems such as the Grammy Award-winning “Walking in the Rain,” “Do I Love You,” “Baby I Love You,” “The Best Part of Breaking Up,” “I Can Hear Music,” and the international Number One smash, “Be My Baby.” Only a few artists in history have been capable of defining an entire era in pop music. Ronnie Spector is one of those artists: the embodiment of the heart, soul, and passion of female rock and roll in the 1960s. And to this day, no one has ever surpassed Ronnie's powerful Colpix label. -
Cinefiles Document #13758
Document Citation Title The films of Buster Keaton Author(s) Raymond Rohauer Source Audio Film Center Date Type distributor materials Language English Pagination No. of Pages 24 Subjects Keaton, Buster (1895-1966), Piqua, Kansas, United States Film Subjects The blacksmith, Keaton, Buster, 1922 College, Horne, James W., 1927 Battling Butler, Keaton, Buster, 1926 Go west, Keaton, Buster, 1925 Seven chances, Keaton, Buster, 1925 The Navigator, Keaton, Buster, 1924 Our hospitality, Keaton, Buster, 1923 Cops, Keaton, Buster, 1922 The balloonatic, Keaton, Buster, 1923 Convict 13, Keaton, Buster, 1920 The electric house, Keaton, Buster, 1922 WARNING: This material may be protected by copyright law (Title 17 U.S. Code) One week, Keaton, Buster, 1920 Day dreams, Keaton, Buster, 1922 The playhouse, Keaton, Buster, 1921 The General, Keaton, Buster, 1927 The frozen north, Keaton, Buster, 1922 My wife's relations, Keaton, Buster, 1922 The paleface, Keaton, Buster, 1921 The boat, Keaton, Buster, 1921 The goat, Keaton, Buster, 1921 Sherlock, Jr., Keaton, Buster, 1924 The high sign, Keaton, Buster, 1921 The haunted house, Keaton, Buster, 1921 Steamboat Bill, Jr., Reisner, Charles F., 1928 Neighbors, Keaton, Buster, 1920 The scarecrow, Keaton, Buster, 1920 WARNING: This material may be protected by copyright law (Title 17 U.S. Code) WARNING: This material may be protected by copyright law (Title 17 U.S. Code) WARNING: This material may be protected by copyright law (Title 17 U.S. Code) WARNING: This material may be protected by copyright law (Title 17 U.S. Code) WARNING: This material may be protected by copyright law (Title 17 U.S. Code) WARNING: This material may be protected by copyright law (Title 17 U.S. -
Cinemateca Júnior Palácio Foz – Praça Dos Restauradores
CINEMATECA PORTUGUESA-MUSEU DO CINEMA Cinemateca Júnior Palácio Foz – Praça dos Restauradores GO WEST / 1925 O Rei dos Cowboys Um filme de Buster Keaton Argumento: Buster Keaton / Assistente de realização: Lex Neal / Guião: Raymond Cannon / Diretores de fotografia (35 mm, preto & branco): Elgin Lessley e Bert Haines / Direção artística: Fred Gabourie / Efeitos elétricos: Denver Harmon / Música original: Konrad Elfers / Interpretação: Buster Keaton (Friendless), Brown Eyes (a vaca), Howard Truesdale (o proprietário do «ranch» Diamond Bar), Kathleen Myers (a sua filha), Ray Thompson (o capataz) e, não creditados, Fatty Arbuckle (uma mulher no grande armazém), Joe Keaton (o homem na barbearia), Gus Leonard (o dono do grande armazém), Babe London (uma mulher no grande armazém). Produção: Buster Keaton Production Company; distribuição pela Metro Goldwyn-Mayer / Cópia: 35 mm, muda, com intertítulos em inglês e legendagem eletrónica em português / Duração: 70 minutos / Estreia mundial: Novembro de 1925 / Estreia em Portugal: Lisboa (cinema Odéon), 5 de Outubro de 1927. Primeira apresentação na Cinemateca: 15 de Maio de 1985, no âmbito do ciclo “Buster Keaton”. Buster Keaton começou a sua carreira em 1917 com Fatty Arbuckle, um dos nomes notáveis do cinema burlesco americano (e figurante não creditado no filme que vamos ver) e terminou-a em 1965 com Samuel Beckett, depois de um longo hiato de decadência e derrotas diversas. Antes disso, num período de nove anos, que vai de 1920 a 1929, Keaton realizara ou participara de uma série de filmes que