Kazumi Watanabe Mobo I&II Mp3, Flac

Total Page：16

File Type：pdf, Size：1020Kb

Kazumi Watanabe Mobo I&II mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock / Pop Album: Mobo I&II Country: Canada Released: 1984 Style: Contemporary Jazz, Jazz-Funk MP3 version RAR size: 1861 mb FLAC version RAR size: 1392 mb WMA version RAR size: 1595 mb Rating: 4.5 Votes: 191 Other Formats: WMA APE RA MP4 AU VOX XM Tracklist Hide Credits Walk Don't Run 1 03:37 Bass – Robbie ShakespeareDrums – Sly DunbarGuitar, Synthesizer – Kazumi Watanabe Half Blood 2 05:33 Bass – Marcus MillerGuitar – Kazumi WatanabePiano – Kei Akagi Yenshu Tsubame Gaeshi 3 06:40 Bass – Marcus MillerDrums – Omar HakimGuitar – Kazumi WatanabePiano – Kei Akagi American Short Hair 4 Bass – Robbie ShakespeareDrums – Steve JordanGuitar – Kazumi WatanabeOrgan, 05:08 Synthesizer – Don Grolnick Mobo #2 5 Bass – Marcus Miller, Robbie ShakespeareDrums – Omar Hakim, Sly DunbarGuitar – 15:50 Kazumi WatanabeTenor Saxophone – Michael Brecker Voyage 6 04:50 Bass – Marcus MillerDrums – Omar HakimGuitar – Kazumi WatanabePiano – Kei Akagi Yatokesa (Mobo #3) 7 Bass – Marcus Miller, Robbie ShakespeareDrums – Omar Hakim, Sly DunbarGuitar – 07:46 Kazumi WatanabeTenor Saxophone – Michael Brecker Alicia 8 Bass – Robbie ShakespeareDrums – Sly DunbarElectric Guitar, Acoustic Guitar, 05:42 Synthesizer, Percussion – Kazumi Watanabe Shang-Hi (Mobo #1) 9 Bass – Marcus Miller, Robbie ShakespeareDrums – Omar Hakim, Sly DunbarGuitar – 06:19 Kazumi WatanabeTenor Saxophone – Michael Brecker All Beets Are Coming (Mobo #5) 10 Bass – Marcus Miller, Robbie ShakespeareDrums – Omar Hakim, Sly DunbarGuitar, 14:08 Synthesizer – Kazumi Watanabe Companies, etc. Phonographic Copyright (p) – Gramavision Inc. Marketed By – Mesa/Bluemoon Recordings, Inc. Distributed By – Rhino Records Inc. Copyright (c) – Gramavision Inc. Recorded At – Media Sound NYC Mixed At – Media Sound NYC Mastered At – Sterling Sound Credits A&R – Ken Inaoka*, Masa Marumo Cover, Art Direction, Design – Tsuguya Inoue Design – You Ueda Engineer [Assistant] – Andy Hoffman, Gregg Mann, Harry Spiridakis Executive Producer – Yoshitake Sato Guitar, Technician [Equipment] – Kinta ”25ç” Ogura* Management – Ryo Hommura, Shigeki Otani Mastered By – Greg Calbi Photography – Masayoshi Sukita Producer – Aki Ikuta, Kazumi Watanabe Producer, Engineer – Doug Epstein Notes On Track 3 Kazumi Watanabe plays also "Fake Log Drums". On Track 8 Shigeki Otani plays "Brush". Barcode and Other Identifiers Barcode: 081227941727 Matrix / Runout: 79417(V): Matrix / Runout: :MASTERED:BY NIMBUS: Related Music albums to Mobo I&II by Kazumi Watanabe 1. Jarno Marchetto & Curzio Scheurer - Daredevil Dash 2. Kazumi Watanabe New Electric Trio - Mo' Bop 3. Kazumi Band - Ganaesia 4. Kazumi Watanabe - Mobo II 5. Kazumi Watanabe - Endless Way 6. Various - Jazz Sampler Volume 3 7. F.E.O.D. - F.E.O.D. 8. Kazumi Nikaido - あなたがいるからあったかい 9. Yamaoka - Cat Walk EP 10. Kazumi Watanabe - Mobo Splash.

Copy Link

Recommended publications

Kazumi Watanabe Kylyn Mp3, Flac, Wma
Kazumi Watanabe Kylyn mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: Kylyn Country: Japan Released: 1988 Style: Fusion MP3 version RAR size: 1720 mb FLAC version RAR size: 1820 mb WMA version RAR size: 1709 mb Rating: 4.6 Votes: 771 Other Formats: MP3 DMF AIFF DTS AIFF MP2 AUD Tracklist 1 199X 1:56 2 Sonic Boom 6:30 3 Water Ways Flow Backward Again 5:17 4 Milestones 8:15 5 E-Day Project 5:45 6 Akasaka Moon 4:34 7 Kylyn 2:29 8 I'll Be There 6:38 9 Mother Terra 3:26 Companies, etc. Record Company – Nippon Columbia Co., Ltd. Manufactured By – Nippon Columbia Co., Ltd. Distributed By – Nippon Columbia Co., Ltd. Credits Alto Saxophone, Soprano Saxophone – Toshiyuki Honda Artwork By – Bam-Voo Bass – Rey J. O'Hara* Co-producer – Akira Ikuta, Taku Kashiwabara Drums – Shuichi "Ponta" Murakami*, Yukihiro Takahashi Guitar [Guitars] – Kazumi Watanabe Keyboards – Mikio Masuda Keyboards, Vocals – Akiko Yano Mixed By – Ryuichi* Mixed By, Producer – Kazumi* Other [Publicist] – Jin Nakahara Percussion – Pecker Producer, Keyboards – Ryuichi Sakamoto Tenor Saxophone – Yasuaki Shimizu Trombone – Shigeharu Mukai Barcode and Other Identifiers Rights Society: JASRAC Other versions Category Artist Title (Format) Label Category Country Year Kazumi YX-7595-ND Kylyn (LP, Album) Better Days YX-7595-ND Japan 1979 Watanabe Kazumi 35C38-7135 Kylyn (CD, Album) Denon 35C38-7135 Japan 1984 Watanabe Jroom Jazz, Kazumi Kylyn (CD, Album, COCB-53333 Columbia Music COCB-53333 Japan 2005 Watanabe Ltd, RE, RM, Pap) Entertainment Related Music albums to Kylyn by Kazumi Watanabe Kazumi Watanabe - Mobo Live Kazumi Watanabe - Olive's Step Kazumi Band - Ganaesia Kazumi Watanabe - Mobo Kazumi Watanabe = 渡辺香津美 - Lonesome Cat = ロンサム・キャット Ryuichi Sakamoto & Kazumi Watanabe - Tokyo Joe Kazumi Watanabe With Friends - Super Selection Akiko Yano - Home Music II.
[Show full text]
Taeko Ohnuki Sunshower Mp3, Flac, Wma
Taeko Ohnuki Sunshower mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Pop / Folk, World, & Country Album: Sunshower Country: Japan Released: 1984 MP3 version RAR size: 1457 mb FLAC version RAR size: 1692 mb WMA version RAR size: 1185 mb Rating: 4.3 Votes: 931 Other Formats: WMA AA AUD MP2 TTA DMF MIDI Tracklist Hide Credits 1 Summer Connection 4:29 2 くすりをたくさん 4:07 3 何もいらない 4:00 4 都会 5:09 5 からっぽの椅子 5:35 6 Law Of Nature 3:46 7 誰のために 5:30 8 Silent Screamer 3:31 9 Sargasso Sea 2:46 振子の山羊 10 5:40 Composed By – 坂本龍一* Companies, etc. Manufactured By – Crown Record Co., Ltd. Distributed By – Crown Record Co., Ltd. Recorded At – Sound City Studio Recorded At – Crown Studio Mixed At – Sound City Studio Credits Arranged By – Ryuichi Sakamoto Art Direction – Kazuhiro Sato Bass – Haruomi Hosono, Tsugutoshi Goto Co-producer – Taeko Ohnuki Directed By [Musical] – Ryuichi Sakamoto Drums – Chris Parker Engineer – Shinichi Tanaka Guitar – Kazumi Watanabe, Kenji Ohmura*, Koichi Hara, Tsunehide Matsuki Keyboards – Ryuichi Sakamoto, Yuh Imai* Percussion – Nov Saitoh* Photography By – Masashi Kuwamoto, Tohru Ohnuki Producer – Akira Ikuta, Seiji Kuniyoshi Saxophone – Yasuaki 'Sec' Shimizu* Trombone – Shigeharu Mukai Vocals [Background] – Tatsuro Yamashita Notes with obi-strip and insert. Barcode and Other Identifiers Mastering SID Code: CRCP-28009 Rights Society: JASRAC Other versions Category Artist Title (Format) Label Category Country Year GW-4029 Taeko Ohnuki Sunshower (LP, Album) Panam GW-4029 Japan 1977 CRJ-1011 Taeko Ohnuki Sunshower (LP, Album, RP) Panam CRJ-1011 Japan 2017 Panam, GW-4107 Taeko Ohnuki Sunshower (LP, Album, RE) GW-4107 Japan 1984 Crown Sunshower (Cass, Album, CRT-1080 Taeko Ohnuki Panam CRT-1080 Japan 2016 RE) Sunshower (CD, Album, Panam, CRCP-20462 Taeko Ohnuki CRCP-20462 Japan 2010 RE, RM, Blu) Crown Related Music albums to Sunshower by Taeko Ohnuki Tetsuro Kashibuchi Featuring Akiko Yano - Hotel Lilas Ryuichi Sakamoto With Daizaburo Harada - D&L Live at Budokan 11.30.95 (Nov.
[Show full text]
(Subjective) Impressive Territory and Physical (Scientific) Territory
© Seigen Ono for Saidera Recirds 2004年1月9日 1 COMPARE pont-A and pont-B. A (the master) = B (the clone) Do not mix Personal (subjective) impressive territory and Physical (scientific) territory Personal (subjective) impressive territory: Good sound, favorite sounds, disliked sounds, colored sounds, variety Physical (scientific) territory: Signal processing, media, duplication, Amplifier process, Impulse response, spectrograph, frequency domein, phase, time domein, changeless date, 1=1, as it is on the date, equable, artless Physical territory (transformation) should not add any color, flavor, etc. Where music has fixed to the master, then delver it as it is to the audience. © Seigen Ono for Saidera Recirds 2004年1月9日 2 1 © Seigen Ono for Saidera Recirds 2004年1月9日 3 © Seigen Ono for Saidera Recirds 2004年1月9日 4 2 The quality beyond the qu ality Beatles or Miles never thought ho w their sounds playback on CD They imagine peace and love Enjoy your favorite wine as much as you want with your own wine glass W o uld you care more quantity or quality? © Seigen Ono for Saidera Recirds 2004年1月9日 5 About Saidera Paradiso. Saidera Paradiso (www.saidera.co.jp) is founded and managed by Seigen Ono and is divided in 3 divisions; 1/Saidera Records, 2/Saidera Mastering and 3/Saidera Music Supervision. Saidera Paradiso is a pioneer and one of the world’s leading specialists in multi-channel 5.1 surround sound SACD (http://www.superaudio-cd.com) formats and is consulting major audio manufacturers and musicians in this field. Seigen Ono is a renowned composer, music producer and recording/mastering engineer. © Seigen Ono for Saidera Recirds 2004年1月9日 6 3 About Seigen Ono Composer, music producer, recording engineer.
[Show full text]
Wackerman the Wackermans
ISSUE 35 ISSUE FREE CD DOWNLOAD AUDIO PREVIEWS LessoNS praCTICE W/ THE pros DAVE JJIM IAN V DICENSO BOGIOS MOSELY NOVEMBER / DECEMBER 2012 / DECEMBER NOVEMBER ALL THINGS WACKERMAN THE WACKERMANS November - December 2012 | NO. 035 $6.99 US | $7.99 CAN THE WACKERMAN 014 PROGENY STARRING: CHUCK, BOB, CHAD, JOHN, BROOKS & BARBARA. Interview: Rich Mangicaro - Photos: Rob Shanahan 015 Parents have a powerful and positive impact upon the development and health of their children. The relationship between father and son early on in life is crucial—dad is his son’s first role model. He is both consciously and subconsciously observed, and his words and actions are absorbed, even before the child’s first spoken word. With an artistic parent, a child can be influenced even while still in the womb; rhythms and melodies permeate mama’s belly and the child is most definitely affected by this. Some say it’s the beginning of ‘natural talent’ or ‘being born with it.’ Some say the child is an old soul. To have one child that is born with this natural artistic talent is quite something to behold, but to have four?! This is extraordinary. Thus is the case with the Wackerman family. Hailing from Orange County, California, this gifted musical family has inspired thousands of musicians worldwide. All four of Chuck and Barbara Wackerman’s sons are absolute virtuosos on their instrument. Three of their sons, Chad, John and Brooks became drummers like their dad. Equally as talented as his drumming brothers, Bob Wackerman chose the drummer’s right-hand instrument, the bass.
[Show full text]
December 1987
VOLUME 11, NUMBER 1 2, ISSUE 98 Cover Photo by Jaeger Kotos EDUCATION IN THE STUDIO Drumheads And Recording Kotos by Craig Krampf 38 SHOW DRUMMERS' SEMINAR Jaeger Get Involved by by Vincent Dee 40 KEYBOARD PERCUSSION Photo In Search Of Time by Dave Samuels 42 THE MACHINE SHOP New Sounds For Your Old Machines by Norman Weinberg 44 ROCK PERSPECTIVES Ringo Starr: The Later Years by Kenny Aronoff 66 ELECTRONIC INSIGHTS Percussive Sound Sources And Synthesis by Ed Mann 68 TAKING CARE OF BUSINESS Breaking In MANU KATCHE by Karen Ervin Pershing 70 One of the highlights of Peter Gabriel's recent So album and ROCK 'N' JAZZ CLINIC tour was French drummer Manu Katche, who has gone on to Two-Surface Riding: Part 2 record with such artists as Sting, Joni Mitchell, and Robbie by Rod Morgenstein 82 Robertson. He tells of his background in France, and explains BASICS why Peter Gabriel is so important to him. Thoughts On Tom Tuning by Connie Fisher 16 by Neil Peart 88 TRACKING DRUMMING AT DISNEY Studio Chart Interpretation by Hank Jaramillo 100 WORLD DRUM SOLOIST When it comes to employment opportunities, you have to Three Solo Intros consider Disney World in Florida, where 45 to 50 drummers by Bobby Cleall 102 are working at any given time. We spoke to several of them JAZZ DRUMMERS' WORKSHOP about their working conditions and the many styles of music Fast And Slow Tempos that are represented there, by Peter Erskine 104 by Rick Van Horn 22 CONCEPTS Drummers Are Special People STEVE HOUGHTON by Roy Burns 116 He's known for his big band work with Woody Herman, EQUIPMENT small-group playing with Scott Henderson, and his teaching at SHOP TALK P.I.T.
[Show full text]
Jazz Rock Fusion Surviving Four Decades and Counting…
1 of 38 Jazz Rock Fusion Surviving Four Decades and Counting… By, Rick Calic www.jazzrockworld.com March 2006 Writing an article about Jazz Rock Fusion these days might seem as pointless as debating the benefits of Hi-Fi equipment with vacuum tubes vs. transistors to someone that uses an iPod. The only people that would care are older folks who even remember tubes and dedicated enthusiasts. On the other hand, while Jazz Rock Fusion might be older or seem equally pointless to many reading this article, there remains a large but scattered segment of the world’s population that sees the genre as a vibrant and legitimate art form. Sadly though, the musical perspective regarding Jazz Rock Fusion was narrow from the beginning and will probably always be that way. Jazz Rock Fusion, in terms of the entire world of music, constitutes just a tiny fraction of interest. Yet, if we accept this as fact, which most fans, musicians and certainly “big business” does, the generation of any interest at all is meritorious. In order to discuss the music with integrity, a ground rule needs to be established. This ground rule is required due to the unsolved, long lasting, and ongoing mysteries of the music and its unique identity. Mysteries such as: What is Jazz Rock Fusion? Who started Jazz Rock Fusion? What should it be called? And finally, with no major media support why is there still a market? So, what are the answers you ask? Quite simply these mysteries will remain mysteries. Answering the questions definitively will end up as trivial as the facts regarding the creation and development of the gut bucket.
[Show full text]
Return of the Guitar Man
October 2011 | No. 114 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com George Benson Return of the Guitar Man ARE U SPECIASL GUIIST Vic Juris • Mary Halvorson • Loose Torque • Event Calendar When one thinks of the instrument that most closely defines jazz, the saxophone is the obvious choice. But guitar has been making a strong case for decades now and some of the most compelling players in jazz history have been six-stringers. New York@Night What makes the guitarist most interesting is that they often have the most 4 expansive view of jazz and its possibilities, saddled with less history and fewer Interview: Vic Juris archetypes. We feature three of them in this, our special Guitar Issue. George Benson (On The Cover) has been a polarizing figure, heir to the throne of Wes 6 by Ryan Blotnick Montgomery but willing to disappoint purists because of his crossover activities; Artist Feature: Mary Halvorson Benson plays Town Hall this month in support of his new (return-to-jazz) album Guitar Man. Vic Juris (Interview) got his start, like many of his kind, working with by Martin Longley 7 organists, but also absorbed the nascent fusion movement, establishing his On The Cover: George Benson credentials with Dave Liebman and as a leader and educator; Juris plays around by Bill Milkowski town several times this month. And Mary Halvorson (Artist Feature) has rightly 9 been described as a unique voice on her instrument, to which her various projects Encore: Lest We Forget: and appearances as a sideman attest; this month she plays with mentor Anthony 10 Braxton as well as leading or co-leading several typically wide-ranging projects.
[Show full text]
Psaudio Copper
Issue 109 APRIL 20TH, 2020 This issue’s cover: Judy Garland (1922 – 1969). One of the most iconic actresses, recording artists and performers of all time. Though haunted by personal struggles, she attained greatness that few ever achieved. Somewhere over the rainbow, skies are blue. Like everyone else, we at Copper have been impacted by the coronavirus, whether by disruption in our work and home lives to financial impact, stress, anxiety and writer’s block. And yes, one of us contracted the virus – thankfully, he’s doing OK. So, over the next few issues you might see some changes – temporary absence of some writers, a different balance of articles and other differences from the usual. We trust you’ll understand, and we look forward to when these pages, and our lives, reach a new equilibrium. It is with great sadness that we note the passing of Stereophile deputy editor Art Dudley. He was one of the finest men ever to grace the audio industry. My tribute to him is in these pages. Also in this issue: Rich Isaacs begins a series on Italian progressive rock with a look at the great PFM (Premiata Forneria Marconi). Ken Sander takes us on a wild rock and roll ride with Eric Burdon and War. Professor Larry Schenbeck continues his series on immersive sound. WL Woodward gets jazzed about bass. John Seetoo concludes his series on legendary Yellow Magic Orchestra/film composer/techno-pop pioneer Ryuichi Sakamoto. In a special report we ask audio companies how they’re responding to the COVID-19 crisis.
[Show full text]
Kazumi Watanabe Mobo Mp3, Flac, Wma
Kazumi Watanabe Mobo mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Jazz / Rock Album: Mobo Country: Japan Released: 1984 Style: Fusion, Dub MP3 version RAR size: 1297 mb FLAC version RAR size: 1940 mb WMA version RAR size: 1512 mb Rating: 4.5 Votes: 851 Other Formats: AA AIFF AUD TTA WAV XM MP3 Tracklist Hide Credits Shang-Hi (Mobo #1) 1-1 Written-By – Kazumi Watanabe Yatokesa (Mobo #3) 1-2 Written-By – Kazumi Watanabe, Marcus Miller Alicia 1-3 Written-By – Kazumi Watanabe Voyage 1-4 Written-By – Kazumi Watanabe Half Blood 1-5 Written-By – Kazumi Watanabe Yenshu Tsubamé Gaeshi 1-6 Written-By – Kazumi Watanabe American Short Hair 2-1 Written-By – Kazumi Watanabe Mobo #2 2-2 Written-By – Kazumi Watanabe, Marcus Miller Walk, Don't Run 2-3 Written-By – John Smith* All Beets Are Coming (Mobo #5) 2-4 Written-By – Kazumi Watanabe Companies, etc. Manufactured By – Polydor K.K. Distributed By – PolyGram K.K. Recorded At – Mediasound Mixed At – Mediasound Mastered At – Sterling Sound Credits Bass – Marcus Miller (tracks: 1-1, 1-2, 1-4, 1-5, 1-6, 2-2, 2-4), Robbie Shakespere* (tracks: 1-1, 1-2, 1-3, 2.1, 2-2, 2-3, 2-4) Drums – Omar Hakim (tracks: 1-1, 1-2, 1-4, 1-5, 1-6, 2-2, 2-4), Sly Dunbar (tracks: 1-1, 1-2, 1-3, 2-2, 2-3, 2-4), Steve Jordan (tracks: 2-1) Drums [Fake Log] – Kazumi Watanabe (tracks: 1-6) Electric Guitar, Acoustic Guitar – Kazumi Watanabe Engineer – Doug Epstein Engineer [Assistant] – Andy Hoffman, Gregg Mann, Harry Spiridakis Executive-Producer – Yoshitake Sato Instruments [Brush] – Shigeki Otani Mastered By – Greg Calbi Organ, Synthesizer – Don Grolnick Percussion – Kazumi Watanabe (tracks: 1-3) Piano – Kei Akagi (tracks: 1-4, 1-5, 1-6) Piano, Marimba – Kei Akagi Producer – Aki Ikuta, Doug Epstein, Kazumi Watanabe Synthesizer – Don Grolnick (tracks: 1-3, 2-1), Kazumi Watanabe (tracks: 1-3, 2-3, 2-4) Tenor Saxophone – Michael Brecker (tracks: 1-1, 1-2, 2-2) Notes Recorded & mixed at Media Sound, N.Y., august-september 1983.
[Show full text]
JEFF BERLIN PANAMERICAN QUARTET J.BERLIN(Eb) Othello Molineaux(Perc) P.WERTICO(Dr) R
JEFF BERLIN PANAMERICAN QUARTET J.BERLIN(eb) Othello Molineaux(perc) P.WERTICO(dr) R. DREXLER (p) Jeff Berlin A flexible and powerful electric bassist, Jeff Berlin has been one of the major fusion bassist since the mid-'70s and leading is own groups since ‘99. He was born to parents who were both musically inclined (his father an opera singer and his mother a pianist). As a child he was considered a prodigy on violin but switched to bass guitar at 14 years old. His early bass training included time at the Berklee College of Music in Boston. Jeff Berlin's career has been primarily as a sideman to more well-known musicians, but he has also released several solo albums. For a period he was in a trio with Allan Holdsworth and Tony Williams, Pat Martino, Gil Evans, Toots Thielemans, Al DiMeola, George Benson, Earl Klugh, Larry Coryell, Bob James, Dave Liebman, Herbie Mann, Ray Barretto, the Brecker Brothers and others. Jeff Berlin was a regular member of Bill Bruford's band. He moved to Florida in 1990 and has since toured with Yes, John McLaughlin, Billy Cobham, Kazumi Watanabe and other musicians from a wide variety of creative genres. In addition he started and teaches at the Players School. Othello Molineaux Othello Molineaux is one of the most talented pannist who has made his mark in the realm of steelband and jazz. He was born in Longdenville, Central Trinidad in 1939; attended both Fatima and Queens Royal Collage Colleges in his quest for a secondary education; and grew up in a musical family.
[Show full text]
Catálogo De La Obra Del Artista Ryuichi Sakamoto
CATÁLOGO DE LA OBRA DEL ARTISTA RYUICHI SAKAMOTO ANDRÉS ARMANDO ROJAS GALEANO UNIVERSIDAD DISTRITAL FRANCISCO JOSE DE CALDAS FACULTAD DE ARTES ASAB PROYECTO CURRICULAR DE ARTES MUSICALES CATÁLOGO DE LA OBRA DEL ARTISTA RYUICHI SAKAMOTO Andrés Armando Rojas Galeano Código: 20112098059 Énfasis en composición y arreglos Modalidad de Monografía Tutor: María del Pilar Agudelo Valencia CATÁLOGO DE LA OBRA DEL ARTISTA RYUICHI SAKAMOTO Bogotá, Abril 22 de 2016 3 Resumen: Este trabajo es un catálogo de la producción musical del artista japonés Ryuichi Sakamoto, basado en las normas internacionales de catalogación IASA (International Association of Sound and Audiovisual Archives). Para esto se realizó el ejercicio de escuchar toda su producción musical disponible en Internet, logrando clasificar 62 álbumes y 693 piezas musicales dentro de tres categorías diferentes que dividen la discografía y producción artística de Sakamoto. Además, se indagó en la producción extra musical del compositor, participando en actividades tan diversas como las artes visuales o el activismo por el medio ambiente. El texto está organizado en dos capítulos. El primero, que contiene la información biográfica sobre el artista, explica el ¿Por qué realizar un catálogo de Ryuichi Sakamoto? e incluye otros proyectos en los que el artista ha trabajo. El segundo capítulo describe el proceso de realización del catálogo, luego muestra una parte del mismo y finalmente se hacen observaciones que el catálogo arrojó. El objetivo principal de esta tesis es dar a conocer el trabajo musical de Ryuichi Sakamoto y dejar un soporte de su producción artística dentro del contexto académico en Colombia. Abstract: This work is a catalogue of the musical production by the Japanese artist Ryuichi Sakamoto, based on the International Association of Sound and Audiovisual Archives (IASA) cataloguing rules.
[Show full text]
謝謝with Thanks To
謝謝 With thanks to 9-10.3.2007 Asian Super Guitar Project Kazumi Watanabe • Eugene Pao • Jack Lee 香港大會堂音樂廳 Concert Hall Hong Kong City Hall 亞洲超級結他組合演出長約 1 小時 45 分鐘，渡邊香津美‧ 包以正‧ 李宇鎮包括一節中場休息 Running time: approximately 1 hour and 45 minutes with one interval 7 演出者 Musicians 9 曲目 Programme 為了讓大家對這次演出留下美好印象，請切記在節目開始前關掉手錶、 11 組合簡介 Company Profile 無㵟電話及傳呼機的響鬧裝置。會場內請勿擅自攝影、錄音或錄影，亦不可飲食和吸煙，多謝合作。 To make this performance a pleasant experience for the artists and other 14 簡歷 Biographies members of the audience, PLEASE switch off your alarm watches, MOBILE PHONES and PAGERS. Eating and drinking, unauthorised photography and audio or video recording are forbidden in the auditorium. Thank you for your co- operation. 渡邊香津美包以正 7 Kazumi Watanabe Eugene Pao 李宇鎮劉易斯．普拉格薩姆 Jack Lee Lewis Pragasam 亞洲超級結他組合 Asian Super Guitar Project 結他 Guitars 敲擊樂 Percussion 渡邊香津美 Kazumi Watanabe 劉易斯．普拉格薩姆 Lewis Pragasam 包以正 Eugene Pao 李宇鎮 Jack Lee 本節目部份音響器材由通利琴行贊助 The audio equipment is sponsored in part by 曲目 9 Programme 演奏曲目或次序或有改動 Songs and their order of performance are subject to change 包以正 Eugene Pao 越位 Offside 渡邊香津美 Kazumi Watanabe 亞洲三角 Asian Triangle 比倫尼．拉格尼 Biréli Lagrène 法國製造 Made in France 李宇鎮 Jack Lee 雨中等待 Waiting in Rain 渡邊香津美 Kazumi Watanabe Azimuth Azimuth 皮亞蘇拉 Ástor Piazzolla 自由探戈 Libertango 包以正 Eugene Pao 西班牙炒飯 Spanish Fried Rice 托連奴．奧塔 Toninho Horta 為了孩子 For the Children 組合介紹 11 Company Profile 亞洲超級結他組合 Asian Super Guitar Project 亞洲超級結他組合是三位亞洲精英結 This is the first time elite Asian guitarists Kazumi 他手：渡邊香津美、包以正和李宇鎮 Watanabe, Eugene Pao and Jack Lee have worked 首次攜手合作，糅合中日韓三地的不 together in this combination.
[Show full text]