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Fine Golf Books from the Library of Duncan Campbell and Other Owners
Sale 461 Thursday, August 25, 2011 11:00 AM Fine Golf Books from the Library of Duncan Campbell and Other Owners Auction Preview Tuesday, August 23, 9:00 am to 5:00 pm Wednesday, August 24, 9:00 am to 5:00 pm Thursday, August 25, 9:00 am to 11:00 am Other showings by appointment 133 Kearny Street 4th Floor:San Francisco, CA 94108 phone: 415.989.2665 toll free: 1.866.999.7224 fax: 415.989.1664 [email protected]:www.pbagalleries.com REAL-TIME BIDDING AVAILABLE PBA Galleries features Real-Time Bidding for its live auctions. This feature allows Internet Users to bid on items instantaneously, as though they were in the room with the auctioneer. If it is an auction day, you may view the Real-Time Bidder at http://www.pbagalleries.com/ realtimebidder/ . Instructions for its use can be found by following the link at the top of the Real-Time Bidder page. Please note: you will need to be logged in and have a credit card registered with PBA Galleries to access the Real-Time Bidder area. In addition, we continue to provide provisions for Absentee Bidding by email, fax, regular mail, and telephone prior to the auction, as well as live phone bidding during the auction. Please contact PBA Galleries for more information. IMAGES AT WWW.PBAGALLERIES.COM All the items in this catalogue are pictured in the online version of the catalogue at www. pbagalleries.com. Go to Live Auctions, click Browse Catalogues, then click on the link to the Sale. -
Fine Golf Books & Memorabilia
Sale 486 Thursday, August 16, 2012 11:00 AM Fine Golf Books & Memorabilia Auction Preview Tuesday, August 14, 9:00 am to 5:00 pm Wednesday, August 15, 9:00 am to 5:00 pm Thursday, August 16, 9:00 am to 11:00 am Other showings by appointment 133 Kearny Street 4th Floor:San Francisco, CA 94108 phone: 415.989.2665 toll free: 1.866.999.7224 fax: 415.989.1664 [email protected]:www.pbagalleries.com REAL-TIME BIDDING AVAILABLE PBA Galleries features Real-Time Bidding for its live auctions. This feature allows Internet Users to bid on items instantaneously, as though they were in the room with the auctioneer. If it is an auction day, you may view the Real-Time Bidder at http://www.pbagalleries.com/realtimebidder/ . Instructions for its use can be found by following the link at the top of the Real-Time Bidder page. Please note: you will need to be logged in and have a credit card registered with PBA Galleries to access the Real-Time Bidder area. In addition, we continue to provide provisions for Absentee Bidding by email, fax, regular mail, and telephone prior to the auction, as well as live phone bidding during the auction. Please contact PBA Galleries for more information. IMAGES AT WWW.PBAGALLERIES.COM All the items in this catalogue are pictured in the online version of the catalogue at www.pbagalleries. com. Go to Live Auctions, click Browse Catalogues, then click on the link to the Sale. CONSIGN TO PBA GALLERIES PBA is always happy to discuss consignments of books, maps, photographs, graphics, autographs and related material. -
Commentary: Who Was Leonard Darwin? Commentary on Darwin L: 'Heredity and Environment: a Warning to Eugenists' in the Eugeni
International Journal of Epidemiology, 2017, 1–4 doi: 10.1093/ije/dyx241 Commentary Commentary Commentary: Who was Leonard Darwin? Commentary on Darwin L: ‘Heredity and environment: a warning to eugenists’ in the Eugenics Review 1916 Tim M Berra Research Institute for the Environment and Livelihoods, Charles Darwin University, Darwin, NT 0909, Australia and Department of Evolution, Ecology and Organismal Biology, The Ohio State University, Mansfield, Ohio 44906, USA. E-mail: [email protected] Accepted 25 October 2017 Leonard Darwin (1850–1943) was the fourth son and Leonard had a 20-year career in the military, rising to eighth of 10 children born to first cousins Charles and the rank of major in 1889, and was sent on several expedi- Emma (nee Wedgwood) Darwin.1 Leonard showed an tions to photograph various astronomical events around early interest in photography and was encouraged by his the world. He married Elizabeth (‘Bee’) Frances Fraser in father in this pursuit. He was a rather sickly child, but 1882, and their honeymoon was spent near Brisbane, grew into a healthy adult who lived a long, full life. Queensland, Australia, as Leonard attempted to photo- Leonard’s nearly fatal bout of scarlet fever in 1862 likely graph a transit of Venus. The Royal Society sent Leonard to prevented Gregor Mendel from visiting Charles Darwin photograph a total eclipse of the sun in Grenada, West when Mendel was in Downe. Leonard never forgave him- Indies, in 1886, and Bee went with him. His observations self for this intrusion into history, and 80 years later he on photographing the corona and solar prominences with a reminisced ‘If I prevented my father from meeting Mendel, prismatic camera were published in the Philosophical do you not think that I even now ought to be hung, drawn Transactions of the Royal Society in 1889.3 and quartered?’2 When doctors recommended a long sea voyage for Bee’s failing health, Leonard resigned his commission in 1890, and they sailed to New York, crossed to California and Pre-eugenics life then on to Japan, China and Egypt. -
Rare Golf Books & Memorabilia
Sale 513 August 22, 2013 11:00 AM Pacific Time Rare Golf Books & Memorabilia: The Collection of Dr. Robert Weisgerber, GCS# 128, with Additions. Auction Preview Tuesday, August 20, 9:00 am to 5:00 pm Wednesday, August 21, 9:00 am to 5:00 pm Thursday, August 22, 9:00 am to 11:00 am Other showings by appointment 133 Kearny Street 4th Floor : San Francisco, CA 94108 phone : 415.989.2665 toll free : 1.866.999.7224 fax : 415.989.1664 [email protected] : www.pbagalleries.com Administration Sharon Gee, President Shannon Kennedy, Vice President, Client Services Angela Jarosz, Administrative Assistant, Catalogue Layout William M. Taylor, Jr., Inventory Manager Consignments, Appraisals & Cataloguing Bruce E. MacMakin, Senior Vice President George K. Fox, Vice President, Market Development & Senior Auctioneer Gregory Jung, Senior Specialist Erin Escobar, Specialist Photography & Design Justin Benttinen, Photographer System Administrator Thomas J. Rosqui Summer - Fall Auctions, 2013 August 29, 2013 - Treasures from our Warehouse, Part II with Books by the Shelf September 12, 2013 - California & The American West September 26, 2013 - Fine & Rare Books October 10, 2013 - Beats & The Counterculture with other Fine Literature October 24, 2013 - Fine Americana - Travel - Maps & Views Schedule is subject to change. Please contact PBA or pbagalleries.com for further information. Consignments are being accepted for the 2013 Auction season. Please contact Bruce MacMakin at [email protected]. Front Cover: Lot 303 Back Cover: Clockwise from upper left: Lots 136, 7, 9, 396 Bond #08BSBGK1794 Dr. Robert Weisgerber The Weisgerber collection that we are offering in this sale is onlypart of Bob’s collection, the balance of which will be offered in our next February 2014 golf auction,that will include clubs, balls and additional books and memo- rabilia. -
GOLF GOLF a Catalogue of Rare Books
GOLF GOLF A catalogue of rare books 1 JONKERS RARE BOOKS JONKERS RARE BOOKS Offered for sale by Jonkers Rare Books 27 Hart Street Henley on Thames RG9 2AR 01491 576427 (within the UK) +44 1491 576427 (from overseas) email: [email protected] website: www.jonkers.co.uk Payment is accepted by cheque or bank transfer in either sterling or US dollars and all major credit cards. All items are unconditionally guaranteed to be authentic and as de- scribed. Any unsatisfactory item may be returned within ten days of receipt. All items in this catalogue may be ordered via our secure website. The website also lists over 2000 books, manuscripts and pieces of artwork from our stock, as well as a host of other information. Cover illustration: From the dustwrapper illustration for Ber- nard Darwin’s Playing The Like (1934) Frontispiece: Frontispiece to the Dropmore Press edition of The Golfer’s Manual: 1857. 2 GOLF This catalogue presents over 100 years by and about each of Harry Vardon, of golf literature, taking in the game’s fin- John Henry Taylor and James Braid. est practicioners of pen and club alike. Perhaps predictably, the two most highly regarded golf writers of the It begins with James Balfour’s 1887 mem- last century dominate this collection, oir of playing in the Grey Auld Toon, with beautiful and inscribed cop- Reminiscences Of Golf On St Andrews ies of books by Bernard Darwin and Links. Joseph S. F. Murdoch’s Library Of Horace Hutchinson including some Golf describes it as “one of the rarest of of the former’s exceedingly rare dust- all golf items”, and this particular copy is wrappers from the 1920s and 1930s. -
Issues 1 – 71 Spring 2004 – Autumn 2021 NB the Number in Square Brackets Indicates the Andrews, Michael: the Life That Lives on Bailey, E
An Index to issues 1 – 71 spring 2004 – autumn 2021 NB The number in square brackets indicates the Andrews, Michael: The Life that Lives on Bailey, E. McDonald: If It’s Speed You’re After, Baum, L. Frank: The Wonderful Wizard of Oz, issue number of Slightly Foxed. Man, [14] 11 [62] 79 [39] 71 Angus, James Stout: A Glossary of the Shetland Bainbridge, Beryl: the novels of, [43] 26 Baynes, Jenny: article by, [1] 46 Dialect, [49] 36 Baker, J. A.: The Peregrine, [45] 31 Baynes, Pauline: illustrations of, [41] 44 Animals in fiction: Justin Cartwright on, Baker, Nicholson: The Everlasting Story of BB: see Watkins-Pitchford, Denys [1] 38 Nory, [35] 80; The Mezzanine, [69] 87 Beanland, David: article by, [53] 68 A Annan, Noel: Our Age, [63] 44 Bakewell, Sarah: article by, [49] 46 Beasant, Pamela: article by, [53] 76 Abbey, Edward: Desert Solitaire, [30] 82 Annesley, Horace: article by, [56] 75 Balchin, Nigel: The Small Back Room, Beauman, Nicola: The Other Elizabeth Taylor, Achebe, Chinua: Things Fall Apart, [22] 37 Anon.: Sir Gawain and the Green Knight, [24] 60; Mine Own Executioner [51] 58 [58] 46 Acknowledgements: Oliver Pritchett on, [60] 34 Baldwin, James: Giovanni’s Room, [6] 42 Becoming a writer: Tim Mackintosh-Smith [28] 90 Ardizzone, Edward: The Young Ardizzone, Banffy, Miklos: The Writing on the Wall: The on, [63] 89 Adam, Ruth: A House in the Country, [57] 46 [28] 14, [41] 6; & Gorham, Maurice: The Transylvanian Trilogy, [5] 54 Bede, Cuthbert: The Adventures of Mr Verdant Adams, Matthew: articles by, [44] 33; [47] 39; Local; Back to the Local, [28] 32 Bankes, Ariane: articles by, [3] 7; [5] 26; Green, [55] 7 [49] 51 Arlen, Michael: The Green Hat, [7] 27 [12] 62; [15] 36; [20] 18; [28] 64; [33] 77; Bedford, Sybille: A Legacy, [38] 45; A Visit to Adams, Richard: Watership Down, [54] 30 Arseniev, V. -
Gwen and Jacques Raverat. Paintings and Wood-Engravings, De L.M
LM. Newman and D.A. Steel, Gwen and Jacques Raverat. Paintings and Wood-Engravings. University of Lancaster Library, [G.-B.], 1989, 70 p., 6 ±:1. par Michael TILBY En juin, 1989 quelques amateurs de l'oeuvre des Raverat, dont notre ami David Steel, ont eu l'heureuse idée de monter, dans le cadre du vingt cinquième anniversaire de l'Université de Lancaster, une importante exposition consacrée à la vie artistique de ces deux amis de Gide. Pour ceux qui n'ont pu s'offrir le plaisir de voir de leurs propres yeux les quelque 180 tableaux et gravures que les organisateurs ont réussi à rassembler pour le profit de leurs visiteurs, gidiens et autres, il reste toujours ce catalogue, guère moins précieux. Orné d'une sélection de gravures sur bois de Gwen Raverat fort intéressante (dont une de 1930 qui a pour sujet l'abbaye de Pontigny), le catalogue proprement dit est précédé d'une élégante et très riche introduction (due à D. Steel) et suivi d'une bibliographie qui, sans prétendre être exhaustive, sera désormais le point de départ essentiel pour quiconque aura en vue une étude biographique de ces deux conjoints dont les dons artistiques et intellectuels, pour être essentiellement complémentaires, furent loin d'être négligeables. Que Mme Newman et l'imprimerie de l'Université de Lancaster trouvent ici d'ailleurs l'expression de notre admiration devant la qualité de la production matérielle de cette belle brochure de 70 pages. On ne saurait guère reprocher aux docteurs Newman et Steel le fait de n'avoir réuni en tout que cinq tableaux de Jacques Raverat, d'autant plus que ceux-ci étaient en provenance tous les cinq de collections privées, donc très peu connus. -
Raverat's River Interactive
The River Cam According to Gwen Raverat Introduction Gwen Raverat, the granddaughter of naturalist Charles Darwin, was born and brought up in Cambridge and pursued an artistic path, including study at The Slade School of Fine Art, London. Her practice was, to a great extent, a diary of her life as a woman in the early and mid 1900’s, depicting scenes from her home city, of her husband, painter Jacques Raverat, as well as imagery from a short period living in the south of France. Substantial collections of her work rest in two Cambridge institutions, Murray Edwards College (Raverat’s work is part of the New Hall Art Collection) and The Fitzwilliam Museum. Working in paint and relief printmaking (usually woodcuts or wood engravings), Gwen Raverat paid great attention to detail and drew on her surroundings for her subject matter. The river Cam appears regularly in her works, as part of the landscape or as the central character of the works, taking the viewer’s eye under bridges and along the buildings of Cambridge. This publication sets out and maps a selection of Raverat’s work, pinpointing the location where she captured her chosen subjects. In the course of the research, discoveries and connections that have been found are noted alongside each work, together with relevant other material such as geographical and access information. Created as part of a project capturing contemporary visual responses to Raverat’s rivers, the publication forms a component of a wider enquiry entitled To The River. To The River is a public art commission to celebrate the story of the river Cam in Cambridge. -
The Auchincloss Collection of Fine Printing & Press Books
The Auchincloss Collection of Fine Printing & Press Books Catalogue o ne: a–D SoPhie SChneidemAn RARe BookS item 5 THE KENNETH AUCHINCLOSS COLLECTION OF FINE PRINTING & PRESS BOOKS catalogue one: a–d Including works from the allen, arion, ashendene, Barbarian, Bird & Bull, Bremer, Chamberlain, Colt, Cresset, Curwen & Doves Presses, as well as books illustrated and designed by thomas Bewick and W. a. Dwiggins SOPHIE SCHNEIDEMAN RARE BOOKS london If you are interested in buying or selling rare books, need a valuation or just hon- est advice please contact me at: SCHNEIDEMAN GALLERY open by appointment 7 days a week or by chance – usually Mon–Fri 11–2.30 331 Portobello Road, london W10 5Sa 020 8354 7365 07909 963836 [email protected] www.ssrbooks.com we are proud to be a member of the aba, pbfa & ilab and are pleased to follow their codes of conduct Prices are in sterling and payment to Sophie Schneideman Rare Books by bank transfer, cheque or credit card is due upon receipt. all books are sent on approval and can be returned within 10 days by secure means if they have been wrongly or inadequately described. Postage is charged at cost. eu members, please quote your vat/tva number when ordering. the goods shall legally remain the property of Sophie Schneideman Rare Books until the price has been discharged in full. Images of all the books are available on request and will be on the website 2 weeks after the catalogue has arrived. Set in emerson [designed by Joseph Blumenthal] and Sistina [designed by Hermann Zapf ] types. -
PRIVATE PRESSES Blackwell Rare Books 48-51 Broad Street, Oxford, OX1 3BQ
Blackwell Rare Books Blackwell rare books PRIVATE PRESSES Blackwell Rare Books 48-51 Broad Street, Oxford, OX1 3BQ Direct Telephone: +44 (0) 1865 333555 Switchboard: +44 (0) 1865 792792 Email: [email protected] Fax: +44 (0) 1865 794143 www.blackwell.co.uk/ rarebooks Our premises are in the main Blackwell bookstore at 48-51 Broad Street, one of the largest and best known in the world, housing over 200,000 new book titles, covering every subject, discipline and interest, as well as a large secondhand books department. There is lift access to each floor. The bookstore is in the centre of the city, opposite the Bodleian Library and Sheldonian Theatre, and close to several of the colleges and other university buildings, with on street parking close by. Oxford is at the centre of an excellent road and rail network, close to the London - Birmingham (M40) motorway and is served by a frequent train service from London (Paddington). Hours: Monday–Saturday 9am to 6pm. (Tuesday 9:30am to 6pm.) Purchases: We are always keen to purchase books, whether single works or in quantity, and will be pleased to make arrangements to view them. Auction commissions: We attend a number of auction sales and will be happy to execute commissions on your behalf. Blackwell online bookshop www.blackwell.co.uk Our extensive online catalogue of new books caters for every speciality, with the latest releases and editor’s recommendations. We have something for everyone. Select from our subject areas, reviews, highlights, promotions and more. Orders and correspondence should in every case be sent to our Broad Street address (all books subject to prior sale). -
EDITOR's CHOICE the Control of Nature Wallace, Darwin, and The
COMMENT BOOKS & ARTS ILLUSTRATIONS BY SEÑOR SALME BY ILLUSTRATIONS The Control of Wallace, Darwin, Nature and the Origin of John McPhee Species Farrar, Straus & Giroux: 1989. James T. Costa Icelandic lava, Mississippi Harvard Univ. Press: 2014. floodwater, San Gabriel Moun- tain mud studded with car-sized Did Charles Darwin and Alfred boulders, in Biblical quantities, Russel Wallace really come up gushing intermittently but with the idea of natural selec- inexorably, without surcease. tion simultaneously and inde- McPhee, a master of structure, pendently? Was it the same leaves his thesis unstated but idea? How did Darwin and his unmistakable: each of these ele- colleagues manage the delicate mental currents hurtles towards negotiation of co-presenting this a crushing central focus, a black concept to the public — without hole. The Control of Nature is Wallace’s knowledge? ironically titled, an allegorical, James Costa takes on these pitch-perfect triptych of futil- questions, and delves into the ity. In each locale — live vol- intellectual influences of the canoes in Iceland and Hawaii, two luminaries. (This book fol- the sliding mountains above lows two others by Costa for the Los Angeles, California, the Harvard University Press: The Atchafalaya swamp in Louisi- Annotated Origin (2011), a defin- ana — disaster is immanent. itive collection of facsimiles of The human inhabitants are in the first edition of Darwin’s 1859 denial, living where they should On the Origin of Species, and not. They dam, divert, sandbag, On the Organic Law of Change bulldoze, firehose and blockade, (2013), a facsimile of Wal- trying to stem the deadly flow. -
Read the Introduction
INTRODUCTION his photograph was taken in October 1949 at the National TBook League Gallery (NBL) in Albemarle Street, London, during the opening of the exhibition ‘Wood Engraving in Modern English Books’. It shows almost all the significant engravers of a generation. The bearded Robert Gibbings dominates the group at the front. To the left of him is the show’s bespectacled organiser, Tom Balston. Slightly further back at the left, another figure stands out just as much – because of his height, which means he is strongly caught by the light, and because of the thrust of his jaw and the angle of his head: Clifford Webb. Leon Underwood and Gwen Raverat (in her French gran’mere’s dress) are just in front of him. Lynton Lamb, a prominent illustrator, is just behind Balston’s shoulder, with George Mackley and Geoffrey Wales beyond him. Blair Hughes-Stanton is seen behind Gibbings, with, to the right, Dorothea Braby, Gertrude Hermes, Reynolds Stone and Noel Rooke. Why is Webb so little known compared to many of the others? In the 1930s, after the First World War, Webb’s reputation was as high as any up-and-coming artist could wish for. In 1949, the year of the NBL exhibition, Christopher Sandford, ever keen to sell his Golden Cockerel Press books, painted a romantic picture of the 54-year-old engraver, describing him as ‘tall, ruddy, grizzled and hail-fellow-well-met’. ‘I press him to stay the night,’ he goes Border Farm, aka Chesterholme, 1943–4 on, ‘but the wild calls to him … he drives away to pitch his tent 8 x 10 in | 123 x 110 mm on a wooded hill above the river’.