download full muse album Muse – Discography (1999 – 2015) Muse – Discography (1999 – 2015) EAC Rip | 12xCD + 5xDVD + Blu-ray | FLAC Image + Cue + Log | Full Scans Included Total Size: 57.7 GB | 3% RAR Recovery STUDIO ALBUMS | LIVE ALBUMS | COMPILATION Label: Various | Genre: Alternative Rock. Muse’s fusion of progressive rock, electronica, and Radiohead-influenced experimentation have helped them sell millions of records and top charts worldwide. It’s all crafted by guitarist/vocalist Matthew Bellamy, bassist Chris Wolstenholme, and drummer Dominic Howard, a trio of friends who began playing music together in their hometown of Teignmouth, Devon; they started the first incarnation of the band at the age of 13, changing the name of the group from Gothic Plague to Fixed Penalty to Rocket Baby Dolls as time passed. By 1997, the bandmates settled on the name Muse and released their self-titled debut EP on Dangerous Records, followed by the Muscle Museum EP in 1998. The group’s emotive, passionate sound and live presence drew critical acclaim and industry buzz, and Muse signed a deal with Maverick Records after a trip to New York’s CMJ festival. The singles “Cave” and “Uno” preceded their debut full-length album, Showbiz, which was released toward the end of 1999. Two years later, Muse issued Origin of Symmetry and had a major hit with “Hyper Music,” which helped propel the album to platinum status in the U.K. ― Allmusic. 1. STUDIO: 1999. Showbiz (1999, Warner Music, WPCR-12336, Japan) 2001. Origin Of Symmetry (2001, Avex, CTCM-65001, Japan) 2003. Absolution (2003, Avex, CTCM-65049, Japan) 2006. Black Holes And Revelations (2006, Warner Music, WPZR-30194. 2009. The Resistance (2009, Warner Music, WPCR-13629, Japan) 2012. The 2nd Law (2012, Warner Music, WPZR-30444. 2015. Drones (2015, Warner Music, WPZR-30647. 2. LIVE: 2008. H.A.A.R.P (2008, Warner Music, WPZR-30267. 2012. Live At iTunes Festival [Limited Ed.] (2012, Warner Bros. 31611.1. 2013. Live At Rome Olympic Stadium (2013, Warner Music, WPZR-30505. 3. COMPILATION: 2002. Hullabaloo (2002, Warner Music, WPCR-12849. If you encounter broken links or other problem about this publication, please let me know and write your comment below. I will reply and fix as soon as possible. Download full muse album. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67ad0ea929b24ed9 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Download full muse album. Artist: Muse Album: Greatest Songs Released: 2018 Style: Rock. Format: MP3 320Kbps. Tracklist: 01 – Hysteria 02 – Butterflies & Hurricanes 03 – Knights of Cydonia 04 – New Born 05 – Dead Inside 06 – Madness 07 – Starlight 08 – Supermassive Black Hole 09 – Undisclosed Desires 10 – Uprising 11 – Supremacy 12 – Reapers 13 – Plug In Baby 14 – Sing for Absolution 15 – Panic Station 16 – Time Is Running Out 17 – Resistance 18 – Unintended 19 – Muscle Museum 20 – Map of the Problematique. DOWNLOAD LINKS: RAPIDGATOR: DOWNLOAD TURBOBIT: DOWNLOAD. Drones. Muse, and Matt Bellamy in particular, make no bones about Drones: their seventh album is political through and through, a bold statement concerning the dehumanization of modern warfare. As Muse is not a subtle band -- any suspicion they were is erased by the artwork depicting a hand controlling the joystick of an office drone controlling a joystick directing drones -- it's hard to avoid their conclusion that war is bad, but this inclination to write everything in bold, italicized capital letters is an asset when it comes to music, particularly here where they've teamed with legendary hard rock producer Robert John "Mutt" Lange. Always a sucker for oversized guitar riffs and bigger drums, Lange also allows the trio to indulge in a bit of Floydian fantasies -- the made-to-order dialogue of "Drill Sergeant" is straight out of The Wall -- but he spends much of Drone sharpening Muse's synthesis of every arena rock idea ever essayed. Echoes of other bands can certainly be heard -- an early Radiohead influence still lingers, due largely to Bellamy's vocal phrasing, but that can soften into a glimmer reminiscent of Coldplay, while elsewhere they aim for the majesty of U2 and the showboating velocity of Van Halen ("Reapers" opens with an erupting hurricane of finger-tapping pyrotechnics), but this absurdly overstuffed synthesis is unmistakably Muse's own, so thunderous it drowns out any good intentions the band may have had. Simulation Theory. Whether they're fighting alien invaders, shadowy government conspiracies, or the Apocalypse, Muse always do it for love. On their eighth effort, Simulation Theory, they attempt to break through the virtual matrix in search of that human connection and freedom from the machine. The least complicated or overly conceptual offering (for Muse) in over a decade, the 11-song set is focused and cohesive, blaring down a neon-washed highway of pulsing synths and driving beats while swerving to avoid the orchestral and dubstep meandering of their preceding 2010s output. Unlike these same predecessors, there's also no filler or wasted time, making it the most compulsively listenable and immediate Muse album since 2006's Black Holes & Revelations. Fully embracing their sci-fi tendencies, the trio dip into the nostalgic '80s, tapping the aesthetics of Tron, Blade Runner, and composer John Carpenter. After the dramatic opener, "Algorithm," introduces this new Muse era, they launch into "The Dark Side," one of their strongest singles to date, which blends the urgency of "Bliss" with the groove of "Map of the Problematique." Meanwhile, "Pressure" is a rollicking, horn-backed blast that wouldn't sound out of place blaring from the stadium speakers at a football game. From here, the simulation gets weirder as some of frontman Matt Bellamy's big influences rear their heads. His Prince love returns on the slinky, Timbaland-assisted "Propaganda" -- the type of camp that Muse have been perfecting for years -- while an homage to Tom Morello's guitar stylings -- wonky, down- tuned riffs and hip-hop scratching -- collide with Bellamy's pseudo-rapping on "Break It to Me." On the second half of the album, the mood is lifted as the simulation begins to crack. The uplifting "Something Human" is the "Invincible"/"Guiding Light" of Simulation Theory, leading into singalong anthems such as "Thought Contagion" and the politically charged "Madness" redux "Dig Down." Swedish singer Tove Lo even makes an appearance on the unexpectedly gorgeous "Get Up and Fight," a huge rallying cry produced by Shellback. On an album packed with such catalog standouts, the highlight here is "Blockades," which propels along a pounding gallop that recalls "City of Delusion" and "Knights of Cydonia." While Simulation Theory might appear to be overly polished mainstream trickery -- all part of the simulation! -- it's purely Muse at heart, successfully merging electronic-pop songcraft with their typically urgent, stadium rock foundation.