DOCSLIB.ORG

Sale Catalogue Which Includes This Lot

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Sale Catalogue Which Includes This Lot ANTIQUARIAN BOOKS, MAPS AND PRINTS I 2018 Antiquarian Books, Maps and Prints Wednesday 14th March 2018 ST. EDMUND’S COURT I OKEHAMPTON STREET I EXETER EX4 1DU BK19 01392 413100 I [email protected] I www.BHandL.co.uk SALEROOM FORTHCOMING SALE DATES 2018 St Edmund’s Court, Okehampton Street, Exeter EX4 1DU Telephone 01392 413100 [email protected] | www.bhandl.co.uk APRIL Wed 4th Antiques & Interiors EX205 MANAGING DIRECTOR Tues 10th & Weds 11th Fine Art Sale FS38 C.J. Hampton, A.S.F.A.V. Tues 24th Antiques & Interiors EX206 DIRECTORS D.J.K.Goddard, B.A. (Hons), A.S.F.A.V., R.E. Littlewood, B.A. (Hons), N.J. Saintey, A.S.F.A.V. MAY Weds 9th Antiques & Interiors EX207 VALUATIONS Inheritance Tax Assessment and Probate: Bearnes Hampton & Littlewood Probate Valuation Weds 16th Sporting & Collectors Sale SC26 Department offer a complete and comprehensive service to Executors, Solicitors and Bank Tues 22nd Antiques & Interiors EX208 Trustees administering an Estate containing all forms of art and antiques including Books, Ceramics, Clocks, Furniture, Jewellery, Pictures, Silver, Works of Art including collections of coins and stamps. JUNE Tues 5th Antiques & Interiors Insurance: Bearnes Hampton & Littlewood are specialists with over sixty five years experience including jewellery EX209 in preparing insurance valuations and inventories for the purpose of substantiating claims in the Weds 13th Maritime Sale MA18 event of losses resulting from accident, fire or theft. Tues 19th Antiques & Interiors EX210 Bearnes Hampton & Littlewood will be pleased to give preliminary advice, without charge or obligation to clients considering a valuation for Insurance, Capital Gains Tax, Family Division or JULY other purposes. Tues 3rd Antiques & Interiors EX211 For further information please contact: Andrew Thomas or Christopher Hampton Tues 10th & Weds 11th Fine Art Sale FS39 Tues 24th Antiques & Interiors EX212 ADMINISTRATION Operations Director: Rachel Littlewood Company Secretary: Susan Tharby AUGUST Tues 7th Antiques & Interiors SPECIALIST DEPARTMENTS including jewellery EX213 Rachel Littlewood, Books, Manuscripts and Photographs Tues 21st Antiques & Interiors EX214 Roger Collicott (Consultant) Ceramics and Glass Nicholas Saintey, Andrew Thomas Clocks Leigh Extence SEPTEMBER Furniture Christopher Hampton, Tues 4th Antiques & Interiors EX215 Gillian Westell (Consultant) Weds 12th Antiquarian Book Sale BK20 Jewellery Jethro Marles, Lucy Marles Maritime and Sporting Brian Goodison-Blanks IMPORTANT: Tues 18th Antiques & Interiors Please note this list Pictures Daniel Goddard, including jewellery EX216 Martin Scadgell (Consultant) is printed only as a OCTOBER Silver Brian Goodison-Blanks, Martin McIlroy guide and clients are Works of Art, Collectors’ Items Martin McIlroy requested to contact Tues 2nd Antiques & Interiors EX217 Valuations for Probate and Insurance Andrew Thomas A.S.F.A.V., Bearnes, Hampton Tues 9th & Weds 10th Fine Art Sale FS40 Christopher Hampton, & Littlewood for Tues 23rd Antiques & Interiors EX218 confirmation of sale SALE ADVICE dates and special Bearnes Hampton & Littlewood make no charge for giving verbal advice on items brought to advisory days. NOVEMBER their offices which are open: Tues 6th Antiques & Interiors EX219 Monday to Friday 9.00am to 5.15pm and Saturdays when on view Weds 14th Sporting & Collectors Sale SC27 9.00am to 12 noon. Alternatively a representative will be pleased to call by appointment without charge or obligation. Catalogue production by Tues 27th Antiques & Interiors EX220 Acanthus Press Ltd www.acanthuspress.ltd.uk Dorset Representative: Sally Bartlett can be contacted on 01308 456208 DECEMBER Richard Hamm can be contacted on 01208 813593 01823 663339 Cornwall Representative: Tues 11th Antiques & Interiors Bearnes Hampton & Littlewood Ltd. Registered in England No. 3857887 © Bearnes Hampton & including jewellery EX221 Registered Office: St. Edmund’s Court, Okehampton Street, Exeter Littlewood 2018 Ref BK19 St Edmund’s Court, Okehampton Street, Exeter EX4 1DU Telephone 01392 413100 [email protected] | www.bhandl.co.uk Antiquarian Books, Maps and Prints Wednesday 14th March 2018 Auction commences at 10am The Rosemary E. Coleridge Middleton Bearnes Hampton collection of Samuel Taylor Coleridge and family & Littlewood regret memorabilia Lots 1 – 56 commencing at 10am that due to the high volume of condition Miniatures & Small Portraits – The Collection of a reports around sale Gentleman from Dorset, part 1 times, we are unable Lots 57 – 103 not before 11am to report on multiple or boxed lots or lots Art & Art Reference sold with all faults. Lots 104 – 134 not before 12 noon Due to time Lots 135 – 160 constraints at viewing Children’s & Illustrated times we are also History, Literature & Biography Lots 161 – 319 unable to give a detailed assessment Military & Naval Lots 320 – 368 of condition of each Travel, Topography & Local History individual book in a Lots 370 – 436 set. The condition report will be an Science & Natural History Lots 437 – 484 overall impression Lots 485 – 506 of the condition of Sporting the set Manuscripts & photographs Lots 506A – 531 Maps & Prints Lots 532 – 582 ON VIEW: Saturday 10th March 9.00am to 12.00 noon Monday 12th March 9.00am to 5.15pm Tuesday 13th March 9.00am to 5.15pm Illustrated Catalogue £6 Members of the Society of Fine Art Auctioneers Live bidding available at: Front cover lot 143 Back cover lot 458 When leaving commission bids this sale may be referred to as BK19 Samuel Taylor Coleridge b. 21/10/1772 m. 4/10/1795 Ottery St Mary St Mary Redcliffe, Bristol d. 25/7/1834 Highgate | | | Hartley Coleridge Berkeley Coleridge Derwent Coleridge b. 19/9/1796 b. 10/5/1798 b. 14/9/1800 m. 6/12/1827 Clevedon Nether Stowey Keswick d. 6/1/1849 d. 10/2/1799 d. 28/3/1883 Grasmere Bristol Torquay dsp dsp | | | Derwent Moultrie Christabel Rose 4 Ernest Hartley b. 17/10/1828 m. 13/2/1879 Emma Taylor b. 25/5/1843 b. 8/12/1846 d. 12/1880 Bray, Wicklow, Ireland Chelsea Chelsea Sydney, NSW d. 15/11/1921 d. 19/2/1920 dsp Torquay Aylesbury dsp | | | Thomas Margaret John dsp has issue dsp 2 Sarah Fricker 1 b. 10/9/1770 d. 24/9/1845 Chester Place, Regents Square | 2 Sara Coleridge Mary Simpson Pridham b. 22/12/1802 m. 3/9/1829 Henry Nelson Coleridge b. 24/9/1807 Keswick b. 25/10/1798 Plymouth d. 3/5/1852 Ottery St Mary d. 11/9/1887 Chester Place, Regents Square d. 26/1/1843 Torquay Chester Place, Regents Square m. 20/4/1876 | | | | Edith 3 Herbert Florence Berkeley Bertha Fanny Sarah Mary Bradford b. 29/6/1832 dsp dsp twins dsp b. 14/11/1851 Hampstead d. 3/2/1917 d. 24/1/1911 Aylesbury Torquay dsp | | | | John Gerard Hartley Dorothea Walter dsp Buchanan m. 18/8/1908 Hilda Augusta Sherrin has issue b. 26/1/1882 b. 2/8/1881 d. 24/11/1945 d.3/1/1948 | | 5 William Hooper Phyllis Edith Eulelia has issue b.4/1/1912 m. 20/6/1936 Dudley Wood Hooper d. 22/5/1971 b. 1/8/1910 d.12/1/1968 6 Rosemary Elizabeth Coleridge Hooper Peter John Middleton 3 The Rosemary E. Coleridge 4A Middleton collection of Samuel An early 19th century continental Taylor Coleridge and family creamware wine cooler, applied with encircling fruity vines, 17cm high [minor memorabilia (Additional family damages]. history available on request) By repute gifted to Samuel Taylor Coleridge by a member of the 1 Wedgwood family. A Staffordshire scratch-blue saltglaze See illustration page 17. teapot and cover of diamond shape, moulded overall with shells within 5 arched panels amongst scrolling flowers A late 18th/early 19th century and foliage, circa 1740-50, 12 cm high Continental creamware part coffee [some damage and losses]. service painted in puce monochrome See illustration page 17. with romantic landscape vignettes, probably Italian, 9 pieces [some 2 damage]. See illustration page 17. A Hochst [Damm] faience figure of a girl and a pair of Continental tin- 6 glazed candlesticks the figure 21 cm; A set of six late 18th/early 19th century the candlesticks of silver shape, 19 cm spode coffee cups, seven saucers [badly damaged]. and three similar Chinese coffee cups, See illustration page 17. transfer printed in blue with the ‘two temples’ pattern [some damage]. 3 Used at Greta Hall, Keswick by Samuel An early 19th century Guistiniani Taylor Coleridge and Sarah Fricker [Naples] creamware plate and two and guests including Wordsworth and similar oval dishes decorated in Shelley. Referred to by Derwent as ‘the Egyptian Revival style, impressed tea service’. See illustration page 17. marks, the plate 22 cm diameter [minor damage]; the dishes 36 cm wide [badly 7 damaged]. See illustration page 17. A mixed lot of Continental porcelain including a gilt decorated veilleuse; a 4 Compte D’Artois Paris cup and saucer A mixed lot of late 18th/19th century painted with floral swags; a Paris saucer pottery comprising a ‘Whieldon’ painted en grisaille etc. tortoiseshell-ware dish, 30 cm [riveted]; See illustration page 17. three creamware named botanical plates; a marbled creamware mug; a 8 slipware small mug; a pearlware jug A collection of 19th century pottery: with ‘Market Lass’ and ‘The Tythe Pig’ including a ‘marbled’ ewer with pewter transfer prints; and a pearlware cottage mounts, a Bishops Waltham Pottery pastille burner and cover [damages]. terracotta jug, a Masons ironstone jug See illustration page 17. etc [damages]. Reputedly belonged to Samuel Taylor Coleridge. See illustration page 18. 4 9 14 A mixed lot of ceramics including a A late 18th Century English faceted green glazed relief moulded tile, a tulip blue glass scent bottle with gold screw pattern jug and cover etc [damages]. cover together with three other glass See illustration page 18. scent and snuff bottles, the first 8cm. (4). See illustration page 18. 10 A pair of Chinese ‘Imari’ plates and a 15 similar small teapot and cover painted A mixed collection of decorative with flowers and foliage and heightened pictures and prints including a in gilt, early Qianlong, the plates 22 cm miniature of a man holding a scroll, diameter [one cracked], the teapot 11 together with a 19th Century pencil cm high [minor chips].
Load more

Recommended publications
  • The Triumphs of Alexander Farnese: a Contextual Analysis of the Series of Paintings in Santiago, Chile
    Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2014 The Triumphs of Alexander Farnese: A Contextual Analysis of the Series of Paintings in Santiago, Chile Michael J. Panbehchi Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, and the Other History of Art, Architecture, and Archaeology Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/3628 This Dissertation is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. © Michael John Panbehchi 2014 All Rights Reserved The Triumphs of Alexander Farnese: A Contextual Analysis of the Series of Paintings in Santiago, Chile A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at Virginia Commonwealth University. by Michael John Panbehchi B.A., Virginia Commonwealth University, 1988 B.A., Virginia Commonwealth University, 1994 M.A., New Mexico State University, 1996 Director: Michael Schreffler, Associate Professor, Department of Art History Virginia Commonwealth University Richmond, Virginia November, 2014 ii Acknowledgment The author wishes to thank several people. I would like to thank my parents for their continual support. I would also like to thank my son José and my wife Lulú for their love and encouragement. More importantly, I would like to thank my wife for her comments on the drafts of this dissertation as well as her help with a number of the translations.
    [Show full text]
  • Chiappino Vitelli and Federico Zuccari at the Court of Queen Elizabeth I
    4 / 2020 The Journal for Renaissance and Early Modern Diplomatic Studies Francesca Mavilla h ttps://orcid.org/0000-0003-2037-8329 PROMOTING AN ARTIST AS AN INTEGRAL PART OF DIPLOMATIC NETWORKING: CHIAPPINO VITELLI AND FEDERICO ZUCCARI AT THE COURT OF QUEEN ELIZABETH I Abstract In the fi eld of study on relations between Italy and Flanders in the second half of the sixteenth century, the military leader Gian Luigi, better known as Chiappino, Vitelli (1520–75) deserves special attention. Trusted man of Cosimo I de’ Medici and maestro di campo generale of the Spanish armies in Flanders since 1567, he was among the protagonists of the fi rst ten years of the Dutch Revolt. Based on the identifi cation of new archival documents, this essay aims both to broaden the sphere of investigation and deepen the understanding of the role of Chiappino in cultural exchanges between Florence, the Habsburg’s and Elizabeth I’s courts. At the same time, it is aimed to draw attention to the political and cultural dynamics in which Chiappino Vitelli’s action towards the English Queen is embedded. From the documents, it clearly emerges how Vitelli took advantage of his role to earn the favour of the sovereign and, in addition to his loyalty, he did not hesitate to off er her the most varied of gifts, such as animals, weapons and artists, such as the painter Federico Zuccari, who reached Flanders in 1574. Zuccari’s sending to the English court should be interpreted as an attempt by the military leader to gain the favour of Elizabeth I when the support of the courts of Florence and Madrid seemed to be lacking, especially after the death of Cosimo de’ Medici and the replacement of the Duke of Alba as governor of Flanders.
    [Show full text]
  • Bibliography on the History of the Society of Jesus 20191
    Archivum Historicum Societatis Iesu vol. lxxxviii, fasc. 176 (2019-II) Bibliography on the History of the Society of Jesus 20191 Wenceslao Soto Artuñedo SJ A collaboration between Archivum Romanum Societatis Iesu, Institute for Advanced Jesuit Studies (Boston College) and Jesuitica Project (KU Leuven) The “Bibliography on the History of the Society of Jesus” was first produced for AHSI by László Polgár SJ, spanning fifty issues of the journal, between 1952 and 2001. The Bibliography was resumed in 2006 by Paul Begheyn SJ, who was its author until 2018. With appreciation and esteem for Fr Begheyn’s significant contribution to this enterprise, the collaborators on the “Bibliography on the History of the Society of Jesus 2019” enter a new phase of the Bibliography’s production, incorporating for the first time three distinct and interconnected outlets for exploring the bibliographical riches of Jesuit history: -Bibliography on the History of the Society of Jesus, by Wenceslao Soto Artuñedo SJ, in print and online annually, Archivum Historicum Societatis Iesu: http://www.sjweb.info/arsi/en/publications/ahsi/ bibliography/ -Jesuit Online Bibliography, a free, searchable collection of Jesuit Studies Scholarship through the Portal to Jesuit Studies: https:// jesuitonlinebibliography.bc.edu/ -Jesuitica, a collaborative initiative from KU Leuven and the Jesuit Region ELC to facilitate academic research on the Maurits Sabbe Library’s Jesuitica book collections: https://www.jesuitica.be/ The 2019 Bibliography introduces some changes to the bibliographical styling and criteria for inclusion of works. As in previous years, in order to provide continuity with Fr Polgár’s work, it incorporates titles dated from 2000.
    [Show full text]
  • Holland As a Political Model in Italy in the Seventeenth Century*
    Holland as a Political Model In Italy In the Seventeenth Century* SALva MASTELLONE The political institutions of one country can become a political model for other countries. England became a political model in Europe during the eighteenth cen­ tury: Voltaire and Montesquieu presented the monarchy of England as the con­ stitutional example to be followed in order to avoid despotism. Scholars believe that Venice was regarded in the seventeenth century as an example of the mixed form of government so highly praised by the classical authors: Venice became a model because monarchy, aristocracy and democracy were happily mixed. Many studies have been published on the significance of Venice in the age of the Counter-Reformation. Recently Eco O.G. Haitsma Mulier has published an ex­ cellent book on The Myth of Venice and Dutch Republican Thought in the Seventeenth Centur/; but during the seventeenth century the Dutch Republic was also considered a new form of government, and became a political model in Europe. In my Jdeological History ofEurope a chapter is dedicated to the Dutch modd. Althusius in his Politica methodice digesta had in mind the government of the Netheriands; the preface of the third edition, of 1614, is addressed to the 'ordines Frisiae': the allied provinces went to war against the King of Spain in order to liberate themselves from foreign domination, and in these provinces 'jura per­ tinere ad consociatam moltitudinem et populum singularum provinciarum'; Althusius admits that in his book the 'exempla quoque desumpta a vobis, ad ur­ bibus, constitutionibus, moribus, rebus gestis vestris et confoederatarum aliarum provinciarum Belgarum'.
    [Show full text]
  • Calendar of Seventeenth- and Eighteenth- Century Documents at the Archives of the Irish College, Rome2 (With Index)
    Vera Orschel with John J. Hanly1 Calendar of seventeenth- and eighteenth- century documents at the archives of the Irish College, Rome2 (with index) General introduction This is a calendar of documents concerning the seventeenth- and eighteenth- century administrations of the Irish College in Rome, contained in a series of 27 bound and unbound volumes, and in some folders with loose material at the College archives. Of the original 28 volumes, 26 remain there, one is lost, and another was only recently located at the Archives of the Congregation for the Evangelisation of Peoples (hereafter Propaganda Fide). This introduction is followed by a list of the volumes, a calendar of the volumes and loose leaves and two appendices, the fi rst containing material already printed in Spicilegium Ossoriense and the second containing docu- ments with complementary content at the archives of Propaganda Fide. The documents under examination date more precisely to the period 1628–1798, that is the period from the foundation of the College until its closure by the French Republic of Rome.3 Although they are sometimes referred to as ‘the Jesuit documents’, the Jesuit administration of the Irish College does not fully coincide with these years: Luke Wadding, head of the Irish Franciscan community in Rome (founded 1625) and co-founder of this (diocesan) College, remained its administrator until College man- agement passed to the Society of Jesus, in execution of a clause in the will of the College’s other founder and fi nancial patron, Cardinal Ludovico Ludovisi, who died in 1632.4 His will was contested by the Franciscans but in 1635 the court of the Sacra Rota found in favour of the Jesuits, who then managed College affairs until 1772.
    [Show full text]
  • Anton Van Dyck a Palermo, I Gesuiti E Santa Rosalia 247 Fiorenza Rangoni
    A la luz de Roma Santos y santidad en el barroco iberoamericano © 2020 Universo Barroco Iberoamericano Comité Asesor 14º volumen Dora Arizaga Guzmán, arquitecta. Quito, Ecuador Alicia Cámara. Universidad Nacional de Educación a Distancia (UNED). Madrid, España Elena Díez Jorge. Universidad de Granada, España Editores Marcello Fagiolo. Centro Studi Cultura e Immagine di Fernando Quiles García Roma, Italia José Jaime García Bernal Martha Fernández. Universidad Nacional Autónoma Paolo Broggio de México. México DF, México Marcello Fagiolo Dell’Arco Jaime García Bernal. Universidad de Sevilla, España María Pilar García Cuetos. Universidad de Oviedo, España Revisión de textos Lena Saladina Iglesias Rouco. Universidad de Miguel Molina Oliver Burgos, España Revisión de textos en inglés Ilona Katzew. Curator and Department Head of Latin Cristina Padilla American Art. Los Angeles County Museum of Art (LACMA). Los Ángeles, Estados Unidos Mercedes Elizabeth Kuon Arce. Antropóloga. Cusco, Perú Director de la colección Luciano Migliaccio. Universidade de São Paulo, Fernando Quiles García Brasil Coordinador editorial Víctor Mínguez Cornelles. Universitat Jaume I. Juan Ramón Rodríguez-Mateo Castellón, España Macarena Moralejo. Universidad de Granada, España Ramón Mújica Pinilla. Lima, Perú Francisco Javier Pizarro. Universidad de Imagen de portada Extremadura. Cáceres, España Viviano Codazzi. Exterior de san Pedro. Roma. h. Ana Cielo Quiñones Aguilar. Pontificia Universidad 1636. Museo Nacional del Prado. Madrid Javeriana. Bogotá. Colombia Fotografías y dibujos Delfín Rodríguez. Universidad Complutense de De los autores, excepto que se especifique el au- Madrid, España tor de la imagen Janeth Rodriguez Nóbrega. Universidad Central de Venezuela. Caracas, Venezuela Edición Olaya Sanfuentes. Pontificia Universidad Católica E.R.A. Arte, Creación y Patrimonio Iberoamericanos de Chile.
    [Show full text]
  • La Guerra En El Noreste . Alexander Farnese and Francisco Verdugo
    TIEMPOS MODERNOS 35 (2017/2) ISSN:1699-7778 Alexander Farnese and Francisco Verdugo… Raymond Fagel Alejandro Farnesio y Francisco Verdugo: la Guerra en el Noreste. Alexander Farnese and Francisco Verdugo: the War in the North East. Raymond Fagel Leiden University Resumen: Los comentarios del coronel español Francisco Verdugo reflejan su posición precaria como gobernador de las posesiones reales en el noreste de los Países Bajos entre 1581 y 1594. Se consideraba al coronel responsable de la pérdida de la mayor parte de su territorio en la guerra contra el príncipe Maurits de Nassau, y los comentarios constituyen la defensa de sus acciones. No nos encontramos ante la historia de Alejandro Farnesio y sus victorias en Brabante y Flandes, pero ante el fracaso de Farnesio en la ayuda de su gobernador en el noreste de los Países Bajos Palabras Clave: Las Guerras de Flandes, Francisco Verdugo, Alejandro Farnesio, Historia Militar, Siglo XVI, Documentos de ego. Abstract: The comments of Spanish colonel Francisco Verdugo reflect his difficult position as governor of the royal possessions in the North East of the Low Countries between 1581 and 1594. The colonel was held responsible for the loss of most of his territory in the war against prince Maurits of Nassau, and the Comments constitute the defence of his actions. Here we encounter not the dominant history of Alexander Farnese and his victories in Brabant and Flanders, but the failure of Farnese to support his governor in the North East of the Low Countries. Keywords: The Dutch Revolt, Francisco Verdugo, Alexander Farnese, Military History, 16th century, Ego Document Artículo recibido el 20 de febrero de 2017.
    [Show full text]
  • Biblioteca Della Toscana Fondo Salvo Mastellone Elenco Dei Volumi
    Biblioteca della Toscana Pietro Leopoldo Biblioteca della Toscana Fondo Salvo Mastellone Elenco dei volumi Gennaio 2018 Biblioteca della Toscana Pietro Leopoldo Introduzione Il Fondo Mastellone consiste in circa 3.000 documenti acquisiti in comodato d'uso gratuito da parte di Regione Toscana nel 2013. Il Fondo documentale ben rappresenta gli interessi del professor Mastellone, storico e docente di Storia delle dottrine politiche all'Università di Firenze: i volumi spaziano dalla storia alla filosofia politica, fino alla storia delle dottrine politiche. I volumi sono presentati in ordine alfabetico per titolo. Il Fondo è consultabile in Biblioteca e dal 2018 è disponibile anche per il prestito, se lo stato della copia lo consente. Poiché i volumi sono collocati in sale esterne alla Biblioteca è gradita la prenotazione del volume d’interesse scrivendo una mail a [email protected] oppure ci si può recare direttamente in Biblioteca dal lunedì al venerdì dalle ore 9:00 alle ore17:00. Biblioteca della Toscana Pietro Leopoldo piazza dell'Unità italiana,1 50123 Firenze tel. 055 238 7799 fax 055 238 7032 [email protected] www.consiglio.regione.toscana.it/biblioteca Orario di apertura: lunedì-venerdì 9-17 2 Fondo Mastellone – Elenco dei volumi Biblioteca della Toscana Pietro Leopoldo 1 2.1: 17. et 18. siècles / Émile Bréhier. - Paris : Presses Universitàires de France, 1942. - 581 p. ; 22 cm. Brehier, Émile (Autore) FA PARTE DI 2: La philosophie moderne / Émile Bréhier ((Fa parte di: Histoire de la philosophie. 2 17. siècle : Bulletin de la Société d'Etude du 17. siècle. - Paris : Siège social de la Societé.
    [Show full text]
  • Urban Networks and the Printing Trade in Early Modern Europe (15Th–18Th Century) 0 Prelims Layout 1 27/09/2010 17:01 Page 2 0 Prelims Layout 1 27/09/2010 17:01 Page 3
    0 prelims_Layout 1 27/09/2010 17:01 Page 1 urban networks and the printing trade in early modern europe (15th–18th century) 0 prelims_Layout 1 27/09/2010 17:01 Page 2 0 prelims_Layout 1 27/09/2010 17:01 Page 3 cerl papers . x Urban Networks and the Printing Trade in Early Modern Europe (15th–18th century) Papers presented on 6 November 2009, at the CERL Seminar hosted by the Royal Library of Belgium, Brussels edited by Renaud Adam, Ann Kelders, Claude Sorgeloos and David J. Shaw London 2010 Consortium of European Research Libraries 0 prelims_Layout 1 27/09/2010 17:01 Page 4 Published in 2010 by The Consortium of European Research Libraries and The Royal Library of Belgium The Finsbury Business Centre, 40 Bowling Green Lane, Clerkenwell, London ec1r 0ne Telephone 020 7415 7134 Fax 020 7970 5643 www.cerl.org Copyright © 2010 the contributors isbn 978–0–9541535–9–5 Designed by James Mosley, Justin Howes and Derek Brown, and typeset by Derek Brown in Matthew Carter’s Galliard CC Produced by Oblong Creative Ltd, Wetherby, West Yorkshire 0 prelims_Layout 1 27/09/2010 17:01 Page 5 Contents 2 Patrick Lefèvre: Welcome by the Director General of the Royal Library of Belgium vii Claude Sorgeloos: Les réseaux commerciaux de Guillaume Fricx, imprimeur et libraire à Bruxelles (1705–08) 1 Stijn van Rossem: Books and the City. The Urban Networks of the Verdussen Family (1585–1700) 39 Sébastien Afonso: L’imprimé officiel: enjeu et objet de rivalités entre imprimeurs dans les villes du sud des Pays-Bas méridionaux au XVIIe siècle 53 Alexandre Vanautgaerden:
    [Show full text]
  • ABA Book Fair London 2018
    Bernard Quaritch ltd ABA Book Fair London 2018 Stand J06 BERNARD QUARITCH LTD 40 SOUTH AUDLEY STREET, LONDON, W1K 2PR Tel.: +44 (0)20 7297 4888 Fax: +44 (0)20 7297 4866 e-mail: [email protected]; [email protected] Web: www.quaritch.com Bankers: Barclays Bank PLC 1 Churchill Place London E14 5HP Sort code: 20-65-90 Swift code: BARCGB22 Sterling account: IBAN: GB62 BARC 206590 10511722 Euro account: IBAN: GB91 BARC 206590 45447011 U.S. Dollar account: IBAN: GB10 BARC 206590 63992444 VAT number: GB 840 1358 54 Cover image from number 59; inner cover from number 70. © Bernard Quaritch Ltd 2018 ARABIC-TURKISH DICTIONARY WRITTEN IN THE BALKANS 1. AKHTARĪ, Muṣṭafā bin Shams al-Dīn al-Qaraḥiṣārī. Akhtarī Kabīr. [Margus, Ottoman Balkans, early 19th century]. Arabic and Ottoman Turkish manuscript on paper (289 x 190 mm; text area 228 x 133 mm), ff. 269, i, written in a small, neat naskhī, 35 lines to the page, some words in red or overlined in red, text frame of gold, black and red rules; with an illuminated headpiece at the beginning of the text; some occasional smudging or soiling and some light damp-staining, minor worm-track in lower outer corner of a few leaves, tiny wormhole in last few leaves, but generally in very good condition; contemporary maroon morocco with flap, recessed cartouches and corner-pieces on covers containing gilt pressure-moulded floral and vegetal ornament; slightly rubbed and stained, old repairs to spine and to hinge of flap; erased seal impression and an erased inscription on f.
    [Show full text]
  • Negotiating Military Identity in Early Modern State Portraiture Lisa Wuliang Tom a Dissertation Submitted in Partial Fulfillment
    Negotiating Military Identity in Early Modern State Portraiture Lisa Wuliang Tom A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of the History of Art and Architecture at Brown University Providence, Rhode Island May 2014 © Copyright 2014 Lisa Wuliang Tom This dissertation by Lisa Wuliang Tom is accepted in its present form by the Department of the History of Art and Architecture as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date __________ ______________________________ Evelyn Lincoln, Advisor Recommended to the Graduate Council Date __________ ______________________________ Jeffrey Muller, Reader Date __________ ______________________________ Caroline Castiglione, Reader Approved by the Graduate Council Date __________ ______________________________ Peter M. Weber, Dean of the Graduate School iii VITA Lisa Wuliang Tom was born in Mountain View, California in 1980. At the University of California, San Diego, in 2001, she received a B.A. in Art History, a B.A. in Computing in the Arts, and a minor in Asian Studies. Under the guidance of Jack M. Greenstein, she completed her senior honors thesis: "Ganymede and St. John the Evangelist." She received a M.A. in Art History from the University of California, Los Angeles and studied under the direction of Joanna Woods-Marsden. With generous funding from the Ruth and Elmer Belt Fellowship, she completed her master's thesis, "Titian's Lucretia Violated by Tarquin." Along her journeys through the exploration of the history of art, Lisa has had the pleasure of contributing peer reviews and book reviews to Comitatus. In 2004, she assisted Lisa Bitel, Professor of History and Religion at the University of Southern California, contributing to the Figurae Image Database for the Monastic Matrix.
    [Show full text]