Film with Live Orchestra ’s commentary on love and one o the greatest love stories ever told while Hungarian, Italian, Japanese, Korean, Norwegian, prejudice is relevant to any time and place. experiencing live the music that brought about Polish, Portuguese (Brazilian, Iberian), Russian, Spanish (Castilian, Latin American), Swedish, Thai, Turkish. This groundbreaking work o art, eaturing a still-unbeaten record o the soundtrack’s a score by , captured the 54 weeks at No. 1 on Billboard’s chart. For more in ormation, please visit iber o American society through its best and www.imgartists.com/artist/west_side_story “…nothing short o a cinema masterpiece.” worst characteristics. West Side Story Film with Live Orchestra is presented — by West Side Story® Associates. Now available to be per ormed live with Running Time: 154 minutes (plus intermission) West Side Story © 1961 Metro-Goldwyn-Mayer orchestra is the re-mastered Oscar®-winning Instrumentation: 2.picc.2.corA.4.asax.tsax. Studios Inc. All rights reserved. 1961 theatrical release o West Side Story — barsax.3-4.3.3.1-perc(4).traps-gtr.hp.piano- © A.M.P.A.S. directed by and Jerome Robbins, strings(min:14.12.10.8.6) eaturing Robbins’ choreography, Ernest This work requires additional technological Lehman’s screenplay, ’ book, components and ampli ication. and ’s lyrics — shown in Subtitles available in Bahasa, Chinese (Cantonese, high de inition with original vocals and Traditional Mandarin, Simpli ied Mandarin), Danish, dialogue intact. Follow Tony and Maria through Dutch, Finnish, French (Parisian), German, Greek, Hebrew,

Please direct all North and South America: Europe: Asia: inquiries to IMG Artists: Grant Chaput Niels Gamm Meera Vijayendra [email protected] [email protected] [email protected]

(Die Faust im Nacken) Film with Live Orchestra Leonard Bernstein wrote only one ilm score Initially reluctant to score the ilm because o Running Time: 108 minutes (intermission optional) during his li etime; it is only itting that the other obligations, Bernstein changed his mind Instrumentation: picc.2(I=picc,a l;II=a l).2.3(III=Ebcl). bcl.ssax.asax.tsax.barsax.2.dbn-4.3.3.1- music he wrote accompanied what audiences a er seeing a rough cut. As a result, the world timp(2).perc(3)-2p (upright;grand)-harp-acc- and critics have regarded as one o the was given a masterpiece. Orchestras around strings(min:14.12.10.8.6) greatest ilms o all time. On the Water ront the world now have the opportunity to play This work requires additional technological is the epitome o dramatic storytelling, Bernstein’s electri ying score live, while the components and ampli ication. eaturing an Oscar®-winning per ormance by newly re-mastered ilm — winner o 8 Oscars®, as dockworker Terry Malloy in including Best Picture, Best Actor, and Best Subtitles available in various languages. Please inquire. this crime drama set amongst union unrest, Director — is shown in glorious high de inition For more in ormation, please visit mob violence, and corruption. Over i y years on the big screen with the original dialogue www.leonardbernstein.com/OnTheWater rontEPK since the ilm’s premiere, On the Water ront intact. This classic romantic tragedy, directed On the Water ront © 1954, renewed 1982 Columbia is now available to be per ormed with live by , eaturing a screenplay by Budd Pictures Industries, Inc. All Rights Reserved. orchestra. This new presentation brings the Schulberg, and starring Marlon Brando, Karl © A.M.P.A.S. music — one o the ilm’s most identi iable and Malden, Lee J. Cobb, and Eva Marie Saint, iconic components — to audiences in a live in her irst ilm role, is one o the greatest concert setting, accompanying a screening o achievements in the history o movie-making. the ilm in real time. “It is without doubt one o the greatest ilm scores ever created.” —BBC Music Magazine

Please direct all North and South America: Germany/Austria/Switzerland: Europe and Rest o World: inquiries to your local Rachel Peters Tilman Kannegiesser Polly Jackman Boosey & Hawkes o ce: [email protected] [email protected] [email protected]