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Spacemonkeyz Laika Come Home Mp3, Flac, Wma
Spacemonkeyz Laika Come Home mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Laika Come Home Country: Australia Released: 2002 Style: Dub, Trip Hop MP3 version RAR size: 1142 mb FLAC version RAR size: 1595 mb WMA version RAR size: 1309 mb Rating: 4.6 Votes: 752 Other Formats: AA ADX XM APE TTA ASF WAV Tracklist 1 19/2000 (Jungle Fresh) 5:28 2 Slow Country (Strictly Rubbadub) 3:41 3 Tomorrow Comes Today (Bañana Baby) 5:29 4 Man Research (Monkey Racket) 5:57 5 Punk (De-Punked) 5:20 6 5/4 (P.45) 4:26 7 Starshine (Dub 09) 5:17 8 Soundcheck (Gravity) (Crooked Dub) 5:13 9 New Genius (Brother) (Mutant Genius) 5:02 10 Re-Hash (Come Again) 6:04 11 Clint Eastwood (A Fistful Of Peanuts) 5:53 12.1 M1A1 (Lil' Dub Chefin') 5:41 12.2 Slow Country (More Rubbadub) 5:14 Credits Arranged By [Horn Arrangements] – Michael Smith* Artwork By [Illustration] – J.C. Hewlett Bass – Dan Left Hand* (tracks: 1), Phil Soul (tracks: 2, 3, 4, 8, 10, 12.1), Stuart Zender (tracks: 3, 4) Castanets – Jaques Shythé (tracks: 1) Clavinet – Stuart Zender (tracks: 4) Co-producer [Original] – Jason Cox (tracks: 1 to 6, 7 to 11), Tom Girling (tracks: 1 to 6, 7 to 11) Design – Kate Mclauchlan Engineer [Assistant] – Pete Collis Engineer [Original] – Jason Cox, Tom Girling Flute – Mike Smith (tracks: 11) Guitar – 2D (tracks: 7, 8, 10), Simon Katz (tracks: 6) Horns – Dennis Rollins (tracks: 2, 3, 5, 6, 10 to 12.1), Dominic Glover (tracks: 2, 3, 5, 6, 10 to 12.1), Martin Shaw (tracks: 1), Michael Smith* (tracks: 1 to 3, 5, 6, 10 to 12.1) Melodica – 2D (tracks: 3, 4, -
NEW RELEASE for the Week of January 29, 2021 PRIORITIES & HIGHLIGHTS >> Pre-Order Now!
NEW RELEASE for the week of January 29, 2021 PRIORITIES & HIGHLIGHTS >> Pre-Order Now! DECEMBERISTS "Live Home Library Vol. (YOUTH AND 843563132449 LP 1 (2LP) 8-11-09 Royal Oak, MI" February 5 street date. Extremely limited exclusive Decemberist live 2LP. Limited edition one time only pressing. Recorded at Royal Oak Music Theatre in Michigan during the Hazards Of Love tour (2009). The first volume in the Decemberists' Live Home Library series, from the band’s own label — Youth and Beauty Brigade. Vinyl exclusive, not available on streaming services. Mixed by Hazards of Love co-producer/mixer Tucker Martine. Packaging details: 140-gram Double LP on limited edition black vinyl, custom wide-spine jacket / Etched Vinyl D-Side / 24” fold-out insert with oral history and photos of the tour from the band. GUIDED BY VOICES "Propeller" (SCAT) SCAT49 LP/ /CASS/ CD March 19 street date. "Propeller" was the fifth album by Guided By Voices, and was intended to be the group's last. Released as a limited edition of 500 LPs in 1992, the album featured handmade covers and blank labels to keep expenses as low as possible. Their other albums hadn’t sold much, why would this one? As fate would have it, the band wound up releasing an album chock full of gems Pollard had stockpiled, and for the first time sounded distinctly like the band that fans have since come to love. "Propeller" also marks the return of Tobin Sprout to the GBV fold, along with an increased songwriting presence. "Propeller" is a hell of a ride, and remains one of the most important albums in the band's discography. -
Corpus Antville
Corpus Epistemológico da Investigação Vídeos musicais referenciados pela comunidade Antville entre Junho de 2006 e Junho de 2011 no blogue homónimo www.videos.antville.org Data Título do post 01‐06‐2006 videos at multiple speeds? 01‐06‐2006 music videos based on cars? 01‐06‐2006 can anyone tell me videos with machine guns? 01‐06‐2006 Muse "Supermassive Black Hole" (Dir: Floria Sigismondi) 01‐06‐2006 Skye ‐ "What's Wrong With Me" 01‐06‐2006 Madison "Radiate". Directed by Erin Levendorf 01‐06‐2006 PANASONIC “SHARE THE AIR†VIDEO CONTEST 01‐06‐2006 Number of times 'panasonic' mentioned in last post 01‐06‐2006 Please Panasonic 01‐06‐2006 Paul Oakenfold "FASTER KILL FASTER PUSSYCAT" : Dir. Jake Nava 01‐06‐2006 Presets "Down Down Down" : Dir. Presets + Kim Greenway 01‐06‐2006 Lansing‐Dreiden "A Line You Can Cross" : Dir. 01‐06‐2006 SnowPatrol "You're All I Have" : Dir. 01‐06‐2006 Wolfmother "White Unicorn" : Dir. Kris Moyes? 01‐06‐2006 Fiona Apple ‐ Across The Universe ‐ Director ‐ Paul Thomas Anderson. 02‐06‐2006 Ayumi Hamasaki ‐ Real Me ‐ Director: Ukon Kamimura 02‐06‐2006 They Might Be Giants ‐ "Dallas" d. Asterisk 02‐06‐2006 Bersuit Vergarabat "Sencillamente" 02‐06‐2006 Lily Allen ‐ LDN (epk promo) directed by Ben & Greg 02‐06‐2006 Jamie T 'Sheila' directed by Nima Nourizadeh 02‐06‐2006 Farben Lehre ''Terrorystan'', Director: Marek Gluziñski 02‐06‐2006 Chris And The Other Girls ‐ Lullaby (director: Christian Pitschl, camera: Federico Salvalaio) 02‐06‐2006 Megan Mullins ''Ain't What It Used To Be'' 02‐06‐2006 Mr. -
Digital Sampling and Appropriation As Approaches to Electronic Music Composition and Production Gene Shill
Digital Sampling and Appropriation as Approaches to Electronic Music Composition and Production Author Shill, Gene Published 2016-12 Thesis Type Thesis (PhD Doctorate) School Queensland Conservatorium DOI https://doi.org/10.25904/1912/3631 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/370569 Griffith Research Online https://research-repository.griffith.edu.au Digital Sampling and Appropriation as Approaches to Electronic Music Composition and Production Gene Shill BA, MA (Distinction) Queensland Conservatorium Arts, Education & Law Griffith University Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy December 2016 “The most beautiful experience we can have is the mysterious - the fundamental emotion which stands at the cradle of true art and true science.” Albert Einstein Abstract Through analysis, observation, critical listening, interviews and creative practice, this study explores how techniques of appropriation via digital music sampling are used for electronic musical composition and production. Included is an examination of literature and creative work focused on the Golden Age of Hip-Hop that explores early sampling processes and techniques. Through original compositions and an exegesis, the study provides unique and significant contributions to the field including the identification of four approaches to the design and construction of sample-based composition and associated techniques for achieving them using contemporary music technologies. The Golden Age of Hip-Hop is presented as a historical period of musical significance, not only for defining new genres and sub genres of music, but because of the influencing factors that emerging technologies had on new compositional processes and outcomes. -
The Routledge Companion to Remix Studies
THE ROUTLEDGE COMPANION TO REMIX STUDIES The Routledge Companion to Remix Studies comprises contemporary texts by key authors and artists who are active in the emerging field of remix studies. As an organic interna- tional movement, remix culture originated in the popular music culture of the 1970s, and has since grown into a rich cultural activity encompassing numerous forms of media. The act of recombining pre-existing material brings up pressing questions of authen- ticity, reception, authorship, copyright, and the techno-politics of media activism. This book approaches remix studies from various angles, including sections on history, aes- thetics, ethics, politics, and practice, and presents theoretical chapters alongside case studies of remix projects. The Routledge Companion to Remix Studies is a valuable resource for both researchers and remix practitioners, as well as a teaching tool for instructors using remix practices in the classroom. Eduardo Navas is the author of Remix Theory: The Aesthetics of Sampling (Springer, 2012). He researches and teaches principles of cultural analytics and digital humanities in the School of Visual Arts at The Pennsylvania State University, PA. Navas is a 2010–12 Post- Doctoral Fellow in the Department of Information Science and Media Studies at the University of Bergen, Norway, and received his PhD from the Program of Art and Media History, Theory, and Criticism at the University of California in San Diego. Owen Gallagher received his PhD in Visual Culture from the National College of Art and Design (NCAD) in Dublin. He is the founder of TotalRecut.com, an online com- munity archive of remix videos, and a co-founder of the Remix Theory & Praxis seminar group. -
Daily Eastern News: July 18, 2001 Eastern Illinois University
Eastern Illinois University The Keep July 2001 7-18-2001 Daily Eastern News: July 18, 2001 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_2001_jul Recommended Citation Eastern Illinois University, "Daily Eastern News: July 18, 2001" (2001). July. 6. http://thekeep.eiu.edu/den_2001_jul/6 This Article is brought to you for free and open access by the 2001 at The Keep. It has been accepted for inclusion in July by an authorized administrator of The Keep. For more information, please contact [email protected]. The Daily Wednesday July 18, 2001 Sports Verge Eastern Bears choose Gorillaz monkey www.thedailyeasternnews.com Olivet around Eastern Illinois University Charleston, Ill. 61920 Bears decide against Eastern Story on Page 5 Vol. 85, No. 162 for training camp. News 8 pages Story on Page 8 “Tell the truth and don’t be afraid.” Asbestos hinders food court completion Tim Hyder Staff writer Hidden asbestos has been found twice during the renovation to the food court, hindering the completion of the $4 million facil- ity. Asbestos, a fibrous silicate mineral widely used for its chemi- cal inertness and heat-resistant properties, until discovered to be a cause of certain cancers, has “dis- rupted the normal progress of work,” said Carol Strode. At the request of the student body, the completion of the con- struction on the food court is only a few months away. The food court is scheduled to be completed in December 2001, ready to open for the Spring 2002 semester. Though the harmful mineral has caused some set backs, the original windows and the exterior wall to the patio have been com- pleted, Strode said. -
Download Download
Media-N | The Journal of the New Media Caucus Winter 2021: Volume 17, Issue 1, Pages 9–28 Media-N | ISSN: 1942-017X Funes the Crate Digger: AI, Perception, and Recall SCOTT HADEN CHURCH Brigham Young University ABSTRACT This essay was inspired by Jorge Luis Borges’s short story about Funes, a young man with perfect perception and recall. His stunning archival ability allowed Funes to create a shorthand system for creativity, a “rhapsody of unconnected words” to stand in for his archive of memories: “Anything he thought, even once, remained ineradicably with him.” There is a similar malady today, a cultural hyperthymesia, a fetish for the archive. Information is recalcitrant and will not disappear, which cheapens the value of information while amplifying the need for human attention. The art of searching through the information rapids, then, depends upon elimination perhaps more than retrieval. Human curators with inclinations toward perception and recall are needed to filter through this influx of information for the purposes of creative production. This essay theorizes the remix artist as a Borgesian librarian, a curator of archived information fragments. Through the process of “crate digging,” remixers find long-forgotten samples of music and then exploit their allegorical potential. Like Funes, remix artists have an uncanny ability to perceive and to recall. Unlike Funes, rather than perceiving their talents as a curse, remix artists are model curators, exemplars of how to filter and make meaning from information overabundance. To illustrate these points, I will address the crate digging on display in two essential remix albums, DJ Shadow’s Endtroducing… and J Dilla’s Donuts. -
Torpedoing the Authorship of Popular Music : a Reading of Gorillaz' 'Feel
Universität Potsdam Lars Eckstein Torpedoing the authorship of popular music : a reading of Gorillaz’ ‘Feel Good Inc.’ first published in: Popular Music. - ISSN: 0261-1430. - 28 (2009) 2, S. 239 - 255, DOI: 10.1017/S0261143009001809 Postprint published at the Institutional Repository of the Potsdam University: In: Postprints der Universitat¨ Potsdam Philosophische Reihe ; 80 http://opus.kobv.de/ubp/volltexte/2012/5911/ http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-59116 Postprints der Universitat¨ Potsdam Philosophische Reihe ; 80 Popular Music (2009) Volume 28/2. Copyright © 2009 Cambridge University Press, pp. 239–255 doi:10.1017/S0261143009001809 Printed in the United Kingdom Torpedoing the authorship of popular music: a reading of Gorillaz’ ‘Feel Good Inc.’ LARS ECKSTEIN Englisches Seminar, Universität Tübingen, Wilhelmstr. 50, D-72074 Tübingen, Germany E-mail: [email protected] Abstract This article addresses problems of authorship and creative authority in popular music, in particular in view of a pervasive split between modes of aesthetic production (involving modernist assemblage, multiple authorship, and the late capitalist logic of major label policies) and modes of aesthetic reception (which tend to take popular music as the organic output of individual performers). While rock musicians have attempted to come to terms with this phenomenon by either performing a ‘Romantic’ sense of authenticity (basically by importing folk values to the production process) or ‘Modernist authenticity’ (by highlighting experimen- tation and alienation), Damon Albarn and Jamie Hewlett, creators of Gorillaz, found a third way which ingeniously allows them to do both. By creating a virtual rock band, and by hiding their own media personalities behind those of their virtual alter egos, they brought themselves into a position which allows them to produce ‘sincere’ popular music which ‘playfully’ stages the absurdities of major label music business while very successfully operating within its very confines. -
Gorillaz 19-2000 Mp3, Flac, Wma
Gorillaz 19-2000 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: 19-2000 Country: US Released: 2001 Style: Alternative Rock, Pop Rock MP3 version RAR size: 1309 mb FLAC version RAR size: 1613 mb WMA version RAR size: 1250 mb Rating: 4.3 Votes: 448 Other Formats: AAC RA MP2 MP1 DMF VOX AC3 Tracklist Hide Credits 19-2000 (Soulchild Remix) 1 3:29 Remix – Soulchild 2 19-2000 (Original Mix) 3:29 3 19-2000 (Call-Out Hook) 0:14 Companies, etc. Phonographic Copyright (p) – EMI Records Ltd. Copyright (c) – EMI Records Ltd. Licensed To – Virgin Records America, Inc. Credits Artwork, Design – J.C. Hewlett*, Zombie* Backing Vocals – Tina Weymouth (tracks: 2) Music By, Mixed By – Stu & Damo Percussion [Beats], Effects [FX] – Soulchild (tracks: 1) Producer – Dan The Automator, Gorillaz Producer, Arranged By – Damien Mendis (tracks: 1) Vocals [Additional] – Miho Hatori (tracks: 2) Written By, Performer – Gorillaz Notes For Promotional Use Only - Not For Sale. Unlike other releases of this single, the title is printed all over the disc and packaging as "19-2000" rather than "19/2000". Other versions Category Artist Title (Format) Label Category Country Year CDR 6559, 7243 19/2000 (CD, Single, Parlophone, CDR 6559, 7243 Gorillaz UK 2001 8 79491 0 2 Enh) Parlophone 8 79491 0 2 19-2000 (CDr, Single, CDRDJ 6559 Gorillaz Parlophone CDRDJ 6559 UK 2001 Promo) 7243 8 79833 0 19/2000 (CD, Single, 7243 8 79833 0 Gorillaz Parlophone Germany 2001 4 Enh) 4 8 79590 2 Gorillaz 19/2000 (CD, Single) EMI 8 79590 2 Europe 2001 19/2000 (16:9 Lbx none Gorillaz Ver) (Betacam SP, Parlophone none UK 2001 PAL) Related Music albums to 19-2000 by Gorillaz Gorillaz - Gorillaz - The Singles Collection 2001-2011 Gorillaz - G Sides Various - The Best In Store Play Sampler.. -
July 1 July 8
JULY 1 ISSUE JULY 8 Orders Due June 3 14 Orders Due June 10 axis.wmg.com 7/1/16 AUDIO & VIDEO RECAP ARTIST TITLE LBL CNF UPC SEL # SRP ORDERS DUE MC5 High Time (180 Gram Vinyl) ACG A 081227946395 8285 21.98 6/3/16 Tuck Everlasting (Original Broadway Cast Tuck Everlasting DM1 CD 093624918981 556140 18.98 6/3/16 Recording) Various Artists Golden Age Of Country (10CD) TL CD 610583506020 31014-D 119.98 6/3/16 Waitress (Original Broadway Cast Waitress DM1 CD 093624920090 555320 18.98 6/3/16 Recording) Handel: Alcina (Aix En Provence)(Blu- Jaroussky, Philippe PRX BD 190295974350 556117 27.99 6/3/16 Ray) Jaroussky, Philippe Handel: Alcina (Aix En Provence)(2DVD) PRX DV 190295974367 556117 25.99 6/3/16 Last Update: 05/17/16 For the latest up to date info on this release visit axis.wmg.com. ARTIST: MC5 TITLE: High Time (180 Gram Vinyl) Label: ACG/Atlantic Catalog Group Config & Selection #: A 8285 Street Date: 07/01/16 Order Due Date: 06/03/16 UPC: 081227946395 Box Count: 30 Unit Per Set: 1 SRP: $21.98 Alphabetize Under: M TRACKS Full Length Vinyl 1 Side A Side B 01 Sister Anne 01 Future/Now 02 Baby Won't Ya 02 Poison 03 Miss X 03 Over And Over 04 Gotta Keep Movin' 04 Skunk (Sonicly Speaking) ALBUM FACTS Genre: Rock Description: High Time is the second studio album (and third album overall) by the American rock band MC5, originally released in 1971 byAtlantic Records. This album will be released on 180 gram black vinyl. -
Xavier University Newswire
Xavier University Exhibit All Xavier Student Newspapers Xavier Student Newspapers 2002-03-20 Xavier University Newswire Xavier University (Cincinnati, Ohio) Follow this and additional works at: https://www.exhibit.xavier.edu/student_newspaper Recommended Citation Xavier University (Cincinnati, Ohio), "Xavier University Newswire" (2002). All Xavier Student Newspapers. 2907. https://www.exhibit.xavier.edu/student_newspaper/2907 This Book is brought to you for free and open access by the Xavier Student Newspapers at Exhibit. It has been accepted for inclusion in All Xavier Student Newspapers by an authorized administrator of Exhibit. For more information, please contact [email protected]. ,·.· . ••• < $opn~~s. @~:Q:y r,eturn to Swee.tness . ..; .. :· ::.-: ,'•• . ' • - .1~. ,l,.~J,· ,~~.{,•" ·~~· ., •• ,;~.,r,·~- • ,· .. ,.~ ·~ ... .,.,, .·~·! .• .• !:_:' •. , .. ,:.,i'.. .,.,, ., '"''"· .., ·r . ., •· . ,.• •·.·• ,.·, .~ ...•.. "·•. XAVIER_ ·:.~""! •Rifle takes third in NCAA Championships •'Ice·Age' melts skeptical critic PHOTO COURTESY OF 20TH CENTURY FOX XAVIER UNIVERSITY 87th year, issue. 24 week of MARCH 20, 2002 www.xu.edu/newswire/ ·. '••,. ···. Gallagher ushers 1n new era BY ELIZABETH BONEAU down," said Dr. Ron Slepitza, vice Campus News Editor president for Student Develop- Students will have a good rea ment. son to keep celebrating long af "Even the structure· of the ter spring break is over this year building itself, with its central because of the opening of .the atri.um, lets students feel con newly completed Gallagher Stu nected and involved. The dent Center. Gallagher Center is a phenomenal The Gallagher Center will open addition to campus," Sleptiza on Tuesday, April 2, the first day said. school is back in session after the The Gallagher Center is state break, with a variety of welcome of-the-art in a way the University week events. -
57 Women Continued from Page 11 Laugh, Like Wear Toilet Paper Clothes on the Cover of Their E.P., Blow It out Your A**, It's Veruca Salt
57 Women continued from page 11 laugh, like wear toilet paper clothes on the cover of their e.p., Blow It Out Your A**, It's Veruca Salt. The actress with the biggest arms since Cory Everson (Miss Olym pia), Linda Hamilton is the super-duper actress who starred alongside Arnold Schwartzenegger in Terminator 2. She was also in the hit late eighties t.v. show, Beauty and The Beast (is there a theme here?) The Japanese queens of weird noises, Cibo Matto, consist of: Miho Hatori, the witty vocalist and the keyboard-playing Yuka Honda. They rock and I met them. Nana na na boo boo! Angelica Houston, otherwise known as Morticia Adams, is the dark haired actress who has appeared in many movies about fish. David Bowie's super-model wife, Iman, is the advice-giving goddess who's favorite line seems to be: "Listen to Iman, darling." The original feminist, the French revolutionary, Joan of Arc, was burned at the stake for standing up for what she believed in. The raspy voice of the late Janis Joplin is still as well known as it was before she died a drug-related death at age 27 (however, drugs do not rock.) The flame-tressed, hot-headed actress Nicole Kidman seems to be climbing up the ladder of movie stardom quickly. The pseudo-airhead who sings about her smelly cat, Lisa Kudrow is actually a very intelligent woman, in fact, she is almost a genius. Juliette Lewis is the young actress who has been in too many things to list.