The Only Way to Counter Terror Is to Uncover the Purposes of It, and To

Total Page:16

File Type:pdf, Size:1020Kb

The Only Way to Counter Terror Is to Uncover the Purposes of It, and To Saint Bob and me The experience of women s community education in Ireland grew out of the struggle to overcome the effects of colonisation, political and religious, and helped to forge a lasting alliance with the poor and oppressed of the world, writes BRID CONNOLLY hen looking at the The htinger strikes by IR.^ prisoners in the IR.A were not pacifists, and as the hunger sloiy of women's Northern Ireland were instigated to demand strikers died, one by one, Ireland was thrown community educa- political status for those who were in prison into a state of extreme confusion. Most peo- tion in Ireland, from for their political activities. Before Bnsh's ple in the Repuhlic of Ireland did not sup- iis liejfinnings in the 'war on teiror', the violent, nationalist side port violence, hut we did support the early of the political divide iti Northern Ireland hunger strikes as an altertiaiive lo guerrilla important lo understand what was happen- were consideitd terrorists, largely. There warfare. By the time the hunger strikes wete wing in the country at that time, and through- called off as a tactic, Irish people were dev- out the 25 turbulent years of iis develop- astated. Political campaigns did not work for ment. This stor)' provides a microcosm of various reasons. Passive resistatice did not the history of Ireland and its relationship The only work: to grant political siatus lo tbe prison- wilh globalisation. Three ven' (litricult mile- ers would have huge implications lor the stones were passed during that period: the UK. Wliat was left? Violence was resumed hunger strikes in Northern Ireland in 1981; way to and continued for another 14 years. the anti-ahorlion amendment to the Irish fonslit\ition in 1983; and the Live Aid cam- Powerless people paign in 1984. This was the ground from counter Overcoming colonisation is very difficult. which the women's community education The tactics need to take account of who has movement giew. the power and how they exercise it. In this article, I will ai^e that colonisa- terror is Powerless people adopt tactics that counter tion is an earlier phase of globalisation (see tbe rules that are laid down hy the powerful. Waters, 2001, p. 95), and that colonisation to uncover 'Terrorist' is the name applied to the violent can take tlie form of domination hy another paramilitarists, hui our experience in state, or the ibrm of coiiti'ollirig the lifeworld Ireland shewed that talking, not violence, through religion. I suggest ihat we can end the purposes was the way to counter violence. The 'war on poverty through learning tnjm the experi- terror' is futile. The only way to counter ter- ences of colonised peoples, like us, and ihat ror is to uncover the |)urposes of it, and to we tan use the process of globalisation to of it, and negotiate the way out. We know, on tefiec- help in the pnjjecl. (Globalisation is nol neu- tion, that it would have been better to open tial. Hut neither is il all bad. discussions in 1968/9, rather than allow the Ireland's histoiy is the story of expelling to negotiate poisonous cycle of violence that ensued, per- tlie colonisers, our neighbours, Britain. This petuated hy all sides. succeeded to sotne degree in 1921, resulting the way One of the key objections to independ- in a treaty that left six counties as part of ihe ence for Northern Ireland was the concern Uniled Kingdom, and the remaining twenty- about how powerfnl tbe Roman C^atbolic six independent. In 1949, these hecame the out Church would be in public and private life. Republic of Irt;land. In 1968 and '69, the "Home Rule is Rome Rule' was the telling struggle for independence in Northern slogan. Within two years of the hunger Ireland was re-ignited hy the nationahst were noii-violetit political paities, hut there strikes, this slogan was proved right. side, who were predotninantly Roman were veiy lew signs that the nationalist side The Roman Gatholic Ghurch and Catholic, and the war continued until the could attain parity through political means. Irishness were deeply enmeshed, with over Good Friday Agreement in 1995. There were The hunger strikes were an attempt to inflict 90 per cent of the population Gatholic. The many very painful, outrageous chapters in violence on the self in order to force the church was not content to look after the spir- this war, but 1 just want to look at the hunger hand of the British government. The tactics itual welfare of the people, lather, it con- strikes of 1981 atid tlie part tbey played in had been used hefoie, most particularly hy trolled tnuch of the educati<inal and health liberation. pacifists, like Mahatma Ghandi. However, provision in Ii-eland from tbe iiiid-lH50s. June 2005 adults learning 17 'The growth in its inlluence coinci(le<l wilh ing following the visit of Pt)pejohn Paul II iTi were demonstrating fbi' the rights of (he the Great Famine, and contintied tmabated 1979. From the late sixties onward, Ireland tinhorn' in much the same way as the anti- until the 1960s, to the extent that political had moved away from the influence of war movement, or other liberation move- life was completely contingent on the teach- Rome, particularly with regards to wtmien's ments. The message of the amendment ings of the cburch. It declined somewhat rights, and the women's movement was, at campaign itnplied tbat peo[)lewere immoral with the wonien's movement, but the re- last, making nn impact on the legal and civil and beartless il they did not condemn abor- emergence of ultra-conservative Cathohcism aspects of Irish society. Tlowever, the years tion. But many women had travelled to with John Paul II heralded tbe resurgence of following the Pope s visit were very dark. A England to have abortions, in shame and its power in Ireland. If globalisation can he small, but very influential group of conserva- secrecy, and did not recognise themselves as traced through three regions of puhlic life, tive Catholics, concerned about the progre.ss bad people, but, rather, as women who were the ecfinomy, the polity and culture (Waters, of the women's movement, forced through left with no choice. The struggle of ordinary 2001, p. 17), then tbe Roman Catholic an amendment to the Irish Constitution to women to reconcile with one another over Church played a crucial role in the polity give legal status to Roman Catholic teaching this issue was probably the most acute issue and cultural arenas, which led directly to the on abortion, in 1983. The cotintry was utter- on the agenda of community education, at economy in Ireland, (ilobally, John Paul II ly divided, atid the bitterness that emanated this time. Out of this morass grew the was at the fbiefi~ont in tbe battle against from the entire campaign seeped into every women's community education movement. socialism, and he - and the neo-consenalive corner. "The confusion that the amendmeni forces in Irish society - attempted to invade catised was deeply hewildering. Ihe cam- Live Aid the lifeworld in Ireland, to consolidate inter- paign adopted tactics from the extreme con- W'hile Ireland was going through these diffi- nal colonisation. It had all the hallmarks of servative wing of the Catholic Church in the cult transitions, the lives of counterpart cultural globalisation. United States, which iiiTiltrated into parish women and children in Ethiopia were Women's community' education emerged groups and other social arenas. In a very unimaginable to us. When Bob Cieldof early in the eighties, an era of hreatb-hold- short time, conseiTative grass roots groups forced us to look at the absolute devastation 18 adults learning June 2005 and catastrophe of Kthiopia, we wept as we energising and subjective. Learning commu- participants: the personal acqtiisition of ga/ed al our own children. nities demonstrate that learning is not just skills, knowledge and development of poten- The itnpact of tbe Live Aid event in 1984 an individual acquisition of knowledge, that tial; and social and community transforma- wa.s profound. It was most people's first It needn't only take place in the classroom. tion and empowerment (AONTAS, 2000, p. experience of immediate connection with Croups are integral to the notion of commu- ")• others with the same agenda from all around nity education, and group processes under- The era of globalisation has ushered in the woild. It was special for us, in Ireland, as pin the vitality of the aiena. The key impact the noticm that our social and communiiy we were \eiT proud of Bob (<eldof and his on learning emanating h"om community worlds include all those who are tnargin- Irish attitude, at the centre of this huge melt- education, and incorporated into the litera- alised and excluded. Community education ing pot (not forgetting tbe part that other ture on adult education, is group-hased transgresses the national borders, and allies people played, especially Midge Ure). But we learning (C'onnolly, 2005). Feminist analyses itself with others. Just as Freire linked us with were deejih' touched for a numbei of other expanded this model, considering, in partic- the poor in Brazil, we connect with the poor reasons as well. We have a residual, collective ular, the location of power, and moving from in Africa. This is our responsibility. 'This is memory of hunger and famine from 1846 to the personal to the social (C:onnolK, 1999). our rotite. Our experience of overcoming the 1H48 and the injustices, rather than the lack However, a person-centred approach is vital, domination of colonisation fits us precisely to of Ibod, that caused it.
Recommended publications
  • Bob Geldof and the Boomtown Rats
    “D A ESL MIX ” – CALIFORNIA SYSTEMS I DON ’T LIKE MONDAYS Bob Geldof and The Boomtown Rats The_silicon chip inside_her head gets_switched to overload; and nobody's gonna go to_school today, she's gonna make them s tay at home. And Daddy doesn't_understand it , He_always said she was good_as gold. And he can see no reason, 'cause there are no reasons. What reason do you need to be shown? Tell me why - I don't like Mondays Tell me why - I don't like Mondays Tell me why - I don't like Mondays I wanna shoot the whole day down. The Telex machine is kept so clean, And_it types to_a waiting world. And Mother feels_so shocked, father's world is rocked, and their thoughts turn to their_own little girl. Sweet sixteen ain't_that peachy keen. No, it_ain't so neat to_admit defeat. They can see no reasons, 'cause there are no reasons What reason do you need? Oh-h-h Tell me why - I don't like Mondays Tell me why - I don't like Mondays Tell me why - I don't like Mondays I wanna shoot the whole day down. Down, down, shoot it all down. And_all the playing's s topped in the playground now. She wants to play with her toys_a_while. And school's o ut early and_soon we'll be learning, and the lesson today is how_to_die. Telephone: 627 433 609 ● E-mail: [email protected] ● www.californiasys.com “D A ESL MIX ” – CALIFORNIA SYSTEMS And then the bullhorn crackles, and the captain tackles, with the_problems a nd the how's a nd_why's And he can see no reasons, 'cause there are no reasons What reason do you need to die, die? Oh-h-h And th e_silicon chip inside_her head gets_switched to overload; and nobody's gonna go to_school today, she's gonna make them s tay at home.
    [Show full text]
  • Music Video Goes Global
    Jeremy Harry Harris always wanted to be a musician. However, when he was younger his parents said he needed a job with prospects. He joined the army, but at 21-years-old, he had an accident during a parachute jump. My parachute failed to open correctly during a 330 metre descent. I fell to the ground too fast. I came down and hit my head and damaged my eye. Then followed two and a half years of rehabilitation. Jeremy Harry Harris - Singer Jeremy turned to his music and singing after losing his sight in one eye The accident meant Jeremy lost his sight in his right eye. Rather than dwell on what he'd lost, he felt this as a sign to throw his energy into something else. That meant returning to his first love of music and singing. Music video goes global Fast forward twenty-two years and Jeremy is now an accomplished musician and singer, touring America and South America several times over. Now at the age of 44 he's an award winner - securing a film festival award for his music video 'Shout Down the Silence.' Jeremy has toured globally as a singer and musician “You could say music became my therapy. My instrument of choice is the guitar and drums but in recent years I've moved across to singing,” he explains. Jeremy's first band 'Stone Circle' was very popular in Cuba and gathered a huge following there. He also formed an INXS tribute band called 'New Sensation' touring throughout Australia. While he never met Michael Hutchence he has been lucky enough to meet and perform for Sir Bob Geldof at his request.
    [Show full text]
  • S'impicca Il Leader Degli Inxs Una Carriera Lunga Vent'anni
    23SPE01A2311 ZALLCALL 12 22:16:16 11/22/97 GLI SPETTACOLI l’Unità2 7 Domenica 23 novembre 1997 Lo hanno Su Raiuno e Canale 5 trovato senza vita Proietti sfida in un albergo Dapporto di Sidney GialloGiallo Nessun nella serata messaggio e, della fiction dicono gli L’anno scorso medico, quest’anno prete, stasera rock «padre innocente». Stiamo parlando di Massimo amici, pareva rock Dapporto, che risulta credibile in tutti i ruoli e in uomo felice tutte le divise della fiction televisiva.Così come Gi- gi Proietti, che l’anno scorso fu per la Rai carabinie- re di straordinario successo e stasera è su Canale 5 Lo hanno trovato impiccato con 23SPE01AF01 L’avvocato Porta. una cintura di cuoio nella sua stanza Si scontrano in una crudele sfida (attenuata al quinto piano dellussuoso Ritz Car- 4.66 appena dalla grande diffusione dei videregistra- lton Hotel, inquartiereelegantediSi- 24.0 tori) due bravissimi attori che, indipendente- dney. È stato un cameriere a scoprir- mente dalla rete, dalla tv pubblica o privata e lo, intorno alle 11 di mattina, quan- dalla vicenda narrata, sono una garanzia per il do era ormai troppo tardi per poterlo video. Mentre il pur bravissimo Enrico Monte- soccorrere. Una morte drammatica e sano quest’anno ha toppato con Fantastico ed ancora misteriosa, quella della ro- era andato benissimo nella fiction delle passate ckstar australiana Michael Hutchen- stagioni. A quanto pare, il pubblico ama questi ce, 37 anni, cantante e leader del ottimi interpreti quando fanno il loro mestiere gruppo degli Inxs. Morte da rockstar e cioè recitano un ruolo vero e non quando pre- maledetta, battevano ieri pomerig- stano e sprecano il loro talento tra un’intervista gio le agenzie stampa, morte oscura, falsa e un giochino telefonico.
    [Show full text]
  • Artist Review: Revisiting Sting-An Under-Recognized Existentialist Song Writer1
    International Journal of Multidisciplinary Research and Growth Evaluation www.allmultidisciplinaryjournal.com International Journal of Multidisciplinary Research and Growth Evaluation ISSN: 2582-7138 Received: 01-05-2021; Accepted: 18-05-2021 www.allmultidisciplinaryjournal.com Volume 2; Issue 3; May-June 2021; Page No. 550-561 Artist review: Revisiting sting-an under-recognized Existentialist song writer1 Li Jia International College, Krirk University, Thanon Ram Intra, Khwaeng Anusawari, Khet Bang Khen, Krung Thep, Maha Nakhon10220, Thailand Corresponding Author: Li Jia Abstract Artistic expressions such as songs and poetry are examples of a solo artist but also helped him in communicating his free activities and are privileged modes of revealing what the thoughts and ideals to the world. His music, words and life world is about. Art’s power, in the case of existentialism, is are inextricably linked and this can be seen in many of Sting to a large extent devoted to expressing the absurdity of the ’s confessional songs that have connections to events in his human condition since for the existentialists, the world in no personal life. Existential characteristics have affected Sting longer open to the human desire of meaning and order. Sting both as a person and a musician. This paper calls for more is included in this pool of gifted artist and his talent in making researches on his music legacy that the world owned him for songs has not only paved the way for his successful career as a long time. Keywords: Sting, Existentialist, Song Writer Introduction Artistic expressions such as songs and poetry are examples of free activities and are privileged modes of revealing what the world is about.
    [Show full text]
  • SIRIUS Satellite Radio to Premiere Music from Historic 1985 Live Aid Benefit Concert
    SIRIUS Satellite Radio To Premiere Music From Historic 1985 Live Aid Benefit Concert Special program will be presented by original MTV VJs and SIRIUS on-air hosts Mark Goodman, Alan Hunter and Nina Blackwood on Big ‘80s channel NEW YORK, NY (Nov. 9, 2004) – SIRIUS Satellite Radio will premiere tracks from the new Live Aid concert film on Saturday, November 13 and Sunday, November 14, before the film is available on DVD at retail on November 16. In addition, original MTV VJs Mark Goodman, Alan Hunter and Nina Blackwood, who are hosts on commercial-free SIRIUS music channel Big ‘80s, will provide their personal recollections from the July 13, 1985 event, as part of the special Live Aid Replayed broadcast on SIRIUS, starting at 12 pm ET on Big ‘80s, channel 8. Live Aid was the biggest event in music history, presenting the biggest names in pop and rock music performing live from two continents to a televised audience of more than 1.5 billion to raise money to combat famine in Ethiopia. The stages of Wembley Stadium in London and JFK Stadium in Philadelphia, PA together featured more than 60 artists, including Paul McCartney, Madonna, Sting, Eric Clapton, The Who, Mick Jagger, U2, Pretenders, Queen, Neil Young, Duran Duran and Elton John, to name a few. As MTV VJs at the time, Mark Goodman, Alan Hunter and Nina Blackwood were an integral part of the live MTV broadcast of the event from Philadelphia. A highlight of Live Aid Replayed on SIRIUS will be their unique insights and memories of the event, its performers and its impact.
    [Show full text]
  • An Abstract of the Thesis Of
    1 INTRODUCTION The end of the Cold War radically realigned global politics and led to a renewed interest in transnational civil society. The new civil society that helped bring down the Soviet Empire has been considered a major enabling element for worldwide democratization. Simultaneously, social movements addressing issues such as the environment and human rights globalized and increased their prominence within civil society. Leading such movements were inter-governmental organizations (IGOs), like the United Nations, and non-governmental organizations (NGOs), like Amnesty International and Greenpeace. Collectively known as international organizations (IOs), the reorganized worldwide society created an atmosphere where such IOs could proliferate and flourish, and become a significant factor in the post-Cold War world. While IGOs are quite powerful, NGOs have achieved a dramatic impact working as non-state players in international society. Current scholars of international relations have begun to consider the implications of traditionally non-political actors advocating political and social causes. However, much of that work has focused on NGOs and their interactions with each other, the governments of nation-states and IGOs. Keck and Sikkink (1998) evaluate the prominence of NGOs and the transnational networks that such organizations form to frame issue debates and establish them on agendas of international concern. However, another important piece of the puzzle for NGOs to successfully promote a political or social agenda is the role played by individual non- state actors, and not just non-state organizations. Non-state actors often have a unique ability to impact an audience that may not be affected by NGOs, especially when these 2 non-state individuals are celebrities.
    [Show full text]
  • Boomtown Rats Boomtown Rats Royce 5'9
    ROYCE 5’9” MORRISSEY BOOMTOWN RATS THE ALLEGORY I AM NOT A DOG CITIZENS OF BOOMTOWN EONE BMG BMG “The goal was to make something that feels like a Morrissey kicks off the new decade with the release The Boomtown Rats - Bob Geldof on vocals, Pete hip-hop album, but that has a lot of layers you may of his thirteenth solo studio album, I Am Not A Dog Briquette on bass, Simon Crowe on drums and Garry not necessarily get on the first time,” says Royce Da On A Chain. “I have now produced four studio albums Roberts on guitar - mark 2020 (The Year Of The Rat) 5’9” about his masterpiece, The Allegory. “It’s really for Morrissey,” says the great Joe Chiccarelli (Beck, with the release of Citizens Of Boomtown, their first abstract in the way that it’s constructed… It’s the anti- The Strokes, The Killers). “This is his boldest and most new studio album since 1984. Featuring 10 glorious new everything.” Royce has long been a respected emcee, adventurous album yet… And once again proving that Boomtown Rats songs produced by Briquette, Citizens but now he can count himself as a great producer. as a songwriter and singer, he is in his own category.” of Boomtown is ushered in by the beautifully sleazy Royce sculpted every track – toying with spoken word, One supposes. Anyway: It’s notable that the album’s rocker “Trash Glam Baby.” Formed in 1975 in Dublin boom-bap, and avant garde funk. As for the lyrics: first single, “Bobby, Don’t You Think They Know?” The Boomtown Rats became part of the burgeoning “They say you are what you eat, but I never ate goat” is features Motown legend Thelma Houston – best known punk scene.
    [Show full text]
  • Banana Republic? by Dr Steven Mccabe, Associate Professor, Institute of Design and Economic Acceleration
    Banana Republic? By Dr Steven McCabe, Associate Professor, Institute of Design and Economic Acceleration (IDEA) and Senior Fellow, Centre for Brexit Studies, Birmingham City University “Banana Republic” is the 1980 single from new wave act, The Boomtown Rats and taken from their album Mondo Bongo. “Banana Republic” was written by lead singer, campaigner, entrepreneur and generally rambunctious Dubliner, Bob Geldof, in collaboration with bass player Pete Briquette, real name Patrick Cusack, who’s from Ballyjamesduff in County Cavan; not far from where my parents were born. equity). Many on new developments had to endure years of living on partially competed estates. Wha It is increasingly hard to know where to start as to analysing how utterly appalling his stewardship has been. Having secured an 80-seat majority based explicitly on delivering the will of the people in promising to “get Brexit done” through his “oven-ready deal”, the very next day, he attended what The Guardian It’s worth noting that during the pandemic, Varadkar re-registered as doctor during Covid-19 pandemic so he could assist the Irish health service during the crisis. Varadkar’s example of being among .
    [Show full text]
  • Celebrity Diplomacy and the G8: Bono and Bob As Legitimate International Actors
    The Centre for International Governance Innovation WORKING PAPER Re-Shaping Diplomacy Celebrity Diplomacy and the G8: Bono and Bob as Legitimate International Actors ANDREW F. COOPER Working Paper No.29 September 2007 An electronic version of this paper is available for download at: www.cigionline.org Building Ideas for Global ChangeTM TO SEND COMMENTS TO THE AUTHOR, PLEASE CONTACT: Andrew F. Cooper Associate Director and Distinguished Fellow, CIGI Professor of Political Science, University of Waterloo [email protected] If you would like to be added to our mailing list or have questions about our Working Paper Series please contact [email protected] The CIGI Working Paper series publications are available for download on our website at: www.cigionline.org/workingpapers The opinions expressed in this paper are those of the author and do not necessarily reflect the views of The Centre for International Governance Innovation or its Board of Directors and /or Board of Governors. Copyright © 2007 Andrew F. Cooper. This work was carried out with the support of The Centre for International Governance Innovation (CIGI), Waterloo, Ontario, Canada (www.cigionline. org). This work is licensed under a Creative Commons Attribution – Non-commercial – No Derivatives License. To view this license, visit (www.cre ativecommons.org/licenses/by-nc- nd/2.5/). For re-use or distribution, please include this copyright notice. CIGI WORKING PAPER Re-Shaping Diplomacy Celebrity Diplomacy and the G8: Bono and Bob as Legitimate International Actors* Andrew F. Cooper Working Paper No.29 September 2007 ________________________________ * This paper is based with some revisions and updating from my book, Cele- brity Diplomacy (Boulder and London: Paradigm Publishers, 2007); and, was included as a conference paper at Pathways to Legitimacy? The Future of Global and Regional Governance, CSGR/GARNET Conference, 17-19 September 2007.
    [Show full text]
  • Discourse on Development Aid in Africa Comparing Differences Between Live Aid/8
    Discourse on Development Aid in Africa Comparing differences between Live Aid/8 Bachelor Thesis Political Science – International Relations Author: Britt Polman (10781358) Supervisor: Dr. Michael Onyebuchi Eze Second reader: Dr. Sebastian Krapohl June 2019 2 Content INTRODUCTION 5 THEORETICAL FRAMEWORK 7 DISCOURSE AND DEFIANCE 7 COLONIAL DISCOURSE ON AFRICA 8 PORNOGRAPHY OF POVERTY 9 DEVELOPMENT MADE SEXY 10 SYNTHESIZED CONCEPT: COMMERCIALIZATION OF MORALITY 11 METHOD 13 DATA 13 OPERATIONALIZATION 14 ANALYSIS 17 LIVE AID 17 LIVE 8 21 LIVE AID/8: DISCURSIVE CHANGES 25 CONCLUSION 29 BIBLIOGRAPHY 32 APPENDIX 34 POSTERS 34 NEWS ARTICLES 37 OTHER SOURCES 39 “People are not born beggars, they are made.” Malagassy tour guide Rina (personal diary 16-10-18) 3 4 Introduction The 1950’s marked the beginning of the global North’s interest in stimulating the development of African countries. The Marshall Plan proved successful with many European countries rapidly developing after the ravage of World War II. Within this context the focus of development aid turned to Africa as a solution to the perceived need of help of many African countries (Moyo 2009: 26). Thereafter development aid took different shapes, starting with industrialization and poverty relief, then onto structural adjustments and stabilization of governments, and in the 1990’s the focus on democratization and governance (idem: 24). In the past centuries development aid is primarily perceived as the only solution to Africa’s many problems (ibid.). These forms of development aid are all meant to help improve the lives of people from African countries living in poverty or otherwise inhumane circumstances. However, this attitude towards development aid and Africa can be problematized in a variety of ways.
    [Show full text]
  • Meet the Art Expert Who Trains Doctors, Navy Seals and the CIA
    NEWS WEBSITE OF THE YEAR My Feed Coronavirus News Politics Sport Business Money Opinion Tech Life Style Travel Culture TV Film Music Books Theatre Opera Art Hit lists Telegraph Tickets More... Meet the art expert who trains doctors, Navy Seals and the CIA By Alastair Sooke, CHIEF ART CRITIC 23 May 2020 • 7:00am 7 Detail of Diego Velázquez's Las Meninas, a painting used in Amy Herman's seminars CREDIT: Getty Images Twice a year, in February and July, fledgling units of special-operations Advertisement forces undergoing training at the world’s largest naval base in Norfolk, Virginia, head downtown to the city’s Chrysler Museum of Art. After assembling in the foyer, they listen to their superior officer as he introduces a friendly brunette from New York City. “You may wonder what the hell you’re doing in a museum,” he tells his recruits. “But listen to every word this woman says, because you’re going to need them, in next week’s mission, and the week after that – and the week after that.” No matter how often she finds herself the subject of this short, expletive- peppered speech, each time Amy Herman, an art educator and self-styled “social entrepreneur”, can’t help smiling. “I mean, you couldn’t say anything more to make my heart sing,” she tells me, speaking via Skype from Manhattan. For two decades, Herman, 53, has been delivering a seminar called “The Art of Perception”. As well as US Navy Seals, she trains doctors, trauma nurses, FBI officers, CIA intelligence analysts, and the CEOs of Fortune 500 companies.
    [Show full text]
  • Blair's Campaign for Africa | Csmonitor.Com
    Blair's campaign for Africa | csmonitor.com from the June 06, 2005 edition - http://www.csmonitor.com/2005/0606/p01s04-woaf.html Blair's campaign for Africa Prime Minister Blair will press President Bush for more funds at a meeting tomorrow. By Abraham McLaughlin | Staff writer of The Christian Science Monitor JOHANNESBURG, SOUTH AFRICA - The US was more generous last year than it has ever been toward Africa, giving $3.2 billion in foreign aid, or about $4.50 per sub- Saharan African. That's triple what it gave in 2000 - and is the most given by any nation. But tomorrow in Washington British Prime Minister Tony Blair will ask President Bush for more - lots more. Mr. Blair wants rich countries to double their total aid to Africa to $25 billion a year. Blair's plea, and Mr. Bush's resistance to it, highlight key gaps in their approaches. Blair's is fueled by a strong sense of moral obligation for rich nations to help poor ones - and a public more willing to spend government money on far-away problems. Bush aims to help generously on AIDS, but otherwise target aid where it won't be swallowed by corrupt or inept officials. It's one reason Washington gives foreign countries just 16 cents per $100 of gross domestic product, one of the rich world's lowest rates. "The US puts a greater emphasis on good government as a prerequisite for aid, says Steven Radelet of the Center for Global Development in Washington. Yet there is common ground, especially on letting The World Bank cancel billions in developing-world debt.
    [Show full text]