Discourse on Development Aid in Africa Comparing Differences Between Live Aid/8
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Farm Aid: a Case Study of a Charity Rock Organization Andrew Palen University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations December 2016 Farm Aid: a Case Study of a Charity Rock Organization Andrew Palen University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Mass Communication Commons, and the Public Affairs, Public Policy and Public Administration Commons Recommended Citation Palen, Andrew, "Farm Aid: a Case Study of a Charity Rock Organization" (2016). Theses and Dissertations. 1399. https://dc.uwm.edu/etd/1399 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. FARM AID: A CASE STUDY OF A CHARITY ROCK ORGANIZATION by Andrew M. Palen A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Media Studies at The University of Wisconsin – Milwaukee December 2016 ABSTRACT FARM AID: A CASE STUDY ON THE IMPACT OF A CHARITY ROCK ORGANIZATION by Andrew M. Palen The University of Wisconsin – Milwaukee, 2016 Under the Supervision of Professor David Pritchard This study examines the impact that the non-profit organization Farm Aid has had on the farming industry, policy, and the concert realm known as charity rock. This study also examines how the organization has maintained its longevity. By conducting an evaluation on Farm Aid and its history, the organization’s messaging and means to communicate, a detailed analysis of the past media coverage on Farm Aid from 1985-2010, and a phone interview with Executive Director Carolyn Mugar, I have determined that Farm Aid’s impact is complex and not clear. -
Protest As Event
PROTEST AS EVENT OVERVIEW ESSENTIAL QUESTION Since the 1960s, how have artists used musical events to promote change? OVERVIEW “Artists write, and sing, and think, and this is how we get to put our two cents in, and we do it right in front of people, not in secret meetings behind closed doors. We let people know what we think … I don’t know if people go to musicians for their politics. I doubt that they do, you know, but you can rally people to think on serious issues together, and that’s what we’re trying to do.” - Bruce Springsteen, August 4, 2004, Nightline, ABC Network In August 1971, former member of the Beatles George Harrison gathered a group of musical colleagues that included Bob Dylan, Ringo Starr, Eric Clapton, and many others to perform two benefit concerts at New York’s Madison Square Garden. The so-called Concert for Bangladesh was intended to raise money for and awareness of the refugees fleeing a bloody civil war in Pakistan, a situation made even worse by a devastating cyclone earlier that year. The concert, which was also recorded as a film and a live album, became a model for how Rock and Roll stars could marshal their celebrity in support of a particular cause. The efforts of Harrison and his friends ultimately raised millions of dollars for UNICEF and established a new precedent for how Rock and Roll could engage the public in order to promote meaningful change in the world. The mass gatherings of the 1960s – including the March on Washington, antiwar demonstrations on college campuses, and the Woodstock festival – had clearly demonstrated the power of events to command media attention and to make voices heard. -
Famine and Foreigners: Ethiopia Since Live Aid This Page Intentionally Left Blank Famine and Foreigners: Ethiopia Since Live Aid
‘Th ank God for great journalism. Th is book is a much needed, ex- haustively researched and eff ortlessly well written recent history of Ethiopia. A book that strips away the cant and rumour, the pros and antis and thoroughly explains the people, politics and economics of that most beautiful nation. A superb and vital piece of work by some- one who clearly loves the country of which he writes.’ Bob Geldof ‘Th e great Ethiopian famine changed everything and nothing. It fun- damentally altered the rich world’s sense of its responsibility to the hungry and the poor, but didn’t solve anything. A quarter of a century on, we’re still arguing about the roots of the problem, let alone the so- lution, and—though there has been progress—Ethiopia’s food inse- curity gets worse, not better. Peter Gill was one of the most thorough and eff ective television journalists of his generation. He was there in 1984 and his work at the time added up to the most sensible, balanced and comprehensive explanation of what had happened. Twenty-fi ve years later, he’s gone back to test decades of aspiration against the re- alities on the ground. It’s a book that bridges journalism and history, judicious analysis with a strong, and often gripping, narrative. Always readable, but never glib, this is a must for all those who think there is a simple answer to the famine, still waiting in the wings. ’ Michael Buerk ‘No outsider understands Ethiopia better than Peter Gill. He com- bines compassion with a clinical commitment to the truth. -
Bob Geldof and the Boomtown Rats
“D A ESL MIX ” – CALIFORNIA SYSTEMS I DON ’T LIKE MONDAYS Bob Geldof and The Boomtown Rats The_silicon chip inside_her head gets_switched to overload; and nobody's gonna go to_school today, she's gonna make them s tay at home. And Daddy doesn't_understand it , He_always said she was good_as gold. And he can see no reason, 'cause there are no reasons. What reason do you need to be shown? Tell me why - I don't like Mondays Tell me why - I don't like Mondays Tell me why - I don't like Mondays I wanna shoot the whole day down. The Telex machine is kept so clean, And_it types to_a waiting world. And Mother feels_so shocked, father's world is rocked, and their thoughts turn to their_own little girl. Sweet sixteen ain't_that peachy keen. No, it_ain't so neat to_admit defeat. They can see no reasons, 'cause there are no reasons What reason do you need? Oh-h-h Tell me why - I don't like Mondays Tell me why - I don't like Mondays Tell me why - I don't like Mondays I wanna shoot the whole day down. Down, down, shoot it all down. And_all the playing's s topped in the playground now. She wants to play with her toys_a_while. And school's o ut early and_soon we'll be learning, and the lesson today is how_to_die. Telephone: 627 433 609 ● E-mail: [email protected] ● www.californiasys.com “D A ESL MIX ” – CALIFORNIA SYSTEMS And then the bullhorn crackles, and the captain tackles, with the_problems a nd the how's a nd_why's And he can see no reasons, 'cause there are no reasons What reason do you need to die, die? Oh-h-h And th e_silicon chip inside_her head gets_switched to overload; and nobody's gonna go to_school today, she's gonna make them s tay at home. -
Mtv and Transatlantic Cold War Music Videos
102 MTV AND TRANSATLANTIC COLD WAR MUSIC VIDEOS WILLIAM M. KNOBLAUCH INTRODUCTION In 1986 Music Television (MTV) premiered “Peace Sells”, the latest video from American metal band Megadeth. In many ways, “Peace Sells” was a standard pro- motional video, full of lip-synching and head-banging. Yet the “Peace Sells” video had political overtones. It featured footage of protestors and police in riot gear; at one point, the camera draws back to reveal a teenager watching “Peace Sells” on MTV. His father enters the room, grabs the remote and exclaims “What is this garbage you’re watching? I want to watch the news.” He changes the channel to footage of U.S. President Ronald Reagan at the 1986 nuclear arms control summit in Reykjavik, Iceland. The son, perturbed, turns to his father, replies “this is the news,” and lips the channel back. Megadeth’s song accelerates, and the video re- turns to riot footage. The song ends by repeatedly asking, “Peace sells, but who’s buying?” It was a prescient question during a 1980s in which Cold War militarism and the nuclear arms race escalated to dangerous new highs.1 In the 1980s, MTV elevated music videos to a new cultural prominence. Of course, most music videos were not political.2 Yet, as “Peace Sells” suggests, dur- ing the 1980s—the decade of Reagan’s “Star Wars” program, the Soviet war in Afghanistan, and a robust nuclear arms race—music videos had the potential to relect political concerns. MTV’s founders, however, were so culturally conserva- tive that many were initially wary of playing African American artists; addition- ally, record labels were hesitant to put their top artists onto this new, risky chan- 1 American President Ronald Reagan had increased peace-time deicit defense spending substantially. -
Music Video Goes Global
Jeremy Harry Harris always wanted to be a musician. However, when he was younger his parents said he needed a job with prospects. He joined the army, but at 21-years-old, he had an accident during a parachute jump. My parachute failed to open correctly during a 330 metre descent. I fell to the ground too fast. I came down and hit my head and damaged my eye. Then followed two and a half years of rehabilitation. Jeremy Harry Harris - Singer Jeremy turned to his music and singing after losing his sight in one eye The accident meant Jeremy lost his sight in his right eye. Rather than dwell on what he'd lost, he felt this as a sign to throw his energy into something else. That meant returning to his first love of music and singing. Music video goes global Fast forward twenty-two years and Jeremy is now an accomplished musician and singer, touring America and South America several times over. Now at the age of 44 he's an award winner - securing a film festival award for his music video 'Shout Down the Silence.' Jeremy has toured globally as a singer and musician “You could say music became my therapy. My instrument of choice is the guitar and drums but in recent years I've moved across to singing,” he explains. Jeremy's first band 'Stone Circle' was very popular in Cuba and gathered a huge following there. He also formed an INXS tribute band called 'New Sensation' touring throughout Australia. While he never met Michael Hutchence he has been lucky enough to meet and perform for Sir Bob Geldof at his request. -
Download Day of the Gusano Mp4 SLIPKNOT "Day of the Gusano" 01
download day of the gusano mp4 SLIPKNOT "Day Of The Gusano" 01. Sarcastrophe 02. Eeyore 03. Custer 04. (sic) 05. Me Inside 06. Psychosocial 07. Duality 08. Before I Forget 09. The Devil In I 10. Vermillion 11. Prosthetics 12. Metabolic / 742617000027 13. Spit It Out 14. The Heretic Anthem 15. Wait And Bleed 16. Surfacing / Til We Die. RATING: 7/10. It takes mucho cojones—18 of them, apparently—to stage a giant, carnival-like festival for your first live appearance in a foreign country, and that's exactly what SLIPKNOT did in December of 2015 when they held the seventh Knotfest in Toluca, Mexico (about an hour's drive west of Mexico City). The band's performance was captured on the just-released "Day Of The Gusano" , but instead of being advertised as a live DVD or concert film, "Gusano" (Spanish for "maggot", a word long ago appropriated by the band to describe its fans) has been described as a "documentary". Don't be misled, however, for around four-fifths of its 90-minute running time, "Gusano" , which was screened in select theaters around the world, shows SLIPKNOT performing a 16-song set before an enormous, passionate crowd. (For reasons unknown, the DVD and Blu-ray editions rearrange the track listing from the audio-only release. That version showcases the group's complete 17-song set in the same order in which it was performed, and omits "People = Shit" .) The remaining quarter-hour or so primarily features snippets of interviews with unmasked band members and a handful of unidentified Mexican fans, with both camps attempting to portray the group's arrival in town as a Really. -
S'impicca Il Leader Degli Inxs Una Carriera Lunga Vent'anni
23SPE01A2311 ZALLCALL 12 22:16:16 11/22/97 GLI SPETTACOLI l’Unità2 7 Domenica 23 novembre 1997 Lo hanno Su Raiuno e Canale 5 trovato senza vita Proietti sfida in un albergo Dapporto di Sidney GialloGiallo Nessun nella serata messaggio e, della fiction dicono gli L’anno scorso medico, quest’anno prete, stasera rock «padre innocente». Stiamo parlando di Massimo amici, pareva rock Dapporto, che risulta credibile in tutti i ruoli e in uomo felice tutte le divise della fiction televisiva.Così come Gi- gi Proietti, che l’anno scorso fu per la Rai carabinie- re di straordinario successo e stasera è su Canale 5 Lo hanno trovato impiccato con 23SPE01AF01 L’avvocato Porta. una cintura di cuoio nella sua stanza Si scontrano in una crudele sfida (attenuata al quinto piano dellussuoso Ritz Car- 4.66 appena dalla grande diffusione dei videregistra- lton Hotel, inquartiereelegantediSi- 24.0 tori) due bravissimi attori che, indipendente- dney. È stato un cameriere a scoprir- mente dalla rete, dalla tv pubblica o privata e lo, intorno alle 11 di mattina, quan- dalla vicenda narrata, sono una garanzia per il do era ormai troppo tardi per poterlo video. Mentre il pur bravissimo Enrico Monte- soccorrere. Una morte drammatica e sano quest’anno ha toppato con Fantastico ed ancora misteriosa, quella della ro- era andato benissimo nella fiction delle passate ckstar australiana Michael Hutchen- stagioni. A quanto pare, il pubblico ama questi ce, 37 anni, cantante e leader del ottimi interpreti quando fanno il loro mestiere gruppo degli Inxs. Morte da rockstar e cioè recitano un ruolo vero e non quando pre- maledetta, battevano ieri pomerig- stano e sprecano il loro talento tra un’intervista gio le agenzie stampa, morte oscura, falsa e un giochino telefonico. -
Download Company Profile
COMPANY / PROFILE GLOBAL ACCEPTANCE TOUGH PRODUCTS, DESIGNED AMONG PROFESSIONAL FOR REAL-WORLD USERS USE 100% DESIGNED AND MADE IN ITALY EXTRAORDINARY SINCE 1973 USED ON MAJOR TOURS, AUDIO EVENTS AND FESTIVALS PERFORMANCE AROUND THE WORLD OUTLINE CREATE INFLUENTIAL AND INNOVATIVE PRODUCTS, SYSTEMS AND TECHNOLOGIES FOR THE GLOBAL PROFESSIONAL AUDIO INDUSTRY SINCE 1973 CLASS-LEADING POINT-SOURCE LINE-ARRAY DESIGNS FOR A HUGE SYSTEMS AND RANGE OF ELECTRONICS APPLICATIONS MEASUREMENT AND DEDICATED ACOUSTIC ANALYSIS DSP-EQUIPPED PRODUCTS AMPLIFIERS PROPRIETARY SOFTWARE AUDIO PROCESSORS PROGRAMS FOR SYSTEM INCLUDING THE UNIQUE CONTROL ‘NEWTON’ OUTLINE MISSION E VALORI OUTLINE - LEADING THE WAY IN PERFORMANCE AUDIO TECHNOLOGY IT EN Outline è una marca italiana di riferimento nell’in- Outline is an Italian company specialising in the dustria internazionale del ‘Sound Reinforce- design and manufacture of professional loud- ment’, specializzata nella costruzione di impianti speaker systems, digital signal processors, pre- audio ad altissime prestazioni, elettroniche inno- cision measurement equipment and related te- vative per l’elaborazione del suono e strumenti chnologies. di misura che sono oggi un Industry-Standard a livello mondiale. Recognised globally for their innovation and ma- nufacturing quality, the company is a major inter- Fondata a Brescia, l’azienda nasce per volontà di national force in the international sound reinfor- Guido Noselli, un giovane musicista che nel 1973 cement industry. It was founded in the northern si lasciò cullare dall’idea irresistibile di trovare la Italian city of Brescia in 1973 by Guido Noselli, a miglior qualità audio possibile da offrire al pub- young musician driven by a strong desire to im- blico. prove the quality of audio heard by audiences at live events. -
IAEA Bulletin Volume 47, No.1
A Chance for Real Change in Bono, activist & globalAfrica rock star, is on a journey to help save millions in Africa. ●I’m here as part of a journey that began in 1984-85. That summer, my wife Ali and I went to Ethiopia, on the quiet, to see for ourselves what was going on. We lived there for a month, working at an orphanage. Africa is a magical place. Anybody who ever gave anything there got a lot more back. Ethiopia not just blew my mind, it opened my mind. On our last day at the orphanage a man handed me his baby and said: take him with you. He knew in Ireland his son would live; in Ethiopia his son would die. I turned him down. In that moment, I started this journey. In that moment, I became the worst thing of all: a rock star with a cause. Except this isn’t a cause. 6,500 Africans dying a day of treatable, prevent- able disease — dying for want of medicines you and I can get at our local chemist. That’s not a cause, that’s an emergency. You know, I could make the soft argument for action — or I could make the more muscular one. The soft argument you’ve all heard before. People are dying over there, needlessly dying, at a ridiculous rate and for the stu- pidest of reasons: money. They’re dying because they don’t have a pound a day to pay for the drugs that could save their lives. There are hard facts that make up the soft argument. -
Artist Review: Revisiting Sting-An Under-Recognized Existentialist Song Writer1
International Journal of Multidisciplinary Research and Growth Evaluation www.allmultidisciplinaryjournal.com International Journal of Multidisciplinary Research and Growth Evaluation ISSN: 2582-7138 Received: 01-05-2021; Accepted: 18-05-2021 www.allmultidisciplinaryjournal.com Volume 2; Issue 3; May-June 2021; Page No. 550-561 Artist review: Revisiting sting-an under-recognized Existentialist song writer1 Li Jia International College, Krirk University, Thanon Ram Intra, Khwaeng Anusawari, Khet Bang Khen, Krung Thep, Maha Nakhon10220, Thailand Corresponding Author: Li Jia Abstract Artistic expressions such as songs and poetry are examples of a solo artist but also helped him in communicating his free activities and are privileged modes of revealing what the thoughts and ideals to the world. His music, words and life world is about. Art’s power, in the case of existentialism, is are inextricably linked and this can be seen in many of Sting to a large extent devoted to expressing the absurdity of the ’s confessional songs that have connections to events in his human condition since for the existentialists, the world in no personal life. Existential characteristics have affected Sting longer open to the human desire of meaning and order. Sting both as a person and a musician. This paper calls for more is included in this pool of gifted artist and his talent in making researches on his music legacy that the world owned him for songs has not only paved the way for his successful career as a long time. Keywords: Sting, Existentialist, Song Writer Introduction Artistic expressions such as songs and poetry are examples of free activities and are privileged modes of revealing what the world is about. -
Music History Lecture Notes Modern Rock 1960 - Today
Music History Lecture Notes Modern Rock 1960 - Today This presentation is intended for the use of current students in Mr. Duckworth’s Music History course as a study aid. Any other use is strictly forbidden. Copyright, Ryan Duckworth 2010 Images used for educational purposes under the TEACH Act (Technology, Education and Copyright Harmonization Act of 2002). All copyrights belong to their respective copyright holders, • Rock’s classic act The Beatles • 1957 John Lennon meets Paul McCartney, asks Paul to join his band - The Quarry Men • George Harrison joins at end of year - Johnny and the Moondogs The Beatles • New drummer Pete Best - The Silver Beetles • Ringo Star joins - The Beatles • June 6, 1962 - audition for producer George Martin • April 10, 1970 - McCartney announces the group has disbanded Beatles, Popularity and Drugs • Crowds would drown of the band at concerts • Dylan turned the Beatles on to marijuana • Lennon “discovers” acid when a friend spikes his drink • Drugs actively shaped their music – alcohol & speed - 1964 – marijuana - 1966 – acid - Sgt. Pepper and Magical Mystery tour – heroin in last years Beatles and the Recording Process • First studio band – used cutting-edge technology – recordings difficult or impossible to reproduce live • Use of over-dubbing • Gave credibility to rock albums (v. singles) • Incredible musical evolution – “no group changed so much in so short a time” - Campbell Four Phases of the Beatles • Beatlemania - 1962-1964 • Dylan inspired seriousness - 1965-1966 • Psychedelia - 1966-1967 • Return to roots - 1968-1970 Beatlemania • September 1962 – “Love me Do” • 1964 - “Ticket to Ride” • October 1963 – I Want To Hold your Hand • Best example • “Yesterday” written Jan.