The Odes of Horace
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Petronius' Satyricon Teacher's Manual
Petronius' Satyricon Mosaic from House with Workshops, Pompeii Selections from Cena Trimalchionis Teacher's Manual Ashley Newman Table of Contents I. Introduction and teaching suggestions……………………...………………….pg 3 II. Lesson plans and handouts……………………………….....……………pgs 4 - 12 III. Large versions of text for overhead………………………………..……..pgs 13-19 IV. English translation…………….…………………………….……………pgs 20-23 V. Multiple choice quiz and key..…………………………………………. pgs 24 -25 VI. Vocabulary Quiz………..…………………………………………………….pg 26 VII. Translation Quest and key..………………………………………………pgs 27-28 VIII. Test and key………………………………………………………………pgs 29-35 IX. Bibliography………………………………………………………………….pg 36 2 Introduction and teaching suggestions The purpose of this teaching project is to guide Latin III students through Petronius' Satyricon with ease. By Latin III, the students should be reading unaltered texts in Latin. It is important that the students read texts written by Romans, instead of teachers. Students can learn information about culture and language from reading the words of the Romans. This project is designed to help young students navigate their way through an authentic text. This unit has been designed to take about 12 days. The lesson plans are laid out for group work. This Petronius project lends itself to be incorporated into a larger Roman author unit. I incorporate Petronius as one of the six Romans authors whom I expose my students during a semester. This unit could be longer. Students could translate and discuss only one page a day with daily review of the previous page. Using the suggested extension activities would also extend the unit. It is important to read and discuss the introduction with the students in order to familiarize them with the time period, author, and genre of the Satyricon. -
Unclaimed Property for County: CATAWBA 7/16/2019
Unclaimed Property for County: CATAWBA 7/16/2019 OWNER NAME ADDRESS CITY ZIP PROP ID ORIGINAL HOLDER ADDRESS CITY ST ZIP 321 CONVENIENCE STORE 820 US HWY 321 NW HICKORY 28601 14823582 LIGGETT VECTOR BRANDS INC 3800 PARAMOUNT PKWY STE 250 MORRISVILLE NC 27560 34 DORIS S 53 15TH AV SW HICKORY 28602-4521 15251669 CELLCO PARTNERSHIP DBA VERIZON WIRELESS899 HEATHROW PARK LANE 3RD FLOOR LAKE MARY FL 32746 A PLUS SERVICE INC 2233 HIGHLAND AVE NE UNIT #A HICKORY 28601 15192655 DUKE ENERGY CORP 400 S TRYON ST ST04A CHARLOTTE NC 28202 AAA STEAM CARPET CARE 2802 21ST STREET PL NE HICKORY 28601-7975 15111190 FLEETCOR TECHNOLOGIES OPERATING COMPANY109 NO LLCRTHPARK BOULEVARD SUITE 500 COVINGTON LA 70433 ABBAMONDI CHRISTOPHER 1343 CAPE HICKORY ROAD HICKORY 28601 14851305 GOOGLE LLC & AFFILIATES 1600 AMPHITHEATRE PKWY MOUNTAIN VIEW CA 94043 ABBE KYLE 452 SOUTH CENTER ST HICKORY 28602 15854844 GEORGE N BRYAN DDS PA 3421 GRAYSTONE PL CONOVER NC 28613 ABBOTT LABORATORIES 6330 DWAYNE STARNES DRIVE HICKORY 28602-8960 15393285 NC DEPT OF TRANSPORTATION 1514 MAIL SERVICE CENTER RALEIGH NC 27699 ABEE ALLEN D 2496 SPRINGDALE DR NEWTON 28658-9786 15309707 AUTO OWNERS INS CO PO BOX 30660 6101 ANACAPRI BLVD LANSING MI 48909-8160 ABEE KYLE ANDREW 4114 BIGGERSTAFF RD MAIDEN 28650-9368 15265214 RUTHERFORD ELECTRIC MEMBERSHIP CORPPO BOX 1569 FOREST CITY NC 28043-1569 ABEE NANCY 2496 SPRINGDALE DR NEWTON 28658-9786 15309707 AUTO OWNERS INS CO PO BOX 30660 6101 ANACAPRI BLVD LANSING MI 48909-8160 ABEE RUSSELL JR 1911 LAKE ACRES DR HICKORY 28601 15307994 NATIONAL VISION -
Catullus, As Can’T Be Counted by Spies Nor an Evil Tongue Bewitch Us
&$78//867+(32(06 7UDQVODWHGE\$6.OLQH ã Copyright 2001 A. S. Kline, All Rights Reserved This work may be freely reproduced, stored and transmitted, electronically or otherwise, for any NON-COMMERCIAL purpose. 2 &RQWHQWV 1. The Dedication: to Cornelius............................... 8 2. Tears for Lesbia’s Sparrow.................................. 9 2b. Atalanta.............................................................. 9 3. The Death of Lesbia’s Sparrow ......................... 10 4. His Boat ............................................................ 11 5. Let’s Live and Love: to Lesbia .......................... 13 6. Flavius’s Girl: to Flavius ................................... 14 7. How Many Kisses: to Lesbia ............................. 15 8. Advice: to himself.............................................. 16 9. Back from Spain: to Veranius............................ 17 10. Home Truths for Varus’s girl: to Varus........... 18 11. Words against Lesbia: to Furius and Aurelius . 19 12. Stop Stealing the Napkins! : to Asinius Marrucinus............................................................. 21 13. Invitation: to Fabullus...................................... 22 14. What a Book! : to Calvus the Poet................... 23 15. A Warning: to Aurelius.................................... 25 16. A Rebuke: to Aurelius and Furius.................... 26 17. The Town of Cologna Veneta.......................... 27 21. Greedy: To Aurelius. ....................................... 30 22. People Who Live in Glass Houses: to Varus ... 31 -
Try the Wine: Food As an Expression of Cultural Identity in Roman Britain
Utah State University DigitalCommons@USU All Graduate Theses and Dissertations Graduate Studies 8-2020 Try the Wine: Food as an Expression of Cultural Identity in Roman Britain Molly Reininger Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/etd Part of the History Commons Recommended Citation Reininger, Molly, "Try the Wine: Food as an Expression of Cultural Identity in Roman Britain" (2020). All Graduate Theses and Dissertations. 7867. https://digitalcommons.usu.edu/etd/7867 This Thesis is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Theses and Dissertations by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. TRY THE WINE: FOOD AS AN EXPRESSION OF CULTURAL IDENTITY IN ROMAN BRITAIN by Molly Reininger A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF THE ARTS in History Approved: ______________________ ______________________ Frances Titchener, Ph.D . Seth Archer, Ph.D. Major Professor Committee Member ______________________ ______________________ Susan Cogan, Ph.D. Gabriele Ciciurkaite, Ph.D. Committee Member Outside Committee Member ______________________ Janis L. Boettinger, Ph.D. Acting Vice Provost of Graduate Studies UTAH STATE UNIVERSITY Logan, Utah 2020 ii Copyright © Molly Reininger 2020 All Rights Reserved iii ABSTRACT Try the Wine: Food as an Expression of Cultural Identity in Roman Britain by Molly Reininger, Master of the Arts Utah State University, 2020 Major Professor: Dr. Frances Titchener Department: History This thesis explores the relationship between goods imported from Rome to Britannia, starting from the British Iron Age to the Late Antique period, and how their presence in the province affected how those living within viewed their cultural identity. -
Horace - Poems
Classic Poetry Series Horace - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Horace(8 December 65 BC – 27 November 8 BC) Quintus Horatius Flaccus, known in the English-speaking world as Horace, was the leading Roman lyric poet during the time of Augustus. The rhetorician Quintillian regarded his Odes as almost the only Latin lyrics worth reading, justifying his estimate with the words: "He can be lofty sometimes, yet he is also full of charm and grace, versatile in his figures, and felicitously daring in his choice of words." Horace also crafted elegant hexameter verses (Sermones and Epistles) and scurrilous iambic poetry (Epodes). The hexameters are playful and yet serious works, leading the ancient satirist Persius to comment: "as his friend laughs, Horace slyly puts his finger on his every fault; once let in, he plays about the heartstrings". Some of his iambic poetry, however, can seem wantonly repulsive to modern audiences. His career coincided with Rome's momentous change from Republic to Empire. An officer in the republican army that was crushed at the Battle of Philippi in 42 BC, he was befriended by Octavian's right-hand man in civil affairs, Maecenas, and became something of a spokesman for the new regime. For some commentators, his association with the regime was a delicate balance in which he maintained a strong measure of independence (he was "a master of the graceful sidestep") but for others he was, in < a href="http://www.poemhunter.com/john-henry-dryden/">John Dryden's</a> phrase, "a well-mannered court slave". -
A Mixed Place: the Pastoral Symposium of Horace, Odes 1.17
John Carroll University Carroll Collected 2018 Faculty Bibliography Faculty Bibliographies Community Homepage 2-2018 A Mixed Place: The aP storal Symposium of Horace Kristen Ehrhardt John Carroll University, [email protected] Follow this and additional works at: https://collected.jcu.edu/fac_bib_2018 Part of the Classical Literature and Philology Commons Recommended Citation Ehrhardt, Kristen, "A Mixed Place: The asP toral Symposium of Horace" (2018). 2018 Faculty Bibliography. 14. https://collected.jcu.edu/fac_bib_2018/14 This Article is brought to you for free and open access by the Faculty Bibliographies Community Homepage at Carroll Collected. It has been accepted for inclusion in 2018 Faculty Bibliography by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. A Mixed Place: The Pastoral Symposium of Horace, Odes 1.17 Kristen Ehrhardt ABSTRACT: When Horace invites Tyndaris to an outdoor drinking party in Odes 1.17, he mixes the locus amoenus of pastoral with the trappings of symposia. I argue that the mixture of the two poetic spaces creates a potentially volatile combination by muddling the expectations of each place’s safety and danger. I read 1.17 in light of other pastoral poems in Odes 1 to establish Horace’s creation of safe places through the negation of natural perils. Although pastoral has its own dangers, the addition of sympotic motifs in 1.17 attracts different beasts—sexual predators—to Tyndaris’ party. A central conceit of Horace’s pastoral poems is the preternatural safety of their speakers: despite whatever dangers might lurk in the natural realm, the speaker himself remains unharmed. -
Steven Shapin. the Tastes of Wine
n.s., 51 (3/2012), anno LII wineworld. new essays on wine, taste, philosophy and aesthetics advisory editor Nicola Perullo wineworld Nicola Perullo, Wineworld: Tasting, making, drinking, being 3 Steven Shapin, The tastes of wine: Towards a cultural history 49 Cain Todd, Expression and objectivity in the case of wine: Defending the aesthetic terroir of tastes and smells 95 Ole Martin Skilleås, Douglas Burnham, Patterns of attention: “Project” and the phenomenology of aesthetic perception 117 Kevin Sweeney, Structure in wine 137 Giampaolo Gravina, A matter of taste. The semi-serious musings of a wine taster on the contentious prospects of professional tasting 149 Gabriele Tomasi, On wines as works of art 155 Andrea Borghini, On being the same wine 175 varia Felice Cimatti, Quel dolore che non deve sapersi. Il linguaggio e il problema dell’esperienza estetica 193 recensioni Marcella Tarozzi Goldsmith, Il problema della percezione nella filosofia di Nietzsche, di Tiziana Andina 215 Emanuele Crescimanno, La scrittura delle immagini. Letteratura e cultura visuale, di Michele Cometa 221 Steven Shapin THE TASTES OF WINE: TOWARDS A CULTURAL HISTORY Abstract How have people talked about the organoleptic characteristics of wines? How and why have descriptive and evaluative vocabularies changed over time? The essay shows that these vocabularies have shifted from the spare to the elaborate, from medical im- plications to aesthetic analyses, from a leading concern with “goodness” (authenticity, soundness) to interest in the analytic description of component flavors and odors. The causes of these changes are various: one involves the importance, and eventual disap- pearance, of a traditional physiological framework for appreciating the powers and qualities of different sorts of aliment, including wines; another concerns the develop- ment of chemical sciences concerned with flavor components; and still another flows from changing social and economic circumstances in which wine was consumed and the functions served by languages of connoisseurship. -
Some Imitations of Pindar and Sappho by Horace
Some imitations of Pindar and Sappho by Horace The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Nagy, Gregory. 2015.12.31. "Some imitations of Pindar and Sappho by Horace." Classical Inquiries. http://nrs.harvard.edu/ urn-3:hul.eresource:Classical_Inquiries. Published Version https://classical-inquiries.chs.harvard.edu/some-imitations-of- pindar-and-sappho-by-horace/ Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:39699959 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Classical Inquiries Editors: Angelia Hanhardt and Keith Stone Consultant for Images: Jill Curry Robbins Online Consultant: Noel Spencer About Classical Inquiries (CI ) is an online, rapid-publication project of Harvard’s Center for Hellenic Studies, devoted to sharing some of the latest thinking on the ancient world with researchers and the general public. While articles archived in DASH represent the original Classical Inquiries posts, CI is intended to be an evolving project, providing a platform for public dialogue between authors and readers. Please visit http://nrs.harvard.edu/urn-3:hul.eresource:Classical_Inquiries for the latest version of this article, which may include corrections, updates, or comments and author responses. Additionally, many of the studies published in CI will be incorporated into future CHS pub- lications. Please visit http://nrs.harvard.edu/urn-3:hul.eresource:CHS.Online_Publishing for a complete and continually expanding list of open access publications by CHS. -
The Buried Cities of Campa Ia Their History
THE BURIED CITIES OF CAMPAIA THEIR HISTORY, THEIR DESTRUCTIO, AD THEIR REMAIS. By W. H. DAVEPORT ADAMS, " And in an hour of universal mirth, What time the trump proclaims the festival. Buries some capital city, there to sleep The sleep of ages — till a plough, a spade Disclose the secret, and the eye of day Glares coldly on the streets, the skeletons ; Each in his place, each in his gay attire. And eager to enjoy." ROGERS. 1870. SHAKSPEARE makes Malcolm say of the Thane of Cawdor, that " nothing in his life became him like the leaving it." Of Pompeii it may be said, that nothing in its history is equal in interest to its last scene. The fate of the gay Campanian city has been curious. Some cities have secured enduring fame by their commercial opulence, like Tyre ; by their art-wonders, like Athens ; by their world-wide power, like Rome ; or their gigantic ruins, like Thebes. Of others, scarcely less famous for their wealth and empire, the site is almost forgotten ; their very names have almost passed away from the memory of men. But this third-rate provincial town — the " Brighton" or " Scarborough" of the Roman patricians, though less splendid and far less populous than the English watering-places— owes its celebrity to its very destruction. Had it not been overwhelmed by the ashes- of Vesuvius, the student, the virtuoso, and the antiquary, would never have been drawn to it as to a VI PREFACE. shrine worthy of a pilgrim's homage. As a graceful writer has justly remarked, the terrible mountain, whilst it destroyed, has also saved Pompeii ; and in so doing, has saved tor us an ever- vivid illustration of anpient Roman life. -
V.S. Lectures, No. 89 HORACE's VIRGIL Summary of a Lecture
- 13 - V.S. Lectures, No. 89 HORACE’S VIRGIL Summary of a lecture delivered to the Virgil Society 23rd November 1968 by Prof. L.A. Moritz, M.A., D.Phil. It can be established on various grounds that the Vergilius to whom Hor.Od.iv.12 (lam veris comites) is addressed must, after all, be the poet Virgil. But the question then arises how Horace could have published this poem, with its mixture of elegiac description of spring and jocular invitation to his friend and fellow-poet, six years after the latter's death. This question in turn raises the wider problem of how Augustan poets addressed each other in their published work when they had the opportunity. Elsewhere in the Odes (i.3 and i.24) Virgil, though established as a poet in the Satires, is neither the poet nor the fellow-member of Maecenas's circle, but simply the friend. When Varius Rufus (i.6 ), Iullus Antonius (iv.2), and Asinius Pollio (ii.l) are addressed as poets, or when Pollio (ibid.) and Maecenas (ii.12) are addressed as historians, Horace is concerned with the public nature of their work rather than with any private relationship, and Tibullus in i-33 is primarily the unhappy lover rather than the elegist. But while in the Carmina (as opposed to the Sermones) there is no explicit reference to Virgil's poetry, both the Carmen Saeculare and the fourth book of Odes are so full of echoes of the Aeneid, both in "public" and in less public poems, that they may rank as Horace's monuments to Virgil, even though nothing is said of Virgil the poet. -
Download Searchable
1EI |rijU|lml|finJpij^llm^ il i i THE LIBRARIES 1 1 COLUMBIA UNIVERSITY 1 1 1 1 i i 1cJ Pgpyrus & Epigraphy III I1 1 li 1 li i SI [iriJ|finll^|p]i?ff^ LATIN TERMS OF ENDEARMENT AND DF FAMILY RELATIONSHIP A LEXICOGRAPHICAL STUDY BASED ON VOLUME VI OF THE CORPUS INSCRIPTiONUM LATINARUM A DISSERTATION PRESENTED TO THE FACULTY OF PRINCETON UNIVERSITY IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY (DEPARTMENT OF CLASSICS) :--'^~ -<L—^'«--^ ^ BY SAMUEL GLENN HARROD PRINCETON 1909 Copies of this dissertation may be obtained on application to the University Library, Princeton, New Jersey. The price for each copy is 75 cents, which includes postage. PRINCETON, N, J. THE FALCON PRESS 1909 PARENTIBUS PIENTISSIMIS MATERTERAEQUE CARISSIMAE PREFACE I take this occasion to acknowledge my great debt to Professor F. F. Abbott of Princeton University. At his suggestion, I under took this investigation, and, during the course of my work upon it, his advice and criticism have been invaluable. I desire to express my deep gratitude also to Professor Edward Capps and Professor D. R. Stuart, both of Princeton University, for their helpfulness and interest in my work. S. G. H. EUREKA COLLEGE, Eureka, Illinois. vn CONTENTS PAGE. PREFACE vii INTRODUCTION xi CHAPTER I.—TERMS OF ENDEARMENT i Merens and Meritus i Carissimus 2 Dulcissimus 6 Pientissimus 10 Piissimus 13 Optimus 17 Sanctissimns 20 Incomparabilis 23 Pius 25 Rarissimus 27 Fidelissimus 28 Dignissimus 29 Amantissimiis 31 Indulgentissimus 32 Carus 34 Bonus 35 Dulcis Z^ Castissimus 37 Sanctus 38 Innocentissimus 39 Castus 40 Praestantissimus 41 Adjectives of Rarer Occurrence 42 Statistical Table ' 49 Discussion of the Terms of Endearment Applied by the Author of the Inscription to Himself 50 Discussion of Abbreviations 51 ix X CONTENTS PAGE. -
Odes and Epodes (Loeb Classical Library) by Horace
Odes and Epodes (Loeb Classical Library) by Horace Ebook Odes and Epodes (Loeb Classical Library) currently available for review only, if you need complete ebook Odes and Epodes (Loeb Classical Library) please fill out registration form to access in our databases Download here >> Series:::: Loeb Classical Library (Book 33)+++Hardcover:::: 368 pages+++Publisher:::: Harvard University Press (June 1, 2004)+++Language:::: English+++ISBN-10:::: 9780674996090+++ISBN-13:::: 978-0674996090+++ASIN:::: 0674996097+++Product Dimensions::::4.2 x 1 x 6.5 inches++++++ ISBN10 9780674996090 ISBN13 978-0674996 Download here >> Description: The poetry of Horace (born 65 BCE) is richly varied, its focus moving between public and private concerns, urban and rural settings, Stoic and Epicurean thought. Here is a new Loeb Classical Library edition of the great Roman poets Odes and Epodes, a fluid translation facing the Latin text.Horace took pride in being the first Roman to write a body of lyric poetry. For models he turned to Greek lyric, especially to the poetry of Alcaeus, Sappho, and Pindar; but his poems are set in a Roman context. His four books of odes cover a wide range of moods and topics. Some are public poems, upholding the traditional values of courage, loyalty, and piety; and there are hymns to the gods. But most of the odes are on private themes: chiding or advising friends; speaking about love and amorous situations, often amusingly. Horaces seventeen epodes, which he called iambi, were also an innovation for Roman literature. Like the odes they were inspired by a Greek model: the seventh-century iambic poetry of Archilochus.