Durham E-Theses
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Forming an Anglo-Catholic Parish
ety under the care of the Bishop of Wakefield . Serving Tradition - alists in Calderdale. Sunday Mass 9.30am, Rosary/Benediction usually last Sunday, 5pm. Mass Tuesday, Friday & Saturday, parish directory 9.30am. Canon David Burrows SSC , 01422 373184, rectorofel - [email protected] BATH Bathwick Parishes , St.Mary’s (bottom of Bathwick Hill), Wednesday 9.30am, Holy Hour, 10am Mass Friday 9.30am, Sat - www.ellandoccasionals.blogspot.co.uk St.John's (opposite the fire station) Sunday - 9.00am Sung Mass at urday 9.30am Mass & Rosary. Fr.Richard Norman 0208 295 6411. FOLKESTONE Kent , St Peter on the East Cliff A Society St.John's, 10.30am at St.Mary's 6.00pm Evening Service - 1st, Parish website: www.stgeorgebickley.co.uk Parish under the episcopal care of the Bishop of Richborough . 3rd &5th Sunday at St.Mary's and 2nd & 4th at St.John's. Con - BURGH-LE-MARSH Ss Peter & Paul , (near Skegness) PE24 Sunday: 8am Low Mass, 10.30am Solemn Mass. Evensong 6pm. tact Fr.Peter Edwards 01225 460052 or www.bathwick - Weekdays - Low Mass: Tues 7pm, Thur 12 noon. parishes.org.uk 5DY A resolution parish in the care of the Bishop of Richborough . Sunday Services: 9.30am Sung Mass (& Junior Church in term http://stpetersfolk.church e-mail :[email protected] BEXHILL on SEA St Augustine’s , Cooden Drive, TN39 3AZ time) On 5th Sunday a Group Mass takes place in one of the 6 GRIMSBY St Augustine , Legsby Avenue Lovely Grade II Saturday: Mass at 6pm (first Mass of Sunday)Sunday: Mass at churches in the Benefice. -
Laudate 94 January 2018
The Magazine of the Guild of Church Musicians No 94 January 2018 Above: l to r: Barry Williams HonGCM, Dame Mary Archer, Robert Leach HonGCM, Lord Brian Gill QC Below: Members of Southwark Cathedral Choir processing out after the service Laudate is typeset by Michael Walsh HonGCM and printed by St Richard’s Press Leigh Road, Chichester, West Sussex PO19 8TU [email protected] 01243 782988 Laudate www. From the Editor of Laudate Welcome to the January editon of Laudate and, as you will read on page 8, I have been appointed the new General Secretary of the Guild in addition to being Editor of this magazine. It is a huge honour for me to follow in the footsteps of June Williams and John Ewington and I look forward to tackling fresh challenges for the Guild in 2018. One sad note: our regular printers, Express Printing, have been forced to cease trading as a result of some rather underhand action by some departing employees, but I am delighted that our new printers, St Richard’s Press of Chichester, have produced an excellent publication ensuring a smooth transition for us all. The good news is that our regular contact at Express Printing, Naomi O’Brien, is now working Patrons: Rt Revd & Rt Hon Dr Richard Chartres, former Lord Bishop of London at SRP, so continuity is assured. Professor Dr Ian Tracey, Organist Titulaire of Liverpool Cathedral Dame Dr Patricia Routledge, DBE DLitt Kindly note the invitation on the back inside cover. You are most welcome to Master: Professor Dr Maurice Merrell attend, but kindly let me know if you are coming so we can organise refreshments. -
Canterbury Christ Church University's Repository of Research Outputs
Canterbury Christ Church University’s repository of research outputs http://create.canterbury.ac.uk Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. Saint, L. (2011) Choral music in Canterbury Cathedral, 1873-1988: the role of service settings and anthems in the regeneration, preservation and sustenance of cathedral worship. Ph.D. thesis, Canterbury Christ Church University. Contact: [email protected] 1 Introduction ‘What service settings and anthems were sung in Canterbury Cathedral during 1873- 1988’ is a straightforward question to answer. The significance of the practice of choral music making in Canterbury Cathedral in the restoration and growth of Cathedral worship and early music repertoire deserves close examination through the information discovered in that first answer. The implication is that reinstatement of the worship and development of early music, following a period of impoverishment, was necessary. Investigation of the nature of changes made in Canterbury Cathedral, together with the progress of expansion of that worship, through music, becomes a challenging essential. Regeneration describes the breathing of new life, as in recovery from serious illness, which was shown to be necessary in the music and worship of the early 19th century, following the vicissitudes of disagreement, war and apathy regarding style of worship in general and the role and compositional characteristics of music in particular. -
Derwent Coleridge (1800-83) and the Deacon Schoolmaster
Derwent Coleridge (1800-83) and the Deacon Schoolmaster David Sydney Nicholas Institute ofEducation University ofLondon Doctor ofPhilosophy 2007 Declaration I hereby declare that, except where explicit attribution is made, the work presented in this thesis is entirely my own. Word count (exclusive ofbibliography): 92,211 words. David Sydney Nicholas 10 August 2007 2 Abstract A persistent oral tradition links Derwent Coleridge, first principal of St Mark's College, Chelsea, to the training of deacon schoolmasters during the period 1841 to 1864. This innovative model ofelementary schoolteacher made a distinctive contribution to teacher training in England. Justified theologically rather pedagogically, the deacon schoolmaster model gave the college a unique character in the surge towards a comprehensive system ofChurch education. This thesis breaks fresh ground by using documentary evidence to test the oral tradition. The introduction of the model and subsequent training of deacon schoolmasters at St Mark's College have been delineated. Alternative models, and their place in Coleridge's experience and thought, are drawn from contemporary sources. The immediate and long-term effects of increasing control over teacher training by central government, and the impact of opinions within the Church, are assessed in relation to Derwent Coleridge's aims for the College. These influences are described in the context of public debate on deacon schoolmasters in three mid-nineteenth century settings: the Church, Parliament, and the British colonies. The international dimension to the deacon-schoolmaster model is one that previously has not been researched. Hitherto unused documentary sources have added important detail to imprecise elements in the oral tradition ofSt Mark's College, and re-examination oflittle-known material has refreshed and broadened the conventional interpretation and estimate of significance of deacon schoolmasters.