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Problems of the Baroque in 1975
T HESAVRVS BOLETÍN DEL INSTITUTO CARO Y CUERVO TOMO XXX Mayo-Agosto 1975 NÚMERO 2 PROBLEMS OF THE BAROQUE IN 1975 The following article does not try to continué the "Cri- tical survey of the Baroque theories" which I presented in this periodical IV (1948), 461-491, since this survey actually was continued in my book Estudios sobre el Barroco (Madrid, Gre- dos 1966, second edition 1973). Today I am rather interested in actual problems generally recognized as central, and in the attempt at their Solutions. There is agreement now on the fact that the transition from Renaissance to Baroque is such a slow process that it filis a whole period (roughly 1520 to 1600) which art historians cali Mannerism. One tried there- fore first to find criteria for the distinction of these two histo- rical phaenomena, Mannerism and Baroque, and to explain their fundamental differences and their possible overlappings. The second problem was, how the thus chronologically new- ly fixed Baroque fades out into something new which some believe to be the Classicism (particularly in France), which others, like the art historians, believe to be the Rococó. The latter still very debated concept supposes in retrospect a kind of coincidence between Classicism and Baroque. Furthermore, envisioning all this from a European and comparative view- point supposes time lags between the domination of a style trend in different countries, supposes the concept of dying and 210 HELMUT HATZFELD BICC, XXX, 1975 upcoming literatures, supposes the reckoning with the un- settled question of originis, and most of all, the importance of the psychological and sociological background which can- not be everywhere the same. -
Barcelona and the Paradox of the Baroque by Jorge Luis Marzo1
Barcelona and the Paradox of the Baroque By Jorge Luis Marzo1 Translation by Mara Goldwyn Catalan historiography constructed, even from its very beginnings, the idea that Catalunya was not Baroque; that is, Baroque is something not very "proper" to Catalunya. The 17th and 18th centuries represent the dark Baroque age, in contrast with a magnificent Medieval and Renaissance era, during which the kingdom of Catalunya and Aragón played an important international role in a large part of the Mediterranean. The interpretation suggests that Catalunya was Baroque despite itself; a reading that, from the 19th century on - when it is decided that all negative content about Baroque should be struck from the record in order to transform it into a consciously commercial and urban logo - makes implicit that any reflection on such content or Baroque itself will be schizophrenic and paradoxical. Right up to this day. Though the (always Late-) Baroque style was present in buildings, embellishments and paintings, it however did not have an official environment in which to expand and legitimate itself, nor urban spaces in which to extend its setup (although in Tortosa, Girona, and other cities there were important Baroque features). The Baroque style was especially evident in rural churches, but as a result of the occupation of principle Catalan plazas - particularly by the Bourbon crown of Castile - principal architectonic realizations were castles and military forts, like the castle of Montjuic or the military Citadel in Barcelona. Public Baroque buildings hardly existed: The Gothic ones were already present and there was little necessity for new ones. At the same time, there was more money in the private sphere than in the public for building, so Baroque programs were more subject to family representation than to the strictly political. -
Modernism Without Modernity: the Rise of Modernist Architecture in Mexico, Brazil, and Argentina, 1890-1940 Mauro F
University of Pennsylvania ScholarlyCommons Management Papers Wharton Faculty Research 6-2004 Modernism Without Modernity: The Rise of Modernist Architecture in Mexico, Brazil, and Argentina, 1890-1940 Mauro F. Guillen University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/mgmt_papers Part of the Architectural History and Criticism Commons, and the Management Sciences and Quantitative Methods Commons Recommended Citation Guillen, M. F. (2004). Modernism Without Modernity: The Rise of Modernist Architecture in Mexico, Brazil, and Argentina, 1890-1940. Latin American Research Review, 39 (2), 6-34. http://dx.doi.org/10.1353/lar.2004.0032 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/mgmt_papers/279 For more information, please contact [email protected]. Modernism Without Modernity: The Rise of Modernist Architecture in Mexico, Brazil, and Argentina, 1890-1940 Abstract : Why did machine-age modernist architecture diffuse to Latin America so quickly after its rise in Continental Europe during the 1910s and 1920s? Why was it a more successful movement in relatively backward Brazil and Mexico than in more affluent and industrialized Argentina? After reviewing the historical development of architectural modernism in these three countries, several explanations are tested against the comparative evidence. Standards of living, industrialization, sociopolitical upheaval, and the absence of working-class consumerism are found to be limited as explanations. As in Europe, Modernism -
Catalan Modernism and Vexillology
Catalan Modernism and Vexillology Sebastià Herreros i Agüí Abstract Modernism (Modern Style, Modernisme, or Art Nouveau) was an artistic and cultural movement which flourished in Europe roughly between 1880 and 1915. In Catalonia, because this era coincided with movements for autonomy and independence and the growth of a rich bourgeoisie, Modernism developed in a special way. Differing from the form in other countries, in Catalonia works in the Modern Style included many symbolic elements reflecting the Catalan nationalism of their creators. This paper, which follows Wladyslaw Serwatowski’s 20 ICV presentation on Antoni Gaudí as a vexillographer, studies other Modernist artists and their flag-related works. Lluís Domènech i Montaner, Josep Puig i Cadafalch, Josep Llimona, Miquel Blay, Alexandre de Riquer, Apel·les Mestres, Antoni Maria Gallissà, Joan Maragall, Josep Maria Jujol, Lluís Masriera, Lluís Millet, and others were masters in many artistic disciplines: Architecture, Sculpture, Jewelry, Poetry, Music, Sigillography, Bookplates, etc. and also, perhaps unconsciously, Vexillography. This paper highlights several flags and banners of unusual quality and national significance: Unió Catalanista, Sant Lluc, CADCI, Catalans d’Amèrica, Ripoll, Orfeó Català, Esbart Català de Dansaires, and some gonfalons and flags from choral groups and sometent (armed civil groups). New Banner, Basilica of the Monastery of Santa Maria de Ripoll Proceedings of the 24th International Congress of Vexillology, Washington, D.C., USA 1–5 August 2011 © 2011 North American Vexillological Association (www.nava.org) 506 Catalan Modernism and Vexillology Background At the 20th International Conference of Vexillology in Stockholm in 2003, Wladyslaw Serwatowski presented the paper “Was Antonio Gaudí i Cornet (1852–1936) a Vexillographer?” in which he analyzed the vexillological works of the Catalan architectural genius Gaudí. -
Catalonian Architectural Identity
Catalan Identity as Expressed Through Architecture Devon G. Shifflett HIST 348-01: The History of Spain November 18, 2020 1 Catalonia (Catalunya) is an autonomous community in Spain with a unique culture and language developed over hundreds of years. This unique culture and language led to Catalans developing a concept of Catalan identity which encapsulates Catalonia’s history, cuisine, architecture, culture, and language. Catalan architects have developed distinctly Catalan styles of architecture to display Catalan identity in a public and physical setting; the resulting buildings serve as a physical embodiment of Catalan identity and signify spaces within Catalan cities as distinctly Catalonian. The major architectural movements that accomplish this are Modernisme, Noucentisme, and Postmodernism. These architectural movements have produced unique and beautiful buildings in Catalonia that serve as symbols for Catalan national unity. Catalonia’s long history, which spans thousands of years, contributes heavily to the development of Catalan identity and nationalism. Various Celtiberian tribes initially inhabited the region of Iberia that later became Catalonia.1 During the Second Punic War (218-201 BC), Rome began its conquest of the Iberian Peninsula, which was occupied by the Carthaginians and Celtiberians, and established significant colonies around the Pyrennees mountain range that eventually become Barcelona and Tarragona; it was during Roman rule that Christianity began to spread throughout Catalonia, which is an important facet of Catalan identity.2 Throughout the centuries following Roman rule, the Visigoths, Frankish, and Moorish peoples ruled Catalonia, with Moorish rule beginning to flounder in the tenth-century.3 Approximately the year 1060 marked the beginning of Catalan independence; throughout this period of independence, Catalonia was very prosperous and contributed heavily to the Reconquista.4 This period of independence did not last long, though, with Catalonia and Aragon's union beginning in 1 Thomas N. -
Barcelona Vermouth Route
The One Drink You Have To Have in Catalonia Sep 27, 2017 13:02 +08 Barcelona Vermouth Route Quimet & Quimet . One of the city’s best known vermouth bars: an absolute must. It serves original tapas, in the Poble Sec district. Bar Mut. Just a stone’s throw from La Pedrera, it serves high-quality tapas. Robert de Niro never fails to stops by when he visits Barcelona! Bodega 1900.This establishment is owned by chef Albert Adrià, Ferran Adrià’s brother. Vermouth flows through the veins of this gastronomic temple. Lo Pinyol. Vermouth to accompany pinxos, cold meat and cheese. It is located in the busy Gràcia district, one of the most Bohemian areas of the city. Morro Fi. A tiny bar that very clearly bears the ‘Made in Barcelona’ stamp. Popular with families and young people on Sunday lunchtimes. Bar Carmelitas . This restaurant managed by chef Xavier Pellicer, located in the heart of the city’s El Raval district, revives the spirit of the 1920s. Bodega La Puntual. Very close to the Picasso Museum; a large space where you can enjoy vermouth at any time. Bodega El Chigre. This original tavern next to the Basilica of Santa Maria del Mar offers a range of tapas featuring typical Catalan and Asturian cuisine and zero kilometre products. The Catalonia Tourism Board belongs to the regional government of Catalonia (North Eastern Spain) works to promote and consolidate the “Barcelona” and “Catalonia” brands around the world, as a top quality tourist destination with a diverse range of experiences for the regular and luxury traveller in the Asia Pacific region (South East Asia, Australia, New Zealand, India, Japan and South Korea) from Singapore. -
Guió Casa Amatller-CAST WEB2017
LA CASA AMATLLER índice 1-La familia Amatller -Antoni Amatller Costa • Industrial Chocolatero • Fotógrafo viajero • coleccionista de objetos arqueológicos y obras de arte -Teresa Amatller Cros 2-El arquitecto -José Puig y Cadafalch: Vida y Obra 3-La Casa Amatller -1875 la casa -1898-1900 - remodelación de Josep Puig i Cadafalch • La fachada • El vestíbulo • El interior del piso principal 4-La transformación de la Manzana de la Discordia -Modernisme v. Plan Cerdà -1898-1900 - casa Amatller -1902-1904 - casa Lleó i Morera -1904-1906 - casa Batlló -La historia de la manzana de la discordia y la guerra de Troya 5-Evolución de la Casa hasta nuestros días: Fundación Instituto Amatller de Arte Hispánico -Instituto Amatller de Arte Hispánico • Biblioteca • Fototeca y archivo -Casa-Museo Amatller 1 CASA AMATLLER 1-La familia Amatller Antoni Amatller Costa nació en Barcelona en 1851, en el seno de una familia de chocolateros, y se convertirá en un representante de la burguesía ilustrada catalana del cambio de siglo, surgida de la Renaixença y que entre otras cosas hizo posible el modernismo gracias a su mecenazgo. Se casó con Cándida Cros Circuns, y tuvieron una hija, Teresa Amatller Cros. El matrimonio se separó, y tal como se especifica en los capítulos de separación, Teresa iría a vivir con su padre a la edad de 4 años. Antoni Amatller no se volvió a casar nunca. Cándida se fue a vivir a Italia y cuando enviudó en 1910 se volvió a casar. Su hija Teresa nunca perdió el contacto con su madre, durante la Guerra Civil Española emigró a Italia con la madre y terminada la guerra la trajo de nuevo a Barcelona comprándole un piso en la calle Vía Augusta. -
The Jewish Fifth Column in the Clergy
PLOT AGAINST THE CHURCH: PART 4 THE JEWISH FIFTH COLUMN IN THE CLERGY By Maurice Pinay (1962) This volume includes sections IV, of Pinay's 'Plot Against the Church', which address the infiltration of the clergy by Occult secret societies. It was written before Vatican II in order to address the threat to the Church posed by the council. The book makes an excellent case using Church documents and 'Jewish histories', that the conspiracy to corrupt the Church from within has been active for over 2000 years. The long-standing conflict between occult infiltrators and Catholics has largely been ignored by Catholic historians. This is an important corrective. This version was translated from the original German and Spanish editions. Maurice Pinay is a pseudonym for the real authors, for a group of anonymous Catholic Bishops TABLE OF CONTENTS THE OCTOPUS STRANGLING CHRISTIANITY ........................................................................................ 4 ORIGIN OF THE "FIFTH COLUMN" ......................................................................................................... 6 THE FIFTH COLUMN IN ACTION .......................................................................................................... 12 JEWRY, FATHER OF THE GNOSTICS ................................................................................................... 18 THE JEW ARIUS AND HIS HERESY ..................................................................................................... 26 THE JEWS AS ALLIES OF JULIAN THE APOSTATE .............................................................................. -
“Sample Asturias”…
Discovering Spain… “Sample Asturias”… Parador included in this offer – Parador de Gijón This attractive Parador, occupying a lovingly restored century-old water mill, and still surrounded by water, is in the beautiful Isabel la Catolica Park in Gijón. San Lorenzo beach is close by, and Gijón itself, situated on the Asturian coast to the north of Oviedo, has been a port since Roman times, and today also has a marina. The interior of the Parador is both sunny and cosy: from the bar one may look out over the old mill pond and the many species of bird that enjoy the water, including both white and black swans’, and the garden includes a children’s play area. In the restaurant guests may enjoy a variety of Asturian dishes, including Fabada (a stew of local sausages and white beans), hake cooked in cider (a local speciality) and Frixuelos (cream-filled wafers). A stay at this Parador using this delectable offer allows guests to discover the nearby Asturian mountain and costal gems whilst enjoying local cuisine. It is here at Gijón, a town surrounded by sea and nature, that a wide range of excursions and activities can be enjoyed along with undoubtedly what can only be described as fine dining. So why not come enjoy the best Asturian cuisine at the Parador de Gijón? p Just a few of the many nearby destinations worth visiting: La Universidad Laboral, building of significant architectural interest. The Roman Baths. La Cimadevilla Peninsula, near the fishing quarter. La Plaza Mayor – main square. The Plaza de San Lorenzo – San Lorenzo Square – and promenade. -
Paradores De Turismo
Discovering Spain Asturian cider - Asturian culture - Bable - fabada - natural beauty - Parador Cangas de Onís - Parador Corias - Parador Gijón - Peaks of Europe - Spanish countryside Asturias: Discover Spain’s Northern Gem with Paradores Thursday, 28 November, 2013 Paradores Parador de Cangas de Onís Parador de Corias Parador de Gijón Considered the jewel of the north, Asturias is one of Spain’s most beloved regions thanks to its natural beauty, cultural wealth and delicious food and drink. Get to know this amazing land by visiting Paradores‘ luxury hotels in Cangas de Onís, Corias and Gijón. Parador Cangas de Onís The land of wooded mountains Asturias’ rich heritage reaches back thousands of years. During the Islamic rule of Spain between the 8th and 15th centuries, the region was a refuge for Christian nobles, and eventually became the cradle of the Reconquista, the military campaign to retake the peninsula from the Moors for Christian kingdoms. The region’s fierce independence over the course of history allowed for the development of its own language, Bable, which dominated Asturias between the 12th and 14th centuries and continued to be spoken by a large number of residents until the early 20th century. A decided effort undertaken by regional authorities in recent years has allowed it to flourish once again, and today between 60,000 and 80,000 people can read and write it. Nowadays, Asturias is most well known for its natural splendour, home to the Peaks of Europe and the Redes and Somiedo natural parks. These grand mountains slope down to verdant plains and ultimately end in the region’s extensive coastline, famous for kilometres and kilometres of charming, sandy beaches. -
Paradores De Turismo
Discovering Spain Asturian cider - Asturian culture - Bable - fabada - natural beauty - Parador Cangas de Onís - Parador Corias - Parador Gijón - Peaks of Europe - Spanish countryside Asturias: Discover Spain’s Northern Gem with Paradores Thursday, 28 November, 2013 Paradores Parador de Cangas de Onís Parador de Corias Parador de Gijón Considered the jewel of the north, Asturias is one of Spain’s most beloved regions thanks to its natural beauty, cultural wealth and delicious food and drink. Get to know this amazing land by visiting Paradores‘ luxury hotels in Cangas de Onís, Corias and Gijón. Parador Cangas de Onís The land of wooded mountains Asturias’ rich heritage reaches back thousands of years. During the Islamic rule of Spain between the 8th and 15th centuries, the region was a refuge for Christian nobles, and eventually became the cradle of the Reconquista, the military campaign to retake the peninsula from the Moors for Christian kingdoms. The region’s fierce independence over the course of history allowed for the development of its own language, Bable, which dominated Asturias between the 12th and 14th centuries and continued to be spoken by a large number of residents until the early 20th century. A decided effort undertaken by regional authorities in recent years has allowed it to flourish once again, and today between 60,000 and 80,000 people can read and write it. Nowadays, Asturias is most well known for its natural splendour, home to the Peaks of Europe and the Redes and Somiedo natural parks. These grand mountains slope down to verdant plains and ultimately end in the region’s extensive coastline, famous for kilometres and kilometres of charming, sandy beaches. -
8 Epic, Off-The-Beaten-Track Adventures in Spain That Will Take Your Breath Away
8 EPIC, OFF-THE-BEATEN-TRACK ADVENTURES IN SPAIN THAT WILL TAKE YOUR BREATH AWAY travelswithtalek.com/8-epic-off-the-beaten-track-adventures-in-spain September 15, 2019 By Talek Nantes Europe , Spain 0 September 15, Comments 2019 Looking for adventures in Spain that are unusual, delightful, memorable and beyond the guide book? Read on. We’ve developed a curated list of things to do in Spain that fulfill that criteria and then some. These Spanish activities and adventures are unique in that you can’t do them anywhere else. They include some of the best must-see places in Spain as well as things you must do. The time in these locations can be adjusted to a 2 or 3-week itinerary in Spain or more depending on your time and interests. Or they can be compartmentalized for several unique Spanish itineraries. The assumption is you’ll be traveling by car which for purposes of this trip is the best way to travel in Spain. Roman bridge in Cangas de Onis in Asturias, northern Spain 1/13 From exploring the Roman ruins in Merida to hiking the Picos de Europa trails to partying in the streets of the Principality of Asturias, join me on a Spain adventure tour you will want to experience for yourself. EPIC ADVENTURES IN SPAIN Walk Among the Roman Ruins in Merida, Spain In southern Extremadura region, you find the city of Merida, the ancient Roman capital of the province of Lusitania founded in 25 BC at the height of Roman power. Today it is a capital of culture, art and a surprising little gem of a city.