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Follow the bookmap to find books on similar Book Map subjects and topics. The Tommyknockers by Stephen King Aliens have landed in the peaceful town of Ha- FIC King ven, Maine. The aliens start to control the townspeople and make them something more than human. Explore Maine Explore Aliens Explore Drug Abuse Forbes Travel Guide: New England It didn't start with Roswell by Philip Rife Drug and alcohol abuse by Howard T. Milhorn Travel to places in New England, especially Maine, Explore decades worth of ufo crashes and King has said that the Tommyknockers setting for a lot of Stephen King’s stories. Explore cover-ups. The library also has books on the where to eat, where to stay, and what to see. most case of all, Roswell. novel is a metaphor for drug abuse. Learn how confront and deal with drug abuse. 917.3 MOB 001.942 RIF 649.4 M59 2006 Explore Skepticism Explore Books by the Author Explore Alien Fiction Lochness Monsters and Raining Frogs by Albert Dreamcatcher The Martian Chronicles by Ray Bradbury Jack A spiritual successor to IT and The Tom- One of the definitive alien science fiction novels Maybe the world’s mysteries have real world myknockers, this book is about four men that of all time, this book about colonization of Mars answers after all? Detective Albert Jack gets to while camping the woods, get drawn into an and the destruction of it inhabinits is also a the bottom of well known mysteries and urban alien landing and government coverup. metaphor for colonization. legends. 001.94 JAC FIC King Science Fiction A Bradbury Plainfield Public Library ▪ 800 Park Ave ▪ Plainfield, NJ 07060 ▪ 908-757-1111 x112 ▪ [email protected].

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Reading Stephen King: Issues of Censorship, Student Choice, and Popular Literature
DOCUMENT RESUME ED 414 606 CS 216 137 AUTHOR Power, Brenda Miller, Ed.; Wilhelm, Jeffrey D., Ed.; Chandler, Kelly, Ed. TITLE Reading Stephen King: Issues of Censorship, Student Choice, and Popular Literature. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-3905-1 PUB DATE 1997-00-00 NOTE 246p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 39051-0015: $14.95 members, $19.95 nonmembers). PUB TYPE Collected Works - General (020) Opinion Papers (120) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS *Censorship; Critical Thinking; *Fiction; Literature Appreciation; *Popular Culture; Public Schools; Reader Response; *Reading Material Selection; Reading Programs; Recreational Reading; Secondary Education; *Student Participation IDENTIFIERS *Contemporary Literature; Horror Fiction; *King (Stephen); Literary Canon; Response to Literature; Trade Books ABSTRACT This collection of essays grew out of the "Reading Stephen King Conference" held at the University of Mainin 1996. Stephen King's books have become a lightning rod for the tensions around issues of including "mass market" popular literature in middle and 1.i.gh school English classes and of who chooses what students read. King's fi'tion is among the most popular of "pop" literature, and among the most controversial. These essays spotlight the ways in which King's work intersects with the themes of the literary canon and its construction and maintenance, censorship in public schools, and the need for adolescent readers to be able to choose books in school reading programs. The essays and their authors are: (1) "Reading Stephen King: An Ethnography of an Event" (Brenda Miller Power); (2) "I Want to Be Typhoid Stevie" (Stephen King); (3) "King and Controversy in Classrooms: A Conversation between Teachers and Students" (Kelly Chandler and others); (4) "Of Cornflakes, Hot Dogs, Cabbages, and King" (Jeffrey D.
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Scary Movies at the Cudahy Family Library
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Stephen-King-Book-List
BOOK NERD ALERT: STEPHEN KING ULTIMATE BOOK SELECTIONS *Short stories and poems on separate pages Stand-Alone Novels Carrie Salem’s Lot Night Shift The Stand The Dead Zone Firestarter Cujo The Plant Christine Pet Sematary Cycle of the Werewolf The Eyes Of The Dragon The Plant It The Eyes of the Dragon Misery The Tommyknockers The Dark Half Dolan’s Cadillac Needful Things Gerald’s Game Dolores Claiborne Insomnia Rose Madder Umney’s Last Case Desperation Bag of Bones The Girl Who Loved Tom Gordon The New Lieutenant’s Rap Blood and Smoke Dreamcatcher From a Buick 8 The Colorado Kid Cell Lisey’s Story Duma Key www.booknerdalert.com Last updated: 7/15/2020 Just After Sunset The Little Sisters of Eluria Under the Dome Blockade Billy 11/22/63 Joyland The Dark Man Revival Sleeping Beauties w/ Owen King The Outsider Flight or Fright Elevation The Institute Later Written by his penname Richard Bachman: Rage The Long Walk Blaze The Regulators Thinner The Running Man Roadwork Shining Books: The Shining Doctor Sleep Green Mile The Two Dead Girls The Mouse on the Mile Coffey’s Heads The Bad Death of Eduard Delacroix Night Journey Coffey on the Mile The Dark Tower Books The Gunslinger The Drawing of the Three The Waste Lands Wizard and Glass www.booknerdalert.com Last updated: 7/15/2020 Wolves and the Calla Song of Susannah The Dark Tower The Wind Through the Keyhole Talisman Books The Talisman Black House Bill Hodges Trilogy Mr. Mercedes Finders Keepers End of Watch Short
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Film Reviews
Page 104 FILM REVIEWS “Is this another attack?”: Imagining Disaster in C loverfield, Diary of the Dead and [ Rec] Cloverfield (Dir. Matt Reeves) USA 2007 Paramount Home Entertainment Diary of the Dead (Dir. George A. Romero) USA 2007 Optimum Home Entertainment [Rec] (Dir. Jaume Balagueró & Paco Plaza) S pain 2007 Odeon Sky Filmworks In 1965, at the height of the Cold War, Susan Sontag declared in her famous essay ‘The Imagination of Disaster’ that the world had entered an “age of extremity” in which it had become clear that from now until the end of human history, every person on earth would “spend his individual life under the threat not only of individual death, which is certain, but of something almost insupportable psychologically – collective incineration which could come at any time”. Sontag went on to claim that narratives in which this fate was dramatised for the mass audience in fantastical form – like the monster movies of the 1950s – helped society deal with this stress by distracting people from their fate and normalising what was psychologically unbearable: a kind of vaccination of the imagination, if you will. If this is the case, then Cloverfield, in which Manhattan is destroyed by an immensely powerful sea monster, George A. Romero’s latest zombie movie, Diary of the Dead, and claustrophobic Spanish hit [Rec] are not so much preemptive vaccinations against probable catastrophe, but intermittently powerful, if flawed, reminders of actual calamity. In all three films some of the most destabilising events and anxieties of the past decade – including 9/11 (and the fear of terrorist attacks striking at the heart of American and European cities), Hurricane Katrina, the 2004 Tsunami, and the SARS virus– are reconfigured as genrebased mass market entertainment.
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Stephen King the Stephen King the Stephen King Checklist Checklist Checklist the Dark Tower the Stand the Dark Tower the Stand the Dark Tower the Stand 1
The Stephen King The Stephen King The Stephen King Checklist Checklist Checklist The Dark Tower The Stand The Dark Tower The Stand The Dark Tower The Stand 1. The Gunslinger The Dead Zone 1. The Gunslinger The Dead Zone 1. The Gunslinger The Dead Zone 2. The Drawing of the Firestarter 2. The Drawing of the Firestarter 2. The Drawing of the Firestarter Three The Mist Three The Mist Three The Mist 3. The Waste Lands Cujo 3. The Waste Lands Cujo 3. The Waste Lands Cujo 4. Wizard and Glass Pet Sematary 4. Wizard and Glass Pet Sematary 4. Wizard and Glass Pet Sematary 5. Wolves of the Calla Christine 5. Wolves of the Calla Christine 5. Wolves of the Calla Christine 6. Song of Susannah Cycle of the Werewolf 6. Song of Susannah Cycle of the Werewolf 6. Song of Susannah Cycle of the Werewolf 7. The Dark Tower It 7. The Dark Tower It 7. The Dark Tower It 8. The Wind Through the The Eyes of the Dragon 8. The Wind Through the The Eyes of the Dragon 8. The Wind Through the The Eyes of the Dragon Keyhole The Tommyknockers Keyhole The Tommyknockers Keyhole The Tommyknockers Misery Misery Misery Talisman The Dark Half Talisman The Dark Half Talisman The Dark Half (with Peter Straub) Needful Things (with Peter Straub) Needful Things (with Peter Straub) Needful Things 1. The Talisman Dolores Claiborne 1. The Talisman Dolores Claiborne 1. The Talisman Dolores Claiborne 2. Black House Gerald's Game 2. Black House Gerald's Game 2. Black House Gerald's Game Insomnia Insomnia Insomnia The Green Mile Rose Madder The Green Mile Rose Madder The Green Mile Rose Madder 1.
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The Journal of Stephen King Studies, Issue 2
The Journal of Stephen King Studies Winter 2019 1 2 The Journal of Stephen King Studies ————————————————————————————————— Issue 2: Halloween 2019 Artwork by Jane Peet—Instagram @jane_jep27 3 4 Editors: Dawn Stobbart Sorcha Ní Fhlainn Reviews Editor: Lauren Christie Founding Editor: Alan Gregory Fox Advisory Board: Xavier Aldana Reyes Linda Badley Brian Baker Simon Brown Steven Bruhm Regina Hansen Gary Hoppenstand Tony Magistrale Simon Marsden Patrick McAleer Bernice M. Muphy Philip L. Simpson Website: https://pennywisedreadful.wordpress.com/ Twitter: @pennywisedread/ Facebook: https://www.facebook.com/pennywisedrea 5 6 Contents Editors Introduction ………………………………………………………………………………………………………………………………………………………………………...….p. 9 Unlocking Time: The Clock of Horrors in Stephen King’s The Shining, Leslie Savath ……………………...……………………………………………………………………………………………………………………………………………………p. 11 “The town knew about darkness”: An analysis of Stephen King’s treatment of small-town America in his novel ‘Salem’s Lot, Yann Teyssou …………………………………………………………………………………………………………………………………………………………………………….p. 28 The Once and Future Promised Land: Finding the Fisher King of Arthurian Legend in the Post-Apocalyptic American West of Stephen King’s The Dark Tower, Vanessa Erat ……………………………………….……………………………………………………………………………………………………………………………………p. 43 Shall I at least set my lands in order?: Arthurian Imagery and High Speech in Stephen King’s The Dark Tower, Justin Lorenzo Biggi ……………………………………….…………………………………………………………………………………………………………………………………..p. 51 Review: Neil Mitchell, Devil’s
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Stephen King 1947—
King, Stephen 1947— Author: Tony Magistrale Date: 2000 From: American Writers, Supplement 5 Publisher: Charles Scribner's Sons Document Type: Biography; Critical essay Length: 11,425 words About this Person Born: September 21, 1947 in Portland, Maine, United States Nationality: American Occupation: Novelist Other Names: King, Stephen Edwin; Bachman, Richard; King, Steve (American novelist); Swithen, John; Druse, Eleanor Full Text: Stephen King 1947— Introduction IN A CONVERSATION with Stephen King that took place several years ago, I made the mistake of asking him why he continues to live in Bangor, Maine. I reminded him that the year before he had made fifty million dollars; since he could afford to reside anywhere in the world, why Bangor? King took me in with a look that suggested he had just swallowed some particularly offensive species of bug— indeed, that perhaps I myself were a member of that insect species. His response was a sardonic, “Now, just where would you have me live—Monaco?” This little anecode actually reveals a great deal about Stephen King, the man as well as the writer. Since 1974, the publication year of his first novel, Carrie, King has assembled a prodigious canon. By the late 1990s he had averaged more than a book a year for nearly three decades: 35 novels, 7 collections of short stories and novellas, and 10 screenplays. One consistent element that unifies this broad and eclectic landscape is that the majority of this fiction shares a Maine setting. Born in Portland, Maine, on September 21, 1947, Stephen King has spent almost his entire existence in Maine.
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Stephen King's Vampire Kingdom. Supernatural EVIL and Human Evil
Stephen King’s Vampire Kingdom. Supernatural EVIL and Human evil in TV adaptations of Salem’s Lot (1979, 2004) ‘Beneath the postcard camouflage there’s little good in small towns. Mostly boredom, interspersed with a dull, mindless, moronic evil’ (Salem’s Lot, 2004) First published in October 1975, Salem’s Lot is one of Stephen King’s most enduring novels. King critic Douglas Winter considers it ‘the single most influential of his books’ (1989:43), while screenwriter Peter Filardi, who would adapt it for TV in 2004, has described it as ‘a modern literary classic’ (Gross 2004: 10). Not only did the novel achieve longevity in its own right, but also the story of a small American community torn asunder by the arrival of a supernatural force became something of an archetypal Stephen King narrative to which he would return many times during his career. In Salem’s Lot the catalyst is the arrival of Kurt Barlow, an ancient European vampire, but in later works King has had the destructive force be extra-terrestrial (IT, 1985, The Tommyknockers, 1987 and Under the Dome, 2009), demonic (Needful Things, 1991), cosmic forces of fate (Insomnia, 1994) and inter-dimensional (‘The Mist’ 1980) Possibly because its structure became a King archetype, or due to its enduring appeal and the fact that it is one of King’s earliest works, Salem’s Lot is unusual in the canon of King adaptations by being adapted twice, once in 1979 and once in 2004. Both were miniseries for television, the first directed by Tobe Hooper and the second by Mikael Salomon.
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Stephen King's Possession Machines
Stephen King’s Possession Machines “Agency Panic” in Christine and The Tommyknockers. James Henry Hornby Supervisor Michael J. Prince This Master’s Thesis is carried out as a part of the education at the University of Agder and is therefore approved as a part of this education. However, this does not imply that the University answers for the methods that are used or the conclusions that are drawn. University of Agder, [2013] Faculty of [Humanities and Education] Department of [Foreign Languages and Translation] 1 Table of Contents Acknowledgements .................................................................................................................... 3 Introduction: King’s Paranoid Style ........................................................................................... 4 Christine: The Paranoid Consumer and His Artificial Prosthesis ............................................ 13 The Tommyknockers: The Paranoid Community .................................................................... 28 Addiction: De-Familiarising Consumerism ............................................................................. 44 Conclusion: “Agency Panic” for the Everyman ....................................................................... 61 Bibliography ............................................................................................................................. 70 2 Acknowledgements I want to thank my lovely girlfriend Barbro Rosfjord for all her support. Her enthusiasm really inspired me to get this thing written.
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The Psychopath in the Stephen King's Misery A
THE PSYCHOPATH IN THE STEPHEN KING’S MISERY A THESIS BY ROSA FELESIA DEBORA TARIGAN REG. NO. 120705026 DEPARTMENT OF ENGLISH FACULTY OF CULTURAL STUDIES UNIVERSITY OF SUMATERA UTARA MEDAN 2018 UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA AUTHOR’S DECLARATION I, ROSA FELESIA DEBORA TARIGAN, DECLARE THAT I AM THE SOLE AUTHOR OF THIS THESIS EXCEPT WHERE REFERENCE IS MADE IN THE TEXT OF THIS THESIS. THIS THESIS CONTAINS NO MATERIAL PUBLISHED ELSEWHERE OR EXTRACTED IN WHOLE OR IN PART FROM A THESIS BY WHICH I HAVE QUALIFIED FOR OR A WARDED ANOTHER DEGREE. NO OTHER PERSON’S WORK HAS BEEN USED WITHOUT DUE ACKNOWLEDGMENTS IN THE MAIN TEXT OF THIS THESIS. THIS THESIS HAS NOT BEEN SUBMITTED FOR THE AWARD OF ANOTHER DEGREE IN ANY TERTIARY EDUCATION. Signed : Date : July 20, 2018 UNIVERSITAS SUMATERA UTARA COPYRIGHT DECLARATION NAME : ROSA FELSIA DEBORA TARIGAN TITLE OF THESIS : THE PSYCHOPATH IN THE STEPHEN KING’S MISERY QUALIFICATION : S-1/SARJANA SASTRA DEPARTMENT : ENGLISH I AM WILLING THAT MY THESIS SHOULD BE AVAILABLE FOR REPRODUCTION AT THE DISCRETION OF THE LIBRARIAN OF DEPARTMENT OF ENGLISH, FACULTY OF CULTURAL STUDIES, UNIVERSITY OF SUMATERA UTARA ON THE UNDERSTANDING THAT USERS ARE MADE AWARE OF THEIR OBLIGATION UNDER THE LAW OF THE REPUBLIC OF INDONESIA. Signed : Date : July 20, 2018 UNIVERSITAS SUMATERA UTARA ACKNOWLEDGMENT Firstly, I would like to express my gratitude to the Almighty, Jesus Christ, mankind’s savior who loves me with His unconditional affection, holds my hand in every situations and blesses me with a great life that I can pass all problems in my life without changing and remove my faith in Him.
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Stephen King Kathleen A
Digital Commons @ George Fox University Faculty Publications - Department of English Department of English 2003 Stephen King Kathleen A. Heininge George Fox University, [email protected] Follow this and additional works at: https://digitalcommons.georgefox.edu/eng_fac Part of the Literature in English, North America Commons Recommended Citation Heininge, Kathleen A., "Stephen King" (2003). Faculty Publications - Department of English. 71. https://digitalcommons.georgefox.edu/eng_fac/71 This Article is brought to you for free and open access by the Department of English at Digital Commons @ George Fox University. It has been accepted for inclusion in Faculty Publications - Department of English by an authorized administrator of Digital Commons @ George Fox University. For more information, please contact [email protected]. Stephen King Stephen King, popularly known as “The King of Horror,” is one of the more prolific and successful writers of the twentieth century. Despite a reputation for writing only horror and gore, however, King has written works that do not qualify as either horror or supernatural but rather are thoughtful, intricate slices of human experience that often cause us to reflect on our own childhoods, not always with fond nostalgia. He encourages his readers to get in touch with their own memories of what being a child really means, and innocence has little to do with King's version of childhood. Believing that most adults have lost touch with their imaginations and a sense of the mythic, King constantly challenges his readers to expand their concepts of memory and experience. Life A writer who is remarkably open about his own history, King is frequently asked what seems to be an inevitable question: Where do you get your ideas? He has observed numerous times that this question seems to be asked more frequently of writers within the horror genre than of others, as though his story lines reflect an unstable mind.
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Book Reviews
Book Reviews Noble, Safiya Umoja. Algorithms of Oppression: How Search Engines Reinforce Racism. New York University Press, 2018. Safiya Umoja Noble’s Algorithms of Oppression: How Search Engines Reinforce Racism critiques the power of algorithms to consistently reproduce racial stereotypes within the digitized public sphere. The book has been regularly lauded by early reviewers within both the tech world and among scholars of the humanities. In her popular work, Noble skillfully weaves widely dissimilar fields into an accessible narrative that is clearly prescient in the wake of both the Cambridge Analytica scandal and the continued repercussions of GamerGate. Although often quite vague on solutions, Noble’s analysis offers an important interdisciplinary contribution that exposes structural racism within the digital realm through both personal anecdotes and important current events. Sometimes seeming an overly synthetic gilded lily, Noble’s work provides the public significant awareness about how racism is encoded within algorithms, an essential step in overcoming the continued implications of digital discrimination. Algorithms of Oppression applies discourse analysis of algorithms and scrutinizes the corporations that profit from a racialized internet. Following work by Helen Nissenbaum and Lucas Introna, Virginia Eubanks, and Cathy O’Neil, Noble argues that discrimination is embedded within the algorithms used by search engines that consistently profit from the reproduction of racist and sexist digital information. Due to a previous career in marketing, Noble keenly reads how racism specifically assists Google’s profiteering through Search and PageRank. Noble begins her analyses of algorithmic oppression through a consistently reiterated story about her searching the phrase “black girls” to find interesting topics to better connect with her stepdaughter and nieces.
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