Did Science Fiction Influence You?
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Note to Users
NOTE TO USERS Page(s) not included in the original manuscript are unavailable from the author or university. The manuscript was microfilmed as received 88-91 This reproduction is the best copy available. UMI INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6" X 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. AccessinglUMI the World’s Information since 1938 300 North Zeeb Road, Ann Arbor, Mi 48106-1346 USA Order Number 8820263 Leigh Brackett: American science fiction writer—her life and work Carr, John Leonard, Ph.D. -
ENGL 279 Course Title: Science Fiction and Dystopic Literature Units
Course name: ENGL 279 Course title: Science Fiction and Dystopic Literature Units: 3 Course Description: This course is designed to increase students’ knowledge of the literary genre known as Science Fiction. Emphasis will be on the study of literature--novels and short fiction--that depicts our future world, visionary scientific endeavor, and conflicts between humans, aliens, and sentient technology. Students will study the history, exciting contemporary trends, and the relevant contemporary issues in Science Fiction, including dystopia vs. utopia, artificial intelligence, current theory concerning technology, cloning and physical science, human psychology in a futuristic environment, and the rise of Cyberpunk and new Alternate Reality literature within the genre. Prerequisites: Completion of ENGL 101 Course Objectives: l. Analyze the role of literature as a means of reflecting and shaping thought and behavior. 2. Recognize and employ literary terminology and the language of literary criticism. 3. Identify, interpret, and compare and contrast specific leitmotifs and character types of the Science Fiction genre. 4. Practice critical reading and writing skills. 5. Conduct research and synthesize material from outside the given text in developing a written or oral project. 6. Recognize the attributes that make literary works universal and timeless, as well as unique to certain genres. 7. Demonstrate the ability to discuss literature using relevant support from the text. 8. Evaluate a literary work objectively, being able to understand and analyze critical responses to the works read. Course Content: I. In discussing the roots of many essential elements of Science Fiction, the instructor will guide students in: A. Distinguishing the important archetypes of Science Fiction. -
FANTASY NEWS TEN CENTS the Science Fiction Weekly Newspaper Volume 4, Number 21 Sunday, May 12
NEWS PRICE: WHILE THREE IT’S ISSUES HOT! FANTASY NEWS TEN CENTS the science fiction weekly newspaper Volume 4, Number 21 Sunday, May 12. 1940 Whole Number 99 FAMOUS FANTASTIC FACTS SOCIAL TO BE GIVEN BY QUEENS SFL THE TIME STREAM The next-to-last QSFL meeting which provided that the QSFL in Fantastic Novels, long awaited The Writer’s Yearbook for 1940 of the 39-40 season saw an attend vestigate the possibilities of such an companion magazine to Famous contains several items of consider ance of close to thirty authors and idea. The motion was passed by a Fantastic Mysteries, arrived on the able interest to the science fiction fans. Among those present were majority with Oshinsky. Hoguet. newsstands early this week. This fan. There is a good size picture of Malcolm Jameson, well know stf- and Unger on investigating com new magazine presents the answer Fred Pohl, editor of Super Science author; Julius Schwartz and Sam mittee. It was pointed out that if to hundreds of stfans who wanted and Astonishing, included in a long Moskowitz, literary agents special twenty fans could be induced to pay to read the famous classics of yester pictorial review of all Popular Pub izing in science fiction; James V. ten dollars apiece it would provide year and who did not like to wait lications; there is also, the informa Taurasi. William S. Sykora. Mario two hundred dollars which might months for them to appear in serial tion that Harl Vincent has had ma Racic, Jr., Robert G. Thompson, be adequate to rent a “science fiction terial in Detective Fiction Weekly form. -
A Very Short History of Cyberpunk
A Very Short History of Cyberpunk Marcus Janni Pivato Many people seem to think that William Gibson invented The cyberpunk genre in 1984, but in fact the cyberpunk aesthetic was alive well before Neuromancer (1984). For example, in my opinion, Ridley Scott's 1982 movie, Blade Runner, captures the quintessence of the cyberpunk aesthetic: a juxtaposition of high technology with social decay as a troubling allegory of the relationship between humanity and machines ---in particular, artificially intelligent machines. I believe the aesthetic of the movie originates from Scott's own vision, because I didn't really find it in the Philip K. Dick's novel, Do Androids Dream of Electric Sheep (1968), upon which the movie is (very loosely) based. Neuromancer made a big splash not because it was the "first" cyberpunk novel, but rather, because it perfectly captured the Zeitgeist of anxiety and wonder that prevailed at the dawning of the present era of globalized economics, digital telecommunications, and exponential technological progress --things which we now take for granted but which, in the early 1980s were still new and frightening. For example, Gibson's novels exhibit a fascination with the "Japanification" of Western culture --then a major concern, but now a forgotten and laughable anxiety. This is also visible in the futuristic Los Angeles of Scott’s Blade Runner. Another early cyberpunk author is K.W. Jeter, whose imaginative and disturbing novels Dr. Adder (1984) and The Glass Hammer (1985) exemplify the dark underside of the genre. Some people also identify Rudy Rucker and Bruce Sterling as progenitors of cyberpunk. -
Stairway to Heaven? Geographies of the Space Elevator in Science Fiction
ISSN 2624-9081 • DOI 10.26034/roadsides-202000306 Stairway to Heaven? Geographies of the Space Elevator in Science Fiction Oliver Dunnett Outer space is often presented as a kind of universal global commons – a space for all humankind, against which the hopes and dreams of humanity have been projected. Yet, since the advent of spaceflight, it has become apparent that access to outer space has been limited, shaped and procured in certain ways. Geographical approaches to the study of outer space have started to interrogate the ways in which such inequalities have emerged and sustained themselves, across environmental, cultural and political registers. For example, recent studies have understood outer space as increasingly foreclosed by certain state and commercial actors (Beery 2012), have emphasised narratives of tropical difference in understanding geosynchronous equatorial satellite orbits (Dunnett 2019) and, more broadly, have conceptualised the Solar System as part of Earth’s environment (Degroot 2017). It is clear from this and related literature that various types of infrastructure have been a significant part of the uneven geographies of outer space, whether in terms of long-established spaceports (Redfield 2000), anticipatory infrastructures (Gorman 2009) or redundant space hardware orbiting Earth as debris (Klinger 2019). collection no. 003 • Infrastructure on/off Earth Roadsides Stairway to Heaven? 43 Having been the subject of speculation in both engineering and science-fictional discourses for many decades, the space elevator has more recently been promoted as a “revolutionary and efficient way to space for all humanity” (ISEC 2017). The concept involves a tether lowered from a position in geostationary orbit to a point on Earth’s equator, along which an elevator can ascend and arrive in orbit. -
Chapterhouse: Dune Frank Herbert April 1985 Those Who Would Repeat
Chapterhouse: Dune Frank Herbert April 1985 Those who would repeat the past must control the teaching of history. -Bene Gesserit Coda When the ghola-baby was delivered from the first Bene Gesserit axlotl tank, Mother Superior Darwi Odrade ordered a quiet celebration in her private dining room atop Central. It was barely dawn, and the two other members of her Council -- Tamalane and Bellonda -- showed impatience at the summons, even though Odrade had ordered breakfast served by her personal chef. "It isn't every woman who can preside at the birth of her own father," Odrade quipped when the others complained they had too many demands on their time to permit of "time-wasting nonsense." Only aged Tamalane showed sly amusement. Bellonda held her over-fleshed features expressionless, often her equivalent of a scowl. Was it possible, Odrade wondered, that Bell had not exorcised resentment of the relative opulence in Mother Superior's surroundings? Odrade's quarters were a distinct mark of her position but the distinction represented her duties more than any elevation over her Sisters. The small dining room allowed her to consult aides during meals. Bellonda glanced this way and that, obviously impatient to be gone. Much effort had been expended without success in attempts to break through Bellonda's coldly remote shell. "It felt very odd to hold that baby in my arms and think: This is my father," Odrade said. "I heard you the first time!" Bellonda spoke from the belly, almost a baritone rumbling as though each word caused her vague indigestion. She understood Odrade's wry jest, though. -
A History of the Future David J. Staley
History and Theory,Theme Issue 41 (December 2002), 72-89 ? Wesleyan University 2002 ISSN: 0018-2656 A HISTORYOF THE FUTURE DAVIDJ. STALEY ABSTRACT Does history have to be only about the past? "History"refers to both a subject matterand a thoughtprocess. That thoughtprocess involves raising questions, marshallingevidence, discerningpatterns in the evidence, writing narratives,and critiquingthe narrativeswrit- ten by others. Whatever subject matter they study, all historians employ the thought process of historicalthinking. What if historianswere to extend the process of historicalthinking into the subjectmat- ter domain of the future?Historians would breach one of our profession's most rigid dis- ciplinarybarriers. Very few historiansventure predictions about the future, and those who do are viewed with skepticism by the profession at large. On methodological grounds, most historiansreject as either impractical,quixotic, hubristic,or dangerousany effort to examine the past as a way to make predictionsabout the future. However, where at one time thinking about the future did mean making a scientifical- ly-based prediction,futurists today arejust as likely to think in terms of scenarios.Where a predictionis a definitive statementabout what will be, scenarios are heuristicnarratives that explore alternativeplausibilities of what might be. Scenario writers, like historians, understandthat surprise,contingency, and deviations from the trend line are the rule, not the exception; among scenario writers, context matters.The thought process of the sce- nario method shares many features with historical thinking. With only minimal intellec- tual adjustment,then, most professionally trainedhistorians possess the necessary skills to write methodologicallyrigorous "historiesof the future." History, according to Kevin Reilly, is both a noun and a verb.' By this Reilly means that "history" refers to both a subject matter-a body of knowledge-and a thought process, a disciplined habit of mind. -
The Imagined Wests of Kim Stanley Robinson in the "Three Californias" and Mars Trilogies
Portland State University PDXScholar Urban Studies and Planning Faculty Nohad A. Toulan School of Urban Studies and Publications and Presentations Planning Spring 2003 Falling into History: The Imagined Wests of Kim Stanley Robinson in the "Three Californias" and Mars Trilogies Carl Abbott Portland State University, [email protected] Follow this and additional works at: https://pdxscholar.library.pdx.edu/usp_fac Part of the Urban Studies and Planning Commons Let us know how access to this document benefits ou.y Citation Details Abbott, C. Falling into History: The Imagined Wests of Kim Stanley Robinson in the "Three Californias" and Mars Trilogies. The Western Historical Quarterly , Vol. 34, No. 1 (Spring, 2003), pp. 27-47. This Article is brought to you for free and open access. It has been accepted for inclusion in Urban Studies and Planning Faculty Publications and Presentations by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Falling into History: The ImaginedWests of Kim Stanley Robinson in the "Three Californias" and Mars Trilogies Carl Abbott California science fiction writer Kim Stanley Robinson has imagined the future of Southern California in three novels published 1984-1990, and the settle ment of Mars in another trilogy published 1993-1996. In framing these narratives he worked in explicitly historical terms and incorporated themes and issues that characterize the "new western history" of the 1980s and 1990s, thus providing evidence of the resonance of that new historiography. .EDMars is Kim Stanley Robinson's R highly praised science fiction novel published in 1993.1 Its pivotal section carries the title "Falling into History." More than two decades have passed since permanent human settlers arrived on the red planet in 2027, and the growing Martian communities have become too complex to be guided by simple earth-made plans or single individuals. -
“Magazines Journalism”? the University of Georgia Career Center Clark Howell Hall, 706-542-3375, Journalism, 706-542-4668
What can I do with a major in “Magazines Journalism”? The University of Georgia Career Center Clark Howell Hall, 706-542-3375, www.career.uga.edu Journalism, 706-542-4668, www.grady.uga.edu This information describes typical occupations and employment settings associated with this major. Understand some of these options may require additional training. Moreover, you are not limited to these options when choosing a possible career path. Description of Magazines Journalism (Source: University of Georgia Bulletin, http://www.bulletin.uga.edu/) The Magazine Journalism emphasis trains students to tell stories interestingly, effectively and ethically in print and digital formats. Students learn how to write, edit, design, publish and manage multimedia publications, and publish their work in national and regional publications in addition to The Red & Black, UGAzine and GradyJournal.com. Research Careers O*NET http://online.onetcenter.org (Click on Find Occupations) Georgia Career Information Center http://www.gcic.peachnet.edu (Accessible only on campus computers) Occupational Outlook Handbook http://www.bls.gov/oco (Type in general term for career of interest) Alberta Occupational Profiles www.alis.gov.ab.ca/occinfo/frameset.asp (Click on Occupational Title Search) *Please visit the Career Center Library or your Career Consultant for more information or assistance. Possible Job Titles of Magazines Journalism Graduates (*Jobs secured as reported by UGA Career Center post-graduate survey) Advocacy Journalism Editorial Assistant Publisher Assistant -
13Th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture
13th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture James F. O’Gorman Non-fiction 38.65 ACROSS THE SEA OF GREGORY BENFORD SF 9.95 SUNS Affluent Society John Kenneth Galbraith 13.99 African Exodus: The Origins Christopher Stringer and Non-fiction 6.49 of Modern Humanity Robin McKie AGAINST INFINITY GREGORY BENFORD SF 25.00 Age of Anxiety: A Baroque W. H. Auden Eclogue Alabanza: New and Selected Martin Espada Poetry 24.95 Poems, 1982-2002 Alexandria Quartet Lawrence Durell ALIEN LIGHT NANCY KRESS SF Alva & Irva: The Twins Who Edward Carey Fiction Saved a City And Quiet Flows the Don Mikhail Sholokhov Fiction AND ETERNITY PIERS ANTHONY SF ANDROMEDA STRAIN MICHAEL CRICHTON SF Annotated Mona Lisa: A Carol Strickland and Non-fiction Crash Course in Art History John Boswell From Prehistoric to Post- Modern ANTHONOLOGY PIERS ANTHONY SF Appointment in Samarra John O’Hara ARSLAN M. J. ENGH SF Art of Living: The Classic Epictetus and Sharon Lebell Non-fiction Manual on Virtue, Happiness, and Effectiveness Art Attack: A Short Cultural Marc Aronson Non-fiction History of the Avant-Garde AT WINTER’S END ROBERT SILVERBERG SF Austerlitz W.G. Sebald Auto biography of Miss Jane Ernest Gaines Fiction Pittman Backlash: The Undeclared Susan Faludi Non-fiction War Against American Women Bad Publicity Jeffrey Frank Bad Land Jonathan Raban Badenheim 1939 Aharon Appelfeld Fiction Ball Four: My Life and Hard Jim Bouton Time Throwing the Knuckleball in the Big Leagues Barefoot to Balanchine: How Mary Kerner Non-fiction to Watch Dance Battle with the Slum Jacob Riis Bear William Faulkner Fiction Beauty Robin McKinley Fiction BEGGARS IN SPAIN NANCY KRESS SF BEHOLD THE MAN MICHAEL MOORCOCK SF Being Dead Jim Crace Bend in the River V. -
For Fans by Fans: Early Science Fiction Fandom and the Fanzines
FOR FANS BY FANS: EARLY SCIENCE FICTION FANDOM AND THE FANZINES by Rachel Anne Johnson B.A., The University of West Florida, 2012 B.A., Auburn University, 2009 A thesis submitted to the Department of English and World Languages College of Arts, Social Sciences, and Humanities The University of West Florida In partial fulfillment of the requirements for the degree of Master of Arts 2015 © 2015 Rachel Anne Johnson The thesis of Rachel Anne Johnson is approved: ____________________________________________ _________________ David M. Baulch, Ph.D., Committee Member Date ____________________________________________ _________________ David M. Earle, Ph.D., Committee Chair Date Accepted for the Department/Division: ____________________________________________ _________________ Gregory Tomso, Ph.D., Chair Date Accepted for the University: ____________________________________________ _________________ Richard S. Podemski, Ph.D., Dean, Graduate School Date ACKNOWLEDGMENTS First, I would like to thank Dr. David Earle for all of his help and guidance during this process. Without his feedback on countless revisions, this thesis would never have been possible. I would also like to thank Dr. David Baulch for his revisions and suggestions. His support helped keep the overwhelming process in perspective. Without the support of my family, I would never have been able to return to school. I thank you all for your unwavering assistance. Thank you for putting up with the stressful weeks when working near deadlines and thank you for understanding when delays -
Cons & Confusion
Cons & Confusion The almost accurate convention listing of the B.T.C.! We try to list every WHO event, and any SF event near Buffalo. updated: July 19, 2019 to add an SF/DW/Trek/Anime/etc. event; send information to: [email protected] 2019 DATE local EVENT NAME WHERE TYPE WEBSITE LINK JULY 18-21 NYS MISTI CON Doubletree/Hilton, Tarrytown, NY limited size Harry Potter event http://connecticon.org/ JULY 18-21 CA SAN DIEGO COMIC CON S.D. Conv. Ctr, San Diego, CA HUGE media & comics show NO DW GUESTS YET! Neal Adams, Sergio Aragones, David Brin, Greg Bear, Todd McFarlane, Craig Miller, Frank Miller, Audrey Niffenegger, Larry Niven, Wendy & Richard Pini, Kevin Smith, (Jim?) Steranko, J Michael Straczynski, Marv Wolfman, (most big-name media guests added in last two weeks or so) JULY 19-21 OH TROT CON 2019 Crowne Plaza Htl, Columbus, OH My Little Pony' & other equestrials http://trotcon.net/ Foal Papers, Elley-Ray, Katrina Salisbury, Bill Newton, Heather Breckel, Riff Ponies, Pixel Kitties, The Brony Critic, The Traveling Pony Museum JULY 19-21 KY KEN TOKYO CON Lexington Conv. Ctr, Lexington, KY anime & gaming con https://www.kentokyocon.com/ JULY 20 ONT ELMVALE SCI-FI FANTASY STREET PARTY Queen St, Elmvale, Ont (North of Lake Simcoe!) http://www.scififestival.ca/ Stephanie Bardy, Vanya Yount, Loc Nguyen, Christina & Martn Carr Hunger, Julie Campbell, Amanda Giasson JULY 20 PA WEST PA BOOK FEST Mercer High School, Mercer, PA all about books http://www.westpabookfestival.com/ Patricia Miller, Michael Prelee, Linda M Au, Joseph Max Lewis, D R Sanchez, Judy Sharer, Arlon K Stubbe, Ruth Ochs Webster, Robert Woodley, Kimberly Miller JULY 20-21 Buf WILD RENN FEST Hawk Creek Wildlife Ctr, East Aurora, NY Renn fest w/ live animals https://www.hawkcreek.org/wp/ "Immerse yourself in Hawk Creek’s unique renaissance-themed celebration of wildlife diversity! Exciting entertainment and activities for all ages includes live wildlife presentations, bird of prey flight demonstrations, medieval reenactments, educational exhibits, food, music, art, and much more! JULY 20-21 T.O.