The Influence of Casting Parameters on the Sound of a Bell
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												  The Church Bells LeicestershireThe Church Bells of Leicestershire BY Thomas North, F.S.A. File 02 : Pages 33 to 74 This document is provided for you by The Whiting Society of Ringers visit www.whitingsociety.org.uk for the full range of publications and articles about bells and change ringing Purchased from ebay store retromedia CHURCH BELLS OF LEICESTERSHIRE. /HpHERE are in Leicestershire 998 Church Bells. Of JL these only 147 can be said, with any certainty, to have been cast before the year 1600. Exclusive of churches with only one bell, Caldwell (3 bells), Sproxton (3 bells), Wanlip (3 bells), Brentingby and (2 bells), Cranoe (2 bells), Walton Isley (2 bells), are the in the where Wyfordby (2 bells) , only places county complete rings of ancient bells still exist. The Dedications and Legends of these 146 ancient bells may be thus summarised : Two are dedicated to the Ever Blessed Trinity (Cottes- bach 2nd and Long Clawson 4th). One bears simply the Holy Name (Wistow 3 rd). " Ten have the superscription of His accusation:" Purchased from ebay store retromedia 34 Church Bells of Leicestershire. forms 6th Birstall in various (Ashby-de-la-Zouch ; 3rd ; ist and the bell at Caldwell ; Kegworth 3rd 4th ; single Harcourt 2nd Newton ; Ratby 4th ; Sproxton ; Thorpe Arnold and . 2nd ; Witherley 5th) Six carry the short invocation or prayer : 6th Croxton Kerrial 2nd ist (Church Langton ; ; Knipton ; Stoke Swinford ist and Golding 3rd ; ; (slightly altered) Thurcaston 3rd). Thirty-two are dedicated to, or bear inscriptions relating to, the B. V. Mary in these forms : 1. + 2. j@>arata i- Jstbjte jgaiute 6.
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												  Newslett Sp03Number 31 Spring 2003 www.chimes.cornell.edu [email protected] (607) 255-5350 NEWSLETTER Marisa Piliero LaFalce ‘96, Editor Physics + Bells + Pizza = Party! Catherine Jordan ’03 Whoever said physics isn’t fun? When you add bells to anything, it’s a great time! This February we had the good fortune to meet with Edith Cassel, Professor of Physics, who teaches a course “The Physics of Musical Sound.” Each year, as part of her course, she brings her class to the tower for a tour and Chimes concert. She also participated in a panel discussion on the Physics of Bells during the Chimes Rededication Celebration in 1999. For our special session, Professor Cassel came armed with diagrams, charts, bell models, xylophone bars, mallets, and a great sense of humor. For the next hour we explored the size, shape and composition of bells, and how they produce the A page beautiful music that we take for granted. Quite a bit from Rick of the material was pretty confusing – for example, Watson’s why is it that a larger and more massive bell pro- journal duces a lower pitch than a smaller and less massive containing bell, yet, when you remove mass from a bell by notations tuning, it lowers the pitch? The pitch of a bell is from the Cornell related not only to its mass but its rigidity, and the Chimes thinning of the bell’s shape with tuning makes the tuning bell less rigid, and therefore it has a lower pitch. project. This page I could go on with the fun bell facts we learned! for the low C hour bell.
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												  Inventories and Bell Archaeology: Ireland, Scotland, and WalesST MARTIN'S GUILD OF CHURCH BELL RINGERS: LIBRARY AND ARCHIVE CATALOGUE 11: INVENTORIES AND BELL ARCHAEOLOGY - ARRANGED BY GEOGRAPHICAL AREA (B: IRELAND, SCOTLAND AND WALES) Accession Category Author Title Date Publisher and other details Number NA476 INB - Ireland Dukes, F. E. Campanology in Ireland 1994 Dublin Presented by the author. Published on the occasion of the NA392 INB - Ireland Hudson, Andrew et al The Bells and Ringers of St Patrick's Church, Ballymena 1988 dedication of the recast ring of 12 bells, 19 March 1988 A069 INB - Ireland Salter, G. A. Bells of Shandon (Cork) nd Booklet Inverary Bells: twelve traditional melodies on the chimes and the bells being AC4 INB - Scotland Anonymous rung in full peal [c 1973] Audio-tape cassette A068 INB - Scotland Eeles, F. C. The Church and other Bells of Kincardinshire 1897 Eeles, F. C. and Clouston, R. The Church and other Bells of Aberdeenshire: A (not including Aberdeen) to Edinburgh. In 'Proceedings of the Society of Antiquaries of NA450 INB - Scotland W. M. Kennethmont 1959 Scotland 1956-1957', Volume 90. Eeles, F. C. and Clouston, R. NA279 INB - Scotland W. M. The Church and other Bells of Wigtownshire 1976 The Gorbals Brass and Bell Foundry Bellfounding in Victorian and Edwardian The Whiting Society of Ringers, Inverness. 1st edition. 116pp, NA698 INB - Scotland Foulds, Michael Glasgow 2011 illustrated The Whiting Society of Ringers, Inverness. 1st edition. 100pp, NA699 INB - Scotland Foulds, Michael The Part-Time Bellfounders of Glasgow and Renfrewshire 2013 illustrated Mackechnie, D., Chaddock, N., NA297 INB - Scotland Glenkinglas, The Lady Inverary Bell Tower [c 1973] Inverary NA448 INB - Wales Clouston, R.
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												  Bell News Vol 27^ittgere* T^ecor^: A Weekly Journal k f the Ringing Exercise; and Compendium o f Information fo r tk$ Clergy and Churchwardens. No. 1396. -VOL. XXVII.] S A T U R D A Y , JA N U A R Y 2, 1909. [P r ic e O n e P b n i ^ m GII.I.ETT & JOHNSTON, GEORGE H.COLDWELI CROYDON, Surrey. M AK ER OP CHURCH, TURRET, Makers ot th« Re-Hangers m a n Great Clocks New Iron Frames PUBLIC CLOCKf Md Bells at of the P e a l s at MIRFISLD, TOSm Toronto, Canada. Leek, stan. ■S*rilMATH« FRBK. Lav Courts, Loiiden. Lannton, oion. JAMES SHAW,SONftGi Tvyford, Baom. O H U B O H & C A B I L I i O m Birmmgham, Art Gallery. Wool, Doriat. CHURCH BELL HANQBRSS Londonderry, Worplesdon, Oathadral. LEEDS ROAD, BRADFORl Burey. TORU., ■■TaBMfBM MS. BELL FOUNDERS & HANGERS, Balli oaii Singly or ia Ring*. Chuoti BaM Sobool Belli, aad Fvotery Belli. CLOCK MANUFACTURERS, OLD B S II.S R B ^^ST OR RKHUHII CARILLON MAKERS. Masioal Hand Ben In lets, Diatonic or Chromatto Soalai. ESTABI.ISHED 1820 Huleal O IottB^^^gulU eu te M d Astley aod Sens, Ltd. Mmufucttifen by Steam Power of every JOHN PRITCHARD, h a v e MAD£ 4ncriftwn of CHURCH BELL ROPES CHURCH TURRET k PUfiLH BELL ROPE, Since the Reign of George III. CLOCKS. For Estimates send wetghi of Tenor, and Uata KBd Eatln»«taa hpfe*. CLOCK IIHD CHmUSG ROPE number and length of Ropes required to IM a n w f a o ' t M r e ■>-, JOHN ASTLEY & SONS, Ltd Greenleaf & Tristram LOUGHBOROUGH.
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												  Mending Bells and Closing Belfries with FaustProceedings of the 1st International Faust Conference (IFC-18), Mainz, Germany, July 17–18, 2018 MENDING BELLS AND CLOSING BELFRIES WITH FAUST John Granzow Tiffany Ng School of Music Theatre and Dance School of Music Theatre and Dance University of Michigan, USA University of Michigan, USA [email protected] [email protected] Chris Chafe Romain Michon Center for Computer Research in Music and Acoustics Center for Computer Research in Music and Acoustics Stanford University, USA Stanford University, USA [email protected] [email protected] ABSTRACT to just above the bead line. Figure 2 shows the profile we used with the relative thickness variations between the inner and outer Finite Element Analyses (FEA) was used to predict the reso- surface. nant modes of the Tsar Kolokol, a 200 ton fractured bell that sits outside the Kremlin in Moscow. Frequency and displacement data informed a physical model implemented in the Faust programming language (Functional Audio Stream). The authors hosted a con- cert for Tsar bell and Carillon with the generous support of Meyer Sound and a University of Michigan bicentennial grant. In the concert, the simulated Tsar bell was triggered by the keyboard and perceptually fused with the bourdon of the Baird Carillon on the University of Michigan campus in Ann Arbor. 1. INTRODUCTION In 1735 Empress Anna Ivanovna commissioned the giant Tsar Kolokol bell. The bell was cast in an excavated pit then raised into scaffolding for the cooling and engraving process. When the supporting wooden structure caught fire, the bell was doused with water causing the metal to crack.
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												  A Proposed Campanile for Kansas State CollegeA PROPOSED CAMPANILE FOR KANSAS STATE COLLEGE by NILES FRANKLIN 1.1ESCH B. S., Kansas State College of Agriculture and Applied Science, 1932 A THESIS submitted in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE KANSAS STATE COLLEGE OF AGRICULTURE AND APPLIED SCIENCE 1932 LV e.(2 1932 Rif7 ii. TABLE OF CONTENTS Page INTRODUCTION 1 THE EARLY HISTORY OF BELLS 3 BELL FOUNDING 4 BELL TUNING 7 THE EARLY HISTORY OF CAMPANILES 16 METHODS OF PLAYING THE CARILLON 19 THE PROPOSED CAMPANILE 25 The Site 25 Designing the Campanile 27 The Proposed Campanile as Submitted By the Author 37 A Model of the Proposed Campanile 44 SUMMARY '47 ACKNOWLEDGMENTS 54 LITERATURE CITED 54 1. INTRODUCTION The purpose of this thesis is to review and formulate the history and information concerning bells and campaniles which will aid in the designing of a campanile suitable for Kansas State College. It is hoped that the showing of a design for such a structure with the accompanying model will further stimulate the interest of both students, faculty members, and others in the ultimate completion of such a project. The design for such a tower began about two years ago when the senior Architectural Design Class, of which I was a member, was given a problem of designing a campanile for the campus. The problem was of great interest to me and became more so when I learned that the problem had been given to the class with the thought in mind that some day a campanile would be built.
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												![Dove, Ronald H.] World 2018 CCCBR](https://docslib.b-cdn.net/cover/8339/dove-ronald-h-world-2018-cccbr-668339.webp)  Dove, Ronald H.] World 2018 CCCBRST MARTIN'S GUILD OF CHURCH BELL RINGERS: LIBRARY AND ARCHIVE CATALOGUE 9: BELLS, BELL-FOUNDERS AND BELL ARCHAEOLOGY - GENERAL Accession Category Author Title Date Publisher and other details Number Dove's Guide for Church Bell Ringers to the Ringing Bells of Britain and of the NA724 BBG [Dove, Ronald H.] World 2018 CCCBR. 11th edition [Dove, Ronald H.], Baldwin, Dove's Guide for Church Bell Ringers to the Ringing Bells of Britain and of the NA641 BBG John, Johnston, Ronald World 2012 CCCBR. 10th edition Acland-Troyte, J. E. and R. H. A025 BBG D. The Change Ringers' Guide to the Steeples of England 1882 London A4 presentation edition. Presented by the St Paul's Bells' NA623 BBG Anonymous St Paul's Church Birmingham: a peal of ten bells. Donors' Book 2010 Committee With CD recording of previous steel bells. Presented by the NA656 BBG Anonymous A New Voice for St Mary's Church Moseley. Donors' Book 2014 Moseley ringers NA427 BBG Baldwin, John Four Bell Towrs: a supplement to Dove's Guide 1989 Cardiff. Bound NA364 BBG Camp, J. Discovering Bells and Bellringing 1968 Tring NA683 BBG Camp, J. Discovering Bells and Bellringing 1975 Wingrave. 2nd edition Aldershot. 1st edition. Rebound in plain hard covers. NA445 BBG Dove, Ronald H. A Bellringers' Guide to the Church Bells of Britain 1950 Presented by George Chaplin NA5180 BBG Dove, Ronald H. A Bellringers' Guide to the Church Bells of Britain 1950 Aldershot. 1st edition. Original covers NA5190 BBG Dove, Ronald H. A Bellringers' Guide to the Church Bells of Britain 1956 Aldershot.
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												  The World Famous Bells (Myanmar and Russia) Swe Swe Aung1Dagon University Commemoration of 25th Anniversary Silver Jubilee Research Journal Volume 9,No.1 151 The World Famous Bells (Myanmar and Russia) Swe Swe Aung1 Abstract The World‟s largest bell is the Tsar Bell III (Tsar-Kolokol) in Moscow. It is called Tsar Kolokol „III‟ because it was cast three times, and more metal was added cash time. It is a tower bell and made of bronze. The bell is the largest bell in the world, weighing 201,924 kilograms with a heigh of 6.14 meters and diameter of 6.6 meters and thickness of up to 61 centimeters. It is a master piece of 18th century Russian casting technology. The Mingun Bell is a bell located in Mingun, Sagaing Region, Myanmar. Mingun is well known for its huge 90 ton Mingun Bell, the world‟s largest uncracked and ringing Bell. Introduction The history of Russian bell goes back to the 10th century, but in the medieval Russian Orthodox Church, bells, were not typically rung to indicate Church service, but to announce important ceremonies, celebrations and as an alarm in case of fire or enemy attack. One of the largest of the early bells was the original Tsar bell, casted in the 16th century. However, Tsar Bellwas created second time in AD 170, and Tsar Bell was again destroyed by a fire. In AD 1735,Tsar Bellwas castedthird time. Tsarina Anna I ordered that the pieces be casted into a new bell with its weight increased by another hundred tons. So the Tsar Bell III (Russia) is the largest bell in the world, weighing 201,924 Kilograms.
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												  Acoustical Properties of Ancient Chinese Musical BellsProceedings of ACOUSTICS 2009 23-25 November 2009, Adelaide, Australia Acoustical properties of ancient Chinese musical bells Jie Pan School of Mechanical Engineering, The University of Western Australia, WA, Australia ABSTRACT Ancient Chinese music bells can be traced back to the Shang dynasty (1600–1100 B.C.). In addition to their significance in history and metallurgy, they provide much insight into the design of musical instruments in the early years and continue to make important contribution to acoustics due to their unique acoustical properties and rich physical mechanisms. These mu- sic bells differ from carillon/church bells and oriental temple bells by their almond-shaped cross sections, which result in two distinct strike tones (normal and side) in one bell. Through the analyse of the resonance frequencies of 64 music bells cast 2400 years ago, frequency relations are rediscovered between the normal and side-strike tones in individual bells and be- tween the normal-strike tones of adjacent bells. Acoustical qualities of each strike tone are characterised using frequency ratios between the partials and fundamental, as well as the spectrogram of the tone. The study on the scaling rules for achiev- ing the required frequency intervals between adjacent bells also sheds light on our understanding of music scales and sound balance principles in bell acoustics already recognized in ancient times. INTRODUCTION Previous studies in the acoustics of ancient Chinese music bells were mainly focused on the two-tone [1] and short- I1.1 K1.1 K1.7 I1.6 J1.6 . decay properties [2] of individual bells and their dependence J1.1 K2.10 on the nature of the bell’s modal vibration and sound radia- K2.1 tion.
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												  Moulton Church and Its BellsMoulton Church and its Bells BY Sidney J. Madge File 01 – The entire book This document is provided for you by The Whiting Society of Ringers visit www.whitingsociety.org.uk for the full range of publications and articles about bells and change ringing MOTJLTON CHURCH AND ITS BELLS. WITH A COMPLETE SUM!VIARY OF THE BELLS IN THE SEVERAL PARISHES OF NORTHAMPTONSHIRE; ALSO, <J ttompre6ensi"Oe @iBfiogr~v6!l on ' @effs. • BY SIDNEY MADGE, illember of tlu: Northamptotl and Oakham A rchilectural Society; Editorial Corre>ponden! of 'G/ouce>lerJkire Noles a!ld QucrieJ ;' Author of' A H iJiury of Moulton Parish Church,' etc. WITH ORIGINAL ILLUSTRATIONS BY THE AUTHOR. LONDON: ELLIOT STOCK, 62, PATERNOSTER ROW, E.C. !895· <Qro ~IY UROTHER, ERNEST B. WILMER MADGE, OKGA:-IbT OF THE l"ARISH CIIUKCII OF ST. Al.lli\TE's, OXFORD, T H I S V 0 !. U ~I E l S , W I T H W A R :II E S T .-\ F I' E C T l 0 N, ~ebicate~. LIST OF ILLUSTRATIONS. t>ACE MOULTON CHURCH ~' ROM THE N.E. - Frontispiece MOULTON CHURCH IN THE FOURTEENTH CENTURY • 2i THE TOWF.R, SKETCHED FROM THE: S.W. 25 THE CHURCH, BEFORE THE CIVIL WAR- 27 RINGING C HAMBER, AS RESTORED 1884 33 ARNOLD'S ORNAMENTAL DESIGN, TENOR BELL 38 INTERIOR OF THE UPPER BELFRY 44 HEAD OF KING HENRY III., 1216-1272 45 THE ORIGINAL BELFRY, INTEKIOR VIEW 47 AMONG THE !JELLS 53 CONSECRATION CROSSES AND FLORAL ORNAMENT 59 PREFACE. THlS volume, written to commemorate the centenary of Moulton Bells, is arranged on the following plan : Part I.
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												  St Luke's Farnworth BELL CASTINGSt Luke’s Farnworth BELL CASTING by Geoffrey Poole In the earliest days they were cast in different sizes to produce different notes but no attempt was made to tune bells until the 16th Century with the advent of change ringing. In those times bells were roughly tuned – where the inside of the bell or the edge of the lip was chipped away with a hammer and chisel – eight bells could be tuned to an octave of eight notes. Some deprived communities used a hagiosideron, a shaped piece of metal which was struck in a similar way to a bell. Also again due to lack of money bellcotes were used instead of costly towers. A bell-cot, bell-cote or bellcote is a small framework and shelter for one or more bells. Bellcotes are most common in church architecture but are also seen on institutions such as schools. The bellcote may be carried on brackets projecting from a wall or built on the roof of chapels or churches that have no towers. The bellcote often holds the Sanctus bell that is rung at the consecration of the Eucharist. Bellcote is a compound noun of the words bell and cot or cote. Bell is self-explanatory. The word cot or cote is Old English, from the Germanic. It means a shelter of some kind, especially for birds or animals (see dovecote), a shed, or stall. Examples of bellcotes In order St Luke’s Farnworth Bell-cot at St Edmund's Church, Church Road, Wootton, Isle of Wight, England Church of England parish church of St Alban the Martyr, CharlesStreet, Oxford.
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												  A New History of the CarillonA New History of the Carillon TIFFANY K. NG Rombouts, Luc. Singing Bronze: A History of Carillon Music. Translated by Com- municationwise. Leuven: Leuven University Press, 2014, 368 pp. HE CARILLON IS HIDDEN IN plain sight: the instrument and its players cannot be found performing in concert halls, yet while carillonneurs and Tkeyboards are invisible, their towers provide a musical soundscape and focal point for over six hundred cities, neighborhoods, campuses, and parks in Europe, North America, and beyond. The carillon, a keyboard instrument of at least two octaves of precisely tuned bronze bells, played from a mechanical- action keyboard and pedalboard, and usually concealed in a tower, has not received a comprehensive historical treatment since André Lehr’s The Art of the Carillon in the Low Countries (1991). A Dutch bellfounder and campanologist, Lehr contributed a positivist history that was far-ranging and thorough. In 1998, Alain Corbin’s important study Village Bells: Sound and Meaning in the Nineteenth-Century French Countryside (translated from the 1994 French original) approached the broader field of campanology as a history of the senses.1 Belgian carillonneur and musicologist Luc Rombouts has now compiled his extensive knowledge of carillon history in the Netherlands, Belgium, and the United States, as well as of less visible carillon cultures from Curaçao to Japan, into Singing Bronze: A History of Carillon Music, the most valuable scholarly account of the instrument to date. Rombouts’s original Dutch book, Zingend Brons (Leuven: Davidsfonds, 2010), is the more comprehensive version of the two, directed at a general readership in the Low Countries familiar with carillon music, and at carillonneurs and music scholars.