The Romance of Isabel, Lady Burton
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BOOK REVIEW Girlfriends and Postfeminist Sisterhood, by Alison
BOOK REVIEW Girlfriends and Postfeminist Sisterhood, by Alison Winch, Basingstoke and New York: Palgrave Macmillan, 2013, x + 222 pp., AU$91.62 (ebk), ISBN 0230348750 Alison Winch’s monograph Girlfriends and Postfeminist Sisterhood is a thoughtful and wide ranging critique of US and UK media cultures of neoliberal postfeminism. Its particular focus is on bonds of female friendship and sisterhood, and how they are configured, made legible and imbued with political charge in these cultural landscapes. It is an immensely valuable contribution to feminist media studies, and in particular to the growing body of scholarship on postfeminist media culture. It joins a raft of relatively new publications at the vanguard of the new wave of feminist criticism of postfeminist culture to emerge in recent years from disciplines spanning media studies, cultural studies, film studies, sociology, literary studies and beyond. And which so far includes, but is not limited to, Stephanie Harzewski’s Chick Lit and Postfeminism (2011), Anthea Taylor’s Single Women in Popular Culture (2012), Jessica Ringrose’s Postfeminist Education? (2013), Joel Gwynne’s Erotic Memoirs and Postfeminism (2013), Bronwyn Polaschek’s The Postfeminist Biopic, and Gwynne and Nadine Muller’s Postfeminism and Contemporary Hollywood (2013). Winch’s book also sits particularly well alongside Kathleen Rowe Karlyn’s Unruly Girls, Unrepentant Mothers (2011) and Sarah Projansky’s Spectacular Girls (2014), as part of a key cluster of recent volumes that hone in on the relationship between postfeminist discourse, contemporary girl cultures and female friendship. And which interrogate the discursive articulation of these dynamics in spheres of popular media. With her timely and welcome contribution to this area of study, scholars like Winch are thus building productively and solidly upon foundations laid by the formative work of key figures like Angela McRobbie (2004), Rosalind Gill (2007), Diane Negra (2007, 2009) and Yvonne Tasker (2007), the likes of which now constitutes the academic canon of this field. -
Elizabeth Woodville and Margery Kempe, Female Agency in Late Medieval England
ABSTRACT “She Should Have More if She Were Ruled and Guided by Them”: Elizabeth Woodville and Margery Kempe, Female Agency in Late Medieval England Laura Christine Oliver, M.A. Thesis Advisor: Beth Allison Barr, Ph.D. This thesis argues that while patriarchy was certainly present in England during the late medieval period, women of the middle and upper classes were able to exercise agency to a certain degree through using both the patriarchal bargain and an economy of makeshifts. While the methods used by women differed due to the resources available to them, the agency afforded women by the patriarchal bargain and economy of makeshifts was not limited to the aristocracy. Using Elizabeth Woodville and Margery Kempe as cases studies, this thesis examines how these women exercised at least a limited form of agency. Additionally, this thesis examines whether ordinary women have access to the same agency as elite women. Although both were exceptional women during this period, they still serve as ideal case studies because of the sources available about them and their status as role models among their contemporaries. “She Should Have More if She Were Ruled and Guided By Them”: Elizabeth Woodville and Margery Kempe, Female Agency in Late Medieval England by Laura Christine Oliver, B.A. A Thesis Approved by the Department of History ___________________________________ Jeffrey S. Hamilton, Ph.D., Chairperson Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Arts Approved by the Thesis Committee ___________________________________ Beth Allison Barr, Ph.D., Chairperson ___________________________________ Julie A. -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk i UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES School of History The Wydeviles 1066-1503 A Re-assessment by Lynda J. Pidgeon Thesis for the degree of Doctor of Philosophy 15 December 2011 ii iii ABSTRACT Who were the Wydeviles? The family arrived with the Conqueror in 1066. As followers in the Conqueror’s army the Wydeviles rose through service with the Mowbray family. If we accept the definition given by Crouch and Turner for a brief period of time the Wydeviles qualified as barons in the twelfth century. This position was not maintained. By the thirteenth century the family had split into two distinct branches. The senior line settled in Yorkshire while the junior branch settled in Northamptonshire. The junior branch of the family gradually rose to prominence in the county through service as escheator, sheriff and knight of the shire. -
Bridget Jones's Legacy
Bridget Jones’s Legacy : Gender and Discourse in Contemporary Literature and Romantic Comedy A daptations Miriam Bross Thesis s ubmitted for the degree of Doctor of Philosophy in Film Studies (Research) School of Art, Media and American Studies University of East Anglia December 2016 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. A bstract Romantic comedy adaptations based on bestsellers aimed at predominantly female readers have become more frequent in the fifteen years since the publication of Bridget Jones’s Diary (1996) and the financial success of its adaptation (Sharon Maguire, 2001). Contemporary popular literature and films created specifically for women have emerged alongside the spread of neoliberalist and postfeminist discourses. This thesis offers a timely examination of bestselling adapted texts, including chick lit novels, a sel f - help book and a memoir, and their romantic comedy adaptations. While some of the books and films have received individual attention in academic writing, they have not been examined together as an interconnected group of texts. This thesis is the first work to cohesively analyse representations of gender in mainstream bestsellers predominantly aimed at female readers and their romantic comedy adaptations published and released between 1996 and 2011. Through a combination of textual analysis and broader d iscursive and contextual analysis, it examines how these popular culture texts adapt and extend themes, characters , narrative style and the plot structure from Bridget Jones’s Diary . -
BEST FRIENDS FOREVER Dr. John Townsend
BEST FRIENDS FOREVER Making and Keeping Lifetime Relationships Copyright 2012 Dr. John Townsend UNEDITED SAMPLE Worthy Publishing Contents Introduction: Lifelines Chapter 1: The Accidental Necessity Chapter 2: If You Aren’t Drawn to Them, It Just Doesn’t Work Chapter 3: Speed Dial Chapter 4: What Matters Most Chapter 5: No Explanation Needed Chapter 6: BF’s In a Facebook World Chapter 7: Permission to Speak the Truth Chapter 8: The Time Factor Chapter 9: Family, Friends, and Family Friends Conclusion: The Power of BFs Discussion Guide Introduction: Lifelines I was having lunch with some friends when the subject turned to friendship itself. I had been researching the subject for awhile, so I threw out an open-ended question: “How important have your best friends been for you?” I was simply doing some informal information gathering. There was a brief silence, then people gave the following ideas: • They have been safe places where I can be myself • They are a few people I can be comfortable with • They are the ones I go to when I need support • They know and accept all of me • They have walked with me through my marriage and childrearing years • I have found God in a deeper way through these relationships • They have been those who helped me through tough times • They have made my life more meaningful It was all thoughtful and positive. It was also fairly predictable. I think it was what any of us would say about our closest friendships. Then one woman, whom I had not known for a long time, and who had not spoken until this point said: “I probably wouldn’t be here without them.” I heard something in her voice, and I asked, “You mean, like, you probably would not be where you are these days in life, that sort of thing?” She looked directly at me and said, “No. -
Alisona De Saluzzo
Alisona de Saluzzo 1-Alisona de Saluzzo b. Abt 1267, Arundel,Essex,England, d. 25 Sep 1292 +Richard FitzAlan, 7th Earl b. 3 Feb 1267, of Arundel,Essex,England, d. 9 Mar 1302 2-Eleanor FitzAlan, [Baroness Percy] b. Abt 1283, of,Arundel,Sussex,England, d. Jul 1328 +Henry de Percy, [Baron Percy] b. 25 Mar 1272, ,Alnwick,Northumberland,England, d. Oct 1314, ,Fountains Abbey,Yorkshire,England 3-Henry de Percy, 11th Baron Percy b. 6 Feb 1301, ,Leconfield,Yorkshire,England, d. 25 Feb 1352, ,Warkworth,Northumberland,England +Idonea de Clifford b. 1300, of Appleby Castle,Westmorland,England, d. 24 Aug 1365 4-Henry de Percy, Baron Percy b. 1320, of Castle,Alnwick,Northumberland,England, d. 18 May 1368 +Mary Plantagenet b. 1320, d. 1362 5-Sir Henry de Percy, 4th Lord b. 10 Nov 1341, of,Alnwick,Northumberland,England, d. Abt 19 Feb 1407 +Margaret Neville, Baroness Ros b. Abt 1329, of,Raby,Durham,England, d. 12 May 1372 6-Isolda Percy b. Abt 1362, of Warkworth Castle. Northumberland,England, d. 1403, Battle of Shrewsbury +Madog Kynaston b. Abt 1350, of Stocks,Shropshire,England, d. 1403, Battle of Shrewsbury 7-John Kynaston b. Abt 1375, of Stocks,Shropshire,England +Unknown 8-Griffith Kynaston b. Abt 1396, of Stocks,Shropshire,England +Margaret (Jane) Hoorde 9-John or Jenkyn Kynaston, Esq. +Jane Manwaring 10-Pierce Kynaston +Margaret vz Edward 11-Humfry Kynaston +Elizabeth Oatley 12-George Kynaston d. 8 Dec 1543 9-Philip Kynaston b. Abt 1417, Of Walford +Alice Dorothy Corbet b. Abt 1411, ,Moreton Corbet,Shropshire,England, d. Abt 1443 9-William Kynaston 9-Sir Roger Kynaston b. -
Bogan Wedding
Bogan Wedding A misanthropic anthropologist reluctantly returns home for her bogan sister’s wedding, while secretly conducting an academic study of the proceedings. Sally Mackenzie is a 31 year old PhD student, a part time anthropology lecturer… and a snob. If she had her way, she’d live on the University campus and avoid the bogan masses outside forever. Unfortunately, there’s one bogan she can’t avoid: her sister TINA, who has just shown up asking her to return home to Perth to be her bridesmaid. To Sally, Tina is the physical embodiment of everything that is wrong in the world. Regardless, she grudgingly accepts. She’s family, after all. But Sally soon realises that Tina’s wedding could in fact be a godsend... She decides to secretly conduct an anthropological study on this ‘Bogan Wedding’, and document every shallow, vacuous, facet of this culture she hates so much. Tina doesn’t make it easy on her, forcing her to get involved in every nightmarishly tacky and self- indulgent pre wedding ritual imaginable… and many more that are completely unimaginable. A fortnight with Tina is a full blown cultural immersion that might just prove a little too much for Sally. Or maybe, just maybe, by studying her crass, ditzy, materialistic little sister, Sally will finally understand her… and accept her. All of us have endured some form of bogan wedding. The kind of wedding where you roll your eyes, groan and make snide, judgemental remarks to your partner. That’s because weddings are THE defining moment in a young woman’s life. -
Exploiting Femininity in a Patriarchal Postfeminist Way: a Visual Content Analysis of Macau’S Tourism Ads
International Journal of Communication 11(2017), 2624–2646 1932–8036/20170005 Exploiting Femininity in a Patriarchal Postfeminist Way: A Visual Content Analysis of Macau’s Tourism Ads ZHEN SUN Macau University of Science and Technology, Macau This study uses visual content analysis to examine gender images in the tourism print ads of Macau’s casino complexes. It introduces an important tourism destination neglected before by tourism research, which will expand understanding of gender roles and relations involved in the Asian tourism industry, especially that of the Greater China Region. Results show that Macau’s casino complexes are constructed like a multifunctional minicity celebrating consumerism’s desires. The gender representations in tourism ads are confined to the ideological mix of patriarchy and postfeminism. The mixing patterns vary according to contexts. In the context of tourism service, the gender division of labor within the patriarchal structure is usually a reliable predictor of the different working roles of men and women. In the context of tourism consumption, the postfeminist discourse defines the relationships between women and consumption. Femininity is exploited and manipulated to cater to potential tourists, which implies that the patriarchal discourse is persistently entrenched in the advertising production process. Keywords: gender, femininity, tourism advertising, postfeminism, casino complex Gender, as an omnipresent social dimension, defines and structures almost all aspects of the tourism industry (Pritchard, 2001). The gender power relations reflected in tourism construction, presentation, and consumption have been an increasing interest among tourism researchers. Nonetheless, according to an extensive bibliometric analysis of tourism publications in the last four decades, gender inquiries remain a marginalized research area (Figueroa-Domecq, Pritchard, Segovia-Pérez, Morgan, & Villacé-Molinero, 2015). -
Sue Matheson
Sue Matheson STATEMENT I got hooked on the study of popular culture in 1999 when I presented a paper at the SW/Texas PCA/ACA, because the PCA/ACA is an outstanding organization. Its inclusiveness, openness, scholarly rigor, and welcoming of diverse perspectives encourage tremendous intellectual and scholarly growth. Every year, I look forward to the collaborative, enjoyable atmosphere created by Helen Lewis and my colleagues in the Western Area. This is the sixth national conference (in a row) that I’ve been able to attend and my third year of service on the advisory board of the Journal of American Culture. It is time for me to contribute to the memory of Ray and Pat Browne and to give back to the PCA/ACA. As a governing board member, I would do my utmost to promote the open and friendly conversation that is the hallmark of this organization, safeguard the welfare of every PCA/ACA member by building consensus, insure the financial health and scholarly stability of the PCA/ACA, and enhance our growing national and international profile. My familiarity with the PCA/ACA, solid publication record in the area of popular culture, successful years of service as the Western Area Chair at Film&History, and growing experience as a Chair at my home institution enable me to offer well-developed skills to help foster a successful future for our organization. I’m a good listener, an enthusiastic colleague, and a responsible steward. It would be an honor to serve you all on the PCA/ACA Board. Contributions to PCA/ACA Matheson, Sue PCA/ACA Service Advisory Board, member. -
The Art of Barzakh ------The Poses, Props and Performances of Masculinity in Pakistani Art
The Art of Barzakh --------------------------------------------------------------------------------------- The Poses, Props and Performances of Masculinity in Pakistani Art Abdullah, Syed Muhammad Iyhab UNSW Art & Design Submitted in partial fulfilment of the requirements of the Doctor of Philosophy UNSW 2015 DECLARATIONS Originality Statement ‘I hereby declare that this submission is my own work and to the best of my knowledge it contains no materials previously published or written by another person, or substantial proportions of material which have been accepted for the award of any other degree or diploma at UNSW or any other educational institution, except where due acknowledgement is made in the thesis. Any contribution made to the research by others, with whom I have worked at UNSW or elsewhere, is explicitly acknowledged in the thesis. I also declare that the intellectual content of this thesis is the product of my own work, except to the extent that assistance from others in the project's design and conception or in style, presentation and linguistic expression is acknowledged.’ Copyright Statement ‘I hereby grant the University of New South Wales or its agents the right to archive and to make available my thesis or dissertation in whole or part in the University libraries in all forms of media, now or here after known, subject to the provisions of the Copyright Act 1968. I retain all proprietary rights, such as patent rights. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. I also authorise University Microfilms to use the 350 word abstract of my thesis in Dissertation Abstract International (this is applicable to doctoral theses only). -
Portrayal of Women in P. Padmarajan's Cinema
Educational Research International Vol.9(2) August-November 2020 ____________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ PORTRAYAL OF WOMEN IN P. PADMARAJAN’S CINEMA:WITH SPECIAL REFERENCE TO NOVEMBERINTE NASHTAM Sreedevi T. ; B. K. Ravi Department of Communication, Bangalore University, INDIA. [email protected], [email protected] ABSTRACT Indian cinema has been considered as an intimate medium of communication. Being a strong audio-visual platform, it is a suitable canvas for storytelling to a mass audience. Malayalam cinema as a widely accepted film industry in Indian cinema claims to undergo changes since its inception subjectively and technically. P. Padmarajan a renowned Malayalam author, script writer and director had immensely contributed to Malayalam literature and cinema during the seventies and eighties. The detailing in his screenplays had enriched films as mirrors of society representing various social changes at major times. The women in Padmarajan films have always been a subject of discussion and have led to numerous critical studies. The outline of women characters in his films have always stayed ahead of those times. Hence, this study aims to do a detailed analysis of ‘Meera’, a central character of the film ‘Novemberinte Nashtam’ released in the year 1982. This -
12Th Generation 12>2048
/Users/giovanni/Documents/Gen/WashingtonGen12.rtf 12th Generation 12>2048. 9ggs of John de Washington (son of John de Washington & Joan de Croft) b: c. 1385 d: 1423 [http://thepeerage.com/p32194.htm#i321937][http://fabpedigree.com/ s096/f250984.htm] & 2049. ?? () [] () 12>2050. ??John Lambertson?? 12>2052. 12>2054. 12>2056. Thomas Kitson () d: c. 1339 in LancasterShire [] () & 2057. Emma d: after 1339 12>2058. 12>2060. 12>2062. 12>2064. 12>2066. 12>2068. William Coles (son of Richard Coles & Agnes) b: c. 1410 in Preston, NorthamptonShire d: c. 1475 [http://our-royal-titled-noble-and-commoner- ancestors.com/p4818.htm#i144679][http://turnergenealogy.com/MasterSite-o/ p45.htm#i1770] () & 2069. Alice () [] () 12>2070. 12>2072. John Knight (son of Thomas Knight & ?? ) [] () & 2073. Alice Forster (d of Richard Forster & ?? ) [] () 12>2074. 12>2076. 12>2078. 12>2080. 12>2082. 12>2084. Robert Washington (son of Robert Washington & Amercia de Kerneford; gs of Robert Washington & Joanna de Strickland and Hugh de Kerneford; ggs of William Washington; 2ggs of sir Walter de Washington; 3ggs of William de Washington; 4ggs of William de Washington; 5ggs of Gospatric iii) b: c. 1265 at Milleburne, Westmorland d: after 1319 [http://www.genealogysf.com/Stanton-p/p106.htm#i7226] () & 2085. Agnes Derling (d of Adam Derling & ?? ) b: c. 1275 [http:// familytreemaker.genealogy.com/users/m/a/x/Larry-A-Maxwell/GENE3-0219.html][http:// www.genealogysf.com/Stanton-p/p106.htm#i7227] () 12>2086. John de Warton () [] () & 2085. ?? () [] () 12>2088. Henry Ward (son of John Ward & Catherine Appleyard/Catherine Applegard) b: c. 1430 [] () & 2089. ?? ?? () [] () 12>2090.