What the Modern Age Knew
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Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
Jason Adasiewicz's Rolldown Varmint Cuneiform 2009
WHAT THE PRESS HAS SAID ABOUT: JASON ADASIEWICZ’S ROLLDOWN VARMINT CUNEIFORM 2009 Line-up: Jason Adasiewicz (vibraphone), Josh Berman (cornet), Aram Shelton (alto saxophone & clarinet), Jason Roebke (bass), Frank Rosaly (drums) “Consult the jazz vibraphone flow chart and it’s easy to connect the dots between major players from Lionel Hampton to Milt Jackson up through Bobby Hutcherson. … Chicago-based Jason Adasiewicz is a relatively new addition to the playing field…the caliber of his work so far certainly places him in a position for early consideration. Varmint continues the course set by his working ensemble Rolldown on their self-titled debut… Apt comparisons to Sixties Blue Note-era Hutcherson have been plentiful in press in describing both Adasiewicz’s sound and his spacious composing style which embraces freer interplay without abandoning an underlying allegiance to head-solos orthodoxy for too long. A closer cousin still might be …Walt Dickerson. Adasiewicz generates a similarly warm and luminous sonority with his mallets and makes regular use of his instrument’s motor to blur his clusters into vivid watercolor shades. The rest of the group is comparably equipped on the creative front with cornetist Josh Berman and alto saxophonist Aram Shelton … obvious antecedents for Shelton are Eric Dolphy and Jackie McLean… Berman has a full range of tonal effects… Bassist Jason Roebke and drummer Frank Rosaly work in keen collusion…The balance is particularly effective … … Chicago residents and visitors are fortunate… Adasiewicz and his colleagues sit well with the city’s fastest company and still have plenty to say.” - Derek Taylor, Dusted, December 2, 2009, www.dustedmagazine.com “Vibraphonist-composer Jason Adasiewicz returns to the same avant-leaning territory he staked out on Rolldown’s eponymous debut in 2008. -
Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society. -
German Historian Barbara Frenz' Lovingly Penned Biography Wires
jazz club and mentoring local talent. He was a founding composers of the 19th Century. member of the AACM but, unlike its members, rarely Throughout the solo, McPhee leaves the melody ventured far from his Midwest base. Presumably—the for a series of distinct improvisations: leaping registers; CD lacks discographical information—this album was speeding up and playing freely; adding honking recorded at the same concert as Vol. I, March 22, 2000 rhythm ‘n’ blues; baring sounding notes to the rhythmic (his 71st birthday), at his Chicago club The Velvet accompaniment of his key pads; or exploring abrasive Lounge with bassist Tatsu Aoki and erstwhile Chicago multiphonics that link low-end roar to squealing highs drummer Chad Taylor. in a single, complex, massed sound, each time returning For a point of reference, the pianoless trios of to the original material and mood for sustenance and Solidarity Sonny Rollins from the ‘50s-60s are a good start. Like inspiration. It’s work of rare and special power. Matt Lavelle’s 12 Houses (Unseen Rain) Rollins, Anderson exhibits an orotund tone and by Ken Waxman copious, proliferating ideas in solos that pour out with For more information, visit monofonuspress.com/astral-spirits. fertile, seemingly boundless imagination. McPhee is at The Stone Jun. 21st as a guest of the Flow Trio. Multi-instrumentalist Matt Lavelle, true believer in Opener “It’s Us” finds him reeling off dozens of See Calendar. the latitude of free jazz, has worked in ensembles with choruses in an initial ten-minute-plus solo, all such advanced figures as William Parker and Butch constructed over a teeming background with bass Morris. -
Printcatalog Realdeal 3 DO
DISCAHOLIC auction #3 2021 OLD SCHOOL: NO JOKE! This is the 3rd list of Discaholic Auctions. Free Jazz, improvised music, jazz, experimental music, sound poetry and much more. CREATIVE MUSIC the way we need it. The way we want it! Thank you all for making the previous auctions great! The network of discaholics, collectors and related is getting extended and we are happy about that and hoping for it to be spreading even more. Let´s share, let´s make the connections, let´s collect, let´s trim our (vinyl)gardens! This specific auction is named: OLD SCHOOL: NO JOKE! Rare vinyls and more. Carefully chosen vinyls, put together by Discaholic and Ayler- completist Mats Gustafsson in collaboration with fellow Discaholic and Sun Ra- completist Björn Thorstensson. After over 33 years of trading rare records with each other, we will be offering some of the rarest and most unusual records available. For this auction we have invited electronic and conceptual-music-wizard – and Ornette Coleman-completist – Christof Kurzmann to contribute with some great objects! Our auction-lists are inspired by the great auctioneer and jazz enthusiast Roberto Castelli and his amazing auction catalogues “Jazz and Improvised Music Auction List” from waaaaay back! And most definitely inspired by our discaholic friends Johan at Tiliqua-records and Brad at Vinylvault. The Discaholic network is expanding – outer space is no limit. http://www.tiliqua-records.com/ https://vinylvault.online/ We have also invited some musicians, presenters and collectors to contribute with some records and printed materials. Among others we have Joe Mcphee who has contributed with unique posters and records directly from his archive. -
Allpz Fur I F/J SHARP
~of fur nr £ Wnp prlU ar p .. Q. Nr.9 DM 6)- OS 50 SFR 6 t@ a r bur n r .r J ~ et: Allpz fur I f/J SHARP 10 0 iif F: jJ I ~~~ I IOEF I CD Q] (: 1I: I I_it r :t ~ :.3 V/Q (~~ ? "J. : : [£Jcm[[J[E]t:I1 Cf.J[QJ [JJ(]J [E] m(!][[Jmm!N~~i.f u: THE\ C;OTO r;JR CEJEIlmT':) ::jlTO ~j~;(T COG.L.ST p~ji'.l BASIC-Pocl<et Computer fur Banl<-, Borsen- und Statistik-Experten, Steuer-, Anlagen- und Unternehmensberater, Versicherungs-, Immobilien und Finanz-Mal<ler. •• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Das Magazin fUr Soft- und Paperware und Hardware-Erweiterungen Organ des SI-IARP -User-C I ubs [)eutsch I and ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• I N H A L T S V E R Z E I C H N I S Seite: 2 Inhaltsverzeichnis 3-6 Hardware, BUcher und Software fUr die Sharp Pocketcomputer PC-12xx,-13xx,-14xx 7-8 Speicheraufteilung bei Sharp Pocketcomputer PC-1245 / 51,-1260/ 61,-1401 / 02 9 NEU: Anwendung'sbuch zum PC-140 1 / 02 10 Jahreskalender fUr den PC-1401 10 Grafikreaktionsspiel fUr den PC-1251 11 PC-1401: Programmpaket 11 PC-1401 ASCII, Zeichendefinition 12 Sharp PC-1450: Neues Gerat 12 PC-1500 kl. Monitorprogramm 13 Sharp T-Shirts 13-14 PC-1401 / 02,-1421 Programme 15 Plot-Aufgabe fur Heimanwender: Lbsung 15 PC-1500(A): Maschinenprogramm "QUICKEY" 16 PC-1500 FIBU + Softwareangebot 16 PC-1500A: Scrollen eines Textes 17 PC-1500: Adressensuchen im Basic-Speicher; Uhr 18 PC-1500: Reserve-Speicher POKES; -
Maurício De Souza Michael Bisio Knows How to ‘Walk’ the Bass—Indeed, Not with the Codified Energy That Such a Word Implies
ARTIST FEATURE For more information, visit michaelbisio.com. Bisio is at 6BC Garden Oct. 3rd, Bowery Poetry Club Oct. 4th and Zürcher Gallery Oct. 9th with his Accortet. See Calendar. M Recommended Listening: O C • . Michael Bisio—In Seattle (Silkheart, 1987) S O • Joe McPhee Quintet—Common Threads T MICHAEL O (Deep Listening, 1995) H P • Joe Giardullo/Joe McPhee/Mike Bisio/Tani Tabbal— Z Z A Shadow & Light (Drimala, 2001) J L • Michael Bisio Quartet—Connections (CIMP, 2005) O O • Michael Bisio—Travel Music (s/r, 2010) C I K • Michael Bisio/Matthew Shipp— S R Floating Ice (Relative Pitch, 2012) A Z BISIO A L K E R A M by clifford allen Maurício de Souza Michael Bisio knows how to ‘walk’ the bass—indeed, not with the codified energy that such a word implies. Bossa Brasil® at a recent duo concert with pianist Matthew Shipp at Bisio relocated east in 2005, landing first in the East the venerable community space 5C Café in the Lower Village and soon moved back to his hometown of Troy Garage, Oct. 25th, East Side, amid exhortations of “Slam Stewart!” from and is now instrumental faculty at Vermont’s the proprietor, Bisio exhibited not only a robust, earthy Bennington College. Since landing in New York, Bisio 11pm-2 am New York and delicate stomp, but actually walked around with has become an integral part of the environment. As he the bass. He danced with it, bringing it to a near-40- puts it, “here, I know I’m part of a community. -
Sharp MZ-SOO
Il primo esemplare di questo nuovo perso- nal di casa Sharp è stato presentato all'ulti- ma edizione dello SM A U a Milano, fra la Sharp MZ-SOO curiosità degli operatori del settore e degli utenti Sharp, intenzionati gli uni a colmare le lacune lasciate dall'MZ-700, e gli altri a scoprire la compatibilità software del nuovo di Fabio Marzocca personal con il sistema 700. Questo MZ-800, oltre a soddisfare piena- mente i requisiti richiesti dal mercato, è an- dato ben oltre le aspettative, presentando Descrizione esterna tenitore che racchiude computer, tastiera, caratteristiche tecniche notevoli e capacità alimentatore e registratore. Questa scelta software degne di ben altre fasce di prezzo. La linea esterna di questo MZ-800 rical- razionale è molto apprezzata dagli utenti, i La compatibilità è assicurata non solo ca perfettamente quella del predecessore quali possono finalmente fare a meno della verso l'MZ-700, ma anche con i sistemi MZ-700; le dimensioni fra l'altro sono e- giungla di cavi e spinotti che imperversa MZ-80B, MZ-3500 e,. in un certo senso, sattamente le stesse, mentre la colorazione sulle giovani scrivanie moderne. anche con il PC IBM, attraverso il CPjM. del contenitore plastico è, per la metà supe- La tastiera è esattamente la stessa Tramite questo sistema operativo standard, riore, di un beige uniforme e molto piace- deIl'MZ-700; l'unica differenza sta nel fat- 1'800 ha aperto una finestra verso il mondo vole mentre il guscio inferiore è color mar- to che sui tasti non sono riportati i due del grande software per Z-80, moltiplicando rone. -
Chicago Jazz Visionaries Mike Reed and Jason Adasiewicz Perform Musical Alchemy in New Myth/Old Science, Transforming Discarde
Bio information: LIVING BY LANTERNS Title: NEW MYTH/OLD SCIENCE (Cuneiform Rune 345) Format: CD / LP Cuneiform publicity/promotion dept.: 301-589-8894 / fax 301-589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American & world radio) www.cuneiformrecords.com FILE UNDER: JAZZ / AVANT-JAZZ Chicago Jazz Visionaries Mike Reed and Jason Adasiewicz Perform Musical Alchemy in New Myth/Old Science, Transforming Discarded Sun Ra Rehearsal Tape Into Improvisational Gold with their group Living By Lanterns, An All-Star Nine-Piece Ensemble, Featuring a Mighty Cast of Young Chicago & New York Masters According to some versions of String Theory, ours is but one of an infinite number of universes. But you would need to dig deeply into the cosmological haystack before encountering a project as extraordinary and unlikely as New Myth/Old Science, which brings together an incandescent cast of Chicago and New York improvisers to explore music inspired by a previously unknown recording of Sun Ra. In the hands of drummer Mike Reed and vibraphonist Jason Adasiewicz, who are both invaluable and protean creative forces on Chicago’s vibrant new music scene, Ra’s informal musings serve as a portal for their cohesive but multi-dimensional combo, newly christened Living By Lanterns. Commissioned by Experimental Sound Studio (ESS), the music is one of several projects created in response to material contained in ESS’s vast Sun Ra/El Saturn Audio Archive. Rather than a Sun Ra tribute, Reed and Adasiewicz have crafted a melodically rich, harmonically expansive body of themes orchestrated from fragments extracted from a rehearsal tape marked “NY 1961,” featuring Ra on electric piano, John Gilmore on tenor sax and flute, and Ronnie Boykins on bass. -
Sharp Pc-1211 Manual Pdf.Pdf
Sharp Pc-1211 Manual Pdf The Sharp PC-1500 was a pocket computer produced by Sharp during 1981-1985. A rebadged version was also sold as the TRS-80 Pocket Computer PC-2. The programmer writes the program on a PC which is independent of the robot system. When fnished late 1970s (Sharp PC- 1211, 1980). In the early 1980s. Initially, I started writing my own software for the Sharp PC-1211, the first hand-held By the time Sharp released the manual on machine-code programming for the Here is it, as a PDF file (OCR) with a separate file for the schematics. Acer X1211K PDF Owner's Manual Download & Online Preview. Download Projectors Owner's Manual of Acer X1211K for free. Acer X1211K Manual 1, Acer. HOW TO USE THIS MANUAL.......Appendix E: Feature Comparison of the PC-1211, PC-1245, PC-1251, Welcome to the World of SHARP owners! INSTR2199 1211. Installer Shut off inlet water supply and depressurize system as shown in manual prior to service. To reduce the risk Damage can occur if dropped or set on sharp, uneven projections on the floor. Do not turn Press SET HOUR and or momentarily unplug power source. PC board. 4. Excessive. Sharp Pc-1211 Manual Pdf Read/Download Operation Manual. •. When. BATI sign came active on the PC-1600displav, the 1211. Parts side. 7. CE-1620M Parts & Signal Description. UT. Dip SW (Not. Portege 3505 Tablet PC Portege 4000,Portege 4010, Tecra 9000, Tecra 9100 series,Toshiba Tecra A4, M1,M2, S1,TEZ100,TE2300 series. Satellite Pro, Pro. -
A Transatlantic Network for Jazz and Creative Music
A transatlantic network for jazz and creative music www.accrossthebridges.org The motive of The Bridge is to enable several dozen musicians – among the most active and most creative of the jazzistic field – half based in Chicago and the Midwest, the other half spread across France, to perform and circulate in all possible configurations, year after year, travel after travel, adventure after adventure. 4 exploration and creation travels per year, for ensemble of 4 to 6 French and American musicians 2 travels in France, February & October (Paris, Brest, Nantes, Tours, Poitiers, Toulouse, Vitrolles, Avignon, and Dijon) 2 travels in the USA April-May & Novembre (Chicago, Milwaukee, and the Midwest) Highlighting creative ecosystems On both continents, associated clubs and festivals provide the milestones for the ensembles’ tours / exploratory travels. The Bridge also organizes parallel events and services in schools, conservatories, and universities, for both non-profit and private structures. Keeping the memory, cultivating the imagination The Bridge sees that traces are seeds, that the present can almost be perpetual. Production of discs on the label The Bridge Sessions, oral, written, and visual archives, production of pleasure and knowledge: traces, seeds which will provide, in the long term, an irreplaceable documentation to the audience of jazz and improvised music, industry professionals, music students, researchers working in the field, archivists, activists, and utopists. Vision Statement Jazz – owing to its particular history – has always been an unmatched medium that allowed the sounds and music of different worlds to express themselves with passion and singularity, shaped by a musical art dedicated to collective invention and reinvention. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana