Sociocultural Competence As One of the Core Competencies of the Individual
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Redirected from Films Considered the Greatest Ever) Page Semi-Protected This List Needs Additional Citations for Verification
List of films considered the best From Wikipedia, the free encyclopedia (Redirected from Films considered the greatest ever) Page semi-protected This list needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be chall enged and removed. (November 2008) While there is no general agreement upon the greatest film, many publications an d organizations have tried to determine the films considered the best. Each film listed here has been mentioned in a notable survey, whether a popular poll, or a poll among film reviewers. Many of these sources focus on American films or we re polls of English-speaking film-goers, but those considered the greatest withi n their respective countries are also included here. Many films are widely consi dered among the best ever made, whether they appear at number one on each list o r not. For example, many believe that Orson Welles' Citizen Kane is the best mov ie ever made, and it appears as #1 on AFI's Best Movies list, whereas The Shawsh ank Redemption is #1 on the IMDB Top 250, whilst Star Wars Episode V: The Empire Strikes Back is #1 on the Empire magazine's Top 301 List. None of the surveys that produced these citations should be viewed as a scientif ic measure of the film-watching world. Each may suffer the effects of vote stack ing or skewed demographics. Internet-based surveys have a self-selected audience of unknown participants. The methodology of some surveys may be questionable. S ometimes (as in the case of the American Film Institute) voters were asked to se lect films from a limited list of entries. -
List of Films Considered the Best
Create account Log in Article Talk Read View source View history Search List of films considered the best From Wikipedia, the free encyclopedia Main page This list needs additional citations for verification. Please Contents help improve this article by adding citations to reliable sources. Featured content Current events Unsourced material may be challenged and removed. (November Random article 2008) Donate to Wikipedia Wikimedia Shop While there is no general agreement upon the greatest film, many publications and organizations have tried to determine the films considered the best. Each film listed here has been mentioned Interaction in a notable survey, whether a popular poll, or a poll among film reviewers. Many of these sources Help About Wikipedia focus on American films or were polls of English-speaking film-goers, but those considered the Community portal greatest within their respective countries are also included here. Many films are widely considered Recent changes among the best ever made, whether they appear at number one on each list or not. For example, Contact page many believe that Orson Welles' Citizen Kane is the best movie ever made, and it appears as #1 Tools on AFI's Best Movies list, whereas The Shawshank Redemption is #1 on the IMDB Top 250, whilst What links here Star Wars Episode V: The Empire Strikes Back is #1 on the Empire magazine's Top 301 List. Related changes None of the surveys that produced these citations should be viewed as a scientific measure of the Upload file Special pages film-watching world. Each may suffer the effects of vote stacking or skewed demographics. -
HIST / EURO 252: Politics, Society and Culture in Modern Germany (1871–1945)
University of North Carolina at Chapel Hill, Department of History HIST / EURO 252: Politics, Society and Culture in Modern Germany (1871–1945) Fall 2019 Syllabus Instructor: Dr. Karen Hagemann Time of the Course: Tuesday and Thursday: 9:30 – 10:45 am Location: Stone Center 0210 Office Hours: Tuesday: 1:00-3:00 pm or by appointment Office: Hamilton Hall 562 Email: [email protected] SHORT DESCRIPTION This course explores the history of Modern Germany by focusing on Imperial Germany, the Weimar Republic and the Third Reich. We will study continuities and changes in politics, society, and culture and examine the lasting impact of World War I and II, the Third Reich and the Holocaust. AIMS AND AGENDA This course will introduce students to the history and culture of Modern Germany, one of the leading powers of today’s Europe. We will start with the study of politics, society and culture of Imperial April 28, 2019 2 Germany (1875-1918) and the First World War, which ended with a defeat for Germany and led to the November Revolution of 1918. One central time period of our investigation will be Weimar Germany (1919-1933) with its exciting metropolitan culture and reform-oriented politics in all areas of everyday life and culture: art, design and mass media, gender relations, healthcare, housing, and welfare. We also will study the hyperinflation of 1921-23 and the Great Depression and their consequences on politics and society, particularly the rise of conservatism and communism, militarism and National Socialism. The other central period will be the Third Reich (1933-1945) with its racist and imperialist policy that led to World War II and the Holocaust. -
Film & Media Studies
The University Press Group Film Studies & Media Studies University of California Press Columbia University Press Princeton University Press Complete Catalogue Autumn 2021 Catalogue Contents Page University of California Press New Titles ............................................ 1 The University of California Press strives to drive progressive change by seeking out and Billy Wilder .......................................... 4 cultivating the brightest minds and giving them voice, reach, and impact. We believe that scholarship is a powerful tool for fostering a deeper understanding of our world and Austrian Film Museum .................. 6 changing how people think, plan, and govern. The work of addressing society’s core challenges—whether they be persistent inequality, a failing education system, or global Best of Backlist ................................ 7 climate change—can be accelerated when scholarship assumes its role as an agent of Backlist ............................................... 11 engagement and democracy. ucpress.edu Index ................................................... 43 How to order .................................. 66 Columbia University Press Columbia University Press seeks to enhance Columbia University’s educational and research mission by publishing outstanding original works by scholars and other intellectuals that contribute to an understanding of global human concerns. The Press also reflects the importance of its location in New York City in its publishing programs. Through book, reference, electronic -
CUP Sping Cat Corrected.Pdf
Parting Ways Jewishness and the Critique of Zionism JUDITH BUTLER Judith Butler THE PROVOCATIVE THEORIST ARGUES FOR THE SEPARA- TION OF JEWISHNESS FROM ZIONISM, ENGAGING A NUM- BER OF THINKERS WHO OFFER IMPORTANT RESOURCES FOR THINKING ABOUT DISPOSSESSION, STATE VIOLENCE, W YS AND POSSIBILITIES OF COHABITATION. Judith Butler follows Edward Said’s suggestion that only TING through a consideration of Palestinian dispossession in R relation to Jewish diasporic traditions will a new ethos for a one-state solution emerge. Butler engages forms of A Jewish intellectual criticism of political Zionism and its P practices of illegitimate state violence, nationalism, and state-sponsored racism. At the same time, she moves beyond communitarian frameworks, including Jewish ones, that fail to arrive at a radical democratic notion of JEWISHNESS AND THE CRITIQUE OF ZIONISM political cohabitation. As important as it is to dispute Is- rael’s claim to represent the Jewish people, it is equally important, Butler argues, to show that a narrowly Jew- ish framework cannot suffice as a basis for an ultimate “This is an incredibly important and critique of Zionism. She promotes an ethical position in timely book. As always, Butler gen- which the obligations of cohabitation do not derive from erates a brilliant and rich argument cultural sameness but from the unchosen character of through a series of readings, in this social plurality. Recovering the arguments of Jewish case, complex and nuanced engage- thinkers who offered criticisms of Zionism or whose ments with the work of Said, Levinas, work could be used for such a purpose, Butler disputes Benjamin, Arendt, Levi, and Darwish. -
Es Un Proyecto De
Es un proyecto de Una publicación del ICAS – Instituto de la Cultura y las Artes de Sevilla ISBN: 978-84-9102-020-2 DEPÓSITO LEGAL: SE 1454-2015 2 PRESENTACIÓN JUAN ESPADAS ALCALDE DE SEVILLA Pensar en cine europeo es pensar en Sevilla. Son ya doce los años que lleva celebrándose nuestro Festival de Cine Europeo, y cada edición confirma y amplía To think of European cinema is to think of Seville. We las expectativas y el éxito del anterior, consolidando have been celebrating our European Film Festival una oferta cultural que cada año reúne a decenas de for twelve years now, and each edition confirms miles de espectadores en las salas de cine de nuestra and increases the expectations and the success of ciudad. the previous one, consolidating a cultural offer that La cultura es la mejor forma de la que disponemos each year draws thousands of spectators to our city’s para proyectarnos al mundo y para reflexionar cinemas. sobre nosotros mismos, es eje y motor de nuestro Culture is the best way we have to show ourselves crecimiento. Gracias a ella nos observamos en los to the world and to think about ourselves, it is the demás. Nuestra ciudad debe ser una ciudad abierta a axes and the engine of our growth. Thanks to it we nuevas gentes y nuevas tendencias, una ciudad que can observe ourselves in others. Our city must be aproveche todo el dinamismo y la vida de una cultura a city that is open to new people and new trends, a activa y siempre cambiante. -
Expressionist Art and Drama Before, During, and After the Weimar Republic
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses Summer 8-21-2015 Expressionist Art and Drama Before, During, and After the Weimar Republic Shane Michael Kennedy Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the European History Commons, German Literature Commons, and the Painting Commons Let us know how access to this document benefits ou.y Recommended Citation Kennedy, Shane Michael, "Expressionist Art and Drama Before, During, and After the Weimar Republic" (2015). Dissertations and Theses. Paper 2508. https://doi.org/10.15760/etd.2505 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Expressionist Art and Drama Before, During, and After the Weimar Republic by Shane Michael Kennedy A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in German Thesis Committee: Steven Fuller, Chair Kathie Godfrey Timm Menke Portland State University 2015 Abstract Expressionism was the major literary and art form in Germany beginning in the early 20 th century. It flourished before and during the First World War and continued to be the dominant art for of the Early Weimar Republic. By 1924, Neue Sachlichkeit replaced Expressionism as the dominant art form in Germany. Many Expressionists claimed they were never truly apart of Expressionism. However, in the periodization and canonization many of these young artists are labeled as Expressionist. -
Causes and Effects of Indian Movies in Pakistani Cinemas
CAUSES AND EFFECTS OF INDIAN MOVIES IN PAKISTANI CINEMAS: A CASE STUDY OF LAHORE Researcher Supervisor Muhammad Umar Nazir Prof. Dr. Ghulam Shabir Reg. No. 02/M.Phil-2/2011 Chairman M. Phil (Media Studies) Department of Media Studies In partial fulfillment of the requirement of the Degree of Master of Philosophy in Media Studies (Session 2011-2013) Department of Media Studies The Islamia University of Bahawalpur i Table of Contents Sr. Contents Page No No. Abstract 1 Chapter 1: Introduction 1.1 Introduction 2 1.2 Rationale of Study 9 1.2.1. Rationale for Selecting the Topic 9 1.3 Objectives 11 1.4 Hypothesis 12 1.5 Research Questions 12 1.6 Significance 13 Chapter 2: Literature Review 2.1 Literature Review 16 Chapter 3: Theoretical Framework 3.1 Theoretical Framework 33 3.2 Uses and Gratification Theory 33 3.2.1. Criticism of Uses and Gratification Theory 36 3.2.2. Relevance of the Theory with Research 37 3.3 Theory of Political Economy of Communication 37 3.3.1 Roots 39 3.3.2. Political economy of communication in Nazi Germany 46 viii 3.3.3. Contemporary concerns 49 3.3.4. Contemporary “mainstream” approaches 50 3.4 Conclusion 61 Chapter 4: Research Methodology 4.1 Research Design 62 4.2 Research Methodology 63 4.2.1. Universe 63 4.2.2. Sampling 64 4.2.3. Sampling Ratio 64 4.2.4. Sample Size 65 4.3. Unit of Analysis 65 4.4. Conceptualization and Operationalization of key terms and concepts 67 4.4.1. -
Transnational Audiences for Indian Films
University of Wollongong Thesis Collections University of Wollongong Thesis Collection University of Wollongong Year Non-resident cinema: transnational audiences for Indian films Adrian Mabbott Athique University of Wollongong Athique, Adrian Mabbott, Non-resident cinema: transnational audiences for Indian films, PhD thesis, Faculty of Arts, University of Wollongong, 2005. http://ro.uow.edu.au/theses/473 This paper is posted at Research Online. http://ro.uow.edu.au/theses/473 NOTE This online version of the thesis may have different page formatting and pagination from the paper copy held in the University of Wollongong Library. UNIVERSITY OF WOLLONGONG COPYRIGHT WARNING You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Non-Resident Cinema: Transnational Audiences for Indian Films A thesis submitted in fulfilment of the requirements for the award of the degree Doctor of Philosophy from UNIVERSITY OF WOLLONGONG by Adrian Mabbott Athique, BA (Hons) Communications and Cultural Studies Faculty of Arts 2005 CERTIFICATION I, Adrian Mabbott Athique, declare that this thesis, submitted in fulfilment of the requirements for the award of Doctor of Philosophy, in the Faculty of Arts, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. -
Effects of Patriotic Movies on Public Behavior in Pakistan: a Survey Study of Lahore City
Journal of Business and Social Review in Emerging Economies Vol. 5, No 2, December 2019 Volume and Issues Obtainable at Center for Sustainability Research and Consultancy Journal of Business and Social Review in Emerging Economies ISSN: 2519-089X (E): 2519-0326 Volume 5: No. 2, December 2019 Journal homepage: www.publishing.globalcsrc.org/jbsee Effects of Patriotic Movies on Public Behavior in Pakistan: A Survey Study of Lahore City 1 Jam Sajjad Hussain, 2 Sadaf Ejaz, 3 Ghulam Shabir 1 Lecturer and PhD Scholar , School of Media and Communication Studies, University of Management and Technology & University of the Central Punjab, Lahore-Pakistan: [email protected] 2M.Phil. Scholar, School of Media and Communication Studies, University of Management and Technology, Lahore: [email protected] 3Professor, Faculty of Media and Communication Studies,University of the Central Punjab, Lahore-Pakistan: [email protected], [email protected] ARTICLE DETAILS ABSTRACT History Film offers different trends, ideas and traditions. Overall, a film has great Revised format: November 2019 impact on public minds and can change their behavior towards a specific Available Online: December 2019 issue. Film has the power to create and shape ideas, customs, and styles of viewers on a range of various subjects Accordingly, the contents presented Keywords in films including good audio-visual elements can instill better influence Lollywood, Patriotic Movies, on different communities across the globe. Thus, film can form and Public Behavior, Cinema reform opinion of its publics. The basic objective of the study underhand Industry, Film Viewers is to observe the dominant belief among educated audience towards patriotism as learnt from patriotic films. -
Diversity and the Film Industry an Analysis of the 2014 UIS Survey on Feature Film Statistics
INFORMATION PAPER NO. 29 MARCH 2016 Diversity and the film industry An analysis of the 2014 UIS Survey on Feature Film Statistics UNESCO The constitution of the United Nations Educational, Scientific and Cultural Organization (UNESCO) was adopted by 20 countries at the London Conference in November 1945 and entered into effect on 4 November 1946. The Organization currently has 195 Member States and 10 Associate Members. The main objective of UNESCO is to contribute to peace and security in the world by promoting collaboration among nations through education, science, culture and communication in order to foster universal respect for justice, the rule of law, and the human rights and fundamental freedoms that are affirmed for the peoples of the world, without distinction of race, sex, language or religion, by the Charter of the United Nations. To fulfil its mandate, UNESCO performs five principal functions: 1) prospective studies on education, science, culture and communication for tomorrow's world; 2) the advancement, transfer and sharing of knowledge through research, training and teaching activities; 3) standard-setting actions for the preparation and adoption of internal instruments and statutory recommendations; 4) expertise through technical co-operation to Member States for their development policies and projects; and 5) the exchange of specialized information. UNESCO is headquartered in Paris, France. UNESCO Institute for Statistics The UNESCO Institute for Statistics (UIS) is the statistical office of UNESCO and is the UN depository for global statistics in the fields of education, science and technology, culture and communication. The UIS was established in 1999. It was created to improve UNESCO's statistical programme and to develop and deliver the timely, accurate and policy-relevant statistics needed in today’s increasingly complex and rapidly changing social, political and economic environments. -
Russia in Revolution 1905-1918
UNIVERSITY OF NOTTINGHAM School of History Film in History/History in Film V13227, 3rd Year Option (20 credits) Autumn Semester, 2009 Dr. Nick Baron Module Handbook Image © Photographic Reproduction of 1927 original. Released into public domain because its copyright has expired. Source: http://commons.wikimedia.org/wiki/File:Metropolis_poster.jpg. 2 TABLE OF CONTENTS [Click on section title to go to page] Module Overview and Aims .......................................................................................... 3 Module Learning Outcomes .......................................................................................... 5 Teaching and Learning Methods .................................................................................. 7 1. Guiding principle: Tutor as Guide .................................................................................... 7 2. Overview ........................................................................................................................... 7 3. Summer preparation .......................................................................................................... 8 4. Weekly term-time preparation .......................................................................................... 8 5. The Seminars .................................................................................................................. 10 6. Time commitment ........................................................................................................... 11 Methods of Assessment