A Sbibliography of Nathaniel Hawthorne

Total Page:16

File Type:pdf, Size:1020Kb

A Sbibliography of Nathaniel Hawthorne A s BIBLIOGRAPHY OF NATHAN IEL HAW THORNE . O ILED BY E O E C M P NINA . BR WN B O STON AND N EW YORK HOUGHTO M IFFLI AND N, N C OMPANY MD C C C C V C I H 1 05 B Y H H O 9 OU O I LIN 00 . PYR G T G T N, M FF ALL RI GHTS RESERVED FIVE HUNDRED A ND FIFTY COPIES PRINTED NUMBER 1 O 7 TABLE OF CONTENTS PREFACE ’ CHRONOLOGICAL LIS T OR HAWTH ORNE S WORKS PS EUDONYMS US E D BY HAWTH ORNE BIBLIOGRAPHIES OF HAWTH ORNE IV E S IA IES AND LE’I'I'ERS L , D R , IO A HICAL AN D CRI ICAL S ETCH ES MIS B GR P T K , C ELLANEOUS ’ ALPHABETICAL LIST OF HAWTH ORNE S WORKS INDEX TO AUTH ORS AND MAGAZINES CITED PREFACE IN making publi c this Bibliography of Hawthorne the compiler as ks pardon for paraphras ing Miles ’ C overdale s reflection about Zenobia and apply ing the paraphras e to her work . With all its aul s which ma be a rea man es ides the f t , y g t y b a undance ha s he kn ws his i li ra h b t t o of , t B b og p y , s he ru s s will s s es s ea ures timelines s and t t , po f t of us efulnes s which may at leas t b e valuable while new . The Bibliography repres ents work covering I n in 1 f l s ome s ixteen years . t w as b egu 888 to u fill a requirement for graduation at the Lib rary Sch l lum ia ll e e but it was not re oo of Co b Co g , p s en ed for a de ree un il 18 91 when the s ch l t g t , oo had b een trans ferred to the Univers ity of the State h i h h N ew Y rk . Therea er t e s u ec wh c ad of o ft bj t , originally b een s elected becaus e there exis ted no u lis hed i li ra h of Haw h rne be p b B b og p y , t o , came s o fas cinating in its elf that work u pon it has continued to occupy as much of the compil ’ i n n er s t me as could be s pared to it. The ce te ary of H awthorne s o widely ob s erved las t s ummer has arous ed s uch interes t in all that pertains to H awthorne that the pres ent has b een thought an au s piciou s time for making available to the pub lic the ma ri l ll s s of mate a s o co ected . viii ] N0 w rk his kind can b e final but it ma o of t , y be tru ly s aid that everything which came within ’ the c m iler s ken has een n ed al h u h cer o p b ot , t o g tain modern unauthorized editions have b een omitted here as b eing of too little value either to collectors or librarians to warrant inclus ion . To render the Bibliography a practicable tool in all li raries s mall as well as lar e the re er b , g , f ’ ences i en In P le s Index ha e een inclu ded g v oo v b , b es ides many references to periodical literature n h M n il h l n ot t ere cited . a y deta s ave a s o b ee included ha will it is h ed make the w rk t t , op , o of i l part cu ar value to collectors . Grateful acknowledgments are here offered to many lib rari es and librarians from whom aid has been as ked and obtained ; to the publis hers of ’ Hawthorne s works for data concerning editions ; to the Grolier Club of N ew York for permis s ion to make us e of their C atalogue of Firs t Editions of the Works of Nathani el Hawthorne for verifi cation of details regarding the outward appear ance of s ome of the firs t editions ; and es pecially M . l h h d h r P F e w o as rea t e r s . to K o y , p oof [ iX ] EXPLANATIONS TH E des criptive terms us ed in the Bibli ography are os e ordi nari oun in wor s of is ara er wi th ly f d k th ch ct , th The old fold s ymbol to indi cate the s ize of a book no on er a in its ori ina meani n in s owi n the rea s i e l g h v g g l g h g l z , the notation of the modern trade bibliographies has been us ed rou ou as ein more us e u . th gh t , b g f l to 15 cm. 15 20 20 25 25 30 30 BIBLIOGRAPHY CHRONOLOGICAL LIST OF HAWTHORNE ’ S WORKS ' 1828 Fans hawe . Bos ton. 1886 meri an a a ine of s e u now e e . 2 . Bos A c M g z U f l K l dg , v ton. ’ n. 1837 Peter Parley s Univers al His tory . Bos to - os on. N ee Told Tales . B t ’ m. 1838 Time s Portraiture . Sale m a . 1839 The Sis ter Years . S le os on. The Gentle Boy. B t “ ’ os ton. 1841 Grandfather s Chai r. B n . Famous Old People . Bos to os n. Liberty Tree . B to 1 i os on. 842 B ographical Stories . B t His torical Tales for Youth . Bos ton. - wi e o a es 2 . os on. T c T ld T l , v B t ’ m n oo s Sa uel Johns on. The Su day Sch l Society Bos ton. os on. 1843 The Celes ti al Rai lroad . B t is i o th i . A V t t e Celes ti al C ty Philadelphi a . 1 5 o f 84 J urnal o an African Cruis er . New York . 1 o m 846 M s s es fro an Old Mans e . New York . - ~ 1 h . 8 5G T e S earlet Le tter Bos ton. 1851 The Hou of a . on s e the Seven G bles Bos t . m True Stories fro His tory and Biography . Bos ton. - no a . The S w Im ge London. li h 4/ 1852 The B t edale oman Bos ton. R ce . - on er oo for ir s and o s . A W d B k G l B y Bos ton. ‘ k Life of Ih an lin Pierce . Bos ton. n . 1853 Ta glewood Tales Bos ton. 857 m th m 1 Bill ro e own u on . A f T P p . L don 1860 e n Bos on. Th Marble Fau . t [ 4 ] Hom Bos on. Our Old e . t - n ma e . The S ow I g New York . on on. Pans i e . L d - ri o e oo s . o Ame can N t B k B s ton. - B s B s . Engli s h Note ook o ton. -B n an alian ote oo s . Fre ch d It N k London. B os on. Septimi us Felton. t m n. The Dolliver Ro ance . Bos to Bos on. Fans hawe . t ’ ms h ri awe . Dr. G a Secret Bos ton. s i k an B s . S etche d Stud es . o ton a O er a es e es nd . S a ers os on. T l , k tch , th P p B t [ 5 ] PSEUDONYMS USED BY NATHANIEL HAWTHORNE OBERON . i n A name frequently s g ed to letters . S H LE LLE O E or RE V . O CE . A Y A N R YC , A A R Y s e in the Sa em a et e New En an a a ine U d l G z t , gl d M g z , meri an on a a ine os ton o en and A c M thly M g z , B T k , in the Democratic Review as late as 1840 . E AUBEPIN . ’ In the emo ra i e iew the s or Ra accini s D c t c R v , t y pp r n i Daughte was e t tled The Writings of Aubépine . JOSE PH NICH OLS ON . is name is Si ne to the s or The Haun e Th g d t y , t d u ri H a a u e to aw orne . Q ck, tt b t d th Haw orne a s o Si ne ari s ini th l g d v ou tials . [ 7 ] . i n is s Na ONES A E A A S e ia ea . J , G RDN R M YN RD p c l R d g L t thani el Hawthorne . In Sa em u i i rar . Bu e in Se em er 1899 l P bl c L b y ll t , pt b , , — 5 .
Recommended publications
  • Hawthorne's Concept of the Creative Process Thesis
    48 BSI 78 HAWTHORNE'S CONCEPT OF THE CREATIVE PROCESS THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Retta F. Holland, B. S. Denton, Texas December, 1973 TABLE OF CONTENTS Chapter Page I. HAWTHORNEIS DEVELOPMENT AS A WRITER 1 II. PREPARATION FOR CREATIVITY: PRELIMINARY STEPS AND EXTRINSIC CONDITIONS 21 III. CREATIVITY: CONDITIONS OF THE MIND 40 IV. HAWTHORNE ON THE NATURE OF ART AND ARTISTS 67 V. CONCLUSION 91 BIBLIOGRAPHY 99 iii CHAPTER I HAWTHORNE'S DEVELOPMENT AS A WRITER Early in his life Nathaniel Hawthorne decided that he would become a writer. In a letter to his mother when he was seventeen years old, he weighed the possibilities of entering other professions against his inclinations and concluded by asking her what she thought of his becoming a writer. He demonstrated an awareness of some of the disappointments a writer must face by stating that authors are always "poor devils." This realistic attitude was to help him endure the obscurity and lack of reward during the early years of his career. As in many of his letters, he concluded this letter to his mother with a literary reference to describe how he felt about making a decision that would determine how he was to spend his life.1 It was an important decision for him to make, but consciously or unintentionally, he had been pre- paring for such a decision for several years. The build-up to his writing was reading. Although there were no writers on either side of Hawthorne's family, there was a strong appreciation for literature.
    [Show full text]
  • Information to Users
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University M crct. rrs it'terrjt onai A Be" 4 Howe1 ir”?r'"a! Cor"ear-, J00 Norte CeeD Road App Artjor mi 4 6 ‘Og ' 346 USA 3 13 761-4’00 600 sC -0600 Order Number 9238197 Selected literary letters of Sophia Peabody Hawthorne, 1842-1853 Hurst, Nancy Luanne Jenkins, Ph.D.
    [Show full text]
  • Scholars Portal PDF Export
    Localism, landscape, and the ambiguities of place: German- speaking central Europe, 1860-1930 Author(s) Blackbourn, David ; Retallack, James N. Imprint Toronto [Ont.] : University of Toronto Press, c2007 Extent 1 electronic text (viii, 278 p.) Topic DD Subject(s) Nationalism -- Germany; Landscape -- Symbolic aspects -- Germany; National characteristics, German; Home -- History. -- Germany Language English ISBN 9781442684522, 9780802093189 Permalink http://books.scholarsportal.info/viewdoc.html?id=560292 Pages 85 to 106 3 ‘Native Son’: Julian Hawthorne’s Saxon Studies james retallack Fated to stand in the shadow of his gifted father Nathaniel Hawthorne, Julian Hawthorne (1846–1934) might be forgiven for attempting to ‘go native’ when fortune took him to Dresden, capital city of the Kingdom of Saxony. Near the end of an undistinguished period of professional training that began in 1869 and dragged on until 1874, Hawthorne wrote a misanthropic tome entitled Saxon Studies.1 First published seri- ally in the Contemporary Review, the book weighed in at 452 pages when it appeared in 1876. It may well have contributed to Hawthorne’s Brit- ish and American publishers going bankrupt a few weeks later: the only copies that exist today are those sent out for review purposes. Hawthorne claimed that he set out to write an objective, candid appraisal of Saxon society. But if this was a ‘warts and all’ study, the face of Saxony quickly turned into caricature. Soon one saw nothing but warts. Saxon Studies fits into no literary or scholarly genre: it is part autobiography, part travelogue, part social anthropology avant la lettre, and part Heimat romance (stood on its head).
    [Show full text]
  • The Scarlet Letter
    THE SCARLET LETTER Nathaniel Hawthorne WHO WAS NATHANIEL HAWTHORNE? 1804-1864 Born in Salem, Massachusetts only child father died in 1804, while at sea he and his mother moved in with wealthy uncles leg injury kept Nathaniel down for several months, during this time he read as much as possible and decided to become a writer 1821-1825 – attended Bowdoin College met Henry Wadsworth Longfellow Franklin Pierce (14th President) not a great student WHO WAS NATHANIEL HAWTHORNE? Early ancestor, William Hathorne, first came to America in 1630, settled in Salem, Massachusetts, was a judge known for harsh judgements William’s son John, Hathorne was one of the three judges during the Salem Witch Trials in the 1690s Nathaniel added a “w” to his last name to distance himself from that side of the family WHO WAS NATHANIEL HAWTHORNE? Met Sophia Peabody a painter illustrator transcendentalist Spent time at Brook Farm community met Ralph Waldo Emerson and Henry David Thoreau Married Sophia on July 9, 1842 Settled in Concord, Massachusetts 3 Children SETTING Books are like boats on a river… We must look at two parts of the river when learning about the setting of the book. Where the author lives or lived on the river. Where the book takes place along the river. SETTING Transcendentalism was a philosophical movement that was developing by the late 1820s and '30s in the Eastern region of the United States as a protest against the general state of intellectualism and spirituality. The doctrine of the Unitarian church as taught at Harvard Divinity School was of particular concern.
    [Show full text]
  • Beyond the American Landscape: Tourism and the Significance of Hawthorne’S Travel Sketches
    The Japanese Journal of American Studies, No. 27 (2016) Copyright © 2016 Toshikazu Masunaga. All rights reserved. This work may be used, with this notice included, for noncommercial purposes. No copies of this work may be distributed, electronically or otherwise, in whole or in part, without permission from the author. Beyond the American Landscape: Tourism and the Significance of Hawthorne’s Travel Sketches Toshikazu MASUNAGA* INTRODUCTION: 1832 After graduating from Bowdoin College in 1825, Nathaniel Hawthorne went back to his hometown, Salem, Massachusetts, where he concentrated on writing in order to become a professional writer. His early masterpieces such as “Young Goodman Brown” and “My Kinsman, Major Molineux” were written during the so-called solitary years from 1825 to 1837, and he viewed those Salem years of his literary apprenticeship as “a form of limbo, a long and weary imprisonment” (Mellow 36). But biographers of Hawthorne point out that this self-portrait of a solitary genius was partly invented by his “self-dramatizations” (E. H. Miller 87) to romanticize his younger days. In fact, he maintained social engagements, and his sister Elizabeth testified that “he was always social” (Stewart 38). He was more active and outgoing than his own fabricated self-image, and he even made several trips with his uncle Samuel Manning as well as by himself.1 While strenuously writing tales, he undertook an American grand tour alone, traveling around New England and upstate New York in 1832. He was one of those tourists who rushed to major tourist destinations of the day such as the Hudson Valley, Niagara Falls, and the White Mountains in order *Professor, Kwansei Gakuin University 1 2 TOSHIKAZU MASUNAGA to spend leisure time and to find cultural significance in the scenic beauty of the American natural landscape.
    [Show full text]
  • Rose Hawthorne Lathrop —>
    MOTHER MARY ALPHONSA —> ROSE HAWTHORNE LATHROP —> MRS. GEORGE PARSONS LATHROP —> ROSE HAWTHORNE “NARRATIVE HISTORY” AMOUNTS TO FABULATION, THE REAL STUFF BEING MERE CHRONOLOGY “Stack of the Artist of Kouroo” Project Rose Hawthorne HDT WHAT? INDEX ROSE HAWTHORNE MOTHER MARY ALPHONSA 1851 May 20, Tuesday: At the “little Red House” in Lenox, Massachusetts, Rose Hawthorne was born to Nathaniel Hawthorne and Sophia Peabody Hawthorne. At least subsequent to this period, it seems likely that Nathaniel and Sophia no longer had sexual intercourse, as Nathaniel has been characterized by one of his contemporaries as deficient “in the power or the will to show his love. He is the most undemonstrative person I ever knew, without any exception. It is quite impossible for me to imagine his bestowing the slightest caress upon Mrs. Hawthorne.” Sophia once commented about her husband that he “hates to be touched more than anyone I ever knew.” Presumably the Hawthornes gave up sexual intercourse for purposes of contraception, or perhaps because they found solitary or mutual masturbation to be more congenial, or perhaps, in Nathaniel’s case, because he preferred to have sex with prostitutes, a social practice of the times which Hawthorne referred to as “his illegitimate embraces,” rather than go to the trouble of arranging “blissful interviews” with his wife.1 Hawthorne was bothered by the presence of children, and after the birth of Rose would speak bitterly of the parent’s “duty to sacrifice all the green margin of our lives to these children” towards which he never felt the slightest “natural partiality”: [T]hey have to prove their claim to all the affection they get; and I believe I could love other people’s children better than mine, if I felt they deserved it more.
    [Show full text]
  • INFORMATION to USERS the Most Advanced Technology Has Been
    INFORMATION TO USERS The most advanced technology has been used to photo­ graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there sp’e missing pagSb, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re­ produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6 " X 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Accessing theUMI World's Information since 1938 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA Order Number 8822869 The criticism of American literature: The powers and limits of an institutional practice Kayes, Jamie R. Barlowe, Ph.D. The Ohio State University, 1988 Copyright ©1988 by Kayes, Jamie R. Barlowe. All rights reserved. UMI 300 N. Zeeb Rd. Ann Arbor, MI 48106 PLEASE NOTE: In ail cases this material has been filmed in the best possible way from the available copy.
    [Show full text]
  • The Birth-Mark Hawthorne, Nathaniel
    The Birth-Mark Hawthorne, Nathaniel Published: 1843 Type(s): Short Fiction Source: http://gutenberg.org 1 About Hawthorne: Nathaniel Hawthorne was born on July 4, 1804, in Salem, Massachu- setts, where his birthplace is now a museum. William Hathorne, who emigrated from England in 1630, was the first of Hawthorne's ancestors to arrive in the colonies. After arriving, William persecuted Quakers. William's son John Hathorne was one of the judges who oversaw the Salem Witch Trials. (One theory is that having learned about this, the au- thor added the "w" to his surname in his early twenties, shortly after graduating from college.) Hawthorne's father, Nathaniel Hathorne, Sr., was a sea captain who died in 1808 of yellow fever, when Hawthorne was only four years old, in Raymond, Maine. Hawthorne attended Bowdoin College at the expense of an uncle from 1821 to 1824, befriending classmates Henry Wadsworth Longfellow and future president Franklin Pierce. While there he joined the Delta Kappa Epsilon fraternity. Until the publication of his Twice-Told Tales in 1837, Hawthorne wrote in the comparative obscurity of what he called his "owl's nest" in the family home. As he looked back on this period of his life, he wrote: "I have not lived, but only dreamed about living." And yet it was this period of brooding and writing that had formed, as Malcolm Cowley was to describe it, "the central fact in Hawthorne's career," his "term of apprenticeship" that would eventually result in the "richly med- itated fiction." Hawthorne was hired in 1839 as a weigher and gauger at the Boston Custom House.
    [Show full text]
  • Nathaniel Hawthorne and the Meiosis of Americanism in the Marble Faun
    Criterion: A Journal of Literary Criticism Volume 7 Issue 1 Article 15 2014 Nathaniel Hawthorne and the Meiosis of Americanism in The Marble Faun Rasoul Aliakbari Follow this and additional works at: https://scholarsarchive.byu.edu/criterion BYU ScholarsArchive Citation Aliakbari, Rasoul (2014) "Nathaniel Hawthorne and the Meiosis of Americanism in The Marble Faun," Criterion: A Journal of Literary Criticism: Vol. 7 : Iss. 1 , Article 15. Available at: https://scholarsarchive.byu.edu/criterion/vol7/iss1/15 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Criterion: A Journal of Literary Criticism by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Nathaniel Hawthorne and the Meiosis of Americanism in The Marble Faun Rasoul Aliakbari Such genres as popular movies and video games often contain images of American superiority but this imagery, it should be noted, has not developed overnight; rather, it has its roots in the history of literary representation. To throw some light on this background, this paper emphasizes political reading of literary texts. In particular, I aim to provide a political response to a poetic dilemma that The Marble Faun (1860) features. In the preface to The Marble Faun, Nathaniel Hawthorne (1804–64) professes his intention to set his new novel in Italy, which he views as the proper land for Romance, “as a sort of poetic or faery precinct” (viii). The American novelist downplays his native land as inappropriate for his narrative, as it possesses “no shadow, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity” (viii).
    [Show full text]
  • Henry Wadsworth Longfellow Biography
    Henry Wadsworth Longfellow Biography http://famouspoetsandpoems.com/poets/henry_wadsworth_longfel... HENRY WADSWORTH LONGFELLOW, whom Griswold describes as the greatest American poet, was born at Portland, Maine, February 27, 1807, and he died at Cambridge, Massachusetts, March 24, 1882. His father was of Puritan stock, and a lawyer by profession. He possessed the necessary wealth to give his children school opportunities. At the age of fourteen young Longfellow was sent to Bowdoin College, where he graduated at eighteen. He was a close student, as shown by the testimony of his classmate, the talented Nathaniel Hawthorne, also by the recollections of Mr. Packard, one of his teachers. These glimpses that we catch of the boy reveal a modest, refined, manly youth, devoted to study, of great personal charm, and gentle manners. It is the boy that the older man suggested. To look back upon him is to trace the broad and clear and beautiful river far up the green meadows to the limpid rill. His poetic taste and faculty were already Enlarge Picture apparent, and it is related that a version of an ode of Horace which he wrote in his Sophomore year so impressed one of the members of the examining board that when afterward a chair of modern languages was established in the college, he proposed as its incumbent the young Sophomore whose fluent verse he remembered. Before his name was suggested for the position of professor of modern languages at Bowdoin, he had studied law for a short time in his father's office. The position was gladly accepted, for the young poet seemed more at home in letters than in law.
    [Show full text]
  • 'Troubled Joy' : the Paradox of the Female Figure in Nathaniel Hawthorne's Fiction
    'TROUBLED JOY' : THE PARADOX OF THE FEMALE FIGURE IN NATHANIEL HAWTHORNE'S FICTION by Sciretk ROSEMARY GABY B.A. Hons. Submitted in fulfilment of the requirements for the degree of Master of Arts UNIVERSITY OF TASMANIA NOVEMBER 1984 TABLE OF CONTENTS Page Prefatory Note i Abstract .. ii Introduction .. 1 Background: The Figure of Woman in Nineteenth Century America 5 II Woman's Fatal Flaw: The Tales 25 III Hester Prynne 57 IV Zenobia and Priscilla 77 V Miriam and Hilda .. 96 Conclusion • • 115 Bibliography . 121 PREFATORY NOTE This thesis contains no material which has been accepted for the award of any other higher degree or graduate diploma in any university. To the best of my knowledge and belief the thesis contains no material previously published or written by another person, except when due reference is made in the text of the thesis. (k9)9Acs-\ The style of presentation is primarily in accordance with the MLA Handbook (New York: Modern Language Association, 1977), but some features of style, notably the use of single quotation marks for quotations of words, phrases or short prose passages, have been determined by the Style Sheet of the Depart- ment of English, University of Tasmania. ABSTRACT The figure of woman is of central importance to the whole pre- sentation of meaning in Nathaniel Hawthorne's fiction. In comparison to other writers of the nineteenth century, and especially his male compatriots, Hawthorne grants the female figure a remarkable degree of prominence and significance in his works. His presentation of woman is noteworthy not only for the depth and subtlety with which his female characters are portrayed but also for the unique way in which he mani- pulates the standard female stereotypes to explore through symbolic suggestion the whole purpose of woman's existence and the foundations of her relations with man.
    [Show full text]
  • The Ulysses Sumner Milburn Hawthorne Collection Mss. Coll. #3
    The Ulysses Sumner Milburn Hawthorne Collection Mss. Coll. #3 Scope & Content The papers in this collection of the American author, Nathaniel Hawthorne, were given to the St. Lawrence University by Dr. and Mrs. Ulysses Milburn (Theological School 1891) in 1949. The literary rights to this collection have not been dedicated to the public. The collection, in its entirety, includes not only first editions of all Hawthorne's work, letters, and manuscripts, but also criticism and interpretations of Hawthorne. Included in the collection are 39 letters written by Hawthorne, dating between 1837 and 1863. In addition there are a number of letters written by members of the Hawthorne family and a few by persons associated with the family. The collection includes manuscripts by Hawthorne, members of his family and historical documents. Most numerous among these are the documents related to Hawthorne's business and financial affairs. Also included are prints, photographs, and pamphlets relating to Hawthorne's literary career. The scrapbook compiled by Dr. Ulysses S. Milburn, includes letters, newspaper clippings, speeches, and articles regarding the history of this collection and its donation to the library. In addition to the scrapbook is the original card catalogue made by Ulysses S. Milburn, which enumerates and describes in loving detail the contents of the entire collection, which contain more than twelve hundred items about the life and work of Nathaniel Hawthorne. Additional items include photographs, Milburn correspondence, clippings and magazine articles about Hawthorne. Biographical Information Nathaniel Hawthorne was born in Salem, Massachusetts on July 4, 1804. He was educated at Bowdoin College in Brunswick, Maine, and it was here that he began his literary career.
    [Show full text]