Read Ebook {PDF EPUB} Theater Hopper - Year Two by Tom Brazelton This Week in Webcomics. About a month ago, Tom Brazelton's movie-themed webcomic Theater Hopper had a fire sale to raise funds for producing its third book. I decided to take advantage of the sale and purchase myself the first two print collections, Theater Hopper: Year One and Year Two. For those unfamiliar with it, Theater Hopper is Tom Brazelton's movie-themed webcomic starring exaggerated versions of himself, his wife Cami, and his friend Jared. It updates with three full-color strips a week (MWF) and has been running since 2002, making it the internet's longest-running movie comic. Together with movie-themed webcartoonists Gordon "Multiplex" McAlpin and Joe "Loves Crappy Movies" Dunn, Tom talks movies on the "Triple Feature" podcast every Monday evening. Now, it's one thing to check out a new webcomic; the only investment it requires is time, and if at any point you decide the comic is not worth your time, you just cut your losses and close your browser. But merch is a different ballgame entirely. Before you lay down the cash equivalent of two and a half hours at your day job, you want to know you'll get your money's worth. How can you tell you'll get a quality product? It's not like a trip to Barnes and Noble or Old Navy, where you can see the goods for yourself and actually pick them up. There's a good chance the cartoonist has a photo or two of the goods in his online store, but the difficulty remains: you don't want to get a bum deal. On that note, let's start talking about these books by showing you what you get: Book One includes Tom Brazelton's introduction to Theater Hopper, the first 155 TH strips with creator commentary, 11 guest strips by other cartoonists, and a crossover storyline with Carrington Vanston's concluded webcomic "Movie Punks." Book Two contains a foreword by Tom's wife Cami, 153 more TH strips with further commentary from Tom, several pages of bonus sketches, an index of movies referenced, 7 guest strips (including strips by Joe Dunn, and Scott and Kent from White Ninja. The first thing that struck me when I received the two books in the mail was the presentation. The cover art looks great, ludicrously referencing classic movies 2001 and Ghostbusters II with the TH cast. It's not stellar, but it's solid, and it's clear the creator went the extra mile on the covers. Inside each, you'll find 200+ slick full-color pages of comics, commentary, and additional content. Brazelton openly admits in Book 1's disclaimer that he did not create early strips with print in mind, and while he has tried to restore the artwork as best he can, some strips suffer from fuzzy colors or jpeg artifacts. Still, it's clear he's made an effort to improve the presentation for print, and by Book Two the artwork is largely sharp and snappy. So it looks pretty good--but how's it taste? Overall, it tastes pretty good too. I have to say, though, that Year One suffers in quality, as it would with any comic, simply for being Year One. Theater Hopper's humor style is less of the well-polished comic strip gag, the "craft of the joke," and more of the banter you throw around with your friends. Rather than building up to the punchline with immaculate timing, a TH strip will likely have a handful of funny moments--at least in theory. In early year one, Brazelton is still finding his voice, and some punchlines lack the punch even to carry the strip. The art has similar difficulties, and it cribs a bit from the Penny Arcade stylesheet. It takes several strips before it starts to resemble present-day Theater Hopper in quality. To its credit, though, Brazelton's self-deprecating commentary on each strip in Year One goes a long way. He's utterly transparent about the first year's shortcomings, and the commentary's conversational tone makes the print edition a more personal experience than browsing online. Additionally, the collection contains a collaborative storyline with cartoonist Carrington Vanston that pits TH's Jared and Tom against the protagonists of the comic Movie Punks. The back-and-forth strips in the storyline are some of the book's strongest material and do a lot to add to its value. Plus, the first book contains this strip. I laughed out loud right in the airport lobby at that one. By Year Two , Brazelton is really getting a feel for his comic. The humor's more solid, the art is more solid. There are a number of inspired sight gags on par with the "small cola" comic referenced above, plus an increased predilection for off-the-wall storylines that develop several jokes on a theme, such as the introduction of "Goth Jared" (whom Comic Tom has apparently encountered before). TH story arcs (at least in these two books) often begin in the middle, unexpectedly, with no explanation and perhaps even the suggestion of some backstory that is never explained. I like it, and I think it works. But I digress. It's also worth noting that I didn't find the humor to be at all dated. With a movie-commentary comic, it's always a danger that comedy value will decrease as the humor ceases to be topical, but not so here. Theater Hopper doesn't stray too far from the mainstream movies and actors that we all know and love to make fun of, so you'll have no problem recalling relevant films from 2002 to 2004 as you're reading. There were a few isolated cases where the commentary had to explain the joke, which of course kills the joke, but these are the exception. So, what's the final verdict? Was it worth my ten-bucks-per-book? Overall, I think so. I found the books to be entertaining, and I got a different experience than the kind the TH site offers for free. A 200-page book with extensive full-color artwork is the kind of thing you'd usually pay upwards of $20 to $30 for, and I got two of them for this price. Compared to Year Two, Year One is rather lacking, and perhaps a better purchase for TH fans than for newcomers to the comic--TH: Year Two makes the better introduction. Even though I'm not a huge movie enthusiast, I enjoyed both books. With the holidays coming up, TH: Year Two could be a good purchase for any friend or relative who's way too into movies. If you're thinking of getting either book for yourself, you can always sample Tom Brazelton's humor for free at TheaterHopper.com to figure out if it's your style of comedy. Apparently, the two books are still selling at the fire-sale price of $9.99 each. It's also worth noting that the third book is available for pre-order, and from the preview provided, it appears to raise the bar even higher for quality. Theater Hopper Volumes 1 and 2 are available for purchase in the Theater Hopper store. LATEST NEWS. Theater Hopper is a webcomic about all things movies written and illustrated by Tom Brazelton. Starring Tom, his wife Cami, and friend Jared, Theater Hopper perfectly captures Tom's own feelings and reactions to recent and upcoming movies in a way that will easily have you laughing out loud. Updated every Monday, Wednesday, and Friday and featuring a blog post written by Tom, this is the comic that every movie-lover out there won't want to miss. The latest comic and blog has been posted below. #790 - A Cycle of Atomic Wedgies. In Wednesday's blog I talked about today's comic being a continuation on our discussion of the subjectivity of comedy. I'm also aware that I mentioned Tom would be on the receiving end of additional come-uppance for his negative comments toward Witless Protection and fans of Larry the Cable Guy. Then I hit on this idea of a perpetual cycle of abuse involving atomic wedgies and I had to go that route. Jared's opinion of Will Ferrell has been stated once before and the outcome was similarly disastrous. So it's nice to revisit that motif while maintaining continuity. Back to our conversation about subjectivity in comedy… It's not really fair for me to pick on fans of Larry the Cable Guy because I am a die hard Will Ferrell fan and am waiting in breathless anticipation for his new movie Semi-Pro , coming out next Friday. In my rational mind, I know that this is just another dip in the same well for Ferrell. Again he plays a paunchy, unwieldy sports start who fancies himself God's gift to women. It's a character we've seen him play several times before and the odds of diminishing returns are stacked against a film like Semi-Pro because there's only so many times you can do the same thing before audiences get bored. Just as Mike Myers . It's somewhat depressing to me that Ferrell chose to make Semi-Pro so soon after Blades of Glory . Considering the range and emotional maturity he displayed in Stranger Than Fiction , I had kind of hoped he would be more attracted to those kinds of roles and that he would "return to his roots," so to speak, only when it was financial necessity or if he had to raise his profile a little. I think fans like me are never going to get tired of his buffoonish persona. But good things come in small doses. I mean, both Old School Dos and a potential sequel to Anchorman are in the works. That'll keep me happy for the next 10 years. But don't lower your stock by putting out a half dozen sports comedies in the meantime. Excuse me. I slid off into a rant. My point (contrary to the tone of the last few paragraphs) is that I LIKE Will Ferrell. I like him a lot. I like him to the detriment of my own time, money and patience. I like him to the point that I will see him in nearly any movie he's in just for a glimpse of something brilliant or some quotable line that I'll be regurgitating for the next two weeks. You're talking to the guy who saw Ferrell's remake of Bewitched IN. THE. THEATER! So, in other words, I probably shouldn't be throwing stones at the Larry the Cable Guy fans. That's all I've got for now. QUICK REMINDER - Me and The Triple Feature crew will be doing a special post-Oscars broadcast Sunday night at 11:00 PM CST. We're going to give your our gut reaction to the awards ceremony while it's still fresh in our heads. What do we think of the winners? Who got screwed? Who's wearing the prettiest dress? All that jazz. Then, Monday, we're doing our regular show at our regular time with a more in-depth discussion of the Oscar telecast while we take your calls. For those of you who don't know (maybe those of you reading this post over at FirstShowing.net ), The Triple Feature is a podcast that I host every Monday night with two of my web comic buddies. Both of my friends write and draw their own movie-related webcomics. Joe Dun from Joe Loves Crappy Movies and Gordon McAlpin from Multiplex. We've known each other for a few years, have hung out at conventions together and then in late 2006 decided "Hey! We all like talking about movies! Let's start a podcast!" We host our podcast at TalkShoe.com and we love it because it allows us to record our show in real-time while accepting calls from listeners and fielding discussion topics in the same-time chat field they offer. If you've never listened to a podcast through Talk Shoe, you should give it a try. We love communicating with our listeners and love it when they call in to ask us questions! Sign up now so you'll be ready for the next two shows! So, remember - post-Oscar show at 11:00 PM CST Sunday and full recap of the Oscars Monday at 9:00 PM CST. Mark it down on your calendars and we'll see you then! Have a great weekend, everybody! If you're new to Theater Hopper, you can visit the archives to catch up on all of the past comics. New updates will run here on FS.net every Monday, Wednesday, and Friday . The official site for Theater Hopper is located at: theaterhopper.com. Find more posts: Webcomic. Discover more around the web: 3 Comments. no offense Tom, but Ferrell is about as funny as a smoldering Cleveland Steamer. the trailer for SemiPro tells me it is going to be 2 hours of dick jokes that wouldnt make an eighth grader laugh. but to each his own. the atomic wedgie is great though. cornholio_by_the_sea on Feb 22, 2008. No offense taken, Cornholio. Like I said, I enjoy Farrell almost despite myself. Everyone has a comedian out there that just hits the right nerve. For whatever reason, Farrell is my kryptonite! LATEST NEWS. Theater Hopper - March 12: Books Need An A.V. Output. Theater Hopper is a webcomic about all things movies written and illustrated by Tom Brazelton. Starring Tom, his wife Cami, and friend Jared, Theater Hopper perfectly captures Tom's own feelings and reactions to recent and upcoming movies in a way that will easily have you laughing out loud. Updated every Monday, Wednesday, and Friday and featuring a blog post written by Tom, this is the comic that every movie-lover out there won't want to miss. The latest comic and blog has been posted below. #798 - Books Need An A.V. Output. Some of you aren't going to like this comic because it doesn't reference anything specifically movie-related. Some of you will be annoyed that you have to read Monday's comic to even understand the reason why Tom is in a library in the first place. I say, "I don't care. This one is for me." Sometimes it's just fun to do something random and paint Tom as more stupid than usual. "Too stupid to live," I believe is the phrase. Hey, if the writers of The Office can have Michael drive into a lake because a GPS in a rental car told him to, I can get away with having Tom insist literature come with an A.V. option. Face facts, there aren't that many interesting movies hitting the multiplex in the next few weeks. March looks like an unusal dry spell. We talked about this curious fact during Monday night's broadcast of The Triple Feature podcast. Yet, we were still able to fill an hour full of rich, buttery movie discussion. You should download it and give it a listen if you haven't already. It was a good show. We didn't have a lot to talk about in terms of new movie releases, but we had fun talking about some of the latest DVD releases and the new Speed Racer international trailers. Fun times! Not much else to report from Casa de Brazelton except today is my last day at my 9 to 5 job. I performed as a web designer for an insurance agency for the last 5 and a half years. I found another opportunity doing web work for a larger insurance company and I start that job on the 24th. What does this mean to you? Maybe not as much as it does to me. Admittedly, I've been stressed the last week. But I'm taking some time off before starting the new gig and that means a site redesign I've been kicking around since last October might finally see the light of day before the end of the month. Theater Hopper will become my 9 to 5 for the next week. So in addition to dedicating myself to the redesign (which includes integration with WordPress, I might add), I'll also be working on a few DVD reviews to post here to the front page. So keep your eyes peeled for those! In the meantime, I'm wrapping up my job duties today, celebrating with my soon-to-be-former co-workers tonight, swinging by the comic book shop to pick up a few books on the way home and getting ready to see Henry Rollins perform a spoken word show here in Des Moines tomorrow night. Did I mention the first wave of Iron Man toys that tie in to the movie hit shelves today? The next few days are going to be sweet. See you here Friday! If you're new to Theater Hopper, you can visit the archives to catch up on all of the past comics. New updates will run here on FS.net every Monday, Wednesday, and Friday . The official site for Theater Hopper is located at: theaterhopper.com. Find more posts: Webcomic. Discover more around the web: 8 Comments. I thoroughly adore FS.N. It's my one-stop shop for all celluloid developments. As a comic book writer and film lover however, I find it hard to enjoy Theatre Hopper. It's not big. It's not clever. It's not well drawn. That said Tom, you're probably a fine web designer and I wish you the very best with your new position. Mrbobbyboy on Mar 12, 2008. I don't really know why you feel the need to point this out? "It's not big?" What does that even mean? If you don't like it, I'm sure you can overlook the entries, just as you might overlook the entries about films you're not interested in. Is it really screwing things up for you that much? Tom Brazelton on Mar 12, 2008. Tom's right, there's no need for you to make a negative statement like that. You can certainly choose not to read Theater Hopper, but it's a comic I love and one that I love to feature here on the site. We're glad to have you as a reader, but please keep negative comments like this to yourself. Alex Billington on Mar 12, 2008. I have no problem with the comics themselves, but I don't understand the need for the huge essay after each one explaining why you wrote what you did, why it's relevant, and why it's funny. Ultimately, a comic should work within the frames, and not need some prologue to explain it. The thing that I find so odd, is that your comic does work within the frames, it's never confusing and doesn't need the explanation. You don't need to make excuses for why you've written something, you're the artist, just be confident with what you're saying. And never preface anything with "Some of you aren't going to like this comic". If you truly "don't care", you wouldn't be writing about it. Jon on Mar 13, 2008. amen Jon. I think the explanation lessens the artfulness of the comic. it should speak for itself. and to some extent the volume of text scares me off. I feel like I'll only get the strip if I read the entire post, and at that point I turn away. just my two cents. but I like it being a part of FS.net. d on Mar 13, 2008. Jon nails it on the head. This is not a strip that requires a preface or a suffix. There are no bones to which you'll ever need to add meat. And not understanding my remark "It's not big" (even when connected, by the proximity of a fullstop, to the line "It's not clever") only serves to further highlight the issues present. I'm no hater, never have been, and I'm glad you guys are all one big happy family. But can you really argue with any of the points I made? Honestly? Theater Hopper. Theater Hopper (or simply TH) is a webcomic based on a movie fan (Tom), his wife (Cami), and their friends. It debuted August 5th, 2002 and is written and drawn by Tom Brazelton. In 2003, Theater Hopper became a member of the Dayfree Press Webcomics Network, but in 2005, moved to the Boxcar Comics collective. Two book collections have been released, Theater Hopper: Year One and Theater Hopper: Year Two . Contents. Humor Style. The majority of Theater Hopper strips lean towards the gag-a-day style of joke telling, usually either focusing on a specific movie or set of upcoming releases, or making an all out parody of a classic film. During the slow release times however, the strip has been known to shift gears and allow a longer more involved story to unfold, such as the introduction of the character Charlie or the unfortunate circumstances surrounding Jimmy losing his job. Schedule. The schedule of Theater Hopper is the common webcomic schedule of Monday, Wednesday and Friday every week. Since its creation, Brazelton has usually ensured a strip is up every one of these days, although occasionally with guest comics from comic creator peers such as Mitch Clem, Ryan Sias, Joe Dunn and others. Starting on April 23, 2007, Brazelton announced that the site would go through a major change. Comics would only be updated on Wednesdays, with sketches rounding out the remaining schedule days. His life, job, and new family were the reasons for the change. He also planned to round out the changes with movie reviews, until his son grows a little older. However, as of late, not only has Brazelton been fulfilling his Monday, Wednesday, and Friday webcomic updates, but he has also been posting occasional movie reviews in addition to the standard three comics a week. Tom Brazelton. Perfect Paperback. Condition: Good. Satisfaction 100% guaranteed. Theater Hopper - Year One. Tom Brazelton. Published by Aardvark Global Publishing, 2006. Used - Softcover Condition: Good. Perfect Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ThriftBooks: Read More, Spend Less. Theater Hopper: Year One. Tom Brazelton. Published by Aardvark Global Publishing Company, LLC, 2006. Used - Softcover Condition: Very Good. Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Theater Hopper: Year One. Tom Brazelton. Published by Aardvark Global Publishing Company, LLC, 2006. Used - Softcover Condition: VERY GOOD. Perfect Paperback. Condition: VERY GOOD. Light rubbing wear to cover, spine and page edges. Very minimal writing or notations in margins not affecting the text. Possible clean ex-library copy, with their stickers and or stamp(s). Theater Hopper - Year Two. Tom Brazelton. Published by Aardvark Global Publishing Company, LLC, 2006. Used - Softcover Condition: VERY GOOD. Perfect Paperback. Condition: VERY GOOD. Tom Brazelton (illustrator). Light rubbing wear to cover, spine and page edges. Very minimal writing or notations in margins not affecting the text. Possible clean ex-library copy, with their stickers and or stamp(s). Theater Hopper - Year Two. Tom Brazelton. Published by Aardvark Global Publishing Compa, 2006. Used - Softcover Condition: Good. Perfect Paperback. Condition: Good. Tom Brazelton (illustrator). Satisfaction 100% guaranteed. Theater Hopper: Year One. Tom Brazelton. Published by Aardvark Global Publishing Compa, 2006. Used - Softcover Condition: Good. Perfect Paperback. Condition: Good. Connecting readers with great books since 1972. Used books may not include companion materials, some shelf wear, may contain highlighting/notes, may not include cdrom or access codes. Customer service is our top priority!. Theater Hopper: Year One. Tom Brazelton. Published by Aardvark Global Publishing Company, LLC, 2006. New - Softcover Condition: New. Perfect Paperback. Condition: New. BRAND NEW, Perfect Shape, No Remainder Mark,Fast Shipping With Online Tracking, International Orders shipped Global Priority Air Mail, All orders handled with care and shipped promptly in secure packaging, we ship Mon-Sat and send shipment confirmation emails. Our customer service is friendly, we answer emails fast, accept returns and work hard to deliver 100% Customer Satisfaction!. Theater Hopper - Year Two. Tom Brazelton; Tom Brazelton [Editor]; Tom Brazelton [Illustrator]; Published by Aardvark Global Publishing Company, LLC, 2006. New - Softcover Condition: New. Perfect Paperback. Condition: New. Tom Brazelton (illustrator). BRAND NEW, Perfect Shape, No Remainder Mark,Fast Shipping With Online Tracking, International Orders shipped Global Priority Air Mail, All orders handled with care and shipped promptly in secure packaging, we ship Mon-Sat and send shipment confirmation emails. Our customer service is friendly, we answer emails fast, accept returns and work hard to deliver 100% Customer Satisfaction!. American Wines. Schoonmaker, Frank & Marvel, Tom. Published by Duell, Sloan and Pearce, New York, 1941. Used - Hardcover Condition: Near fine. Hardcover. Condition: Near fine. Dust Jacket Condition: good. Julian Brazelton (illustrator). first edition (stated). NF in G DJ. First edition (stated). Relatively scarce thus. Minimal signs of wear to exterior, binding solid and straight, bookseller sticker on inside back cover, else interior clean and unmarked. Jacket (with $2.50 price showing) has chipping at edges (including sizable chip out of top edge of front cover) and signs of general wear, else intact and in good shape. Excellent example in a nice jacket. 1941 book reviews of this title laid in. American Wines. Schoonmaker, Frank, and Tom Marvel. Published by Duell, Sloan and Pearce, New York, 1941. First Edition Signed. Used - Hardcover Condition: Near Fine Book. Maroon Cloth. Condition: Near Fine Book. Dust Jacket Condition: Very Good DJ. Julian Brazelton (illustrator). First Edition [stated]. 312 pp. Bright and clean, just faint signs of usage but has a 1/4" pull tear at top of spine of book and DJ. Dust jacket not price clipped, 1" deep x 1/4" wide chip at top of front spine fold, 3/4" tear and small accompanying V-chip at top of rear spine fold, wear and small losses at other corners, a few short closed tears at edges, none of which affect lettering or design. Signed by Tom Marvel on the half-title, and with a "With the Compliments of the Publishers" slip laid in. Also with a postcard from Schoonmaker and Marvel, discussing their wine tasting and wine-buying trip in Europe, signed by both, and dated in 1946. Signed by Author(s). Thought Objects : Just Another Asshole, No.7. Barbara Ess, Glenn Branca, Alice Albert, Vikky Alexander, Al Arthur, Lynne Augeri, Judith Barry, Ellen Brooks, Brian Buczak, Susan Britton, Alan Belcher, Tom Brazelton, Glenn Branca, Dara Birnbaum, Ellen Carey, Jim Casebere, Catherine Ceresole-Bachman, Sarah Charlesworth, Myrel Chernick, Nancy Chunn, Glegg & Guttman, Ellen Cooper, Mitch Corber, William Coupon, Paula Court, Peter Cummings, Roger Cutforth, Dorit Cypis, Mararet Dewys, Lea Douglas, Sara Driver, Nancy Dwyer, Bradley Eros, Aline Mare, Bart Everly, Stephen Frailey, Matthew Geller, Joe Gibbons, Mike Glier, Nan Goldin, Robert Goldman, Jack Goldstein, Dan Graham, Rodney Graham, Rudolph Grey, Susan Hanel, Sam Marshall Harvey, Steven Harvey, Marilyn Hawkridge, Geoff Hendricks, Susan Hiller, John Hilliard, Becky Howland, Ulli Rimkus, Peter Hujar, Peter Hutton, Glenda Hydler, Gary Indiana, Jeffrey Isaac, Bill Jacobson, Jim Jarmusch, Tod Jorgensen, Daile Kaplan, Peggy Katz, Christof Kohlhofer, Silvia Kolbowski, Barbara Kruger, Beth L. Published by CEPA / JAA Press Buffalo / New York, NY / NY, 1987. Used - Softcover. 21.5 x 21.5 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Artists' publication edited by Barbara Ess and J.M. Sherry. Contains photographs by Barbara Ess, Glenn Branca, Alice Albert, Vikky Alexander, Al Arthur, Lynne Augeri, Judith Barry, Ellen Brooks, Brian Buczak, Susan Britton, Alan Belcher, Tom Brazelton, Glenn Branca, Dara Birnbaum, Ellen Carey, Jim Casebere, Catherine Ceresole-Bachman, Sarah Charlesworth, Myrel Chernick, Nancy Chunn, Glegg & Guttman, Ellen Cooper, Mitch Corber, William Coupon, Paula Court, Peter Cummings, Roger Cutforth, Dorit Cypis, Mararet Dewys, Lea Douglas, Sara Driver, Nancy Dwyer, Bradley Eros, Aline Mare, Bart Everly, Stephen Frailey, Matthew Geller, Joe Gibbons, Mike Glier, Nan Goldin, Robert Goldman, Jack Goldstein, Dan Graham, Rodney Graham, Rudolph Grey, Susan Hanel, Sam Marshall Harvey, Steven Harvey, Marilyn Hawkridge, Geoff Hendricks, Susan Hiller, John Hilliard, Becky Howland, Ulli Rimkus, Peter Hujar, Peter Hutton, Glenda Hydler, Gary Indiana, Jeffrey Isaac, Bill Jacobson, Jim Jarmusch, Tod Jorgensen, Daile Kaplan, Peggy Katz, Christof Kohlhofer, Silvia Kolbowski, Barbara Kruger, Beth Lapides, Louise Lawler, Thomas Lawson, Annette Lemieux, Greg Letson, Daniel Levine, Nancy Linn, Carla Liss, Rik Little, Ken Lum, Meredith Lund, Mark Lyon, Francie Lyshak, Rona Patrice Lytkens, Frank Majore, Gianfranco Mantegna, Sheila McLaughlin, Allan McCollum, Paul McMahon, Richard Morrison, Matt Mullican, Peter Nadin, Peter Nagy, Joseph Nechvatal, Gary Nickard, Mike Osterhout, Carol Parkinson, Victor Poisontete, Virginia Piersol, Jeffrey Pittu, Richard Prince, John Rehberger, Bill Rice, Walter Robinson, Jon Rubin, Arleen Schloss, Kathleen Seltzer, Laurie Simmons, Teri Slotkin, Kiki Smith, Michael Smith, Studio Melee, Jim Sutcliffe, Karen Sylvester, Lynne Tillman, Diane Torr, Anne Turyn, Gail Vachon, Sokhi Wagner, Jeff Wall, Tom Warren, Oliver Wasow, James Welling, Sally C. White, Robin Winters, Dan Witz, David Wojnarowicz, and Michele Zalopany. Essays by Rosetta Brooks, Tricia Collins, Richard Millazzo, John Hilliard, Gary Indiana, Cookie Mueller, David Rattray, Carol Souiers, Amy Taubin, and Lynn Tillman. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 216 and 218. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 269. Very Good. Rubbing of cover edges and light scratching of covers. 2 mm. bumping of page edges. 1.6 cm. pencil marking on corner of title page. Contents otherwise clean and unmarked. Tell us what you're looking for and once a match is found, we'll inform you by e-mail. Can't remember the title or the author of a book? 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